Happy New Year and Planning for a Great 2018

 

Happy New Year everyone!  I really want to thank those of you who read my blog for sticking with me this year.  I am planning on doing more how-tos, reviews, and showing progress on my quilts this year.  I am expecting and declaring that 2018 will be one of the best from start to finish for me, my family, and all my friends. 

I have a lot of fun planned for 2018 and I want to share the quilting/sewing part of it with my readers.  I’m putting this in a list format and we’ll talk more about these over the next few months.

Two Quilt Shows I’m planning to attend.  Will you be there?

  • Mid Atlantic Quilt Festival 22 Feb-27 Feb.  I’m hopeful of having my current quilt in this show.  I’m also hoping one of my friends will be accompanying me.
  • International Quilt Festival in Houston, Nov 7-11.  Again, I am working on a quilt for this show.  We’ll see if I make it on time.  But I also am planning on entering Pendragon in this show.

Classes/Workshops I’m Developing…Not sure where or even if these will happen, but I’ll let you know along the way:

  • Basic free motion quilting for the new sit-down quilter
  • (Intermediate) Organic Free Motion and Other Quilting
  • A Demo-Lecture on Surface Design and Embellishment for Fabric Art
  • Machine Applique…Multiple Methods and When to Use Each One
  • Make a Quilted Bag

Books already started I hope to finish:

  • Quilting for Fabric Art
  • Machine Applique…Multiple Methods and When to Use Each One
  • Surface Design and Embellishment for Fabric Art

And most importantly quilts I am making or hope to make in 2018:

  • The one for MAQF (it’s a secret until after the judging, then I will blog about it)
  • Bayou quilt based on Joel Christopher Paynes artwork I bought the right for one quilt
  • A fourth, and possibly fifth, deep space quilt.  I hope to get the fourth one made for MQX East to celebrate its space theme
  • I have a bunch more show quilts, so we will see what I manage to make beyond the three above.
  • Several utility quilts, including one for my own bed and periodically make up a fast charity quilt.
  • I have dropped two sizes in 2017, still have a long ways to go, but I need to make a few nice new clothing items for me.

Sew Happy in the New Year Everyone!  May your dreams be met, your life be full of love, and your year fun and simply lovely!

By the way, I need some funds to help me keep my dreams for 2018 going, so I am hoping to sell several of my quilts this year to finance my attending the Houston show and keep me in stitches (LOL) and make room in my house for more.  You can see which ones on my website gallery…just scroll over the quilt and you can see the price and size.  Contact me if you are interested in one and maybe we can work something out that suits your budget.  I’ve instituted a lay away plan for the quilts.

 

 

Working with My Bernina Q20 and New Attachments

MERRY CHRISTMAS EVERYONE

As many of you know, I am racing to meet a deadline for a show quilt for the Mid Atlantic Quilt Festival, a quilt I had not included in my business plan for 2018.  In spite of a major mistake I made that required that I basically start over with the quilt, I have met my goal of getting the top complete and the quilt sandwiched and ready to quilt by Christmas.  In fact, I started the quilting yesterday, but not before I installed a new interesting attachment on Fritz, my Bernina Q20 sit down longarm.  It is a laser light pointer that puts a red laser light point exactly where the needle will come down.

I gave this new attachment to myself for Christmas in celebration of my dear late husband Marvin.  He always gave me the most wonderful presents.  One of the ways I have learned to deal with Christmas since his passing fifteen years ago is to give myself a nice present as if it came from him.  I miss him as much all these years later as I did the first Christmas after he passed.  Strong, solid, reliable, loving, brilliant, and fun to be with was my Marvin.

Sew I got my new show quilt all sandwiched with one layer of thin polyester batting and one of wool batting.  Using the newly-installed laser pointer, I spent most of yesterday afternoon and about five hours today quilting.  I have a fair amount of appliques on this quilt and some challenging designs planned for the quilting.  So far, I love the pin-pointer in mode 1 (on all the time I stitch), and Fritz is working like clockwork despite all the challenging threads I am throwing at it.

I started by stitching in the ditch and around the appliques (and no the star pictured at the top is not in the quilt) with Superior’s superb monopoly…so thin…so strong…nearly totally invisible and not very shiny like other monopolies.  Truly, handling this thread is like I imagine sewing with spider webs or something equally hard would be, except it doesn’t break once you get all the tensions and needles correct (I used top tension 1.75, bobbin is Superior Bottom Line 60 wt polyester set at 180 tension, and an Organ 75/11 titanium embroidery needle).

The laser light pointed the way.  I was able to stitch amazingly accurately and extremely close around those appliques.  I used the Q20’s BSR1 (stitch regulator mode 1) and the kickstarter that allows me to stitch without pressing the pedal.  I love the kickstart.  I didn’t at first, but now that I am really use to it, I use it nearly all the time for all the work I do at Fritz.

I then did some detail work within one of the appliques that truly brought it to life, with the laser pointer aimed at the chalk marks I had marked on the applique.  The monopoly was perfect for this, because I had painted the applique and free motion embroidered it.   I did not want to impact the free motion embroidery but I did want to quilt in the trapunto.  I had added an extra layer of wool batting behind the applique to give it that trapunto fill. I am very happy with it.  I haven’t yet done the detail for any of the other appliques.

So I then switched to metallic thread.  Metallics are known to be troublesome, but today Fritz was happy to play.  The metallic stitching I have done so far was just plain wonderful.  It is ruler work, stitching along several long marked lines.  The laser pointer works great with ruler work, pointing exactly where the stitch will go, so lining up that quarter inch, which is sometimes a little elusive, is no problem at all.  However I did find that the #72 ruler foot works better with the laser pointer than the #96.  The 96 has a diagonal fill in the center to help you place the needle that makes the laser point difficult to see if you are not leaning over it more than I do.  The 72 has an empty center, and that works just great.  For ruler work I use the BSR2 (stitch regulator designed for ruler work that moves when you move and stops when you stop, but sometimes it will take a stitch if it detects even a small amount of movement).  For metallic thread I set a top tension of 2.5, and use Bottom Line with the same 180 tension.  I also thread it so it runs across that little silicone liquid pad thingy.  In fact, I did that for both threads.

I have, in the past, had metallic thread stitch through a tiny tiny bit regardless of how hard I tried to get that perfect, causing judges to fuss about my tension.  For this quilt so far, this is not happening.  The tension appears perfect to me on both sides of the quilt. I’m really happy because I didn’t want to put metallic in the bobbin.  If the judges say I have tension issues on this quilt, I will just have to think they have some kind of special vision.  LOL

Sew my next challenge for the laser pointer light and Fritz are the complex pictographs I have to quilt on the quilt.  At least one of them will be stitched in metallics.  Then I still have to decide how I am going to stitch the background…I have an idea developing, but it will be a big challenge for me.  Still, if I can carry it off, I think it will be a wonderful quilt.  It’s so very much fun though.  I really recommend the laser light pointer and the use of the kickstarter if you have a Q20.  I also bought the echo circle attachments for the #72 foot that I am planning on using on this quilt.  I’ll give a review of their use when I get to that.

Sew happy everyone!  Try something new and don’t be discouraged if you have to spend some time learning it.  Merry Christmas to all and to all a good night.

Sunday Musings on Quilts

I don’t have a large number of ribbons from the big shows like some of my quilty friends do, but I do have a few.  Several of them center around surface design, color choice, and embellishment.  I got to thinking about that recently and  I decided that I am really more of a fiber artist than I am a quilter and wondering if that impactsthe ribbon worthiness of my quilts.  True, I have struggled to learn the things one must pay attention to as a competition quilter, such as nice square corners and even quilting, but I am far more interested in the overall look of the art of my show work than I am the overall quilting techniques.  When i am doing the actual quilting, I might take a more organic freestyle pattern over a more formal design pattern simply because I think it corresponds best to my quilts.  One of my quilts recently received “quilting needs to improve” from a judge, when I was thinking it was one of my best results because it looked like the wind to me.  Maybe that’s not what they meant.  I don’t know.  I wish they had said what they meant.

Drawing Nigh, completed 4/17/2016, 39.5 x 44.5 “Quilting needs to be improved.” Original design by BJ

Sky quilting

I regard “making a quilt” as an entirely different activity than “making an art quilt” or to the extreme of “making a competition art quilt”.  I love warm cuddly love-filled quilts that one can curl up in, drape over a lap, eat a picnic on, give to your pet, or cover your bed with.  I enjoy making them.  I just would never make one for a competition quilt.  Why, you ask?  Well, because I am not that good at it.  I have been to enough quilt shows to see those fabulous traditional or even contemporary perfections.  But I am really good at making a piece of fabric art in the form of a wall quilt. Still, I do make snuggle quilts, but I usually use only piecing and applique and perhaps a little bit of embroidery.  My points aren’t always good, and things just never quite look right, but they are fun and pretty.

I love joining my computer art, hand painted art, thread painted art, composition fun, color play, and even my love of history or space together in a piece of quilted art for the wall.  In my enthusiasm to get the look I want, I draw from whatever technique I think will work, sometimes resulting in a project with piecing, applique, hand painting, digital art on fabric, thread painting, machine embroidery, quilting, beading, hot fix crystals, and some additional elements on one single piece.  Does it work?  Well, it works for me, not always for judges, apparently.  LOL

detail from one of my deep space quilts with Angelina Fibers and hot fix crystals quilted over a lightly painted background.

Sew what do you think?  Is a piece of quilted wall art actually a quilt?

Sew happy everyone!  Make that quilted piece you love.  Merry Christmas and Happy Hanukkuh!

 

 

 

 

To Prewash or Not to Prewash, That Is the Question

Color Swirl by Kevin Tatum (my grandson) using Corel Painter.

Any quilter who follows quilting-related social media is probably well aware of the frequent discussions about whether or not to prewash one’s fabric before starting a new project.  Why should one ever want to wash that nice crisp fabric with a good finish?  I’ve heard many a quilter say they don’t  always prewash their fabric.  So why should one prewash?

I came into quilting following decades of fashion sewing.  In fashion, it is always always necessary to prewash washables, or do whatever needs to be done to preshrink the fabric before making it into a beautifully fitted garment that could shrink or change the hand of the fabric when washed, cleaned, or steam ironed.

When I was a young woman I made the most beautiful two piece dress from a drapey rayon challis that I did not prewash because I was anxious to complete the outfit in time for a special event.  I did wear it to that event, and a couple of times after that.  But then it had to be cleaned and I hand washed it in cold water.  I loved that outfit.  It was flattering and beautiful and I had done an exceptional job making it.  When I washed it, it shrank multiple sizes despite the cold water and line drying.  I was astonished.  I was distressed.

I, too, love the look and workability of fabric direct from the store.  Once in a while I have made a small item without washing it.  But on occasion, when pressing something with a strong color and using spray starch or spray water, the color from the fabric migrated to my ironing board cover.  Sometimes that happens even to prewashed fabrics.  The worst colors for this are red, browns with red in them, purples with red in them, and some greens.

I prewash everything washable now, even it it is going in a quilt I will not wash when completed.  I even prewash most silks albeit by hand.  Sometimes, I even wash fabrics twice if they are dark reds or some color that uses dark reds.   On rare occasions, I have been very disappointed when they came out of the wash, because they faded badly or changed the fabric hand in some way to make it seem less desireable.  But I figure it is far far better to find this out about the fabric BEFORE I put all those hours into making the quilt than after.

Prewashing is not only important to prevent bleeding when blocking a quilt, but fabrics shrink at different rates. Differences in the tightness of the twist of the thread when spinning,  the thread count, where the cotton was grown, and the dying and finishing processes can all affect the amount of shrinkage.  This means that soaking/washing the quilt might cause the pieces to become misshapen.  It could cause your perfectly pieced quit top to no longer be perfect, and your appliques to slightly misshape.  It might be so slight you wouldn’t be able to figure out just what happened.  Why does your quilt have a wave now when you were sure it didn’t before?  Why is there a bump in that part of the quilt when you hadn’t seen it before?  why is there a wiggle in that center section that you thought was really straight.  Of course, a lot of that can be corrected in blocking, but if you had prewashed everything, it may be possible these things don’t happen.  Of course, it might just be you hadn’t seen it before.  LOL

So after the fabrics are washed, I will often iron them with spray starch (starching on the wring side to prevent flakiness).  Once that is complete, the fabric is nice and crisp and ready to place in the quilt.  The colors are true to what they will be when blocked.  Despite the time it takes, I encourage you to prewash and iron your fabric before you start your quilt.

One more thing. If you DO have a bleed on your beautiful quilt, the best advice on fixing it that I have ever seen comes from Vicki Welsh in her blog here.

Sew happy everyone.  Have fun working on your Christmas/Holiday projects.

Decided to Make an Additional Show Quilt

I’m working on a new show quilt with a January 23rd deadline.  I started it too late, so it will be a bit of a race to finish on time.  But the thing is, I am really having fun making it.  I am making it mainly so I have something to enter into Mid-Atlantic Quilt Festival because I suddenly realized I had nothing for that show and I have already made arrangements to go to it.  I won’t be sharing pictures or descriptions about it until after its debut.  I put aside the Bayou quilt I am making for a while, because the deadline for it is months later next summer.  This new quilt is going together mostly just from my idea and directly on the quilt, because I wanted to keep the design time very short.  I just made a concept sketch and plunged in, using fabrics I already had on hand and, surprisingly, I have already made a fair amount of progress.  I had an interesting idea for it that required one piece of fabric I didn’t have, so I ordered that.  Everything else is on hand.  So there you go, I have already greatly shortened my usual design time and eliminated the shopping time for this quilt.  This probably means I will finish it, although it is touch and go.  I’m keeping anything about what it is like quiet because I want to give it the best chance possible.  Now that I have been playing around in the quilting community for a while I find I know a lot of the judges, as is the case for MAQF.  They also frequently know my quilts.  I’m sure this is true with other show quilters out there.  Maybe I can make one that they won’t recognize as mine. 

A quilt project like this makes it hard to write blog posts on a regular basis.  Additionally, the Bayou quilt also has some restrictions on sharing pictures of it for the most part until completion, at least.  Nevertheless, trust me when I say it is all fun right now. I’ve gotten both quilts fairly well started and over some of the beginning problems I had for both of them. 

A Question for my readers:

Over the decades I have accumulated a lot of sewing and quilting knowledge.  I’ve sometimes thought I am a techniques collector just for the heck of it.  LOL.  Sew my question to my readers, assuming there are any, is what would you like me to blog about? I can provide some short tutorials, answer how to questions, and talk about quilty things.  I will use your responses to write my blogs while I’m working on these two quilts.  Please respond.

Sew happy everyone! 

 

 

 

 

 

 

A Sewing Machine and Design Software Fan

Gibbs at work.

Make no mistake, I love my machines and enjoy using my various pieces of design software to help me create art quilts, or just to sew, or just draw, paint, and design digitally.  It’s more than a hobby.  It’s my fun and my full time occupation, though I hardly make much money from it.  Indeed, I spend more than I make at this point.  It would be great to turn that around, especially since I periodically do things to update, add to, or improve my fleet of machines and suite of software because I think it is the right thing to do,

Oh, did I tell you?  They have a new pin point laser light attachment for Fritz that shows exactly where the needle will enter the fabric to help with precision quilting and free motion thread work.  Awesome!  I ordered one (they had a 25 percent off offer).  LOL  I need all the help I can get making my quilting sing.  Last week, I also updated my Electric Quilt to EQ8 (they had a great offer).

Sew now that we have clearly established that I spend too much on my super hobby and I make too little with it,  I keep thinking how I can turn this situation around and start making at least enough to support my quilt-making habit, and even have some for trips to places like Houston or Paducah for the big shows.  For example, I just updated my website gallery last week so you can see my quilts better and see what the sizes and prices are for those that are on sale.  By the way, the exhibit of my quilts is still going on at G Street Fabrics in Rockville, Maryland, where most, not all, of my quilts are on display through Thanksgiving if you have a chance to go.

Most of you probably know I am a Bernina girl.  I love Berninas.  I have four of them right now, but I am selling my Bernina 1230 to my student/apprentice,  Anita is one of my best friends, a true beginning quilter, and I am teaching her to quilt and improve her sewing, and to use the 1230 all just for fun.   I also have a Baby Lock Serger (yes, really!!!). Now I reluctantly admit that Baby Lock is also a very good brand, and they make wonderful sergers.  If I had to choose a machine other than Bernina, it would probably be Baby Lock.

My Bernina Q20 named Fritz.

Anyway, when Anita takes home the 1230 once she gets her sewing space set up and completes her initial classes on the machine, this will allow me to have all my machines in their own cabinet (except the serger), which makes my playground just plain wonderful.  It’s wonderful already, in fact, though it needs a little reorganizing and cleaning.  It’s a magical space even if it isn’t all slick and spacious.  I have Gibbs, my Bernina 830 LE in Studio Gibbs (meant to be a small bedroom), where I store the bulk of my quilting stash and have a small kitchen island for cutting and painting and the like.  Gibbs has a very large custom cabinet that can be a nice big work table if I simply move Gibbs.  I also have Studio Fritz, another small bedroom, where Fritz, my Bernina Q20 and, my ironing station, and my computers live.  Then there is Studio Betsy, well, actually that’s part of my bedroom, where I have my original Koala cabinet.  That’s where the Bernina 1230, named Betsy (for Betsy Ross) is currently residing, but I will be putting E.Claire (named for Edith Claire Head), my little Bernina 350 that is now on the floor in the cabinet.  Wilcox, my serger, hides under one end of that cabinet.  Plus the bulk of my sewing books are also housed in my still rather nice bedroom.  So nearly my whole upper floor in my modest townhome is pretty much dedicated to my studio.  I even briefly considered working out a way to sleep under a longarm frame when I bought Fritz, but decided the sit down setup for him would be the better option.  😉

My grandson a couple or years ago at  E, Claire, my Berinina 350

I have really neat plans for 2018.  I have several quilts already started or close to being started, and I am writing a couple of books on art quilting and I hope Anita will be my beginner beta tester of the projects in the book once I get her started.  My daughter in law Beth, who is an advanced quilter with a fabulous studio, will be my advanced beta tester.  Additionally, I am working out a few workshops for local teaching, but I seldom really make any money to speak of on those because it takes so much time for me to get them pulled together.  Maybe eventually those will make money too.  I really do them to learn what people want to know and am putting that in my books.  So they are still valuable to me.

Sew maybe 2018 will be my year…I’ll go through a whole year without updating any software or buying any new machines, start selling more quilts, win more and better cash award ribbons, and finish my two books which will, of course, each be a major hit and sell, sell, sell.  Ha-ha-ha-ha,,,,,,,,In the meantime, however, I plan on continuing to thoroughly enjoy my fleet of machines and suite of drawing and design software and endeavor to rein in my desire to have the very latest machines, attachments, and software.  We just won’t mention “adjustments” to my stash of fabrics, threads, yarns, beads, and paints here.  But they are necessary, right?

Sew happy everyone.  I hope you have a play space you enjoy.

 

A Discussion About Wall Art Quilt Sizes

I make art quilts now primarily  to first show them and then sell them (or give them away).  I think that these two goals slightly conflict with each other.  I believe most people would find wall quilts wider than about 50 inches just simply too big for most homes or offices today.  Normally, smaller is better for sale items.  Shows, however, seem to not see it that way, and I kind of understand that, since when they are in the show the impact is increased by the size for the most part.  I have been quite surprised, however, when I have made a quilt that is around 50 inches wide, which seems fairly large at home in my studio, and then go to the show to see it in place where it seems really small hanging there.  Nevertheless, I think the sizes I end up with are right for the styles and may make them more possible to sell later.  So you see, I have a bit of an argument with myself about sizes.   Just so you can see, I usually size my quilts to fit within the American Quilting Society’s guidelines because, truly, they are the least flexible.  Here are next year’s categories with sizes.

Another consideration is the physical challenge of dealing with large quilts. The older and creakier I get the more difficult I find large bed-sized quilts to make, but it helps that I have a large table for my main machine (Bernina 830LE) and my sit-down longarm (Bernina Q20) with a large table.  So I really can work up to about 60 x 60 with no problems.  Currently, I am working on my Bayou quilt, which is 60 inches wide and 30 inches long.  The original art work I am working with is 30 x 15, so when I enlarged it to a size that would be a good show quilt, I had no choice other than 60 x 30 if I were to keep the aspect ratio the same and meet AQS specifications.  Why is that?  Well, I want to enter it into AQS Virginia Beach 2018.  As you can see, if it is any wider than 60 inches it moves to the large quilts category that has a minimum of 60 inches long.  If it is any narrower than 60 inches the length would becomes shorter than the required 30 inches.

Normally, I get the design worked out and decide how I am going to approach making it and then enlarge the design to a showable and saleable size.  I kind of aim at 40 to 50 inches wide, which is really a small quilt for most shows,  but it also is a nice size for most walls.  I might try making a few of the AQS Fiber Art wall quilt sizes this year (24 to 40 inches wide by 24 to 60 inches long).  As a matter of fact, most of my Ancient Manuscript series fit within this size, but as you see, not all their shows support this size.

And finally, some consideration must be given to the cost of fabric.  If I am making a quilt all in silks, I want to use high quality silk fabric and that is expensive.  So smaller is more affordable.

I would love to start a discussion about wall quilt sizes.  What sizes do you think are the best, in general, and do you think the shows should set their sizes by specified width and length groups or by either perimeter inches or square inches, which would allow an ancient manuscript that is 27 x 37 into the wall quilt categories that would not be allowed now?  Or maybe it doesn’t really matter to you, just so you can make your quilt like you want it.  What do you think are the ideal parameters for wall art quilts for home or office?

Canterbury Silk. This all-silk quilt is the first in my Ancient Manuscript inspired series. It is 35 x 44 inches.

Sew happy everyone.  Make yourself a beautiful piece of fabric art for your wall, or make them for gifts.  They make wonderful presents if you know they would fit in the lives of the people you give them to (give that some serious consideration before giving them a quilt).  Also, check out my quilts on my website (link at top of this blog).  I have revamped my site slightly so you can really see the quilts better.  The prices and sizes can also be found there.

 

My Uncle and What’s Happening in My Studio

I’ve taken too long to write a new post.  This past month has had its lows and highs.

My uncle Betterton passed a week and a half ago.  He was 91 and was two years younger than my mom.  I had five aunts and six uncles on my mom’s side and one aunt on my Dad’s side and all are gone now, as well as my parents.   Uncle Betterton was one of my favorite uncles.  He was always close with my mom and someone everyone could rely on for help.  He had various tough illnesses the last several years, mild dementia, and is now no longer suffering.  He was a strong Christian.  Like my father, he was a civil engineer, both served in WWII, and he and Dad enjoyed a strong friendship.  My memories of him are sweet and dear and the pain of losing him is softened by his wonderful long giving life and his final release from the difficulties of his last few years.

Sew what’s going on in my studio these days?  My “apprentice” Anita and I finished the church banner celebrating the 500th anniversary of the Reformation.  The church members apparently love it, and I was really pleased with how it looks.  I have still not gotten a good photo of it, but I will share as soon as I do.  The big community celebration is next Sunday.  I guess this tells you that I attend a Lutheran church.  I do.  It’s five minutes drive from my house and the it’s a lovely church with services not far in liturgical style from the Episcopal church.  I grew up an Episcopalian.  For many years I drove down to Georgetown to go to the historic St John’s Episcopal in Georgetown where Marvin and I both were very active and sang in the choir.  After Marvin passed, I moved to Ashburn, Virginia, and the drive to Georgetown got even longer, so I looked for somewhere closer.  Our Savior’s Way Lutheran Church is in my neighborhood…now that’s a luxury I had not had for decades.

I have gotten a start on my next show quilt.  I’m not sure I would call them “show quilts” any longer, except that’s a term many understand.  I like to show them, but my primary goal for these quilts is to make wonderful art, and hopefully sell most of them in the long run.  Everything I make I hope to meet show quilt level, but sometimes show judges don’t seem to understand why the techniques I choose are done the way they are, or how difficult they really are.  Sometimes they seem to see things and remark on them that I simply cannot see, and sometimes I think they don’t see something about my quilts that I think is especially unique and interesting.  Maybe I need new glasses, a flashlight, and a better magnifying glass.  Or maybe I need a microscope.  LOL  So I have found a lot of freedom in reaching for creating beautiful art the best way I can make it and not worrying too much about what a judge might see or not see.  Competition can be rough on one’s ego.  He-he-he

Anyway, back to my latest project.  It’s based on the art piece I bought the rights for one art quilt from the Disney artist Joel Christopher Payne.  It’s set in the Bayou and has interesting trees, and two rather rundown homes with light peaking out through the cracks in the boards.  One is a houseboat, and the other is a shack built on stilts on a platform.  The scene is at night and there is a little pale light filtering through the trees in a way that suggests a heart shape, and there are fireflies.  This is a huge challenge for me, but really, I am enjoying myself so far.

I have the houseboat “built” and the shack about half done.  Yesterday I did a little low and high lighting with Neocolor II pigment crayons.  When you use them with fabric, you can just color it on and then brush it with water to blend it onto the fabric and then heat set it for a permanent color.  Sometimes when I heat set it, it gets lighter so I have to go back and add more color, but it’s a wonderful way to over color an existing fabric pattern to add shadows and lights where you need them or “correct” colors.  In this case, I have three different wood print fabrics that I have backed with Steam-a-Seam II light and cut into board shapes.  I am using these to “build” the shack and the houseboat.

The picture has really big trees that also have some Spanish moss hanging from them.  I have five different tree bark prints that I will use to make the tree appliqués.  They, too will need to be overpainted to get the right look and color,  I am planning on thread painting the Spanish moss on, and probably it will be more than Joel put in his picture because this is a fabric and threads interpretation of his wonderful art piece.

I have obtained some glow in the dark paints and threads to make the fireflies with, and the paint has some additional pigment so it will look good in light too.  I may add crystals to the fireflies for added dimension.

The biggest challenge as I see it is the light that is getting the back light that is coming through the trees and reflecting across the water right.  I am thinking this will have to be done with paint, but I’m still thinking about it.

Sew I hope you all have a wonderful week.  Try something new and push to get it as well done as possible.  I have a lot going on in my studio besides this new quilt, so I hope I will get back to my weekly blogs for a while.  Cheers!

 

 

 

 

 

 

A Church Banner for Reformation 500

One of my church pastors asked me to make the church a banner for an area wide celebration of the 500th anniversary of the Reformation toward the end of October.  Another pastor asked my friend Anita Born, who is an artist, to make the banner.  The funny thing is that I am teaching Anita to make baby quilts and wall quilts and we get together frequently, so on Tuesday, we discovered that we had both been asked to make the banner.  So we did what any reasonable friends would do, decided to do it together.  We had both drawn up some concepts for the banner.  I had just decided that mine was too formal, and would probably take too long, for this particular kind of celebration and I should probably start over and maybe have some trumpets on the banner when I found out she had also been asked to do the banner.  So here is what I designed at first:

My original design for the reformation banner…too formal and too complex.

So when Anita came over on Tuesday for our usual Tuesday afternoons together, she brought several drawings and one of them had trumpets!  Here is her original drawing:

Anita’s original drawing

So we worked over the design a bit.  She came back yesterday and we finalized our design concept and I redrew it a bit in my drawing software and we decided how we were going to make this. Below is the design we came up with and I just got the fabric. Anita is going to paint us some trumpet appliques and do most of the handwork, and I am going to embroider the words in my Bernina 830 LE (Gibbs). and we are going to do the applique cutting and placing together.  We decided, after talking with our pastors, that we should put the “Reformation 500, 1517 – 2017”  text on a removable text box applique so we can change the text and use it in other ways for the church…something celebratory.

Here is the final design concept. The green ferns will be made from multiple greens and placed in small sections on the banner, so may look different when finished.

 

We are having a lot of fun doing this together and it will speed up the project a lot.  I’m so glad we found out about both being asked before we got two banners made!  I’ll post more on this project as we go.  I need to get back to work now.

Sew happy everyone!  Have a wonderful weekend and week.  Find a friend to do some creative things together.

What a Fun Week!

Wow!  This has been a full week.  First of all, I heard my quilt Pendragon had won something at AQS Paducah.  It turned out it is Third Place in Small Wall Embellishment category.  Now, it started out Honorable Mention but the first place winner moved up to one of the top big-money prizes…and it is a beautiful quilt…sew Pendragon moved up to Third Place, which is totally delightful.

Photo at AQS Fall Paducah with ribbon by Mary Owens.

Then I heard that Drawing Nigh had won Honorable Mention in small wall quilts at Pennsylvania National Quilt Extravaganza (PNQE).

Drawing Nigh at PNQE with Ribbon. Photo by Lisa Calle.

I have to say, I really liked the judging at PNQE this year.  Some of my favorite quilts by some of my quilty friends won top honors.  Including Deb Levy’s Atomic Synergy, which was Best of Show,

Deb Levy’s Atomic Synergy at PNQE with ribbon. I’m not quite sure who took this picture.

 

and Lisa Calle’s A Silver Lining, which won Best Wall Quilt.

Lisa Calle’s A Silver Lining. Picture by Lisa Calle

Upcoming:  Sew Pendragon will also be at AQS Des Moines, Oct 4-7, in case you are going and want to see it.  I also have Spiral Galaxy Number 3 that will be at MQX Midwest in Springfield, Illinois Sept 27-30.  Right now, I’m working on a new show quilt, a vest and matching tote bag for me, and my books.  I also feel I need to get going on a couple of new quilts because I have plans and they have deadlines.

But amid all this delightful news about my own work, my son David’s new book The Merrimack Event, is bouncing around the top 500 of Amazon Kindles overall books and is currently about 50th in the overall Science Fiction on Amazon.  It looks to be a winner!  If you haven’t gotten yours yet you can find it here by clicking on the picture:

The Merrimack Event

Or you can wait another week or two and get a print copy, which isn’t out yet, but I’ll let you know about it.

Now that things might be getting back to normal this coming week, I will try and talk next weekend about how to take a piece of art you like and turn it, or something that inspires you from it, into a wall art quilt…or something else more fun.

Sew happy everyone!  May you have some delightful times in your own life.  Blessings!