Problem Solving Tools 2: Markers for Satin

Marking satin for quilting and placement has been a BIG barrier to making some quilts.  I want to make several quilts using polyester crepe-back satin and have been working on figuring out all the techniques that come with this.

First I made this sampler pillow top, in which I figured out what batting and backing to use, what paints to use, what background quilting I wanted for one of my projects, and markers.  You can read more about this in Satin Sampler blog below, but there is more to know about the marker.

When I refroze the sampler, the marks came back and then I soaked it with Dawn and Oxiclean all day long (9 hours).  the marks did NOT go away at all.  The marker test failed (I have ironed away the marks in the photo above).

Sew I thought about this a bit and began to wonder if there were any pens that were designed to wash out of clothing or go away with water for kids to use.  When I searched for such pens online, I came across Crayola’s Washable Gel pens.  So I ordered a package from Amazon and yesterday I ran a test on the markers.  To my delight, my test worked!  The pictures aren’t great, but here they are.

Before (note the clear marks that are smooth and thin. The ink did not spread at all.  The ink glided over the satin without pulling the weave of the satin like pencils do:

Here is the after picture.  I washed it in cold water with Synthrapol by hand (with a three minute soak).  The ink you see is a Sharpie to keep up with what the sections were…one was not ironed, and one was ironed.  There is not one bit of the gel pen marks.  Today I froze the fabric for a while just to make sure the marks would not return.  This is the result…no marks:

For me and the projects I want to do this is a HUGE breakthrough.  I can now proceed in marking my current project and design the others. I will note that one of my quilty friends said he had used this pen and had them bleed some splats, and some of the colors were less washable than others.  He also noted that if you accidentally get water on it it may spread like watercolor. He lives in California and his water may be different or some other difference.  I have not used this much either, and he probably has. Also, I have not tested this on cottons or silk. So I don’t think I can fully recommend this marker yet–perhaps in the future after I use it more–but I am going to use it.  Even the occassional splat (that washes out) is greatly preferable to the pulling from a pencil that occurs when trying to mark satin that way.  Therefore, I suggest if you are going to use this that you run a test on your particular fabric and wash with your water with Synthapol before marking your quilt.

One of the cool things about my sampler is that the paint was untouched by all the attempts to remove the marks…it survived it all.  The paint is a combination of Jacquard’s Lumiere paints and Setacolor paints that were dried and heat set.  I also like the general concept for the background quilting.

Sew happy everyone!  Remember to test your techniques and products before investing those hours into your project.

 

 

Problem Solving Tools in the Studio 1: Needles

The other day I was having trouble with a metallic thread I was using breaking periodically.  It sewed beautifully for a bit and then broke.  I rethreaded and it did it again.  I was using a Superior 90/14 titanium top stitch needle, which is the one I use the most and which handles 40 weight embroidery threads extreamly well.  The metallic thread was about a 40 weight.  I finally decided to change the needle for a Klasse needle that I happened to have on hand that is designed for metallic threads.  It sewed so well I managed to finish my project without another thread break.

I have had the same good results when sewing with monopoly threads when I use a 70 universal needle rather than a top stitch needle I was using.  I think the needles kind of “step on” these specialy threads and the slight rounded needle point just slides by the thread rather than break.

Sew as I am getting to know my new Bernina 880 plus, Odette, I have been planning new projects and testing various techniques for them.  This process has highlighted to me a happy thought that I have greatly enlarged my understanding of sewing, quilting, and problem solving in the studio since I retired from my government job to be a full-time fabric artist.

As well as using the right needle helps to solve thread problems, so does the little things like using a net when sewing from a cone of thread.  The net keeps the thread from “pooling” at the bottom of the cone which will cause uneven feeding through the thread track and produce some tension problems.

I know that many of my readers already have a full understanding of the use of various types of needles. In the past, even though I really kind of knew what should be used,  I did not take full advantage of the substantial differences using the proper needles can make.  I used to just put in a universal 80/12 and use it for almost everything, changing only for specialty sewing.  After I retired to my studio career, I decided to pay more attention to the needle I used.  I found to my delight that it solved some of the stitching struggles I used to just power through.

Today I keep on hand an array of needle types and use them appropriately, often changing the needle several times during one project.  For the most part, I use Superior titanium needles, which I believe to be the best on the market.  However, I do also think Organ, Schmetz, Bernina, and Klasse needles are excellent brands.

The needle companies are doing many new things with needles now, like special needles to reduce stickiness when you are sewing through layers of fusibles, for instance.

Several of the brands have guidelines on their websites for their different needles.  Here are some helpful links with a wealth of information on needles and their uses:

Side note: I get quality needles and don’t always use them up as I change them, so the first thing I had to do when deciding to change needle types for different threads, was to come up with a way to keep these needles for future use.  I have two things that I do this with.  One is a big red tomato pin cushion that I have marked around it which type of needle is in which section.  I keep this by my big Bernina Q20 sitdown longarm.  It uses domestic machine needles, which I like.  The other method for keeping track of these partially used machine needles  is my needle book I made several years ago that I have marked areas for different needles on the flannel pages in the book.  I keep this with me for use wherever I need them.  I even take it with me when I go to workshops, retreats, or downstairs when I need to do hand sewing.  Also, I try to keep a record of what needle is in the machine.  Odette has a useful built in program for doing this, but neither my little B 350 nor my Q20 have this.  So I keep a notebook close by  for that and other reminders along the way.

Sew if you are having problems with your thread breaking, splitting, or not stitching with an even tension, it might just be your needle.  If you think your machine “doesn’t like” a particular thread, it might really just need a different needle type or size.

 

 

 

 

 

Satin Sampler

OK.  I have been working out a satin sampler to test markers, techniques, threads, paints, and background designs for several projects, one being my Mom’s memory quilt.  The cool thing about this is that I am making it with polyester crepe back satin.  It has a lovely beefy hand and I wanted to test it for future projects.  Why?  Partly because I can get a 58 inch wide piece for about $5 per yard for a lighter hand up to $8 a yard for a heavy satin instead of the $17 to $40 a yard for 43″ wide fabric, and partly because there are some wonderful colors available in the polyester that don’t run when washed.  I am using the heavy polyester crepe back satin for this sampler.  I will be making it into a pillow top for my bedroom since I can tell I will like it when finished.

Sew I have layered it with a cotton backing, and a double bat of Quilter’s Dream 80/20 select loft on bottom and Quilter’s Dream wool on top.  I marked it with a heat-away gel pen (see my blog on marker testing for this satin) that I do not recommend unless you are prepared to go through a removal process that requires much effort and time.  This ink returns when frozen (such as in the airplane when you check your luggage or ship it someplace). Also, my marker testing is incomplete, because I want to finish the sampler, freeze it, and completely test the removal process again on this sandwiched piece. I am quilting it with 40 weight Superior Magnifico and, where needed, 100 weight microquilter.

I painted this sampler with a combination of Setacolor and Jacquard Lumier fabric paints in order to get the colors I wanted.  Their steadfastness will also be tested in the freezing/washing test.

Here is a little look at my work on this little sampler thus far.  I am really having fun with this.  While most of the stitch work has been on my Bernina Q20 sitdown longarm, some very small amount was done on my new B 880 Plus machine, just to see how it quilts.  LOL

 

 

So my conclusion about good quality polyester crepe back satin as a quilting fabric…it works, it’s beautiful, and it both paints and quilts well.  I do back it with a very light weight pellon fusible to make it behave well.

* * * * * * *

Something I didn’t tell you all earlier is that just after I got Odette all sorted out with a new machine from Bernina because the first one seemed to have a serious problem, I made a mistake in threading it and got a huge glob of thread nest in it that I could not remove myself.  So I had to take it in to the dealer to get it fixed.  It made me weep. I was really gloomy when I found that Lew, the magical tech guy, was out for two weeks and so I had to wait.  He fixed it almost imediately when he got back and I got it safely home on Tuesday and have done considerable sewing and embroidery on it since then.  It is clearly a wonderful machine.  It was my mistake, and I have since figured out what I did wrong (with Lew’s suggestions).  I didn’t want to whine again or have people tell me I was wrong to buy it in the first place because their prefered brand works so much better they think.

Anyway, that meant that I was without my main sewing machine for nearly three months with the exception of a day or two twice!!!  So I did a lot of sewing on my little Bernina 350 and a lot of free motion work on my Q20, and a lot of non-machine prep work for future projects, and stacked up quite a bit of work for the new machine.  I will, therefore, be missing a few deadlines I had tentatively planned on.

I have begun attacking the stack of work and have been having a huge amount of fun and the icy fear of further machine problems has begun to melt away over the past week.  In addition to some “regular” sewing, I did some in-the-hoop embroidery last week that came out so perfect and beautiful that I was nearly weeping again, this time in joy.  You should know that I seldom cry for anything much, and am known as a “tough old bird” as one of my former colleagues told me.  But this machine saga seems to have loosened a few tears from me.

Sew happy everyone!  May your stitches be beautiful and your machines play well with you for many years.  Hugs to you all!

 

Fall Is In the Air

Color Swirl by Kevin Tatum (my grandson) using Corel Painter.

Ever since I was in High School, which was a long long time ago, I have gotten excited when I started thinking about fall and winter sewing and quilting.  This year is no exception.  In fact, having just reorganized my fabric, thread, paint, and notions stashes, and purchased a new Bernina 880 Plus, I am more excited than usual about the projects I have before me this year.

One of the things I always like about going through my studio to sort things out is finding pieces of fabric I had forgotten about or had at least pushed to the back of my to do list.  This is for both clothes and quilts.

When I cleared up my studio this year, I also went through my clothing patterns, pruning out about 75 percent of my old patterns and keeping only those that seem right for me now.  The remaining patterns and fabrics for clothes on hand are inspiring me  to think about making some new clothes. My wardrobe really needs an update too.

When I bought my new machine, I got it at a time when they were providing a gift that includes new feet, some machine luggage, additional embroidery motifs for use in the hoop and a variety of other neat things.  I was able to exchange some of the feet that duplicated those I already had for some new ones.  So now I have a lot of feet that are inspiring ideas for using interesting techniques.

Remember when I talk about all  the things I have found in my studio, I have been sewing since I was five years old and I am 72. I retired in 2012 to be a full time fabric artist.  So some of the things have been hiding for a while from me in some of the closets, in boxes under my bed, and even in plain sight…LOL.  I feel very blessed.  Because of all the things I recently rediscovered stashed away I don’t have to buy anything new for most of the projects I want to make.  I did restock some threads and paints that I anticipate needing.  So I have resolved to myself that for the next year I will attempt to do m work without new stuff.  Now I want to make:

  • a new bag, in leather (I now have feet for use with leather and vinyl and some leather).
  • a new suit, in black denim (I have a stash that includes a fair amount of denim) with embroidery
  • a blue denim jacket
  • a new dress suit in wool with a silk top to go with it
  • a new jacket in raw silk, maybe 2 since I have 2 nice pieces
  • several new tops and use some heirloom techniques  (I have a nice collection of feet to use for this now) and embroider some of them.
  • I also want to make several new show and utility quilts.

It is fairly certain that  I won’t get all of this done this year, but it’s nice to have them on the list to pick from as I do have time.

Clearly I have an exciting and busy time ahead that will last well beyond fall and winter, and I have already started.  I will have to plan my days in order to fit other important things into my life.  I’m excited!  I’m sure the nicely rearrangement of my studio, and my wonderful fleet of machines will help me accomplish a great deal of these projects though.  So I won’t have to buy any new clothes for fall through spring either. I don’t have much in the way of summer fabrics, unless I use my quilting cottons.  LOL

Oh, and last year I made a new dressy overcoat with a “fur” collar using some of the fabrics on hand.  It’s warm and cosy.  So I really do complete a lot of these dream projects.

Messy work table with coat pieces


Progress Report on My Mom’s Memory Quilt

I have made a good start on my Mom’s memory quilt, which is going to also be a show quilt, but I have a long ways to go on it.  It has a large pentagon in the middle of it on which I am appliqueing her needle work.  The pentagon fabric is a lovely medium blue dupioni that sets off the beauty of her crocheted lace.  It’s a pentagon because I thought I only had five of the ten inch squares I found in her work basket, but during the reorganization I found a sixth square.  It’s a slightly different shade of crochet thread, though, so I will find something neat to do with that one.  The color difference is probably why it was in a separate  place.  There are  some more crocheted items, but they don’t work with this quilt.

I had no idea how difficult it would be to make a perfect pentagon that has 21 inch sides.  It was a challenge.  A good friend of mine sent me a Corel Draw pattern for one to print in tiled sheets and taped together.  I thought that it would then be easy to get it right, but putting the tiles together that way gave many opportunities for slight variations in the shape.  I had to try it several times until I got it right, but finally succeeded when I started using a lot of rulers to help.

So yesterday I cut out the freezer paper pentagon, cut out the fabric, and then glue basted the edges down.  I checked the edges for straightness and measurements.  It’s very good.  the sixteenth of an inch off I had on the paper pattern disappeared as I worked the fabric from it.  I love how it looks.  I placed the crocheted pieces around  it in a way that forms a star in the middle, just laying them down to see how it looked for now.  (No pictures until its debut show, whatever that will be).

It is in many ways a gift to my Mom. It would be so much fun if she were still here to show it to her, but I am having a lovely time making it while thinking about all the great things she taught me and the lovely things she made herself. She did not quilt, but she was a real expert seamstress.  She has been gone now  twenty years, but sometimes I think she is nearby.

Sew happy everyone!  What are your planned projects for this fall and winter?

 

 

 

Making Samplers

I am writing a book on embellishment techniques and have a plethora of samplers to make for this book.  I will also be using examples from some of my show quilts.  One of the projects in my book includes  several samplers teaching how to make trees using couching and a variety of interesting decorative threadwork.The starry night in the winter forest scene above is almost complete.  I still have to bind it and add hot fix crystals in the sky.  But I thought I would show you what I have on this little sampler, which I stitched on with no premarking.  This is such a fun activity to just sit down with a small quilt sandwich and play.  Initially I had planned just to practice and test some tree making in preparation for this sampler, but I liked it and decided to just trim it down and make it one of the samplers.

  • The two front larger trees are couched on sport weight yarns using a couching foot #43 on my Bernina Q20 and white 100 weight Microquilter by Superior Threads with Bottom Line in the bobbin. (Q20 settings: net on the cone, bobbin tension 180 with a magic silicone bobbin washerover the spring, top tension 1.50, threaded across the silicone gadget with the pink liquid, 80/12 universal needle (note…for small thin 100 weight and monopoly threads the universal needles work best, because the top stitching needles I normally use tend to “step on” the thread and break it instantly.  This is true whatever machine you us).
  • The middle tree, though you can’t tell in this picture, is sparkly silver Ricky Tims Razzle Dazzle by Superior that I couched on also with the couching foot #43 using a silver Superior metallic thread in the top (same settings except top tension is 3.0 and needle is 90/14 titanium top stitch Superior).
  • Then I free motion stitched the two smaller back trees using Aurifil 12 weight wool/acrylic blend thread and a 100/18 top stitch needle (Bottom line bobbin set as above, top tension 3.0, spi 9, bsr1,  100/18 top stitch titanium Superior neeedle, threaded as normal, stitched slowly, use a tooth cleaning threader to thread the aurifil thread through the take up bar hole and the needle).  Clean and oil your machine after using wool blend thread.
  • After that, I free motion stitched with Superior metallic thread the lines showing the hilly shapes, ruler stitched the moon shape, and painted the moon with Setacolor paints.
  • Then I used 100 weight black Microquilter (set as in the first dot section) and did a simple stipple all over the quilt and outlined the trees.

I encourage you to try such a sampler.  It can make either a neat Christmas decoration once all the crystals are placed on it, or you could add a halloween pumpkin or owl applique for Halloween.



Progress on Mom’s memory quilt:

Now that I have it all designed, I decided I had to make a sampler to practice everything especially on the satin part of the quilt where I will have pictographs of flowers, birds, and embroidered items that are related to Mom’s interests.

So I managed to get all the marks out of the test piece when I used the heat away pen after a four hour soak and a cold water wash in Synthrapol and finally a reironing to take away the last of the marks, which were very light at this point.  I then refroze it thinking they would come back but they did not.  I will retest this on the sampler when I am finished with it.  This is the kind of treatments you have to do when your fabrics or thread colors bleed onto your quilt, so I do not recommend the use of these pens except in very rare circumstances and after much testing.  I plan on making a decorative pillow for my bed with this sampler.

Sew I thought the hardest part would be to quilt the pictographs, but I found that to be really fun and, while time consuming, they were fairly easy to do at a slow stitch with my Q20 using BSR1, spi 12, and Magnifico 40 wt thread by Superior, and a 90/14 top stitch titanium needle with top tension 3.5 and bottom line in the bobbin at 180 tension.  Now I am working on figuring out the background, but first I will be doing really really tiny scribble stitching for about a quarter inch out from the edges of all the pictographs with 100 wt thread to set them apart and make them look like trapunto.

I am using a double bat on this quilt (80/20 thin bottom and wool on top), a cotton backing, a beefy polyester crepe backed satin and two colors of polyester dupioni.  But the only pictograph quilting is only on the ivory satin.  Here are the sampler pictographs.  I think it is coming along really well, but I am puzzled about what kind of background I am going to put on the white.  I am thinking of using walking foot stitching with some simple decorative stitches on my 880 plus in some kind of grid work, but I am not sure yet.  One thing at a time on this project. LOL  It’s hard to see in this picture, and it looks like there is more problem with fabric management than there is, but here is the sampler so far.

Sew happy everyone!  Take some time to play on some samplers that you might want to use or just throw out later.  It gives you the freedom to try things you might be hesitant to do on a full quilt project.  Cheers.

 

Marking Satin Fabric

Sew today I decided to begin working on the satin pillow top that I am making to test some methods I plan to use for my Mom’s memory quilt.  I am using polyester crepe back satin, a beefy satin that I have tested previously for quilting with great results and I am trying to figure out the marking method for my Mom’s quilt, because it has a LOT of detailed stitching/painting lines to produce the designs.

I used it as the border on one of my favorite quilts Pendragon because I could not find the right color in a natural fiber under twenty dollars a yard. I only used it on the border though.

Pendragon
34 x 45

But for this quilt, I prestitched, painted, then constructed, sandwiched and quilted. I over-quilted the border with monopoly, which gave me the opportunity to bring out the over and under characteristics of the Celtic border designs.  I used quilting paper with temporary adhesive dots for the marking.  This works fairly well, but when you use really small details, it may break away at an awkward place or may be really hard to remove after stitching.

This may end up being the method I use for Mom’s quilt, but I really wanted to use the border method I did for Canterbury Silk and Canterbury Knight, where I appliqued on a few things, quilted it, then painted the quilting designs. For both of these quilts I used Radiance Cotton/Silk blend, not polyester.

practice pieces for Canterbury Silk

I marked those (and remarked them, and remarked them before all the original marks quite disappeared along the way) with Fons and Porter’s mechanical white pencil.  It doesn’t stay on the satin very well, but was the best I could find at the time.

Mom’s quilt will be made with off white polyester satin and two blues of beautiful polyester dupioni (I LOVE these fabrics), and of course, the pieces of crocheted lace squares I found in her workbasket after she died.

I want to mark it in a way it will stay, I can actually see it, and then I can get rid of the marks completely when I block it.  Is this a dream?

So today I tested multiple markers.  The blue marker many of us use immediately bleeds all around the mark, as does the crayola washable marker I frequently use.  This blurs the lines so they are not usable for this quilt.

I tried marking pencils, which I know go away as you work through it on satins, in particular, though I can kind of see it.  The pencil pulls the fabric as I mark it, and I have to hold it really carefully.  It sort of put slight pulls in it in places, and the detail is kind of hard to see under the light of my machine.  In other words, it’s not really what I need.  Colored chalk comes right off after just a tiny bit of stitching.  Clearly not the winner.

Out of frustration, I am trying  pen similar to Frixion, which works so well for seeing it, doesn’t go away as you work through the construction, and disappears when ironed.  But it comes back when frozen (i.e. when shipped to the quilt show in an airplane or transported in the winter).  I am testing to see if there is a way to get rid of this marker without destroying the work I do on the quilt.

I am still testing that one, however.  If I can figure out a way to use it and then remove it completely this would be almost ideal.  So I have ironed off the test piece and have it in the freezer to have a sample to try really removing it.

I say almost ideal because I would probably have to remove the marks after I have all the stitching done and then do the painting.  But I am going to test that too.  IF I can remove it, and NOT remove the painting, then I would say it is ideal.

Anyway, I completely marked the pillow sample top with the gel pen so I can practice the quilting/painting method I plan to use, and then try to remove the marks so they won’t come back.

Let me say that I would strongly not recommend this marker for most quilts.  It does come back when frozen, while all the other markers…Crayola washables (my favorites), blue markers, chalk, and marking pencils come nicely off either by washing or erasing.

But this is a special case, and something I would use a lot if I can come up with a good marking method for light colored satins.

Next I will have to test the paints.  I’ll let you know how all this goes in my next blog post.

Sew happy everyone!  Test your techniques, fabrics, markers, threads, tensions, needles, paints, markers BEFORE you invest all those hours (and money) in your projects to prevent frustration.  Also, I highly recommend you prewash your fabrics.  Except for machine problems, there are few things in your studio more frustrating beyond completing a beautiful piece and have it get ruined (or nearly ruined) in the end when blocked.  Have a great week everyone!

 

 

Exciting New Beginnings

So I’m excited.  Bernina came through and replaced the original Bernina 880 Plus with a new one.  I will get it either Tuesday or Saturday next, depending on several factors.  So I have been working on preparing to start a new show quilt, which is my Mom’s memory quilt incorporating her pieces of crocheted lace I found in her work basket and have held on to for the past 20 years.  It’s time.  I have completed the design, which really took me days and days and days, and have printed it out full size and taped it together (that’s a project, believe me).  It is one of my biggest…59″ x 59″ and will be satin and dupioni and include painting and beads, and ……well, we will see as I go along.

I will also finish my appliqued bed quilt I started a while back using a Sue Nickels pattern I bought from her at MAQF a couple  of years ago.  And clothes…I have tons of fabrics for fall, winter, and early spring clothing and the best patterns I kept from my pattern pruning when I reorganized my studio.

I also have to complete the sampler for my fall workshop on embellishment.

Sew let the sewing begin!   Did I say I am so excited?

Sew happy everyone.  It’s time to start sewing for fall, winter, Christmas, and next year’s shows.

Machine Problems, Good Response

Well gentle readers, my new Bernina 880 Plus sewed a few hours the first day, and the second day it was increasingly problematic (last Friday), and then I got the gears of death…removed the threads in the bobbin, and got them again, looked and found a little more thread, and got them again.  Finally, it would not sew at all.  😒

So today I took it in to my wonderful Bernina tech at the dealership.  He spent some time looking at it and said he would try to get Bernina to send me a new machine, but they definately will make it right.  It wouldn’t sew for him either and it even had some odd sensor notices.  He said the timing is already off, it has a little clink when the bobbin opens and closes.  So let us all hope Bernina sends me a new one. I believe they will. They are an honorable company.  But I know they will make it right.

So I am back to waiting for my new machine.  I will still call the new one Odette, since I only used this one a few hours.

Don’t worry, I have plenty to do.  Between my computer work, my Bernina 350, and my Bernina Q20, there is much on my plate that I can move forward on while I wait.

  1. I’m writing two books right now…one is skill-building projects for fabric embellishments, and the other is a more general book on making pictorial art quilts.
  2. I’m also working on a fall workshop on embellishment.  So it would be very good to finish my book in time for that class..time to be determined.
  3. I have completed the design for my Mom’s memorial quilt centering around her crocheted pieces, and much of that is free motion quilting, with a little bit of piecing.  The little B 350 is great for piecing, actually maybe better than the bigger machines.  And so I can move forward with making samples and testing a few ideas I have for completing the design.  I also have some in-the-hoop items I hope to complete for it, but they can be added late in the process.
  4. And I have a train quilt, a rock strata with dinasaur fossils quilt, a polyester satin and dupioni quilt, and a tree quilt all swimming around in my head that I have only touched a little of the design work for those.  So if I have a long wait, I can get these things designed, cut out, and even some techniques tested for them.

Sew when I finally do end up with a workable big 8 series machine, I will have a stack of projects ready to go…lots of sewing then.

Am I a little dismayed over this?  Of course I am, but I realize that even the best companies sometimes have problems with a product every now and then.  It’s how they respond to it that makes the difference.

Sew happy everyone!  Tell me what you are working on.  I love comments.

 

 

Meet Odette, the New Machine

After what seemed like a very long wait, I finally got my new big machine to replace Gibbs (my old 830 LE that bit the dust about a month ago).  As you know I name my machines and that is for some silly reason very important to me.  I try to name them for some significantly important figure in the sewing, quilting, or fashion world.  My new machine, a Bernina 880 Plus is named “Odette” after Odette Ueltschi, the daughter of Fritz Gegauf, the founder of Bernina.  Odette took over lead of the Bernina company in 1959 and their were many advances in the machine under her leadership.  So it seems appropriate to name my new machine after her.

Odette the machine’s namesake, Odette Ueltschi.

I named my Bernina Q20 “Fritz” after her father (and coincidentally Nero Wolf’s chef, just for fun). I also have “E.Claire” my little Bernina 350 I use for travel and some specialty sewing named after Edith Claire Head..a fashion design great during the glory days of old Hollywood.  So that is my Bernina Fleet.   I sold “Betsy” (after Betsy Ross) my great old Bernina 1230, to my good friend and student Anita, whose name you have seen in my blog posts from time to time.  She also got a big bag of Bernina feet, because they don’t fit on the newer machines.  She loves the machine, and any of you that have a 1230 know it is a workhorse that will last her many more years.

I look back over my years of sewing and think about all the machines I have had.  I started learning at about 5 years old both on my mother’s great old Singer and she gave me a child’s machine, which was wonderful and I wish I still had it.  When I was in high school I bought an inexpensive machine from the hardware store.  I don’t even know its brand.  It did ok for a few years, but Mom gave me a Singer Golden Touch and Sew somewhere along the way, which I used for decades and even used as my primary machine when I had my fashion design and tailoring business in Ithaca, New York as a new bride to Marvin (my second husband).I added a great old black White antique which had a powerful moter and only a straight stitch.  I used it to do tailored suits and heavy coats on. It is a beautiful antique, but it needs rewiring.  I still have that one.  It’s name is “Eli” after Eli Whitney.  I traded the Singer in for my first Bernina, which was Betsy shortly after we moved to Washington, DC in the 1980s.  I bought a floor model Bernina 200E, and oddly can’t remember its name, which I later traded in on Gibbs (my 830 LE) when the LEs came out.

So you see I have worked my way up from a very basic machine to my wonderful fleet I have now across the years and to this latest new friend Odette.

I started sewing on the dining room table, and moved to a corner of my bedroom, and finally I had larger section of my large bedroom in my last home.  After Marvin died I moved to my current townhome and took the two smaller rooms and a small section of my bedroom for my studio, where I am now.  You can see the studio without my new machine in it in the video I shared in my last blog post if you haven’t looked at it yet.

Here is the unpacking of Odette:

The two big boxes:

The main box

The embroidery module box

Everything out of the boxes

And finally:

Meet Odette, all set up and ready to sew. It fits exactly as Gibbs did, and the embroidery module is in one of the drawers especially designed for such a module. I have this wonderful custom cabinet…very practical.

Sew if you are sewing or quilting using a simple machine on your dining room table, there is so much you can accomplish…and maybe, just maybe, you can move up the sewing machine/studio ladders a little at a time.  My advice for this is go for the practical, not necessarily the most beautiful, but functional is the key.

Sew happy everyone!  Make sure you take good care of your equipment…clean and oil on a regular basis, at least at the start of every project, and  change the needle when needed (I listen for the thump thump indicating it is dull).  Every few years go through your stash and supplies and reorganize, get rid of what you aren’t going to use, and clean everything.  I apparently do mine about every 6 or so years..LOL.

Now let’s go sew (or quilt, or embroider)!

 

 

An Organized Functional Studio…Waiting for Machine…Then What?

My computer work station in my studio with colorful bubbles. This is where I do my design work mostly.

This is an odd point in my fabric arts career.  I am between projects and without a main sewing machine as I await my new Bernina 880 Plus to arrive.  It will be another week or two at least.  I still have my little B 350 and my wonderful Bernina Q20 sitdown longarm available, but to add to that I do not have a UFO except for my bed quilt that requires the 880 to finish the top appliques.  I could do this on my B350 if I hadn’t already started some of the special touches on the 830, but it would look too different I think on the narrower width stitch area of 5mm vs 9 mm.  So there you are!  Between projects.

And wonder of wonders with the help of my friend Anita I finished organizing my enormous stash of fabrics, threads, and other stuff related to my fabric art work!  The last time I did this was over five years ago.   Here’s a link to a video walthrough of my studio, if you are interested:  Walkthrough

But I do have a lot of ideas and concepts and even a few designs nearly completed for upcoming projects.  And I am SOOOOOO looking forward to my new machine.  Maybe I should complete those nearly finished designs, cut them out in preparation, and also work on my books.  That’s a great idea, except I came down with a little cold yesterday (Sunday July 6) and am sneezing or nose blowing every few minutes.  Sigh.  I absolutely intend to get over it really soon and get back to work!!!  Meanwhile I will look at videos on YouTube and The Quilt Show.

Sew the second half of this year looks to be really fun and maybe a little sparkly.  You all KNOW how I love sparkly things.  Here’s a sparkly fashion show that makes me think a black and gold and sparkly quilt would be really fun to make!  Fashion Show

Sew happy everyone!  Get your studio sorted out and have some FUN!  You’ll be amazed what you find stashed away in the corner of that shelf.