Machine Applique for Fabric Artists– Saturday Sept 22

Next Saturday, the 22nd of September, at G Street Fabrics sewing machine center, I will be presenting a six hour workshop from 11 am to 5 pm.  This workshop is the first of a 3 part Fabric Arts techniques that are designed to present all the techniques I use in creating my basic fabric art show quilts (minus surface design and embellishment).  The other two parts will be October 6th and October 20th.  It’s going to be fun.

Anyway,this first workshop presents multiple machine applique techniques for multiple uses, and discusses how to decide which of these techniques work best where.  To do this, I designed a simple fun little top piece and provide a complete kit so the student can start right away learning and not spend time in prep work.

I will also show some of my show quilts that used these techniques and give instructions and demos along the way.

Canterbury Knight

So I am all ready.  I have all the kits made, I have the video equipment for my demos, and I am excited.  Hope to see you there!  If you aren’t there, please send a little prayer and good thoughts for me that it will go really well for all of us and everyone will have fun.

Sew happy everyone!  Play with some applique and make something fun.

Bring on Fall!

I have some fun and interesting plans for the fall and winter quilting season and have been spending nearly all my working time preparing for them for the past couple of weeks.

First of all, I am preparing for my fall workshops at G Street Fabrics in Rockville, beginning with the first one on Saturday, September 22nd at 11 am!  See more about this on my blog from a few weeks ago here.

So I have all my handouts made and the kits for the first workshop. I almost have all the kits for the second workshop and have made progress on the third workshop.  So when you come, you will have a lot of fun and be able to dive right in to our projects.  You just need to call G Street sewing machine department and sign up!  You can sign up for one or all three.  So much fun to come starting in just a few weeks!  I should finish preparations for these this week and be able to get back to sewing and quilting.

Sew my plans for the fall and winter sewing and quilting season are exciting for me.  As you may know by now, I like to run two or three projects at once to keep me from getting frustrated…hopefully all at different stages along the way.

  • My current quilt project is for my bed, making an applique pattern by Sue Nickels that is really pretty and will add a lot of beauty to my bedroom.  I am about half way through that.  It is not for a show quilt and is just for fun and adding something to my home for me.
  • I am currently working out what my next show quilts will be.  My plans are exciting and two of them involve other people.
    1. My dear friend, student, and what we jokingly call my apprentice Anita has drawn a beautiful scene with a steam locomotive train and gifted it to me for use as a quilt design.  It is full of wonderful things and will be quite fantastic if I can pull it off…trees, rocks, trestles, the locomotive with steam, pulling cars…one with a load of wood. So cool!  Send good thoughts, because this one is a challenge but I plan on starting it soon.
    2. My oldest son, who designed Pendragon, is designing an accompanying piece Excalibur.   Oh I can hardly wait to see his design.  He started earlier but work got so busy for him that he had to lay it aside for awhile.  Things have gotten a little more sane for him now and he thinks he can finish it soon.
    3. Okay, so I am working on my own design(s) also.  I have an array of things I want to do, and am engaged in trying to draw up some of them to choose from for this season.  I am thinking of making one based on polyester satins that I embellish multiple ways to show what can be done with a limited quilt budget (under $100 is my goal).  That design work is not done yet, and I keep oming up with new ideas  with new subjects…I’m currently leaning toward a dark forest with spots of beauty and fun woodland characters, but it could end up entirely something else…spending a little time every day on this.  So it will be a little while before I just get the design sealed down and ready to make.
    4. And then I also want to do another line drawing quilt based on architecture.  I have a couple of possibilities, but I’m still looking.
  • I haven’t forgotten my book.  I have actually made considerable progress on it this summer, and hope to finish it sometime in October.
  • Plus I am wondering just how I can approach the passing on of my many surface design and embellishment techniques.  I have won several ribbons on this aspect of my quilts, and feel I have much to tell you about.  I already have a book outlined and started, but I am thinking of videos.  My son Ken has gotten me all set up to do videos, and I am thinking of making several…some on quilting and some on surface design and embellishment techniques.

I did mention clothes, didn’t I.  I am planning on making a new winter coat this fall.  I found a great pattern that I think I can make with fabrics (and faux fur) I already have..a free and hopefully gorgeous winter coat.  It’s free because I’ve had this fabric for years and properly stored, so it is in great shape.  If you haven’t made an overcoat, it is not really as difficult as making a shirt with a stand collar, really it isn’t.  And using thick winter fabrics is very forgiving, hiding most little mistakes.  I encourage you to try one.  There are some great patterns just out this year.  I also am planning on squeezing in a winter dress suit, yes a pants suit beause my legs just look best that way.  This will challenge me to resurrect my professional tailoring skills, but I have recently lost a couple of dress sizes (though I freely admit that I am still “fat”), and I will make it in a way I can take it up one more size.  I have fabric for that too.

As you see, this year is going to emphasize to myself trying to get all my sewing and quilting done by shopping my stash or keeping costs down while still producing some remarkable pieces.

Sew happy everyone!  I hope you are planning to do a lot of sewing and quilting this fall and winter or are encouraging your friends and family who do sew to let their lights shine (and help them make time to sew).  Happy September!

 

A Call to Stop Forgery and Design Theft in the Quilting World

I have several friends whose beautiful artistic quilted creations have been “copied,” or attempted to be copied, without permission and without acknowledgement and passed off as their own work.  In the rest of the art world, if an artist had painted, or otherwise crafted, a wonderful work of their own, and someone else had copied it to pass it off as their own, this action would be called “forgery” and would likely be a crime.  We in the quilting world should stand firmly against this kind of activity in our own craft.  I am sure that there are many of my friends who agree with me.

Note that I am not talking about quilts designed with blocks that have been in the public domain for years and happen to end up similar to someone else’s quilt, but I think that should be clear.

It is a wonderful thing to be so impressed by someone’s work that you are inspired to go work on your own piece.  Inspiration does not mean copy however.  And even if you do not copy, but create some similar subject, you need to acknowledge where the inspiration came from.

Let’s look at this a little bit.  I do not use other people’s quilts for my own fabric artwork (unless I bought a pattern or kit and am using it for my own utility quilt), but I might use someone else’s painting or drawing or photograph.

If I want to use someone’s artwork as an inspiration, or even a design, for  my quilt work, I will not even start it until I have contacted the artist and asked permission.  This has occasionally resulted in my not being able to make the quilt, but there are thousands and thousands of wonderful ideas, artworks, and photographs out there to try again, or even design things from scratch.  Sometimes, this has resulted in my having to buy the rights to use the artwork as inspiration or even the design for the making of a quilt. In addition, even if I obtain the rights to use it, I still feel it imperative to acknowledge the artist.

In the course of my work, I have gotten the following responses to my requests to use their work in some way from the artists:

  • Sure, no problem (the usual answer)
  • You cannot use this on your website (they didn’t read the request and were a little insulting)
  • The rights would cost $600 (I didn’t make that quilt)
  • The right for one show quilt would be $200 and you can’t use the art otherwise commercially (I made that quilt)
  • I make you a present of this design and would be honored for you to use it. (Designs in progress or quilts made)
  • You can use four to ten of the designs in each coloring book for your craft (Dover Publications standard use statement…but you cannot make another book using these designs and sell it.  Make no mistake this is not Copyright Free as many report Dover Publications as being, but is instead permitted use and is Royalty Free.  This doesn’t make much difference to us as quilters, but should be acknowledged).  I have used many Dover elements in my designs when I couldn’t draw it better myself.  I love Dover publications and thank them for their generosity.
  • And finally, when the work is way too old and is now in the public domain and the artists have been gone for centuries, you really don’t have to ask even if some unrelated organization has taken it up and tried to make it theirs.  Public domain means just that.  IF you know who the artist is, however, it would still be nice to acknowledge him or her.  I used elements from eleventh and twelfth century art as the basis for some of my work, but there is no possible way of knowing who the artists were.  We can safely assume they are in the public domain by now.  LOL

Sew join with me in helping to stop the forgery of the fabulous quilts and theft of designs within our quilting world.  Put it in your blogs, make a point of it if you are teaching a class, maybe even put up signs at quilt shows.  I don’t know all the ways, but people need to be made aware that just because it is a quilt does not mean it is free to be copied without request or acknowledgement.  It is like any other fine art and needs to be treated as such.

Sew happy everyone!

Fall Fabric Art Workshops

I am excited about my upcoming workshops I will be teaching at G Street Fabrics in Rockville this fall.  If you are in the area, please sign up and come.  I understand there are still a few spaces.  These three six hour workshops provide the basic techniques I use in building and quilting most of my wall art quilts.  There will only be eight students with each workshop, to give me time to be available for each student and answer questions.

September 22, 11am to 5pm.  Fabric Art Workshop 1: Applique Techniques to make a top ready for quilting.

Kits for the workshops are available for purchase that includes everything the students need for the projects that will enable everyone to complete or nearly complete each project.  For the applique workshop, the leaves, birds, and dog or cat are all precut with fusible on the back. The student gets to put it all together like he or she wants and different edge finishes are taught as well as how one might choose which finish is discussed.  Threads, needles, and other supplies are included as well as the handouts.

The two quilting classes also have kits of premarked sandwiches with everything one needs to plunge right in and start quilting.

October 6, 11 am to 5 pm:  This is the project for Fabric Arts Workshop II: Quilting with feed dogs up.  Kit has premarked sandwich, thread, a needle, and handouts.

The students will learn there are many interesting results that can be obtained with their feed dogs up.  Of course, a walking foot would always be helpful, but will not be required for this class.  It’s a small 20 x 20 sandwich.

 

October 20, 11am to 5pm, Fabric Arts Workshop III:  Free motion organic quilting.  The Kit for the free motion quilting project is a lightly marked sandwich, with a leaf applique ready to start the class.,  It also includes thread, a needle, and handouts.

Sew I don’t address how to square up and bind a quilt, but I do provide references as to where you can get that information.  There is another part of my work that is also not included and that is surface design and embellishment.  However, I started my art quilt career just using the techniques covered here, and learned how to bind off the internet.  I am considering how I might do a workshop in surface design and embellishment, but not sure I’ll do it yet.  I do provide a bit of information on how you can pull together a design for such projects in the course of the workshops.

Come join me.  There are 8 slots per class and some have already been filled, but if you hurry you might get in.  Contact G Street Fabrics  and ask for the Sewing machine department.

Meanwhile, I’ll go back to making kits…LOL

 

 

Surface Design, Texture, and Embellishment

I love adding surface design, texture, beads, artistic thread work, yarns, and other types of embellishments to my wall quilts.  I think these things, when well done, can take them to a different dimension turning what may be an already nice pictorial/art piece that would be acceptable for someone’s wall to a treasure of a piece that makes the viewer want to stand and look at it for a long time or makes them happy every time they pass by it.

“Well-done” in this case by no means implies perfect, symmetrical, or formal, but it does mean interesting, the right amount, beautiful, technically  good, or just plain fun.  Sew this is what I strive for, although I suspect I will still be trying to make these things work as I see them in my mind’s eye to the last day of my quilting/fabric art life (which I plan on doing for the rest of my life).  But that’s one of the many things that makes playing in my studio so much fun.  Here are a few examples of such work.

detail from one of my deep space quilts with Angelina Fibers and hot fix crystals over a lightly painted background.

 

I learned early on that I needed to draw some guide lines for the direction of the stitching or I’d get them to be blowing around in different directions. Since the water in this quilt is going to look very calm and reflective, it didn’t make since to have the Spanish moss blowing around much. Here you see some of my marks. Also note that I had to break the stitching on several clumps so it looked like the limb is further toward the back from the viewer.

I painted these borders to go along with the vintage panel in the middle.

Sew this week I bought a needle punch attachment for use on my little Bernina 350.  I particularly like the way this little machine, which I purchased to have a machine to carry along with me to classes and other events needing a machine, is rapidly becoming an essential in my studio too.  It will be my “embellisher” now and I also have found it makes wonderful bobbin work with specialty thicker threadsm and makes perfect piecing possible.  I am kind of excited about this.  I plan on making interesting bits on some of my pictorial quilts, like steam clouds coming out of a steam locomotive, tree barks, fluffly little animals, and other interesting textural areas.  I just got a package of wool roving in a variety of natural colors to try it out with.  I also think I will get some other things that work this way…ribbons, sheer fabric pieces, ????

Sew happy everyone!  Try a little embellishing if you haven’t yet and if you send me photos I will post them if you don’t mind.  Send to BettyJo@bjfabricartistcom

Software for Your Fabric Art

Practice painting I did today in Corel Painter

Sew my last couple of posts I’ve talked about the need to learn and practice your machine and quilting.  I don’t know about you, but I also use a lot of software in developing my fabric art.  This, too, requires a bit of practice (nice thing to do when I just want to sit down or am still mulling new ideas around)

I truly appreciate those of you who do everything with pencil, paper, or directly on your fabric.  But one of the things that attracts me to fabric art are the related technologies, and also, I not only find I do a much better job of constructing my pieces when I sketch them all out and print a full sized picture or pattern, but it helps me with a wide variety of decision-making along the way.

I turned mostly to art quilting about a year after my dear Marvin passed in late 2002.  So I’ve been at this now for somewhere around 15 years!  This is astonishing to me.  I have also been quite interested in the tech side of fabric arts for even longer, if you take in in-the-hoop embroidery and computerized machines which I have had now for longer than that.  So I have been collecting software related to my fabric art for a long time, and, while it would be overwhelmingly expensive if purchased all at once, I got it over the years and kept it mostly updated, spreading out the costs.

It started small.  I took a class online from the Pixel Ladies who used Photoshop Elements.  I learned that I could print large patterns using Excel spreadsheets and tape them together.  That opened up the idea to me that I could design my own quilts, quilting designs, and even fabrics using the computer and testing all the colors and placements and so forth without any fabric and stitching to undo or waste in the beginning (note that this saves a lot in the cost of fabrics and threads too).

I also bought Bernina design software when I got my Bernina 200E (I later traded it in for my 830 LE).  I think it was v5 at that time, but not certain.  I skipped everything until I got version 7.0.   I am going to skip the v8 update to save some money because I don’t think the update has sufficient advancement that I use (this does not mean it wouldn’t work for you) on 7.0.  It took me a long time to learn how to use that and very well.  It has some remarkable functions.  I did though, and even nearly finished a book I was writing on learning this program.  It was very close to being done for self publication when they came out with the update, which points out why writing books on software is not particularly the way to go for me.  I take too long to learn it before I can write it.  LOL

From there, I bought Corel Draw, because I found the Bernina software uses a limited version and I wanted all the bells and whistles.  I also added Electric Quilt somewhere along the way years ago.  And then I bought a Wacom drawing tablet that came with a back version of Corel Painter.

Sew there you go….I was off and running and haven’t stopped since.  I’m still learning all this software and probably will always be.  I have found it cheaper to keep it updated at least every other version than let it get old and needing to buy the whole package.  Besides, Corel, especially, gives you some really good buying opportunities once you become their customer, and if you watch carefully, you can often get the updates for much cheaper than the retail price.

Anyway, the point of this is that this year, the year I wasn’t going to buy any new software (heh heh),  I ended up updating everything (except Bernina software), including my Wacom tablet (my old one was 14 years old and had just decided to retire…i.e., it became a paper weight).  And then my son David hooked up his old smaller monitor for me so I have two monitors (really terrific advance and it was free).  So now I have  at my finger tips (and yes, I share it with some of my friends when they come over):

  • Corel Painter 2019 (for painting and fabric design)
  • Corel Draw 2018 (for illustrative drawing, pattern making, and digital work with Bernina design software)
  • Bernina Design v7 (for in-the-hoop embroidery)
  • Corel Paint Shop Pro (for photo editing similar to Adobe Photoshop…I like it better)
  • Electric Quilt 8 (for figuring out how to use a pictorial piece with borders, for designing utility quilts)
  • And several related smaller pieces that came with these items to make them work best.
  • The latest Wacom Intuos Pro tablet with really nice artist’s pen that came with it.  It works with all the above like having a pencil or brush that responds to pressure and turns in some of the programs.

I like Corel because you don’t have to subscribe to it. It also is very powerful, and I can use all the pieces together, and it has great webinars and other tutorials to help you learn it.

So to make a quilt design I might dress up a photo in Photoshop Pro and send it over to Corel Draw for turning pieces into patterns (maybe I liked a flower in the picture, but nothing else), and then to Corel Painter to use as inspiration for fabric pieces and concept design, then put it all together back in Corel Draw where I make a full sized printout or printouts (prepping a fabric file to send to the fabric printing company for larger pieces, for instance).  Then I would maybe design embroidery elements (like lions on the vests in Pendragon or the small wall hangings on the wall).

Now that I have this terrific design setup, for which I am very grateful, I am working to learn it better and practice it more, because I have a ton of ideas how to use all of this.

  1. I am writing a book (or is it three books) on Fabric Art skills that covers everything from the design phase through the making skills, surface design and embellishment, and finishing. It includes patterns, samples, and quilting designs in it (them), and I am hopeful of getting it out by the end of September (but don’t hold your breath).  I’m sure you can see the need for such a setup for this.
  2. In the process I have learned how to make to-size patterns you can print on your regular printer and tape together.  So there will be some of those coming also.
  3. I have already started using digital painting printed on fabrics in my show quilts.  Pendragon has a back castle wall and all the faces that were printed on fabric and used in the construction of the quilt (along with a plethora of other techniques).  I also used a considerable amount of small in-the-hoop embroidery pieces that I digitized myself in Bernina software.

    Pendragon, 34 x 45.  This quilt has been selected for the juried show at IQA Houston this fall.  I’m so excited.

  4. So I am currently working on trying to figure out a design for my next show quilt using this setup.
  5. And finally, well maybe only finally for now, I am thinking of developing a fabric run to assist pictorial/landscape fabric artists and submitting it to fabric companies to see if I can get someone interested in my ideas.  Wouldn’t that be fun?

Sew what did I learn from all of the years working with these technologies?  Learn the software, keep it updated more or less, you can skip at least every other update unless they give you a great deal and have a lot of improvements, practice, and use it to help you save money of fabric, thread, and accompanying items, and it can really help you improve over the years…you can keep your records of your struggles too for future reference.

Sew happy everyone!  If you have design software, it can really open new ideas and opportunities for fabric art if you spend a little time learning and practicing them.  Blessings everyone!

 

 

A Short Slowdown in Art Quilting Adventures

In my last blog I talked about the need to practice quilting.  I should have also mentioned that it is very helpful to plan ahead for your projects and how and what you will practice.  Truly, at least half of my “planned” projects fall to the wayside as I pursue other ideas.  In fact, though, I often incorporate those original concepts into the projects I finally decide on.  Also, sometimes, I go back and pick a project concept up that I thought had not made the cut because I couldn’t figure out how to do it, or it was not a technique I wanted to use.  This happens when I later learn a new way of doing things, or  figured out just how it really needed to be created.  Sometimes these solutions just come to me while I am doing something simple and am engaged in thought.

Over the course of my sewing/quilting year, I sometimes end up with having finished several things I was working on all at once and then have to spend a little while working through what I may do next.  I have finished my Bayou quilt, and I have gotten the workshops mostly ready, although I still need to work on the kits, but I have until late September for the first one.  Sew I’m at that point right now, although I am still doing some work on my three book efforts.  Even those, though, I am rethinking and wondering just how I should pull those together.  Maybe it will be one larger book.  Not sure yet.

I’m still sewing though.  I’m working on an applique bed quilt using Sue Nickels beautiful pattern I purchased from her at MAQF earlier this year.  It’s my “down-time” project because I find stitched raw-edge applique fun and relaxing, and not particularly challenging, especially since this quilt is just for me.  It will not be a show quilt.  Still, I am exploring some decorative stitch use as I stitch some of the shapes down.   It is, after all, time for me to replace that old box store “quilted” coverlet I have had for decades and have a quilt like a quilter should have on their bed.

This does not mean that I don’t have several ideas in the works, but all three of them involve another artist to help me come up with the concept drawings, and I am waiting on those.  I am working on my own drawings also now, but haven’t settled yet on what is next.

Time to clean?  Ich.  But really I need to clean. LOL  Oh, I know…time to practice!  🦊🦋🏡😄

Sew happy everyone.  Take some time to practice and plan, and maybe just a little time to clean.

 

 

 

 

How to Stop Fearing Your Machine and Start Having Fun

I love this picture from early in the twentieth century.

Periodically in some of my Facebook groups that are focused around quilting and sewing I see a surprising number of people who have sewing or quilting machines they are truly afraid to use.  Now I can see how this might happen.  Today’s machines are often technically advanced, big, powerful, and fast.  That can be very intimidating, especially if you fear making mistakes on your creations or breaking your machine.  Maybe you are afraid of sewing through your fingers.  Maybe you think you can’t possibly figure out how to use that advanced machine.  These are legitimate fears, but you can take steps to stop them in their tracks.

Let’s talk about this a little.  In almost any creative situation you can figure out how to make an approach of taking things apart and moving step by step to find you can do far far more than you ever thought you could.  And yes, you will almost certainly mess up, make mistakes, have to unstitch, break a needle, break some thread, or even mess up so badly you throw a project away.  Give yourself permission to throw things away, and realize they have served their purpose in teaching you something.  This is just sign of progress and that you tried.  So here is my suggested method to overcome the fear of your machines, or even to advance your understanding of them:

  • Read the manual of your machine.  Yes, read it even if you have been sewing for 65 plus years, even if it is a somewhat simpler machine, or even if it’s boring or you don’t understand it, but read it anyway.  Later you will remember that there is an answer to a question you have along the way in your manual so you can go back and look it up in the index at the back when you need it.  You don’t have to remember it until you need it.  You just have to remember that there is an answer there.  Sometimes you may find you do things differently with this machine than you did with your mom’s machine you learned on.  If you don’t find the manual, they are often online free for download.
  • Get yourself a small notebook and make notes as you go.  Keep a record of your steps, the settings on your machine you used for what. Even after 65 years plus of sewing, I still keep notes on projects I do.  It’s so handy when I want to do it again, or have gone out of my project to hem my new jeans and need to get back to where I was on my project.  I have also taken those notes and made spreadsheets or lists that I can print out and stick on my wall for reference.
  • Take advantage of the tools your machine has.  These tools include both the functional tools built into your machine and the accessories (specialty feet, magnifying glass, differing sole plates, optional threading aids, cleaning aids, pinpoint lasers, and other things).  Yes, you have spent a lot buying your machine…so spend a little more and get those specialty feet as you need them for particular projects.  It makes your initial investment truly worth it.
  • Realize that even if you paid a lot for your machines they are not perfect (nothing manufactured is, really!), but usually they will work if you do things right.  They may have some things that might go awry from time to time.  So join those Facebook groups where you can ask what other people do about some things, look in the manual near the end where they have the section usually entitled  “Troubleshooting”, go on YouTube to find if it is something you can fix yourself (if you have a Bernina, take a look at Bernina Boys  on YouTube), contact your machine’s online support (I can’t tell you how many problems I have gotten solved this way without having to lug my machines to the dealer), or yes, lug your machine to the dealer and get that problem fixed.  But start with a cleaning, check on the tensions, and change the needle…maybe even change the thread.
  • And if you are not getting that nagging problem fixed by your dealer, contact the manufacturer (using the online support) and ask them what to do.  Remember, they WANT you to be happy with your machine.  If you are happy with your machine you will tell others about it, and they will buy one.  If you are happy with your machine, you might buy another one that has another function (I have three Berninas).  But I will suggest that if you buy a solid advanced machine and LEARN HOW TO USE IT, you will almost certainly be amazed at what you can do with it.

    My Bernina 830 LE named Gibbs

  • Realize that, surprisingly, sometimes it is the thread, the needle, and something amiss with your machine.  But normally problems can be solved by cleaning the machine, changing the tensions. using a different sized needle, or just replacing a needle that may be slightly bent or have a blunt end.
  • Learning to use your particular machine is like learning to play a new instrument.  You HAVE TO PRACTICE!!!  Yes, practice a little bit frequently and a lot once in a while at the very least.  Practice even if you have sewn for 65 plus years.  Practice is just that.  You are making a practice piece…something that may even end up in the trash.  But this can be really fun.  Remember that..it’s ultimately fun!

    My Bernina B350 named Edith Claire (E.Claire) after Edith Head.

     

  • Plan out your project in small steps.  Prepare your pieces (make the markings you need to make).  Be sure you have the right threads, needles, backings, battings, stabilizers and interfacings on hand.  These things make using your machine so much easier.

    My Bernina Q20 named Fritz.

     

  • And finally, if you have a computerized machine, make sure you keep it updated with the latest updates.  Sometimes the updates are put out primarily to correct some bug they have discovered and so you won’t have that problem happen to you.  Sometimes they add new stitches or new functions.  Find out how to do this in your manual.

Here I have attached a pdf file to print out a small practice project for free motion quilting.  It is sized so you can print it out with normal letter sized paper and tape it together.  Then use it as a marking guide for your fabric.

FMQ Practice

I developed it for a FMQ workshop I will be teaching at the sewing machine department at G Street Fabrics in Rockville, Maryland in October of this year.  I’d love to see you there.  There are only eight spots for students, so call them (ask for sewing machine department) and reserve your space.  It’s about organic fmq for fabric artists…no fancy feathers, but lots of fun.  I’m also teaching a class on 22 September in Machine Applique for Fabric Artists, and one in October on Feed Dogs Up Quilting for Fabric Artists.

Sew happy everyone.  Go read your manual and practice.  Then have some fun making a wonderful project.  You will be happy you conquered your machines…well almost conquered…or at least learned to use them.  LOL

 

Fireflies, Workshops, Quilt Names, and Other Stuff

 Yes, Virginia, I am alive!

So sorry to have been away for such a long time.  I have been working hard up until last Friday when I came down with some kind of aweful stomach thingy that hit me like a truck.  I’m all better now, though taking it easy for a few more days, but it did cut into my work schedule.

Before that, I was finishing up my latest show quilt..the Bayou quilt that I have not yet named.  I still have to put the crystals on the fireflies, and get professional photos of the quilt, but here is my little snap I took with my small camera:

So do you have any suggestions for the name?  Here are some ideas…I don’t know that I like any of them;

Home on the Bayou, Bayou at Night, Among the Cyprus, Cyprus Night, Cyprus Shelter, Bayou Night Lights, Bayou Cyprus, Bayou Summer Night, Summertime Night on the Bayou, Fireflies at Play (they will show up better with crystals), Night among the Cyprus.

I was disappointed with the supposedly glow-in-the-dark fabric paint.  It does have some nice pigment in it, and looks kind of nice enhancing the lights, but it doesn’t really glow in the dark very much. So the fireflies are the most disappointing, and I have obtained the tiniest little yellow and slightly orange hot fix crystals to enhance all the painted fireflies.  Otherwise the quilt is complete except for a label.  I even have the rod pocket on it.  I plan to try to debut it at Pennsylvania National Quilt Extravaganza this coming fall. I have no idea where I will send it after that, but I will send it elsewhere for about a year or more.  This quilt has taken me a great many hours.  I don’t have any idea how many.

A Little Soapbox  Rant:

See the source image

With the efforts I put into my own show quilts in mind…I was just watching Craft in America.   The episode they showed today was talking about craft as a livelihood.  They featured Gee’s  Bend quilters among other artisans.  Their quilting style is beautiful and carries on a tradition I am very happy to see in the country.  But I found myself wondering if Craft in America ever had or ever would feature quilt artisans that use contemporary quilting methods and styles (even those who do it all by hand), make exquisite jewels of quilts contemporary, modern, or traditional, or artists that use quilting as their medium sometimes using many techniques in one project.  I somehow doubt it because many responsible for producing such shows, or writing articles about quilts, seem to think the development of quilting, styles, techniques and the craft itself stopped at the water’s edge of the late 19th century.  They probably are not even aware of where the quilt world has flown over the past few decades.  Have they even attended one of the national or international quilt shows?  Do they even know it is a thriving industry economically and deserves attention?  And indeed, it is not just the media that is unaware, as those of us who quilt are well aware.  How often have I told someone I quilt, and they said their [grandma, great grandma, aunt] used to quilt [back when they were alive or physically able].    And finally, I hope you will read Joe Cunningham’s blog Calvin Klein and Me discussing this issue way better than I am here.

Sew what am I working on now?

Feed Dogs Up workshop sampler

Well, right now I’m writing a blog post…but my current project set is to make the samplers, handouts, and kits for three Fabric Arts Workshops I am going to lead at G Street Fabrics in Rockville, Maryland this fall.  They are fairly basic, but are designed to provide a suite of techniques that can be used to make quilted fabric art and, of course, some quilting techniques.  They do not include piecing.  I am not a piecer. G Street has quilters who lead some really nice piecing workshops.  So here are my workshops:

  • Fabric Arts Workshop 1:  Applique Techniques — Saturday, 22 September 11 am to 5 pm
  • Fabric Arts Workshop 2: Feed Dogs Up Quilting on a Domestic Machine — Saturday, 6 October 11 am to 5 pm
  • Fabric Arts Workshop 3:  Free Motion Organic Quilting at a Sitdown Machine –, 20 October 11 am to 5 pm

If these go well, I might take them on the road to shows and guilds within a four or five hour driving distance from Ashburn, VA, or just try to do them locally (within an hour’s drive).  I might also add one or two more complex workshops to these.  The nice thing is that some of the work I am doing for these can also be used in the books I’m writing.  Maybe I’ll even be able to publish one of my books before the workshops this fall.

But fear not, I am also making some quilts, just at a slower pace.  I am making a bed quilt (shock!) for myself using a Sue Nickel’s applique quilt pattern.  I have only just begun working on a new design for one of my Ancient Manuscript series quilts.  Actually, truth be told, I have only come up with the idea and haven’t really started the design.  Happy National Sewing Machine day! (this is 6/13/18).

Sew happy everyone!  What are you working on?  Let me know.  Send me pictures. Make comments.  I really want to hear from you.  Hopefully, now, I am back to making about a blog a week or more.

 

Working On Developing Workshops

I have agreed to present three classes or workshops at G Street Fabrics sometime this fall for a six-hour day for each.  One will be on machine applique two ways, one will be quilting with feed dogs up, and one will be free motion quilting for sit down machines.  So I have been working out what exactly I want to present and how best to present them.

In the past I have done a couple of these classes and found flaws in how I developed them and hope these will  be much better.  One thing I did at Mid-Atlantic Quilt Festival this year was take  a class from Sue Nickels and carefully observed her methods for presentation. She ran one of the best organized and presented classes.   I have also taken classes from other noted quilters, like Pepper Cory, and will be drawing from all of these teaching methods to improve my own.

One of the things Sue Nickels did, as did Libby Lehman in a class I took from her years ago, was to have a camera on their work at the machine so people could really see what she was doing when demonstrating.  I thought this was extremely helpful when taking these classes.

Between my oldest son and myself, I have everything I need to do this with the single exception of the projector.  G Street has a projector they are going to loan me to see if I can make everything all work together to manage this for those classes.  Eventually, though, I will maybe get my own projector if I teach anywhere else.

So I will now make some samples and determine what I need to do to make a kit.  I decided to use my Go! cutter and precut some fusible shapes for the applique kits so it will save the students a lot of time.  I have designed a fall scene for the applique class.

I also will be putting together small sandwiches for the quilting classes.  I tried with my last class having them bring the sandwich.  Several of them arrived with no sandwich at all, some had all the pieces but had not put them together and I had to spend time telling them how to do it.  Time is like gold at a workshop.  So I decided to make a 20 inch x 20 inch sandwich that I premark.  I am only going to have six to eight students per class, so this will not be a huge burden and make a big difference for the class.

So I will really appreciate any suggestions you may have both from the perspective of classes you have attended and of classes you may have taught.  I don’t yet have the dates for these and I’ll tell you more about it later.

Sew happy everyone!  Add your comments to help me make the best workshops ever!