I always need to work at coming up with how to quilt my landscape and pictorial wall art quilts, as I suspect most quilters do for their quilts. I went through the recent past couple of years thinking I needed to learn a more formal quilting style and to avoid the natural flow of organic quilting patterns that came to my mind when looking at a landscape or pictorial quilt. This probably stemmed from my observations of the details of winning quilts at major quilt shows where the quilter had often used a very formal style of quilting even for pictorial or landscape quilts. This is a fine way to approach it and probably entered in to the judges’ decisions to award the quilt a ribbon. But for my quilts, I truly prefer a more organic approach, though I do admit there are places where formal quilt patterns would be in order.
As of this writing, I am currently in the process of quilting my Hoffman Challenge quilt for 2016. This quilt is heavily appliqued to form a whimsical pictorial quilt of a fantasy forest path with trees, birds, animals, and butterflies. Since it is so heavily appliqued, it has only small spaces in which to develop any formal types of quilting patterns. I struggled for some time trying to come up with a good sky pattern for a quilt where the sky is supposed to be sunny and calm…not a lot of wind and no approaching storms. Believe it or not I found this harder to decide on than I did the “sculptured stormy sky” quilting that I came up with for Drawing Nigh.
In the end, I decided on a simple meander using a 100 weight silk. It makes the sky recede into the background without implying wind or clouds, and brings the appliques to the foreground, exactly like I wanted. It’s not perfect (my quilting almost never is), but it seems reasonably good also.
For past quilts, like Noel, I have also struggled to find just the right pattern, or in truth, fill, that maintains the organic feel of the area and still provides enough added interest. (This quilt won a Honorable Mention in HMQS 2013).
For me, it helps my end results to keep it simple, and for these types of quilts the shapes need to be organic and easy to use around complex shapes. I think every quilter needs to develop their own style that suits them. I am pretty sure it does not mean that you have less skill if you use organic shapes, although I think some judges think that, but it is an artistic design choice. Some of these organic styles actually require considerably more skill than you may think…for instance large areas of simple meander should be as evenly and appropriately sized for the project as possible, which is not always easy to do. You also need to figure out if the areas are so large they need breaking up with something for interest sake (wind creatures or clouds, for instance). I hope that judging is moving toward an understanding of this. Nevertheless, I think that I will continue along this path, though I do think I should do a formal quilt at some point. I have something in mind.
Note: My Bernina sitdown longarm is arriving next week, perhaps Monday, followed by a day of set up and training by my dear Bernina dealer and friend Mei Ling and my magician tech Lew. I hope very much that this addition to my machine family will not only help my other machines last longer, but provide me with a higher level of quilting. It seems possible it might also speed up my quilting, since the stitching speed is twice that of my Bernina 830, but that is not a given. After an enormous reorganization effort of the whole upper flour of my home, I have a wonderful space for the new machine, a nice space for my smaller Koala cabinet where i use my purely domestic machines, and maintained my big cabinet space for my 830 that I also use for cutting clothes and other projects. This reorg has already brought many positive changes to my studio that I probably should have done earlier. I’ll post pictures when everything is in place.
Sew happy everyone! Try some organic free motion quilting for your next landscape scene.