Threads are an interesting, and sometimes a little touchy, subject among machine artists. Lots of us have our favorites and, like me, are what one might call “thread snobs”. So how do I view threads?
Thread sizes can be used to help with designs. I love doing line-drawing quilts, even though I haven’t done one lately. For one of my quilts “Perspective in Threads” I used four thread sizes to act like different sized strokes from different nibs on a drawing pen. I frequently use multiple thread sizes in my quilts.
So what do I use and how?
- 100 weight for microquilting, background work I want to more or less sink into the background, and couching down fat specialty threads. I also use this for machine stitched raw-edge applique and machine stitched turned-edge applique when I want the applique to stand out and not emphasize the edge.
- 60 weight polyester for most of my bobbin threads when I am quilting and appliqueing and some piecing.
- 50 weights for clothing construction and some piecing.
- 40 weight for machine embroidery and quilting when I want the quilting to show up. I have found that some 40 weight cottons, such as Superior’s, show up slightly larger than their polyester threads, and that can be used as an advantage when doing line-drawings.
- 30 weights for top stitching on clothing.
- 16 and 12 weight for heavy lines and when I really really want the quilting to show up.
- Superior Thread’s light monopoly for really invisible stitch-in-the-ditch and some appliques.
- Metallics for metallic needs.
- Fat specialty threads for bobbin work and couching.
I have found that, for the most part, Superior Threads makes some of the best thread on the market, for almost all of the sized threads above. I have heard good things about Aurifil, though I mostly use Superior. I do use Gutterman, Mettler, and So-Fine 50 weights for clothing construction. And for 12 weights, I have tested several brands–though I haven’t tried Aurifil’s–and find that I get the best results from Sulky 12 weight from those I have tested. I tried Superior’s relatively new 12 weight. It’s beautiful, but it is slightly bigger than Sulky and it doesn’t stitch as well in my machines even when I use the largest needles. Sulky 12 weight seems to work just fine, but I’d like to test Aurifil’s.
Jenny Lyon’s recent blog post about testing some of the new threads good for microquilting does a great job of reviewing them, so I won’t review them here. But I strongly encourage you to go there and read her review.
I was interested to see that a fabulous line-drawing style quilt won a ribbon at Houston this week. Here’s a picture of that winning quilt.
Sew that really inspires me to try my hand at a new line drawing quilt. Her work is magnificent, and clearly quite a few cuts above what I have done so far…but I want to try one again. How about you?
Sew happy everyone! Try it! Get a solid color fabric, find a non-copyrighted line drawing you like or make one yourself, blow it up to full size (I will address simple pattern making for your own use in my next part of this), and mark it with Crayola washable markers…then sandwich and stitch away happily. Please, if you do this, share pictures with me at firstname.lastname@example.org even if it is only a practice piece. I would love to share your work here if you would like.