I am writing a book on embellishment techniques and have a plethora of samplers to make for this book. I will also be using examples from some of my show quilts. One of the projects in my book includes several samplers teaching how to make trees using couching and a variety of interesting decorative threadwork.The starry night in the winter forest scene above is almost complete. I still have to bind it and add hot fix crystals in the sky. But I thought I would show you what I have on this little sampler, which I stitched on with no premarking. This is such a fun activity to just sit down with a small quilt sandwich and play. Initially I had planned just to practice and test some tree making in preparation for this sampler, but I liked it and decided to just trim it down and make it one of the samplers.
- The two front larger trees are couched on sport weight yarns using a couching foot #43 on my Bernina Q20 and white 100 weight Microquilter by Superior Threads with Bottom Line in the bobbin. (Q20 settings: net on the cone, bobbin tension 180 with a magic silicone bobbin washerover the spring, top tension 1.50, threaded across the silicone gadget with the pink liquid, 80/12 universal needle (note…for small thin 100 weight and monopoly threads the universal needles work best, because the top stitching needles I normally use tend to “step on” the thread and break it instantly. This is true whatever machine you us).
- The middle tree, though you can’t tell in this picture, is sparkly silver Ricky Tims Razzle Dazzle by Superior that I couched on also with the couching foot #43 using a silver Superior metallic thread in the top (same settings except top tension is 3.0 and needle is 90/14 titanium top stitch Superior).
- Then I free motion stitched the two smaller back trees using Aurifil 12 weight wool/acrylic blend thread and a 100/18 top stitch needle (Bottom line bobbin set as above, top tension 3.0, spi 9, bsr1, 100/18 top stitch titanium Superior neeedle, threaded as normal, stitched slowly, use a tooth cleaning threader to thread the aurifil thread through the take up bar hole and the needle). Clean and oil your machine after using wool blend thread.
- After that, I free motion stitched with Superior metallic thread the lines showing the hilly shapes, ruler stitched the moon shape, and painted the moon with Setacolor paints.
- Then I used 100 weight black Microquilter (set as in the first dot section) and did a simple stipple all over the quilt and outlined the trees.
I encourage you to try such a sampler. It can make either a neat Christmas decoration once all the crystals are placed on it, or you could add a halloween pumpkin or owl applique for Halloween.
Progress on Mom’s memory quilt:
Now that I have it all designed, I decided I had to make a sampler to practice everything especially on the satin part of the quilt where I will have pictographs of flowers, birds, and embroidered items that are related to Mom’s interests.
So I managed to get all the marks out of the test piece when I used the heat away pen after a four hour soak and a cold water wash in Synthrapol and finally a reironing to take away the last of the marks, which were very light at this point. I then refroze it thinking they would come back but they did not. I will retest this on the sampler when I am finished with it. This is the kind of treatments you have to do when your fabrics or thread colors bleed onto your quilt, so I do not recommend the use of these pens except in very rare circumstances and after much testing. I plan on making a decorative pillow for my bed with this sampler.
Sew I thought the hardest part would be to quilt the pictographs, but I found that to be really fun and, while time consuming, they were fairly easy to do at a slow stitch with my Q20 using BSR1, spi 12, and Magnifico 40 wt thread by Superior, and a 90/14 top stitch titanium needle with top tension 3.5 and bottom line in the bobbin at 180 tension. Now I am working on figuring out the background, but first I will be doing really really tiny scribble stitching for about a quarter inch out from the edges of all the pictographs with 100 wt thread to set them apart and make them look like trapunto.
I am using a double bat on this quilt (80/20 thin bottom and wool on top), a cotton backing, a beefy polyester crepe backed satin and two colors of polyester dupioni. But the only pictograph quilting is only on the ivory satin. Here are the sampler pictographs. I think it is coming along really well, but I am puzzled about what kind of background I am going to put on the white. I am thinking of using walking foot stitching with some simple decorative stitches on my 880 plus in some kind of grid work, but I am not sure yet. One thing at a time on this project. LOL It’s hard to see in this picture, and it looks like there is more problem with fabric management than there is, but here is the sampler so far.
Sew happy everyone! Take some time to play on some samplers that you might want to use or just throw out later. It gives you the freedom to try things you might be hesitant to do on a full quilt project. Cheers.