Bring on Fall!

I have some fun and interesting plans for the fall and winter quilting season and have been spending nearly all my working time preparing for them for the past couple of weeks.

First of all, I am preparing for my fall workshops at G Street Fabrics in Rockville, beginning with the first one on Saturday, September 22nd at 11 am!  See more about this on my blog from a few weeks ago here.

So I have all my handouts made and the kits for the first workshop. I almost have all the kits for the second workshop and have made progress on the third workshop.  So when you come, you will have a lot of fun and be able to dive right in to our projects.  You just need to call G Street sewing machine department and sign up!  You can sign up for one or all three.  So much fun to come starting in just a few weeks!  I should finish preparations for these this week and be able to get back to sewing and quilting.

Sew my plans for the fall and winter sewing and quilting season are exciting for me.  As you may know by now, I like to run two or three projects at once to keep me from getting frustrated…hopefully all at different stages along the way.

  • My current quilt project is for my bed, making an applique pattern by Sue Nickels that is really pretty and will add a lot of beauty to my bedroom.  I am about half way through that.  It is not for a show quilt and is just for fun and adding something to my home for me.
  • I am currently working out what my next show quilts will be.  My plans are exciting and two of them involve other people.
    1. My dear friend, student, and what we jokingly call my apprentice Anita has drawn a beautiful scene with a steam locomotive train and gifted it to me for use as a quilt design.  It is full of wonderful things and will be quite fantastic if I can pull it off…trees, rocks, trestles, the locomotive with steam, pulling cars…one with a load of wood. So cool!  Send good thoughts, because this one is a challenge but I plan on starting it soon.
    2. My oldest son, who designed Pendragon, is designing an accompanying piece Excalibur.   Oh I can hardly wait to see his design.  He started earlier but work got so busy for him that he had to lay it aside for awhile.  Things have gotten a little more sane for him now and he thinks he can finish it soon.
    3. Okay, so I am working on my own design(s) also.  I have an array of things I want to do, and am engaged in trying to draw up some of them to choose from for this season.  I am thinking of making one based on polyester satins that I embellish multiple ways to show what can be done with a limited quilt budget (under $100 is my goal).  That design work is not done yet, and I keep oming up with new ideas  with new subjects…I’m currently leaning toward a dark forest with spots of beauty and fun woodland characters, but it could end up entirely something else…spending a little time every day on this.  So it will be a little while before I just get the design sealed down and ready to make.
    4. And then I also want to do another line drawing quilt based on architecture.  I have a couple of possibilities, but I’m still looking.
  • I haven’t forgotten my book.  I have actually made considerable progress on it this summer, and hope to finish it sometime in October.
  • Plus I am wondering just how I can approach the passing on of my many surface design and embellishment techniques.  I have won several ribbons on this aspect of my quilts, and feel I have much to tell you about.  I already have a book outlined and started, but I am thinking of videos.  My son Ken has gotten me all set up to do videos, and I am thinking of making several…some on quilting and some on surface design and embellishment techniques.

I did mention clothes, didn’t I.  I am planning on making a new winter coat this fall.  I found a great pattern that I think I can make with fabrics (and faux fur) I already have..a free and hopefully gorgeous winter coat.  It’s free because I’ve had this fabric for years and properly stored, so it is in great shape.  If you haven’t made an overcoat, it is not really as difficult as making a shirt with a stand collar, really it isn’t.  And using thick winter fabrics is very forgiving, hiding most little mistakes.  I encourage you to try one.  There are some great patterns just out this year.  I also am planning on squeezing in a winter dress suit, yes a pants suit beause my legs just look best that way.  This will challenge me to resurrect my professional tailoring skills, but I have recently lost a couple of dress sizes (though I freely admit that I am still “fat”), and I will make it in a way I can take it up one more size.  I have fabric for that too.

As you see, this year is going to emphasize to myself trying to get all my sewing and quilting done by shopping my stash or keeping costs down while still producing some remarkable pieces.

Sew happy everyone!  I hope you are planning to do a lot of sewing and quilting this fall and winter or are encouraging your friends and family who do sew to let their lights shine (and help them make time to sew).  Happy September!

 

Fall Fabric Art Workshops

I am excited about my upcoming workshops I will be teaching at G Street Fabrics in Rockville this fall.  If you are in the area, please sign up and come.  I understand there are still a few spaces.  These three six hour workshops provide the basic techniques I use in building and quilting most of my wall art quilts.  There will only be eight students with each workshop, to give me time to be available for each student and answer questions.

September 22, 11am to 5pm.  Fabric Art Workshop 1: Applique Techniques to make a top ready for quilting.

Kits for the workshops are available for purchase that includes everything the students need for the projects that will enable everyone to complete or nearly complete each project.  For the applique workshop, the leaves, birds, and dog or cat are all precut with fusible on the back. The student gets to put it all together like he or she wants and different edge finishes are taught as well as how one might choose which finish is discussed.  Threads, needles, and other supplies are included as well as the handouts.

The two quilting classes also have kits of premarked sandwiches with everything one needs to plunge right in and start quilting.

October 6, 11 am to 5 pm:  This is the project for Fabric Arts Workshop II: Quilting with feed dogs up.  Kit has premarked sandwich, thread, a needle, and handouts.

The students will learn there are many interesting results that can be obtained with their feed dogs up.  Of course, a walking foot would always be helpful, but will not be required for this class.  It’s a small 20 x 20 sandwich.

 

October 20, 11am to 5pm, Fabric Arts Workshop III:  Free motion organic quilting.  The Kit for the free motion quilting project is a lightly marked sandwich, with a leaf applique ready to start the class.,  It also includes thread, a needle, and handouts.

Sew I don’t address how to square up and bind a quilt, but I do provide references as to where you can get that information.  There is another part of my work that is also not included and that is surface design and embellishment.  However, I started my art quilt career just using the techniques covered here, and learned how to bind off the internet.  I am considering how I might do a workshop in surface design and embellishment, but not sure I’ll do it yet.  I do provide a bit of information on how you can pull together a design for such projects in the course of the workshops.

Come join me.  There are 8 slots per class and some have already been filled, but if you hurry you might get in.  Contact G Street Fabrics  and ask for the Sewing machine department.

Meanwhile, I’ll go back to making kits…LOL

 

 

A Short Slowdown in Art Quilting Adventures

In my last blog I talked about the need to practice quilting.  I should have also mentioned that it is very helpful to plan ahead for your projects and how and what you will practice.  Truly, at least half of my “planned” projects fall to the wayside as I pursue other ideas.  In fact, though, I often incorporate those original concepts into the projects I finally decide on.  Also, sometimes, I go back and pick a project concept up that I thought had not made the cut because I couldn’t figure out how to do it, or it was not a technique I wanted to use.  This happens when I later learn a new way of doing things, or  figured out just how it really needed to be created.  Sometimes these solutions just come to me while I am doing something simple and am engaged in thought.

Over the course of my sewing/quilting year, I sometimes end up with having finished several things I was working on all at once and then have to spend a little while working through what I may do next.  I have finished my Bayou quilt, and I have gotten the workshops mostly ready, although I still need to work on the kits, but I have until late September for the first one.  Sew I’m at that point right now, although I am still doing some work on my three book efforts.  Even those, though, I am rethinking and wondering just how I should pull those together.  Maybe it will be one larger book.  Not sure yet.

I’m still sewing though.  I’m working on an applique bed quilt using Sue Nickels beautiful pattern I purchased from her at MAQF earlier this year.  It’s my “down-time” project because I find stitched raw-edge applique fun and relaxing, and not particularly challenging, especially since this quilt is just for me.  It will not be a show quilt.  Still, I am exploring some decorative stitch use as I stitch some of the shapes down.   It is, after all, time for me to replace that old box store “quilted” coverlet I have had for decades and have a quilt like a quilter should have on their bed.

This does not mean that I don’t have several ideas in the works, but all three of them involve another artist to help me come up with the concept drawings, and I am waiting on those.  I am working on my own drawings also now, but haven’t settled yet on what is next.

Time to clean?  Ich.  But really I need to clean. LOL  Oh, I know…time to practice!  🦊🦋🏡😄

Sew happy everyone.  Take some time to practice and plan, and maybe just a little time to clean.

 

 

 

 

Working On Developing Workshops

I have agreed to present three classes or workshops at G Street Fabrics sometime this fall for a six-hour day for each.  One will be on machine applique two ways, one will be quilting with feed dogs up, and one will be free motion quilting for sit down machines.  So I have been working out what exactly I want to present and how best to present them.

In the past I have done a couple of these classes and found flaws in how I developed them and hope these will  be much better.  One thing I did at Mid-Atlantic Quilt Festival this year was take  a class from Sue Nickels and carefully observed her methods for presentation. She ran one of the best organized and presented classes.   I have also taken classes from other noted quilters, like Pepper Cory, and will be drawing from all of these teaching methods to improve my own.

One of the things Sue Nickels did, as did Libby Lehman in a class I took from her years ago, was to have a camera on their work at the machine so people could really see what she was doing when demonstrating.  I thought this was extremely helpful when taking these classes.

Between my oldest son and myself, I have everything I need to do this with the single exception of the projector.  G Street has a projector they are going to loan me to see if I can make everything all work together to manage this for those classes.  Eventually, though, I will maybe get my own projector if I teach anywhere else.

So I will now make some samples and determine what I need to do to make a kit.  I decided to use my Go! cutter and precut some fusible shapes for the applique kits so it will save the students a lot of time.  I have designed a fall scene for the applique class.

I also will be putting together small sandwiches for the quilting classes.  I tried with my last class having them bring the sandwich.  Several of them arrived with no sandwich at all, some had all the pieces but had not put them together and I had to spend time telling them how to do it.  Time is like gold at a workshop.  So I decided to make a 20 inch x 20 inch sandwich that I premark.  I am only going to have six to eight students per class, so this will not be a huge burden and make a big difference for the class.

So I will really appreciate any suggestions you may have both from the perspective of classes you have attended and of classes you may have taught.  I don’t yet have the dates for these and I’ll tell you more about it later.

Sew happy everyone!  Add your comments to help me make the best workshops ever!

 

 

Building a Pictorial Quilt Part Two: Making a Tree

One of the most fun I have when making a pictorial quilt is making trees, mountains, rocks and water scenes.  Making these wonderful natural landscape items do not require perfect lines and matched points.  So each kind and size of trees I need to “grow” on a quilt may require a different technique and plan.  I have to consider the distance, the species, where the light is coming from, and then decide how to make them.  Here are a few examples:

Here the trees surround the house. For these trees, I digitized them on my Bernina Software (even the tiny trees have little leaf shaped leaves, though I think that is lost a bit to the viewer because of the size). I then stitched them out on black nylon veiling with wash-away stabilizer and free motion appliqued them onto the quilt top with matching thread.

 

This small tree is the stitch out from an olive tree I digitized in my Bernina software on wash-away stabilizer. I placed a tree photo in the art side and traced it by hand digitizing it in the embroidery side of the software. The same could be done by drawing it onto a piece of wash-away stabilizer with Crayola washable marker and free motion embroidering it. In this case I would advise using a layer of black nylon veiling to hold everything together.  The advantage of black nylon veiling is that it can be cut very close to the embroidery (without cutting through the stitching) and the little bits left tend to disappear when you applique it on…often covered with applique stitching. Note that when you soak away the stabilizer, the Crayola marker goes away also.  This happens to be laying on a paper towel, in case you are wondering.

 

Here you see the trunks of some big Cyprus trees in my current ongoing project. I cut the applique shape from different types of commercial woody type fabrics. So then I did highlighting and lowlighting with Shiva oil paint sticks and a stiff brush, then heat setting with my iron (covering it with a paper towel to absorb excess oil paint. I plan on adding a layer of wool batting behind the trees to give them a little more depth because the trees require considerable stitching to make the base look like the Cyprus, but this is how I started these trees.

So the Cyprus trees appear to have windy limbs that seem smaller than such a massive tree trunk would have.  I decided to couch the limbs on with wool yarns and then free motion embroider the Spanish moss.  Here are two pictures of the progress so far:

Here you see some of the limbs on the different trees with some Spanish moss.  I did a lot of looking at Spanish moss photos before I did these so I could figure how they should look. These seem to me to be coming out ok.

 

I learned early on that I needed to draw some guide lines for the direction of the stitching or I’d get them to be blowing around in different directions. Since the water in this quilt is going to look calm and reflective, it didn’t make since to have the Spanish moss blowing around much, though they don’t have to be exactly the same, but close. Here you see some of my marks for future stitching. Also note that I had to break the stitching on several clumps so it looked like the limb is further toward the back from the viewer.  I need to keep it pretty close to the same proportions as the top part, so drawing lines is helpful.

Sew I’ll show you the whole trees when they are done.  That will be a while now because they need to be quilted, and maybe a little more highlighting, to get the full impression.

Sew happy everyone.  I hope you decide to put some trees on your quilts and relax…they are fun to make.

Building a Pictorial Quilt Part One

I don’t know why, but recently I realized my design and making of a pictorial quilt has fallen into a multi-step method that can be shared with my readers. I suspect that most pictorial quilters work much the same, but each of us develops our own methodology and here is mine.  It might work for you if you are interested in making such quilts.

Work from the background forward. Here I am appliqueing on the pieces.

Sew what do you do when you have a picture you want to make into a quilt…either you drew it yourself, you took a photo, you bought or were gifted the rights from another artist, or you bought a royalty free design from somewhere like Dover that grants permission to use it for artistic purposes (be careful to read the permision statement)?

Plan by taking apart the project in your mind and writing down notes about how you plan to approach it.  If you have worked in digital drawing programs like Corel Draw, Corel Painter, or Adobe Photoshop, for instance, you know you can divide a project into layers and work on each layer one at a time.  You may also know that you need to think from background to foreground in how you approach a design.  It’s the same here.

  1. Print or draw a full-sized quilt plan.  I say “plan” rather than “pattern” because sometimes that’s all it is…just a full sized picture of what you want to make.  But it functions kind of like a pattern. My current project is a Bayou quilt using another artist’s (Joel Christopher Payne, a Disney artist among other things he does) picture for inspiration (though I am using it for inspiration and a guide rather than trying to copy his work).
  2. Study your picture and analyze it for challenges, needed fabrics, techniques you might use.  This quilt has many challenges.
    • It’s dark and details are hard to see
    • It has lots of old wood and cyprus trees and water at night, making texture really important and values more difficult.
    • I am planning on adding more Spanish moss and creating a slightly lighter pictorial quilt than his wonderful picture
    • It has a lot of plays of light shining through the trees, playing out on the water, and fireflies.
    • There are lots of water plants around the Bayou scene.
    • Almost half of the work on this quilt is to be free motion yarn couching, free motion embroidery, and other embellishment work.
    • This quilt background will start with extensive applique work.
    • After the applique there will be a small amount of highlighting and lowlighting with various fabric paints.
    • After the appliques are in place and some of the paint work then I will start with the couching and free motion embroidery work.
    • I have figured out how to deal with the light playing on the water, but I am still not sure about the light coming through the trees…maybe veiling, which is on order.
  3. Along the way you may decide to use some trapunto to give some additional depth to your work.  In this case, I will be adding a layer of wool batting behind the tree trunks, the cabin, and the old house boat.
  4. Building such a challenging pictorial quilt for me sometimes involves testing a technique on a scrap first and then working that part on the quilt, but sometimes I have to change my mind on how I will approach a particular part of the quilt.
  5. Then I have to do the sandwiching, squaring, and quilting that every quilter has to do.

So I now have all the appliques on and have done some of the highlight/lowlight work.  It’s ready to start the couching and free motion embroidery.  This picture is taken from standing over a table, so it isn’t front on like I’d like.  This is like layer two through ten of a 32 layer digital drawing…lots of work left to do…it’s kind of a background at this stage.  LOL  And besides, this is just a small part of it…it’s 60 by 30 inches overall…at least that’s what I’m hoping for in the end.

Sew happy everyone!  Take a plunge and try your own pictorial wall quilt.  Be patient with yourself and realize almost every problem can be overcome in achieving your vision.  Sometimes the problems are really a blessing…they give you new ideas.

The Wizards’ Duel

The Wizard’s Duel

I promised you all that I would write about this quilt after Mid Atlantic Quilt Festival.  I had a wonderful time going to the show with one of my best friends Mei-Ling Huang.  Mei-Ling is a lot of fun and we share many interests.  She claims not to be a quilter, but I have seen her quilting on the Bernina Q24 longarm set up in her Bernina shop at G Street Fabrics where she is the Bernina dealer.  But she is a long-term sewist and she does make beautiful garments.  Currently, I happen to know that she is working on a t-shirt quilt for her daughter, who is in medical school.  She was clearly fascinated by the goings on at MAQF and we enjoyed very much the class we took together from Sue Nickels on Stitched Raw Edge Applique.  I found the class a perfect example of how to organize and run a class as well as really enjoying the applique instruction,

Sew the picture above is my completed quilt and I got the judges comments back yesterday.  They have marking grades on standard criteria.  It fared very well, getting all top marks (E for Excellent) except for degree of difficulty and that was S for Satisfactory.

Judge 1 commented:

  • Powerful color impression
  • Ambitious Subject Matter
  • Nice use of crystals

Judge 2 commented:

  • Batting a bit too puffy [Huh?!!!]
  • So much care in the figures.  Rocks would benefit from same attention

Judges:  Esterita Austin, Pepper Cory, Marjan Kluepfel

I don’t know which judge had which comments section, though I do know that they weren’t Pepper (a friend of mine), who just signed it.  After looking at it objectively, I happen to agree with the comment about the rocks and plan on adding some additional quilting and maybe a litle more highlighting before I send it out again.  Not sure I agree on degree of difficulty, but seeing some of the other quilts there I am pretty pleased with these marks overall, which is rare when I get my judges comments back.  I am a little puzzled about the batting a bit too puffy comment, but to each his own.  Maybe it had to do with the rocks.

When I am done with a quilt I like to look back at the original concept and see how far away I wandered in the making of the quilt.  Here is the finished concept art, though I did go through a number of other versions along the way.

concept art for Wizards’ Duel

And here are some detail photos of the quilt.  I hope you can see all of the quilting.  I had loads of fun with that turbulent sky full of characters,  I have a Pegasus in this shot.  Go up and look at the full quilt and see if you can find the Phoenix, the small flying bird, a starry kind of symbol like I used in the corners, and the little bit of free motion feather design at the corner near the raven.  I also free motioned and straight ruler stitched the explosion of light (is that a sun?  I think so) behind the wizards.

Detail shot one

And here is detail shot two…on this you may think you see a row of flying geese, but that’s not what they are.  In my mind’s eye these are a row of flying pterodactyls!  Hahaha.  I hopeyou can see these, I know it’s kind of hard to see.  Also pay attention to the border.  This quilt is the first one where I used ruler work extensively. I used a strip of paper that was the exact length of the border and folded it until I got the divisions perfect (no math method) and marked the grid on the border, then used my rulers to quilt the design without additional design marking.  Then I just bubble stitched where it needed filling.  I was pleased with the results.

I will tell you that the biggest challenge was coming up with the figures.  I started with prepared for dye cotton fabric and marked the figures on with a simple Fons and Porter dark marking pencil.  Then I colored them using Neocolor water soluble paint crayons and brushed them with water. After that I ironed them dry, thereby heat setting them, and then I placed a bit of wool batting behind the dragon and stitched the outline and the scales.  After that I used some oil paint sticks to burnish the scales of the dragon a little.  Then I thread painted their garments with Superior metallic threads using my BerninaQ20 longarm sitdown.  Finally, I appliqued them to the quilt top.  After sandwiching them, I quilted the figures sections with Superior Monopoly thread, but that was the only place I used monopoly.  I didn’t want to interfere with the thread painting I had done, but they needed quilting for depth of character.  I wonder if the judges realized the difficulty involved there.  Perhaps they did.

And finally, here is a very good picture of the quilt hanging in the show that my friend Cathy Wiggins took.  I think it shows the quilting clearly…in fact the show had it lit just perfectly so the quilting showed well.

Wizards’ Duel at MAQF courtesy of Cathy Wiggins

The quilts at the quilt show were unbelievably magnificent.  I do think Wizards’ Duel stands up well in such a show, even if it didn’t receive a ribbon.  As I said, I plan on adding some quilting and highlighting on the rocks section and entering it in other shows.  Maybe it will place after that.  It’s very hard to place in such a show.  The MAQF is becoming a very important and popular show and for good reason…it is fabulous.

Mei-Ling and I attended the fashion show too and spent some time viewing the wearable art competition section at the show.  We were so inspired by this that we decided to try to make a joint entry for the wearable art next year.  Mei-Ling is a small beautifully proportioned woman and we will make it to fit her.  More on that much later.

I came home to find a chipmunk had invaded our home…he came in about an hour after I got home.  That is another story that is still going on .  He’s still here and in one of my studio rooms.  My studio is on the upper level of my town home where my bedroom also is.  It consists of two small bedrooms…Studio Fritz (where my computer/office section is and where my Bernina Q20, named Fritz, sits), Studio Gibbs (where my main fabric, thread, and paint stash, my work tables, and my Bernina 830LE named Gibbs sits), and Studio Betsy (one small side of my bedroom where my Bernina 350 named E. Claire sits where my old Bernina 1230 named Betsy used to sit.  I sold Betsy recently to my student and friend Anita).  The chipmunk has taken up residence in Studio Gibbs (thank goodness not my bedroom!).  So far, the only damage he’s done is knock things over and deposit chipmunk poop in places.  The stash is safely in drawers and the closet where he can’t get to chew or soil and Gibbs is of no interest to him so far.  I am soooooo hopeful of getting him out of there today.  I have a live trap set for him and have tried multiple things, and am trying once more today with the trap and all.  I need my studio back.  I never had this happen before.  Please pray for a successful removal of the chipmunk.  Silly me, I name everything, even a chipmunk I may end up killing…this one is Chippy.  I am so hopeful of not having to kill it to get it out of there.

Sew happy everyone!  You know you can get a basket like device to attach over your dryer vent so chipmunks can’t get in and chew holes in your dryer vent hose.  My son just installed one on our house.  I wish we had done it earlier!!!!

 

Working with My Bernina Q20 and New Attachments

MERRY CHRISTMAS EVERYONE

As many of you know, I am racing to meet a deadline for a show quilt for the Mid Atlantic Quilt Festival, a quilt I had not included in my business plan for 2018.  In spite of a major mistake I made that required that I basically start over with the quilt, I have met my goal of getting the top complete and the quilt sandwiched and ready to quilt by Christmas.  In fact, I started the quilting yesterday, but not before I installed a new interesting attachment on Fritz, my Bernina Q20 sit down longarm.  It is a laser light pointer that puts a red laser light point exactly where the needle will come down.

I gave this new attachment to myself for Christmas in celebration of my dear late husband Marvin.  He always gave me the most wonderful presents.  One of the ways I have learned to deal with Christmas since his passing fifteen years ago is to give myself a nice present as if it came from him.  I miss him as much all these years later as I did the first Christmas after he passed.  Strong, solid, reliable, loving, brilliant, and fun to be with was my Marvin.

Sew I got my new show quilt all sandwiched with one layer of thin polyester batting and one of wool batting.  Using the newly-installed laser pointer, I spent most of yesterday afternoon and about five hours today quilting.  I have a fair amount of appliques on this quilt and some challenging designs planned for the quilting.  So far, I love the pin-pointer in mode 1 (on all the time I stitch), and Fritz is working like clockwork despite all the challenging threads I am throwing at it.

I started by stitching in the ditch and around the appliques (and no the star pictured at the top is not in the quilt) with Superior’s superb monopoly…so thin…so strong…nearly totally invisible and not very shiny like other monopolies.  Truly, handling this thread is like I imagine sewing with spider webs or something equally hard would be, except it doesn’t break once you get all the tensions and needles correct (I used top tension 1.75, bobbin is Superior Bottom Line 60 wt polyester set at 180 tension, and an Organ 75/11 titanium embroidery needle).

The laser light pointed the way.  I was able to stitch amazingly accurately and extremely close around those appliques.  I used the Q20’s BSR1 (stitch regulator mode 1) and the kickstarter that allows me to stitch without pressing the pedal.  I love the kickstart.  I didn’t at first, but now that I am really use to it, I use it nearly all the time for all the work I do at Fritz.

I then did some detail work within one of the appliques that truly brought it to life, with the laser pointer aimed at the chalk marks I had marked on the applique.  The monopoly was perfect for this, because I had painted the applique and free motion embroidered it.   I did not want to impact the free motion embroidery but I did want to quilt in the trapunto.  I had added an extra layer of wool batting behind the applique to give it that trapunto fill. I am very happy with it.  I haven’t yet done the detail for any of the other appliques.

So I then switched to metallic thread.  Metallics are known to be troublesome, but today Fritz was happy to play.  The metallic stitching I have done so far was just plain wonderful.  It is ruler work, stitching along several long marked lines.  The laser pointer works great with ruler work, pointing exactly where the stitch will go, so lining up that quarter inch, which is sometimes a little elusive, is no problem at all.  However I did find that the #72 ruler foot works better with the laser pointer than the #96.  The 96 has a diagonal fill in the center to help you place the needle that makes the laser point difficult to see if you are not leaning over it more than I do.  The 72 has an empty center, and that works just great.  For ruler work I use the BSR2 (stitch regulator designed for ruler work that moves when you move and stops when you stop, but sometimes it will take a stitch if it detects even a small amount of movement).  For metallic thread I set a top tension of 2.5, and use Bottom Line with the same 180 tension.  I also thread it so it runs across that little silicone liquid pad thingy.  In fact, I did that for both threads.

I have, in the past, had metallic thread stitch through a tiny tiny bit regardless of how hard I tried to get that perfect, causing judges to fuss about my tension.  For this quilt so far, this is not happening.  The tension appears perfect to me on both sides of the quilt. I’m really happy because I didn’t want to put metallic in the bobbin.  If the judges say I have tension issues on this quilt, I will just have to think they have some kind of special vision.  LOL

Sew my next challenge for the laser pointer light and Fritz are the complex pictographs I have to quilt on the quilt.  At least one of them will be stitched in metallics.  Then I still have to decide how I am going to stitch the background…I have an idea developing, but it will be a big challenge for me.  Still, if I can carry it off, I think it will be a wonderful quilt.  It’s so very much fun though.  I really recommend the laser light pointer and the use of the kickstarter if you have a Q20.  I also bought the echo circle attachments for the #72 foot that I am planning on using on this quilt.  I’ll give a review of their use when I get to that.

Sew happy everyone!  Try something new and don’t be discouraged if you have to spend some time learning it.  Merry Christmas to all and to all a good night.

A Church Banner for Reformation 500

One of my church pastors asked me to make the church a banner for an area wide celebration of the 500th anniversary of the Reformation toward the end of October.  Another pastor asked my friend Anita Born, who is an artist, to make the banner.  The funny thing is that I am teaching Anita to make baby quilts and wall quilts and we get together frequently, so on Tuesday, we discovered that we had both been asked to make the banner.  So we did what any reasonable friends would do, decided to do it together.  We had both drawn up some concepts for the banner.  I had just decided that mine was too formal, and would probably take too long, for this particular kind of celebration and I should probably start over and maybe have some trumpets on the banner when I found out she had also been asked to do the banner.  So here is what I designed at first:

My original design for the reformation banner…too formal and too complex.

So when Anita came over on Tuesday for our usual Tuesday afternoons together, she brought several drawings and one of them had trumpets!  Here is her original drawing:

Anita’s original drawing

So we worked over the design a bit.  She came back yesterday and we finalized our design concept and I redrew it a bit in my drawing software and we decided how we were going to make this. Below is the design we came up with and I just got the fabric. Anita is going to paint us some trumpet appliques and do most of the handwork, and I am going to embroider the words in my Bernina 830 LE (Gibbs). and we are going to do the applique cutting and placing together.  We decided, after talking with our pastors, that we should put the “Reformation 500, 1517 – 2017”  text on a removable text box applique so we can change the text and use it in other ways for the church…something celebratory.

Here is the final design concept. The green ferns will be made from multiple greens and placed in small sections on the banner, so may look different when finished.

 

We are having a lot of fun doing this together and it will speed up the project a lot.  I’m so glad we found out about both being asked before we got two banners made!  I’ll post more on this project as we go.  I need to get back to work now.

Sew happy everyone!  Have a wonderful weekend and week.  Find a friend to do some creative things together.

Down to the Last Minute, and A Thread Review

I am going to take the second batch of my quilts out to G Street Fabrics in Rockville, Maryland, for the second part of the exhibit of my quilts.  This exhibit, which runs from mid July until the end of August or so, includes nearly all my show quilts except for Pendragon, Dad’s House plan, this year’s Hoffman Challenge still on tour, and a couple I have sold or given away.  They will be displayed throughout the store, including those that are already there in the Bernina department.  I also have completed one new quilt and nearly finished a second new quilt just for this exhibit.  Some of these quilts are available for purchase.  I will (really) post photos of the exhibit sometime in the latter half of July.

Sew here is where I’m at on the preparations.  I have completed the second one of my Alfred Shaheen panel quilts and named it “Tropical Garden”.  I used a lot of Superior’s new 100 weight polyester thread called Microquilter on both that quilt and the “Field of FLowers” I hope to finish by Friday to include in the exhibit.

A Review of Microquilter Thread

When I won all thirty colors of Superior’s Microquilter 100 weight polyester from Superior Threads, I was really thrilled.  I use almost more 100 weight threads than I do any other thread.  I use it for background quilting, detail thread sketching on things like flowers and line drawings, and I also love it for machine applique.  I do not use it for piecing or bobbins.

I found it a wonderful workable thread.  I tried it in my Bernina Q20 sit down longarm, my Bernina 830 LE, and my Bernina 350.  In every case I had to lower the top tension to keep it from breaking, just as I do for silk 100 wt and monopoly.  It worked beautifully without further adjustment in everything but the Q20.  For that, I had to lower the bobbin tension also (I used it with Bottom Line in the bobbin, though I did try one bobbin with the Microquilter).  I found surprisingly that the Superior top stitch needle size 80 worked better than a smaller needle that I use for monopoly and silk.  So here is how I ended up setting up my Q20 (Fritz) if you have one:

  • I have found my Q20 works better with a Magic Bobbin Genie sized for M bobbin.  I just put it in over the spring in the bobbin.  Without it, I have some thread nests on the bottom of my quilt when I get going really fast, and believe me, the Q20 can go REALLY fast.
  • I set the bobbin tension with Superior’s Bottom Line or the Microquilter itself for 180 using the tension guage that came with my machine.  If you use the Microquilter in your bobbin don’t wind it full.  It works better a little less…starting at about 3/4 full.  In the course of making two quilts, I used both Bottom Line that I wound and some prewound Superior thread bobbins that use Bottom Line.
  • I set the top tension for 125
  • I used a size 80 Superior top stitch titanium needle.
  • I used BSR1 set at 280 speed for tiny little stippling and 200 for slower tiny bubbles
  • This setup makes it work like a dream…no nests, no hangups, no tension problems

I will provide some pictures of my quilting with Microquilter as soon as I get them taken.  I am behind in getting my quilts photographed.

 

I got my little personal app quilt home that was a part of Road to California’s traveling exhibit of app quilts.  It has lost about six hot fix crystals out of hundreds, so I need to replace them by Friday.  I have one quilt that needs washing and reblocking, which I will do today.  I have several more stumpwork butterflies to make for the Field of Flowers and I have to put the rod pocket and label on it.  I think I can make the Friday deadline on this one, since the actual quilt is complete and bound. I even have the silver spider charm on the spider web part of that quilt.  Here’s the dragonfly that is ready to go onto the quilt already.  It’s in parts and needs a little additional embroidery after attachment where the wings attach to the body.  I will do turned edge applique of the body and hide the wing wires under that.  I will also probably darken the little white edges of the sheer to match the stitching.  I may even do a hand blanket stitch over the edges if I decide it needs it.  The first picture shows the pieces after stitching, and the second picture shows the dragonfly together ready to applique on.

The embroidered pieces, which I made in the hoop with my Bernina 830 LE

And I also need to ship “Pendragon” to AQS this week.  I want to do a little gold paint touch up on the border paint before I ship it.

So I have a really busy week ahead of me, but it’s an exciting time.  I am enormously pleased that G Street has asked me to show my quilts in the exhibit there.  It is a real honor.  I hope you have a chance to see it.  The whole show will be available in mid-July. I’m not sure of the exact dates, so you might want to call them before you head there.

Sew happy everyone!  Teach someone to sew or quilt…yourself, you cat, your dog…your son.  Until next time!