Dealing with Stitching Pull and Video Update

I digitized this olive tree from a non copyrighted photograph and stitched it out on black nylon tulle with wash away stabilizers. I then removed the stabilizers and tore away the visible tulle. What you see here is the tree ready to applique to my quilt Noel. It would have produced a great deal of thread pull had I stitched it directly to the quilt top.

Heavy machine stitching always pulls the fabric and if done directly on a project can leave the surrounding fabric unacceptably ruffled.  Some of this can be dealt with on shrinkable natural fabrics, such as cotton or wool but not so much silk, by steaming the area upside down on a wool ironing mat or a thick pad of towels.  Polyester fabrics will not respond to steam shrinking attempts and is possible to damaged it with the  amount of steam one might try to use.  Really heavily stitched motifs are almost impossible to steam out regardless of fabrics except wool, but it may be possible to  “quilt that out” in some cases though it is not easily accomplished and doing this is very stressful in any case.

Such headaches and fails can be avoided by stitching off-project and appliqueing the finished motif on to the project background.  If you do it right, it is most often very difficult to tell that it is an applique and not directly stitched, but even if you can tell, it is preferable to the pull.

So there are several ways to approach this that usually involve machine work inside a hoop and wash away stabilizer.  I have a relatively large collection of embroidery hoops I collected over the years.  I found most of them can work for machine work, but some are just too wide to easily get under the presser foot.  There are hoops that are designed for working with a machine, and can be used for hand embroidery. I find a 7 or 8 inch hoop works well.  Here are a couple of models I like:

  • three plastic spring hoop set I have had a set similar to this for years, and this may be the same set.  I don’t know for sure, but it works well for free motion embroidery and is thin enough to slide under the foot.  It is also easy to adjust the area in the hoop when you need to without taking it out from under the foot of the machine.
  • three wood traditional style set.  This is .6 inches high,  I think this will happily slide under the foot if you angle it a bit.  I do not have this set myself although I do use a couple of very old wood hoops that I have had around for a while and they are .5 inches wide and work ok with the machine.

Here is the setup for free motion embroidery.  I do also add the Super Slider on the machine to make it work really smoothly when I am using my domestic machine.  I find I really don’t need the slider when I do the embroidery on my Bernina Q20 sitdown longarm, which I find I prefer now that I have that option.

 

Here I am stitching a horse’s tail for my quilt Canterbury Knight using the method described herein.

Here is the tail on the horse on the quilt. There is not enough contrast to see it well, but after it was quilted it showed up fairly well.

Horse with newly groomed tail

And the final finished quilt that has won several nice ribbons.

Canterbury Knight

Surprisingly, I found when working with my Bernina Q20 sitdown longarm that the heavily weighted gripper rings designed for quilting work wonderfully as hoops for free motion embroidery when using that wonderful machine.  I don’t have a link for that, but they are available probably for order at a Bernina dealership.  I balked at the price, but waited for a really good sale and I really really like them.  I know you can get a cheaper black set without the open space on the rings for sliding on, but I love the lovely red of the rings as well as the little open spaces.  For these, you just put the layers together and the first thing you do is stitch around the layers  well away from your design to hold them together much as you would do for a quilt sandwich.  These would probably not work well on a domestic machine, even the machines with larger harps, but they are divine on my sitdown longarm for both quilting and embroidery.

https://www.franknutt.co.uk/media/catalog/product/b/e/bernina_gripper_rings.jpg

So I set up my motif build with a layer of heavy clear washaway stabilizer, such as OESD badge master, or Sulky Super Solvy on the bottom, on which I have lightly marked the design guidelines with a Crayola Fine Line Washable Marker.  On top is a layer of nylon tulle to hold everything together even if it isn’t a stand-alone design.   I find when it is finished and I soak away the stabilizer, the tulle can be gently torn along the edge of the stitched motif and not seen at all once appliqued.

If the motif also includes a fill of applique fabrics, I cut the shape and glue them to the tulle with washable glue stick and that is the first thing I stitch around to hold them in place before beginning.  Then I hoop the whole thing together with the inside hoop on top so the fabric/stabilizer bundle is flat on the bottom.

Now I use the same kind of sandwich if I am doing digitized in-the-hoop machine embroidery motifs.  Here’s one I made that way that also went on Noel.

I digitized this star and then embroidered it off the quilt using the method described herein.

After I soak off the washaways and let it almost dry but is still a little damp, I will press it upside down on my wool ironing pad with a light weight cotton ironing cloth over it.  It then can be basted down in place on your project and attached with a narrow zig-zag or free motion off and on the motif using the same thread you used at the edge of the motif.  I usually also stitch inside the motif just a little where appropriate to give it some concept of having been stitched directly in place and highlight some of the shaping.  It doesn’t take much stithing to make it wonderful.

You would be amazed what you can do with this method by just adding that little bit of tulle and over=stitching a tiny bit after placement on the main background. Then  you won’t have the ruffles.  You can also use this method to make some interesting trapunto designs.

Video Update:  My oldest son decided he needed to provide some significant help for my video making and asked me to pull the original video on Wool Applique by Machine.  Don’t worry folks, if you were interested in my videos, they will happen and will be far better than they would have without his assistance.  I will certainly announce the videos when they are available.  This should not be very long from now…maybe a week or two for the first one, but I will let you know.  I have a long list of vlogs and video classes I am planning.

Sew happy everyone!  Go make something wonderful.

 

 

Fine Tuning Fabric Art: Applique Styles

Hi all y’all.  Do you enjoy applique or do you only use it when there is absolutely no other way to get the look you want?  I was surprised several years ago when I attended a major quilter’s class and she introduced me as an applique-er.  After thinking about it, I think she is mostly right.  I thoroughly enjoy applique of several artistic techniques. I select the technique by their complexity, the kinds of fabrics I am using, and the style I want to show.  These include:=

  1. fused or glued stitched raw edge
  2. placed and held in place by veiling and then free motion stitched down.
  3. turned edge glued and blind stitched by machine
  4. applipieced/pieceliqued
  5. In-the-hoop applique

For complex edges, especially, my favorite technique is stitched raw edge applique.  This is where I fuse it down and stitch along the edge using either a narrow vari-overlock stitch (like a hem stitch but it has fewer stitches between the zig-zag stitch) with a Superior monopoly thread or a 100 weight polyester or silk matching thread so it basically disappears. Narrow blanket stitch also works well.  I don’t particularly like zig zag for this, but I know some who do. I also found I cannot get a good result for complex appliques without some kind of adhesive use along the edges.

The Announcer, the Horse, and Bird appliques From Canterbury Knight are all stitched fused edge appliques hand painted by me.

To show off the edges I very much like the blanket stitch using decorative thread picked to show.  I don’t see a difference when doing this using raw edge or turned edge appliques, because the edge is covered with the thread.  The blanket stitch may be either a double blanket stitch if you REALLY want to see it, or a single using a heavier 12 weight thread so it highlights the edges.  This is a particularly good approach if you are having problems with your applique not showing up well because you chose to use fabrics that are close in value or color.  Sometimes I have found it very difficult to carry out the design I have in my head with a clear value difference between the applique and the background. I also can fix this problem with a hidden edge applique technique combined with a straight stitch outline stitched along the edge in a contrasting color decorative thread.

Dad’s House Plan. The house and roof of this quilt were turned edge machine stitched appliqued in most places.

For less complex shapes, I have found the turned edge with the vari-overlock narrow stitch with monopoly or matching 100 weight thread looks very close to turned edge hand stitched applique.  In my case, the machine stitched looks much better.  haha. If you don’t have a vari-overlock stitch on your machine, it is very similar to the blind hem stitch that nearly all today’s machines have in their utility stitch set, it just has more straight stitches between the zigs or zags, so making the stitches shorter overcomes that problem.  I start by turning the edges around either a piece of lightweight interfacing that is going to stay in place, or a freezer paper shape ironed to the back.  I usually find that just grocery store starch I paint on with a small stencil brush works well to hold the turn in place, and then remove the freezer paper before gluing it in place to the background.  One can glue it however, with washable glue sticks, and a lot of applique-ers do that.

Here we have a complex edge that I have starched the turn over with starch onto freezer paper. The next step would be to remove the freezer paper, turn it over and stitch it in place onto the background fabric. You might want to iron the turn down a little more after removing the paper.

When I am making one of my deep space quilts, I make the “gas cloud” that surrounds and plays throughout a galaxy from hot fix angelina fibers.  These fibers only stick to themselves and flatten out into a sort of fabric so they don’t stick to the background fabric.  You can’t use a fusible web with it because it shows, nor can you use glue because even if it dries clear you can still see it through the clouds.  So I cover it with black nylon veil and just free motion stitch it into place.  I may pin it a few times, but I don’t even like to do that, because the holes remain if you happen to hit it just wrong.  So I just have to hold it in place and stabilize it with a little of the stitching before I do the free motion embroidery-like quilting. I think this method would work well for a net or lacy applique also.

Sky Horse photographed by Ken Tatum

And then for piecing together areas like adding mountains or suns or other large parts of a pictorial quilt, there is applipiece (Caryl Bryer Fallert-Gentry’s term) or piecelique (Sharon Schamber’s term) where the piecing is done using turned edge applque stitched  (as described above under “less complex shapes”) from the top by machine usually using monopoly or very light weight thread and the vari-overlock or blanket stitch and then cutting the area joined from the back down to a little less than a quarter inch seam.  The complex edges require snipping into the edge periodically to facilitate the turning around the shapes).  This is one of my favorite methods when creating a pictorial or other free style design background.

The Storyteller, a Hoffman Challenge piece where the entire background was applipieced/pieceliqued together.

In the hoop applique requires “a whole nother” set of activities and skills beginning with digitizing your design in software or purchasing a commercial embroidery design.  I use this occasionally, but not often.  It usually uses satin edge stitch to sew down the appliques, though it sometimes uses blanket stitch.  If I am going to use satin edge I try to do this in the hoop because the satin stitch can then be digitized to have beautiful miters and properly angled stitching, which is really difficult just using the satin stitch outside the hoop.  It is possible to get a nice satin stitched edge for simple shapes with care in regular nonhoop stitching though.  Then you can add additional decorative stitching in-the-hoop for nice results.

5″ x 5″ fabric greeting card or mug rug in the hoop

You can read more about this method in my book Twelve Skill-Building Projects for Bernina V8.

That pretty much covers the methods I use for applique.  I am using stitched raw edge applique that has been attached with Steam-a-Seam 2 for my wool applique by machine.  First I am stitching it down with monopoly and then I am doing the decorative stitching around the edges and inside the appliques.  This means I can use the decorative stitches to make the look I want without worrying about whether or not the stitch catches the edge of the wool applique, which I find a big advantage.

Detail showing some of the stitching on my practice wool piece

Sew happy everyone!  Put on some good music or an audiobook and start with a small applique project.  It is fun, but it does require some time to get it right.  Still, by machine is faster, or at least less problematic for arthritic hands than by hand, however beautiful it is.

 

 

Upcoming Free YouTube Class

Hi sewists, fabric wizards, and all round lovers of fabric, thread, and maybe paint for making something fun or beautiful.  Do you admire those beautiful wool applique items that are often made all by hand, but would like to try making something similar by machine? I am going to present a free video class with multiple videos on YouTube in the next few weeks (I’ll announce exactly when shortly), and I hope you will join me.

I  am planning on presenting a simple shapes project in wool applique.  It  will be easy and fun, but it requires some complexity of teaching to cover it  adequately so I will be dividing this in three or four video classes on YouTube. This will provide the techniques for making a beautiful small machine appliqued and embellished wool wall hanging to celebrate Fall.

If you want to participate in this, you will want to gather the supplies for this free class.  I am thinking the first video, which I have already shot and am currently editing will be ready some time next week.

Sew here is the list of what you may wish to gather (with links) if you want to make one or two.  Mine is 22 by 25 inches, but you can make yours the best fit for where you want to place it.  It is kind of free style field of flowers using simple shapes and the result will make a nice gift or decoration for the fall season.  You probably have a lot of these supplies already, so check your stash first, but here are some links to what I use if you need to do some shopping.

  1. Background piece…I recommend a yard of melton wool (boiled felted wool) in a dark or deep color:  Black wool (this linked page has other color options); or you can use a solid quilt cotton if desired.  A yard of the wool is 58 inches wide and so it will make two or even three small wall hangings and it has a lovely look when complete. You can also use a less expensive wool blend coating  with real success.
  2. Six or more colors of small pieces of wool felt.  Be sure to include some green if you like green stems and leaves.  I have found precut sets for somewhat reasonable prices in two places and there are several selections for you to choose from. You may have trouble picking because they all look lovely, so maybe buy more and plan on making two.  Here are some suggestions:
  3. Two yards of fusible lightweight interfacing to stabilize the background fabric. Either of these will work.
  4. Steam a seam fusible
  5. A selection of your favorite 40 weight embroidery threads, light weight bobbin thread that matches the background, Superior Monopoly, and 12 weight wool threads (if desired).  I use a wide variety.  Wool thread is expensive, so I suggest you start with the small spools set that will be suffecient for you to do this project and lets you see if you like using it before investing in larger spools.
  6. High quality Sewing Machine needles (these are the ones I use):
  7. Sew check my page Aids and Links at the top of this blog or on the menu if you are reading on a phone.  There you will find a pdf file with simple shapes for wool project that provides patterns for simple shapes if you need them.  Download this and print it.  Or, you can use your simple circles, leaves, and vines you may have in Accuquilt Cutter dies instead if you have these.
  8. A piece of batting that is not very thick large enough for the background piece.  This is a good place to use some of that leftover batting.
  9. Cotton quilting fabric large enough for the back of this little quilt and binding (if desired, though you may wish to do a finish edge with decorative stitching).

I am still very new at making these videos, so that is why I can’t figure out exactly when I will be able to publish them.  My tentative deadline for this is next Wednesday.  Of course, since it is a YouTube video, once it is published you will be able to use it any time and watch more than once.  This first class and the downloads are free, but it would be lovely if you use my links for your supplies.

Sew happy everyone.  Spend some time in your studio.

 

Simple Shapes for My Wool Project

Sew earlier this week I got everything ready to make my first video and then discovered I was missing a cord to connect the little monitor I need to my Sony Handicam camera.  Now I don’t know about you, but I don’t think identifying cords needed in the computer world is the easiest thing to do,  Thank GOODNESS I have my own family geek squad.  Hahaha.  My son David helped me to identify what I needed and looked through our huge collection of cords, but we didn’t have the right one.  So I ordered it and it is supposed to come today. If it comes, I hope then to get my first video on YouTube sometime next week.  I don’t know how long this whole video making and editing will take me, but my tentative plan is to put one up a week at first.

Sew I got all ready to make the first item for my book/video wool project.  It is called “Simple Shapes” and it is a small wall hanging, and I really invite you to join me in making one yourself.  I will be providing all kinds of help here and even videos demonstrating it.

For several years now I have had an Accuquilt Go! cutter, and have, over the years, collected a fair number of their dies.  I find the dies are wonderful for this particular kind of project, and also I cut all my bindings and borders on it.  It’s much more accurate than I am…LOL.

I also use it to cut my 8 inch blocks I use for cuddle quilts.  I used it when I work with my grandson, who made a couple of simple quilts with my help several years ago, and he was able to cut his own quilt pieces safely.  It’s just a very helpful tool in my studio.  Yesterday it took me only about half an hour to cut out all the pieces I need for this, and most of that time was because I am backing them with Steam-a-Seam  fusible before I cut them, and I had to get that ironed on.  This makes the wool feed through the cutter so nicely and hold the pieces nicely in place.  I have other methods to do this too, but this one is my favorite.

However, if you don’t have a cutting machine and don’t want to buy one right now but want to follow along with me and try your own hand at wool applique by machine, I have made a pdf pattern with simple shapes that you can download and use.  You can find the pdf file on my Aids and Links page on this blog (see the links at the top of this blog).  I know you could draw your own, but why bother, since I have them all put together in the free pattern. They are not necessarily the same as those on my dies, but close enough.

Sew I cut out a bunch of shapes from fun several colors of the wool felt I talked about in my last blog.  As I promised, I also looked around and found you can get satisfactory quality sets from Amazon if you want to make one of these wall hangings yourself.  I would love to see you join me in this fun project. I recommend you get four sets and you will have enough for several projects. Just click on the links below.

I also found a melton wool blend in black that would make a nice background, or you can use a nice solid color quilting cotton for the background. If you get a single yard the wool, it is large enough to make two or even three small wool projects, because these are small little jewels of projects and the yard is 58 inches wide. These would make nice Christmas or other celebration presents.

Sew now that I have all these simple shapes cut out  I will arrange them in a flower arrangement of some sort.  Follow this blog in the future to see what to do.  Note that I also cut some stems and vines about 1/4 inches wide and some leasves shaped from the felt that are not on my pdf but I did use the stems and leaves die on the Accuquilt site also.

I will talk more about what to do with all these shapes in future blogs, but you might guess if you look again at my last blog where I show a lot of the test piece I did.  I will be demonstrating this on my video, assuming I am successful in getting that done.  LOL  I will be linking to my video in my next blog probably.

Test and practice piece

Sew happy everyone!  Teach someone to sew or quilt or at least encourage sewists and other fabric wizards you know.  Even the most advanced folks need encouragement.  Sending you all hugs!

Wool Applique and Other Things

Hi dear readers.  I am pretty excited because I have finally gotten a good start on my wool applique project and have made a decision about what I will work on for my secondary project.

Test and practice piece I made to make some decisions before starting the actual project.

So today I pulled together all the pieces I have had around the studio for a while that are available for my wool project.  I was pleased to find my packages of felt that I had bought some years ago are fine melton wool felt .  These are mostly two unused packages of a variety of colors I bought them from Nancy’s Notions probably 7 or 8 years ago and they are in wonderful shape. They don’t have these now, so I recommend Sue Spargo sets such as the blue set or the red set I highlighted available on Amazon.

Here are the melton wool pieces I will be using for this project. The background reddish brown piece is richer in color than it appears in this picture. It is one of the new pieces I ordered from a tailoring supply place in California. The smaller precuts were purchased years ago in multicolored packs and are also melton wool felt.

I have several gorgeous melton wool pieces in one yard cuts that I ordered about a month ago.  Since the wool applique projects I am making for my book and videos are small, these 60 inch wide one yard cuts will make two or even three of the projects background pieces, a test piece, and are likely to have small leftover bits that can be added to the smaller pieces for the appliques.

Detail showing some of the decorative stitching.

I have also been identifying where to find the supplies for people who want to make these projects themselves.  I will share those with you at some later point once I figure it all out.

A detail from the test piece showing how well the applique is stitched on by machine with almost no visibility of the stitches.

I have some interesting hand woven placemats I bought somewhere sometime years ago and decided they were not going to work for placements for me, but they were really interesting handwoven look.  I don’t know the fiber content though I think it is cotton and wool, and I can’t even remember when or where I bought them. I washed and dried them by machine and they came out in good shape.  They will be an interesting addition for appliques I can use in the future or for the show quilt I am planning on making at the end of the great wool project.  Before I cut them out, they will have to be backed with interfacing and/or Steam-a-Seam fusible, which kind of acts as a stabilizer and will keep them from fraying.  I will show those to you when I figure where and how to use them.

Additional detail stitching. I am saving a library of these stitches as I have them set in the files on my Bernina 880 Plus. I have had this machine for about a year now and the more I use it the better I like it. It’s amazing.

Sew I have made a couple of decisions  for studio activities for the future.  I plan on making a new deep space quilt as my second project to work on for when I need a break from the wool project.

Spiral Galaxy No. 3 one of my deep space quilts.

I always want two projects going at once to give my mind and sewing muscles differing things to do from time to time.  The neat thing is that deep space quilts are made almost entirely free motion with angelina fibers, a little bit of painting, and hot fix crystals.  That means it will mostly be done in Studio Fritz the room where my Bernina Q20 longarm sitdown machine (Fritz) resides.   While the wool project will mostly be done in Studio Gibbs where my Bernina 880 plus  (Odette) lives and where my cutting/painting/whatever island is.  I also plan a bit of needle punching with my little Bernina 350 for which I have the needle punch attachment. That, too, will be part of my book and video projects.

A Word About the Future of the Craft of Sewing

Okay.  I know I said two decisions.  The second one is to figure out the direction for my work for the future. I decided I don’t want to do online live classes like on Zoom, but I will do some hopefully enjoyable videos and put them on YouTube.  I have been and still am a studio artist and this is my main focus.  I did do some local classes at G Street Fabrics, and was kind of considering entering the larger teaching circuit, but that avenue is no longer available at the moment. I had found it so much work and it barely paid me back for the work and expenses I invested in the classes.  I loved it and glad I had the experience, but I won’t be returning to in person teaching.

While I still very much wish to share what I have learned, I am going to do this by writing books and making videos and perhaps the occasional trunk show if invited.  I will continue to work in my slow way toward these goals.

I don’t know if the quilt shows will fully come back for years.  I am going to still make professional show-quality art quilts, and capture the making of them in videos and blogs and books.  If the in-person shows come back, I will then have some to enter just for fun, but I’m not going to stop making them.  I don’t know what I will do with them beyond that and giving them away here and there or selling one every so often and enjoying them myself.

Don’t worry when you hear of shows closing and people changing their current paths in the quilting or sewing world.  The sky is not falling. There even appears to be some new interest in sewing and quilting brought on by people making masks and experimenting with sewing during the pandemic. Sew if you have the opportunity, teach someone to sew even if it is remotely.  As Becky Thompson on her YouTube Vlog Power Tools with Thread likes to say “Go sew something!”

Repurposing Sewing Patterns and Die Cut Shapes

Hi readers!  Yes, I am done with my mom’s memory quilt except for completing the hand sewing on of the butterflies.  They are taking a while.  I am very pleased with the quilt both front and back now, and if there is no show to enter it into this fall, I will go ahead and post pictures of it, which I have yet to take. But for now I am hoping to enter it first into the Mancuso show in Pennsylvania in September.

I was chatting with a friend of mine this week and we agreed that we both need new summer clothes…simple tops and simple pants made from pretty durable fabrics.  I took a look at the pattern sites and was horrified at all the ruffles and dresses straight out of the hippy Woodstock era that are definately not for me. But I did find just what I wanted in my own pattern stash and I realized some of them are still available online.  It might surprise you but I found a couple of particularly nice patterns in the “uniform/scrub” category.  I purchased McCall’s M6473.

Here is the pattern made up into scrubs.

But in looking at the line drawings accompanying the pattern, I realized they are exactly what I was looking for and, made in the right fabrics and adding some embellishments I would have the summer patterns I wanted…quick, easy, and stylish.  These are just right for my daily life.  Take a look.

The pants have a dual waistband with a smooth front and elastic sides and back and really fun pockets. All three versions of the top are perfect canvases for some interesting fancy stitches, embroidery or appliques to spice them up. These tunics are nice and loose but not pregnancy tops.

I also found in my pattern stash a Simplicity pattern I have had for some time, Simplicity 2371, that has a lot of the same characteristics, though I think the scrub pants are a little better.  I will do all the size testing/fixing on the scrubs slacks and make a couple of pair of those out of some nice sturdy knit fabrics I have for that purpose that I bought at least over a year ago.  But I will probably make some version of the long leeved tunic on th Simplicity pattern.

The Simplicity pattern from my stash. Note the pants have a simple full elastic waist and no pockets…not what I wanted exactly. But the long sleeve tunic provides a suggestion for the embellishment. I would be adding something more.

Now as I was browsing through my pattern stash I saw a plethora of bag patterns, my vintage pattern collection, and some really gorgeous jackets and suits for dressier, colder times.  I have the fabric for most of that too.  Yes, my clothing stash, though carefully trimmed, is still quite wonderful.  I will make at least one nice winter suit for this year, but mostly I am still losing weight, but not very fast, still…I want to save some of the nicer fabrics for later.  I already have some really nice summer dressier clothes.  Some of these I made and some I bought and I have kept them pretty much altered to my size as I have gone down.  So mostly I need casual summer clothes for daily wear in my studio and some nicer pieces for fall and winter.

Sew all of this clothing sewing I will fit in here and there between my quilting projects.

This made me think about how I was going to approach my wool applique project.  I have a lot of Accucut Go! dies with flowers, leaves, birds and animals, and decorative shapes.  I think I will simply cut out a lot of them in multiple colors after I back the small wool and other similar pieces  I have with a fusible and play around with making a hands on design.  Many of these have patterns with them and were designed for specific things, but I am breaking up the sets and making a bowl full of these pieces.  I also need to figure out some vines and stems, and I am thinking I may have to draw up another animal shape or two.  This should be a fun project and will result in a small sampler, a book, and a show quilt.

Sew you see, you don’t have to use the patterns or pieces like the original designer intended, and you can often find just what you want by opening your creative mind and looking further at the designs and giving them some thought.

So next I will start two new quilting projects…the wool applique one and a more complex art quilt design in one of my ongoing series.  This second half of the year promises to be much more fun than the first half.  I am hoping and praying that in spite of the darkness of the hour in the country, the light will begin to shine through and clear away the dark.  Like the hymn that has been buzzing around my head for at least a week “Morning has broken, like the first morning…”  Remember, morning starts at the darkest part of the 24 hours.

Sew happy everyone!  Make yourself something fun just for you.

 

 

 

A Sunny Mother’s Day and Considering Next Steps in My Studio

Happy Mother’s Day to everyone.  Yes, many of you are mothers and grandmothers, but I know a couple of you who have no children but provide much learning and support to us quilters and sewists in motherly fashion.  So Happy Mother’s Day to all of my readers (even the guys).   My oldest son Ken has already called to talk with me, and my youngest son David, who shares my home with me, is going to cook a steak dinner tonight.  Lovely!

My side yard

It’s gorgeous here in Ashburn, Virginia.  About 65 and totally sunny with not a cloud in the sky.  I just spend about an hour out back enjoying it all.  The back of my house looks out into a small woods, just thick enough so I can’t see over to the next part of the neighborhood and thin enough so developers won’t come and build back there.  The wildlife is delightful that live there…birds of several varieties, bunnies, turtles, squirrels, chipmunks, and even foxes.  I feed the birds so I can see them and they pay me back by keeping down the gnats and flies and singing to me.

My youngest son David on the upper deck.

Sew I had hoped to finish the quilt I am making in memory of my wonderful mom, but though I have made great progress, I still have a ways to go.  I have finished the quilting on the central part of the quilt and am working on the borders.  I put freeform feathers on the bottom border, and I plan on doing the same on the top border.  I got some new stencils and am have marked a beautiful vine with leaves coming down both sides.  Since I quilt everything to death, except my snuggle utility quilts, I have a lot of quilting to go yet.  And then I will have to wash it to remove the markings, and paint some of it.  So there is much to do still.  I had thought it would not be pretty enough on the back to be a good show quilt, but I just turned it completely over and was surprised to find it is beautiful.  Yes, there are flaws, but it is still beautiful.  The flaws don’t seem to show much on the front.  Some of them will be removed, others will maybe go under a label or two (I’m thinking of writing a little biography of my mom in a simple text label in addition to the who made it when and so forth label).

What’s Next?

Sew I am close enough to being done with Mom’s quilt to think about what my next major project will be.   I actually have three going now.  One is my own personal snuggle quilt for my bed using Sue Nickles applique blocks that I just use to work on when I want to do something that is just relaxing sewing, one is a fairly extensive project of wool applique by machine that I am simultaneously writing a book about.

I have found that there is a slight bit of room in the art quilting world for books that people with advanced machines may want to have.  There are a lot of how to quilting books for beginners, piecing books, and yes, even some advanced art quilting books, but I think while there are some books out there for people with all these wonderful stitches and feet and other attachments, that area might still have room for some skill building books for using these advanced machines many of us have.  Wool applique by machine is my first of these skill-building books I am working on (I just bought a second camcorder and will be making videos too).

Another book I am thinking of is multiple deep space quilts using a variety of methods in homage to the magnificent deep space scenes you can find many of on NASA’s website that are copyright free.  Here I have some credentials in the quilting world, because I have won several nice ribbons on my deep space quilts and I have many more to make.  So I thought this would be a good book and already have it underway using photos I took while creating some of these quilts.  I plan on making several more, some step outs and some small ones to sell for people who may want one of these for their wall, or to give as a gift.  Of course, I will be producing show quilts from this project also, giving my work double, or even triple use (I will be making some videos too).

Sttitching Spiral Quilt 3 with a reference picture.  I gave this quilt to Ken and Beth.

I guess maybe that is all I can do this year, but it doesn’t stop me from planning other quilts, and thinking about how I can incorporate them into books and videos.  I may speed up, and some of these books are nearly written and only need a few samplers. so it might not be as overwhelming as it sounds.

I would love for my readers to tell me what they want me to teach by book and video (I am not going to do much travel for a while), realizing that I have been sewing for more than sixty years, having even once owned my own fashion design business, and quilting since 2009, with ribbons and other awards to my name.

One of my most prized awards that may sound unrelated, but is not, is a simple honorable mention I won in Kanazawa Japan decades ago.  I studied Ikebana there, receiving my fourth year Sogetsu School Ikebana certificate, the next one, had I continued, would have been a master certificate.  While there, I entered a flower show and made an arrangement using great big sunflowers, chrysanthemums, and swooping curls of broomstick.  It won an honorable mention.  Theoretically, it was anonymous.  But there were some magnificent arrangements there.  It’s something I have never forgotten. Nor have I forgotten a single bit of my training.  I have sketch books with some of my arrangements too.  A flower arranging quilt would be fun.

Kanazawa Memories, with machine stitched sashiko and a fabric Ikebana arrangement I made by printing individual flowers on fabric and appliqueing them into an arrangement.  I lived in Kanazawa Japan for three years as a young woman.  I no longer own this quilt.

In the stitching/sewing world, I can probably teach almost anything except piecing and hand sewing.  I can do those things, but only at about an intermediate level, whereas clothes, tailoring, and now art quilting, I consider myself to be at an expert level in many of the techniques.  Please comment and send me your questions or suggestions either here, on Facebook or send me an email/message, realizing it will be a while before I get the answers to you, unless it is a simple answer I can put on my blog.  Also, what do you think of my planning to write books for people with higher tech machines?

Sew happy everyone!  I hope you get to go out and enjoy the great beauty of spring or fall wherever you are.

 

 

 

Fine Tuning Quilted Art Projects: Part 4 Trees

The flowers and new spring growth are everywhere. I love this area at this time of year. I processed this picture of a nearby redbud (I think that’s what it is) as a “dreamscape”.  Not sure I caught the feeling right, but still…it’s pretty.

I am thinking my dear readers are possibly at the stage of thinking “will this never end” concerning our stay-at-home orders.  At first we were kind of shocked, then a bit scared, then ready to gung ho make face masks or whatever we could do, then start learning things, and now, after all of that, we are still here.  Still at home.  Still going to be at home for weeks yet. Sigh.  Oh, my, will this never end!  Well, yes, it most certainly will. Then we will have to pick up our alternative busy life styles where we will wish to goodness we had a little more time to quilt or sew.  Well, I won’t because I am retired and blessed to be working in my studio full time now anyway.  But I will have things to do outside of my studio and things that pull against my getting projects done.

Sew now that you have made your face masks or are coming to the end of that project, what are you working on or planning on working on?  (As an aside:  Quilted Art for me includes art quilts, traditional and contemporary quilts, quilted clothing, and quilted bags and other three dimensional items.)  If you are like me, you have more than one project going, or at least going on in your head.  Do they include trees?  I love making trees.

Trees for your quilted art

I love adding trees to my pictorial quilted art pieces, but I’m thinking that trees can be a really neat thing to add to lots of types of quilted art such as a jacket or skirt.  I didn’t realize until recently that I have learned or even developed many ways to come up with trees over the years, mostly made as embellishment items using thread painting, yarn couching, and applique and I thought I would share some of them with you.  The really neat thing about making trees for fabric art is they are so forgiving. They don’t require precision, but they do require looking at real trees and seeing what you can learn from them using your imagination.  Are they straight?  Are they interestingly textured? Are they spooky? Are they happy little trees?  Do the leaves read as a a bunch or individually or both?  What is the color of the trunk?  Try drawing the tree out first.

Machine Embroidering Trees or Parts of Trees

This tree is the stitchout from an olive tree I digitized in my Bernina software on wash-away stabilizer. I placed a tree photo in the art side and traced it by hand digitizing it in the embroidery side of the software (for further information on how to do this kind of digitizing, see my book Twelve Skill-Building Projects for Bernina V8).  The same could possibly be done by drawing it onto a piece of wash-away stabilizer and free motion embroidering it. I have done that too, but could not find a good picture. In both cases I would advise using a layer of black nylon veiling under the stitching to hold everything together off the quilt and then appliqueing it on.  One of the cool things about digitizing it this way, is that you can get the coloring very close to the photograph, the texture of the tree trunk close to how it really should look.  I used this tree on several Nativity quilts I have made.  That’s the other thing, if you digitize it in your design software, you can restitch it for another project later on.

Here is the first tree trunk I ever digitized and embroidered out.  It required a double hooping and I missed the connection just barely, so I free motion zig zagged the connecting place and you can’t see where it was.  In fact, I have even forgotten where it is and cannot figure it out even with close examination.  So even if you make a mistake like that, you can sometimes fix it on the spot without having to redo the whole thing.  I stitched it out with a variegated thread.  Here is the whole quilt “The Storyteller”.

But even though in this quilt, the tree trunk makes a happy tree, when you look at the stitchout design by itself you can probably readily see that the same trunk would make a really fun spooky tree where you could place a raven or an owl for Halloween.   So working out these things in digizing software gives you lots of additional options that can save you a lot of time on other projects.

Trees without the use of digitizing software and embroidery module

So sometimes I want to just applique my trees down.  In this case, I usually use steam-a-seam 2 and free cut out with scissors the tree trunks and limbs and even leafy sections without a pattern.  Then I iron them on the top and use a single narrow blanket stitch with a close matching thread color to permanently attach them.  It’s so much fun!!!!

Here’s a quilt where all the trees are made that way.  The texture of the trees is added when quilting.  This was really fun to make.

Summer Melody, 2016, 33 x 29 inches.

And sometimes you can make a rather cool evergreen tree freehand with a combination of yarn couching the trunk with Superior monopoly thread and heavy 12 weight wool/acrylic Aurifil thread free motion embroidery for the tree’s needles.  Here is the one I made on my failed Bob Ross contest quilt.  I made this quilt while my wonderful old Bernina830, which I did a great deal of heavy work on for 8 plus years, was failing, and so many things went wrong in my studio during that time.  I am not surprised it did not make the contest, but I still love the tree I made for it here, which I made entirely freehand on my Bernina Q20 as kind of a reprieve from my B830 problems.  I now have a new Bernina 880 plus to take the 830s place and I love it.  So production in my studio is at full speed lately.  I suggest if you want to make such a tree that you make a practice first.  It requires a fairly substantial stabilizer under the tree area of the top because all that stitching draws it in and makes a problem without it.  I used Madeira Cotton Stable that I get from Nancy’s Notions on the whole quilt top.  It tears away later, and, since it is cotton, it will soften when washed.  I marked only one line representing the main trunk to keep it tilted just as I wanted.  It hardly matters what you mark it with because the mark is completely buried with yarn.  I did all of this before sandwiching the quilt.

Happy little tree

 

and then you can combine applique and free motion yarn couching and other thread work to come up with some rather dramatic trees.  In this case, I appliqued the big cyprus trunks and then did a lot of shading using fabric paints to give the tree trunks the right round shape.  The tree limbs were couched on with wool yarn, and the spanish moss was free motion stitched using 12 wt Aurifil wool/acrylic thread.  I premarked straight lines down for the spanish moss with chalk before stitching, because it takes a fair amount of concentration to keep it from drifting sideways in an unatural way.

Night on the Bayou, 2018

 

Up close

And lastly, I was just playing around one day and here you see the resulting winter scene with the trees using both couching for some, 12 weight thread for others,  40 weight polyester, and even 40 wt metallic for others.  It is the kind of practice piece I suggest you try if you are new to making trees with free motion fibers. As for all these quilts with heavy amounts of stitching, be sure to back it with a heavy stabilizer that either tears off or washes off to help with the draw in of the stitching.  I recently finished this as a little quilt sampler, but don’t have a picture of it yet but you can see the thread work here.

Sew happy everyone!  God bless you in this holy week and have fun in your studio while you await the end of the quarantine.  Have a blessed and happy Easter Sunday.

 

 

 

Keeping On Keeping On With Some Fun Too

I know some of my gentle readers are about to pull their hair out by about now being confined to their homes.  Sew let us all get up and do some stretching and bending.  Ten reaches to the sky, ten toe touches, ten swings from right to left with arms out, and 100 in place marches.  Ten deep breaths and giggle like a kid for ten seconds.  Now!  Grammy BJ (that’s me) suggests doing this several times a day and then get to work or play.  Here’s what I have been working on this past week.

Yes I finally made a bunch of facemasks, primarily for my family and friends.  A lot of my friends have devoted their entire work time to making these masks.  There is a need, and now that the study came out showing the properly made cotton masks using high end “quilter’s cotton” in at least two layers is, indeed, fairly effective (79 percent for the best, but poorly made with poor fabric choice can be virtually no use at all.  A surgical mask is 65 percent effective, and the N95 is 95 percent, jusf for comparison), we no longer have to contend with people saying it isn’t of any use.  Sew if you want to make some for you and your family or more I highly recommend Bethanne Nemesh’s mask method shown here in her video.  I made mine this way.  Here are a few of them (100 percent cotton…cotton fabric, cotton t-shirt ties, and cotton thread are easy to launder and sterilize.  I may be wrong, but I don’t like the idea of a non-woven interfacing.  A third layer of cotton something like flannel might add some additional safety, but the study was looking at a two-layer tight woven quilting cotton):

Sew after I made a bunch of these, I am probably done with mask making, at least for a while.  Now I am very excited about my current projects.  I have four I am currently working on or planning.  Yes, I know that’s a lot for all at once, but I can’t help it that all the ideas came at once.  Hahaha.

My primary project is my Mom’s memory quilt I am centering around five beautiful ten inch crocheted lace squares I found in her workbasket after she passed.  I have made substantial quilting progress recently, and am working on quilting the borders now.

Mom’s lace squares…10 inches of beauty.

  1. Here’s a peak…more quilting is in order here.  I really really love that blue polyester dupioni and off white polyester satin.  They quilt very well and did not break the bank like silk would have.  I think the dupioni is clearly different from silk dupioni, but it does have a rich beautiful texture.
  2. A wool machine appliqued quilting project that includes both samplers for my book I am writing and a larger show quilt using what I am learning as I build this part of the book and its samplers.  My goal is to take true advantage of the magnificent threads and machines we have today to produce wool applique quilts that are at once suggestive of hand applique and shows and teaches the use of advanced stitching by machine.  I will also add considerable amount of beads and possibly other forms of embellishment.  Here’s a little test I have done to determine what may be possible and think about the pattern.

    Just a test

    I have determined to use my accuquilt go! cutter to cut out a bunch of shapes and in real time place them in a good design and add stitching, then make a pattern for the book.  I have this nice tool, as many of you do or many have cutters of some sort, and I think it would be a fun approach, but I also plan on providing enough of a pattern for those who do not have one to make the resulting project.  And yes, it will all be done on black boiled wool because that is what I have on hand.  I am on a tight budget right now.  LOL

  3. My appliqued bed quilt I started some time ago using a beautiful pattern by Sue Nickels.   It’s sort of Baltimore Album like, but all done by machine applique.  I don’t have a picture yet.   This is my relax and stitch project where I don’t have to please a judge and I didn’t have to think of the design.  I am, of course, making my own changes and it will be just for me.
  4. And the fourth project for the near term is a new deep space quilt.  I love doing these.  I have worked out the technique, have all the supplies I need for one, and I take the design straight from one of the NASA photographs they so generously share copyright free, so I only need to put some size and spacing marks on a wholecloth black top and away I go.  I plan on putting how to do this either in my current book on embellishment or in its own book.  So I will be taking a lot of pictures as I go.  In case you are unfamiliar with such quilts, I have two below for you to see.  Both have won ribbons, and the Sky Horse was in the juried Houston show in 2014.

    Sky Horse photographed by Ken Tatum

    Spiral Galaxy No. 3

    These are so much fun to make.  I make them at my sitdown longarm because they are all free motion stitching.

    Sttitching with a reference picture

    And finally, my oldest son Ken who designed Pendragon for me is working on Excalabar design for the next in my ancient manuscript series.  If I manage to get all of these quilts done this year I will be doing very well.  I don’t work as fast as some of my competors in the show quilt world…hahaha.

    Pendragon
    34 x 45

    Sew happy everyone!  I love you all.  I hope you are keeping busy and making all kinds of fun things in your studio, or cooking, or gardening, or doing all of these things.  God bless you!

Happy Easter and Workshops

Our Savior’s Way Lutheran Church Easter Banner designed and made by Betty Jo and Anita Born, completed 4/15/19

Happy Easter everyone!  The Lord is Risen!  Above is the banner that my BFF Anita and myself made for Our Savior’s Way Lutheran Church in Ashburn, VA.  You can see this banner in person this coming Easter Sunday at the church.  We added ribbon streamers with brass bells on each side of the banner so it rings happily as it is moved down the aisle.  there are three dimensional embroidered butterflies and the lilies are in-the-hoop embroideries I did.  Anita painted the lamb and I added its curly fur when I did a light bit of quilting.  This banner is technically a quilt, although the batting is extremely light (Hobb’s Thermore Ultralight), and really is more like a soft interfacing.  But it really does not have the loft a quilt would normally have.  Still it needed a bit of very light quilting to keep the layers hanging nicely together over the years we anticipate it being used.  So I stitched around all the appliques, added some curly fur on the lamb, and did some glory rays coming from the cross.  We shared the making and stitching of appliques, and Anita made the background with the hills and beautiful fabric we found for the sky.  I did the final batting,  facing, edge stitching, and quilting.  We are hoping the church enjoys the banner for many years.

So now that I have my Fabric Arts Workshop 1 on applique techniques behind me, we have finished the banner, and I have now prepared the kits for Workshop 2 on quilting with feed dogs up and optionally a walking foot.  I am well along to getting the kits for Workshop 3 on organic free motion quilting done, and I still am a little bit behind on preparations for Workshop 4 on Ruler Work for a Sitdown Machine, but I have a month to get that done.

Once I complete all the Workshop preparations I will joyfully return to making show quilts, and taking pictures along the way for use in my books.  I’m really looking forward to getting to that point.  Several months back I felt nearly buried with things I had to do and was a bit overwhelmed, and I am now having much more fun in my studio.  I really appreciate the assistance my BFF (aka my “apprentice”) Anita has provided to help me get unburied.  Just picture a quilter buried under stacks of fabrics, threads, battings, deadlines, and paper and a friend comes along and rescues her.  That’s Anita.  In return, I continue to teach her what I know and help her with her own projects.  Plus we have a lot of fun gabbing.  She’s the same age I am and we have a lot in common.  Meanwhile Mei-Ling Huang, my other BFF who is also my Bernina dealer, has also been helping me get the pieces together for my kits, and David, my youngest has picked up much of the things around the house I had to do.

So God bless you all!  Sew happy! Take time to be creative and enjoy your work.