Thinking About 2015 Quilt Activities

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Now that I’m back from the trip to Houston and San Diego, and am almost finished with my little special exhibit quilt, it is time to decide what is going to happen next in my studio.  This is an exciting time for me.  I love Thanksgiving and Christmas season, and I also love planning for the new quilting year.  Several new things will be happening.

First of all, I have finally gotten really going on writing a new book.  From the several subjects I have in mind I chose to write about machine applique first.   I chose this because I frequently hear that applique is something a lot of quilters and fashion sewists find difficult or dread.  Applique is fun and not difficult, so this book will include multiple techniques for machine applique and discuss when to use which type.  I plan on having several projects in the book for you to play with.  It is my intention to record a video to accompany this book.  So it will have the book, the dvd, and the projects.  This will take me a lot of time, and unfortunately, I will probably not be able to share specific progress with you along the way, but I hope it will be a good addition to the information already out there and be clear and easy to use.

Next, my plans require that I finally set up as a small business in order to sell the resulting project above from my web site along with some other smaller projects I am thinking of having available.  It will be a very low key business, designed primarily to finance my quilting activities, going to shows, and pay for this blog and my website.  If I make some real profit, that will be icing on the cake.

And finally, I am planning to make three or four new show quilts for 2015 shows.  I haven’t gotten the specific concepts together yet, but in general they will include one new illuminated manuscript quilt on silk (or silk/cotton blend) (to continue my series begun with Canterbury Silk), one new story landscape (this would be my fourth such quilt), one new line drawing quilt (third in my architectural/design lines series), and one new deep space quilt (third in the series).   If these go well and faster than anticipated, I could make another quilt or two, but I also have to allow space for a few articles of clothing and a couple of utility/charity quilts.  Seems like a fun but busy year ahead, starting now!

The other day I realized how important my Bernina 830 LE machine has become to my overall quilting activities.  I have now put nearly 8 million stitches on this machine that I bought at the end of 2011.  It is still going strong, but I think I need to start saving for a new machine in a couple of years.

Sew here is what I want to know from you…Do you like the idea of an applique book with DVD?  What are you working on now or plan to work on for 2015?  I’d love to hear from you.  I really like comments on my blog.

Sew happy everyone!

 

 

I Like Machine Applique

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Appliques from Canterbury Silk at the beginning of the quilting process. These are fused, stitched raw edge applique with narrow single blanket stitch.

I have noticed lately quite a few statements by sewists and quilters about how they really dislike doing, are afraid of, or simply won’t do applique.  I have a little arthritis in these aging hands and find machine applique much more user friendly for this situation than by hand, but it is one of my favorite parts of making a quilt.  I use several applique methods and use each for different purposes.  I decided to share a few of my favorite applique points.

1.  For  very complex edge appliques I always use fused raw edge machine stitched applique.  I decide what look I want to determine if I use a satin stitch, a single blanket stitch, or a double blanket stitch.  I almost always use a really narrow stitch, but once, when I made seaweeds, I used a wider double blanket stitch and it looks really cool. 

 

Thread painted coral and seaweed with wider double blanket stitched edge.

Thread painted coral and seaweed with wider double blanket stitched edge.

For the printed appliques I digitally paint of faces and small appliques, I sometimes use a very small straight stitch with 10o wt silk very very close to the edge.  It depends on what I want to accomplish.

The Storyteller–This quilt relies heavily on appliques. Even the tree trunk, which is embroidered, was embroidered on a separate piece of fabric, cut out, and turned edge machine stitched. You just cannot see it was machine stitched down. The sun is turned edge also. All the other appliques are fused and edge stitched.

2.  For very smooth edged, larger appliques, I usually use a double layer of freezer paper template pressed to the wrong side, and do a turned edge by painting starch on the edge, turning it, and ironing just a small bit of the edge at first to make a smooth edge, and then ironing the whole turned edge down.  Once that’s all starched and heat set, I remove the freezer paper and iron it all flat.  I then stitch it down with 100 wt silk using a very narrow applique stitch.  It virtually disappears and closely approximates hand turned applique.

3.  Occasionally, I have done a reverse applique.  It’s not hard at all and has a unique look.

4.  And finally, there is the painted “applique”.  I will either paint it on the quilt and then quilt or quilt and then paint.  This is good for when you want to shade the applique or make it have a particularly unique look.  Although I use fabric paints that are washable after heat setting, I do not consider these quilts very washable.  They are blockable, but I would not wash these frequently.

Sew try some appliques on your next project. If you don’t like one method…try another. Teach someone to quilt, yourself, your son, your daughter, your BFF, your cat, your dog.