Stash Busting: Making a Bag

One side of the bag

While I began finally to recover from a bear of a cold–and yes, I am back from the coughing, sneezing, nose-dripping, energy sapping two week long cold finally–I decided to do something kind of fun and gentle that someone else did most of the thinking for me.  So I finally got around to making bag 1 of Rami Kim’s IQUILT online class.  It is entirely made from scraps in my stash.  Even the zipper was something I must have bought nearly a decade ago just for this bag, but I didn’t know it then.  LOL.  The picture at the top is one side.  I really love it.  I added a couple of pockets in the lining that she didn’t have.  I like it so much I think I will use it for my primary bag for a while.

It was a lot of fun, even though I made a lot of mistakes that had to be corrected.  I made the top piece, which is cut in two pieces for both sides.  First you quilt a 14 x 22 inch piece and then you cut out the corners and cut it into half for the zipper.  I cut one corner too big!  😒  So I had to make another top piece.  I had originally used a darker gray, but since I used it up in the first piece, I hunted around and found a similar piece with the same kind of print but it was a lighter gray.  Then I cut the bottom piece of lining in two, like you were supposed to do for the top, but not for the bottom, so I rejoined it with the leftover piece of folded strip like the one that you use down one side of the folded Chotsky ribbons.  But in the end, I think it came out really nice.  Here’s the other side.

In the past, when I made a bag (and I’ve made quite a few over the years), I was never really happy with the handles.  Rami suggests leather handles for the bags, and they solve a multitude of problems.  I went on a hunt for them, and finally found that Amazon sells them in multiple styles and colors and they aren’t expensive.  So I ordered two pair…this gray one and a nice green one for a future bag totally from my stash.  I have a couple of long multi-zippers in a roll from Nancy’s Notions that I can use for that one.  This is so much fun it could get to be a habit.  In the future, though, I hope I am faster and make fewer mistakes.

Sew happy everyone!  Make yourself a bag.  Hint:  Be sure to build it right…interface the fabrics, put the right kind of stiff batting, and use the zipper a little longer than required to make it easier.  Adding internal pockets is really easy…just make a lined square piece the right size (figure it out from your pattern, remembering where it will bend or be stitched) and stitch it on while the lining is still flat.  Be sure to measure and center the pockets.  You can even make a zipper pocket fairly easily.  Maybe I’ll show you how in one of my future blogs if you want.  I just made patch pockets for this bag and added a couple of lines of stitching to make a place for a pen and a notebook on one side and just left it with no divisions on the other side.

 

Notes on My Machine Quilting Workshop at G St. Fabrics

Yesterday (Saturday, 10 June), I led a workshop on basic machine quilting at G Street Fabrics in Rockville, Maryland.  This workshop was held in the Bernina Department where part one of my quilt exhibition is being displayed.

When I walked into the area I was overwhelmed.  There were 17 students (with several students at each machine) of varying ages and my quilts all around the walls.  It was the first time I had seen this part of my exhibit.  (The second part begins in mid July and it all runs through August.)

This workshop was much more intense and went much faster than even I had anticipated, and I had thought that there was definitely not enough time to cover what I wanted to.  I managed to get a short introductory lecture, show my samplers, and provide initial instructions done and they had a handout also to follow.  We were off and running.  Here I am (or some large older woman..LOL) demoing on G Street’s new Bernina Q20 sitdown floor model.  I was describing what I was doing.

I was swamped with questions.  Many of them had nothing to do with the workshop but were centered on my quilts showing all around the walls, but many of them were related to the task at hand.  We went an hour long, and I think that it could easily have gone even further.  I walked around to see what each student was doing, and found that most of them had done very well, and several of them had obviously done this before.  Even after the class was broken up, I had several people asking questions.  I liked that, though, but I was really tired.

I managed to squeeze in a little couple of those tiny cheeses and a banana snack, but I think I ate someone else’s banana that was near me, because I found the one I took in my bag when I got home (with apologies).  It is possible I brought two bananas, but I don’t think so.  😄😳

Sew what did I learn for next time (I’m doing this again in the fall)?

  1. I was well prepared.
  2. I think I did well in presenting at the beginning.
  3. I needed to control the question periods better, but I had little problem answering the questions at least.
  4. I needed to either provide separate classes for early machine quilters and more advanced machine quilters, or provide some exercises that these more advanced quilters may have found more interesting (although I did not get any negative feedback)
  5. I need to schedule more time than I did for this one.
  6. I need to schedule a break for me in the middle.
  7. I need to finish my books.
  8. I really enjoyed it.

Those of you who teach, and those of you who took the class, do you have other suggestions?

 

A Collector of Quilt-Making Techniques

I realized recently that I am a collector of quilt making and other fabric art techniques.  I probably go overboard in this. I buy online classes, watch free videos, take classes at quilt shows, buy books, and ask questions of my fellow quilters when I see a technique I can’t seem to figure out.  Most of my quilty friends are really happy to answer my questions, and, since I have more than sixty years of sewing experience (Wow!), I usually understand exactly what they do when they answer my questions.

Sew this is quite a blessing to me considering the way I make wall art quilts.  I first get inspired by an idea; I spend some time designing the idea using my computer mostly; and then I have to figure out how in the world am I going to make that?!

That’s when the techniques I have “collected” come into play.  True, I have come up with some techniques of my own (which I will be sharing in my three books series on Art Quilt Basics), and I have taken techniques and adapted them for my own way of working.  But I am truly grateful to my friends and teachers who have helped me get to this point whether I have taken their classes in person, online, or watched videos and answered questions.  Here are a few on my list that I think you all would really enjoy (I collected these over a few years when they were on sale).

CRAFTSY

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

IQUILT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

If you watch for sales, you can get these online classes at a good price.  I watch them through while I do hand work or some such.  Then come back and do the projects the second time through.  Sometimes, I don’t get to the projects, but I do often reference certain techniques in these classes when I need a refresher or practice just part of the projects.  And I have instructions readily available when I need them.

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If you are in the area, catch part one of my quilt exhibit at G Street Fabrics in Rockville, Maryland.  I have 8 quilts there at this time.  In mid July, part two of my quilt exhibit will be throughout the store and have more of my quilts although some of the part one quilts will not be there at that time.

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I am currently preparing to teach a class myself on sit-down quilting at G Street Fabrics in Rockville, Maryland on Saturday June 10th.  I believe the class is full.  As soon as I get through the class, I am going to start making a new show quilt, or maybe start making two show quilts, since I really like to have two projects going on at once to switch between them when I need a break from one of them.  I like to have them at different stages, so I will start one and get it down the road a piece and then start the other one.  In case you haven’t figured it out yet, I love to make show quilts more than anything.  I haven’t yet decided which two I am going to make yet, though.

Sew Happy everyone!  What great classes have you taken and from whom?  Did you take them in person or online or both?

 

Make a Stylized Landscape Quilt with Me: Step One

I am making a fun new design-as-you-go stylized landscape quilt with some kind of flying creature and I hope you will try one of these too. For as many steps as it takes (to be determined) I will be providing a blog post to take us through this quilt together.  This quilt is made without first drawing out and printing a full sized design and will be using techniques that I am sure you may wish to try or have tried already.  I am not providing a pattern, telling you what size it will be, or even tutorials for all the techniques needed.  This is a project for us to play together making some wall art.  I will tell you where you can find the techniques, providing the links, and for some parts I will give tutorials, but not all.  It can be as simple or as complex as you want to make it, with guidance as to where you can find help.  And if you have a question all you have to do is make a comment on the blog post and I will respond as soon as I can.

Let’s begin:

I am using some interesting techniques available online at Iquilt and Craftsy.  But you don’t have to take a class for this project, just follow along.  If you have Electric quilt 7 and know how to do foundation paper piecing you, or you already know how to make a compass block, you can do this without additional classes.

For this fun project there are several objects we will need to make and obtain.

  1. Challenge–Make The Sun:  This can be either a simple quarter of a large circle of fabric to applique on a sky or one quarter of a sun compass block or a smaller full stylized star block in your choice of sun colors for your imaginary world.  For my quilt I am using the star block that Karen K. Stone teaches in “English Paper Piecing by Machine” found on iquilt here.  It’s very similar to a regular compass block, but has some interesting differences.  If you watch the sales, you can almost certainly get this class on a very good sale.  But there are a lot of beautiful choices for a star to represent our own star, the sun.  Here are some I found on Electric Quilt 7 that would be great choices with some color changes.  The outside large piece, or the background pieces need to be made from the same fabric as your background sky piece (see below), or you can use the curve to applipiece or piecelique (whatever you call it…it’s just joining the two pieces in an applique manner) it directly into the background sky.  I will provide a little tutorial of this in my next blog related to this project.  So just hold off on attaching the star/sun to the background sky.
  2. These blocks were all found in Electric Quilt 7 and would work very nicely. You can change the colors, of course, however you want them.

    In addition you could draft your own compass rose. I found this fascinating method on The Quilt Show that uses a really neat drafting device available from  Renea Haddadin’s website here.  I don’t have this device, but it really looks useful far beyond the drafting of a compass rose.

  3. Put together the background:  For this you will need a full width of ombre gradiated fabric that will be one third of the length of your finished quilt, or just a plain piece of fabric that looks like a sky to you.  You can paint this, buy this, or construct this with strips of various pieces of fabric.   You just have to size the sun appropriately to fit in the upper left corner of the scene.  Two thirds of your quilt will be mountains and maybe water or grass somewhere in there.  If you want to make this easy, you can use a simple white or off white or even light brown or green for the lower two thirds of your quilt background, giving you a background to applique mountains and rivers and plants onto.  Remember, this is a design as you go quilt and is meant to be just for fun.
  4. Wait to applique the sun in the upper left corner of your background until my next blog when I will be discussing applique techniques.

Okay, that’s all for now.  Go forth and make a sun and gather the background pieces or even make the simple background.  The next part will deal with appli-piecing the sun into the sky, and making the mountains and other parts of the foreground.  Then there is a part for making plants, and finally we will make some kind of flying creature for our scene, which may take several parts.  I plan on following this with a series of blogs focusing on embellishing and quilting.  I am not calling this a “block of the month” or anything, but I am planning this to stretch across several months…not sure how many.

Sew happy everyone!  Do some thinking about this…join me in the adventure and make your own wall quilt just for fun and to stretch your design techniques a bit.

Preparing for an Exhibit in the Spring

I haven’t finished my blog series on quilting for domestic machine artists, but I thought I’d tell you about a coming happening. G Street Fabrics will be hosting an exhibit of my quilts in the spring of 2017.

I have taken a hard look at the quilts I will have available and have decided it would be good if I can make several new quilts for that.  I’m excited about this.  So I will be backing off from showing my quilts in quilt shows around the country.

I recently purchased a new Shaheen vintage panel and will make a second quilt along the same lines of “Hawaiian Garden” shown below and offer it for sale at the exhibit. The panel is different, but I will be adding a similar border drawing the design from that panel.

hawaiian-garden-web

Hawaiian Garden: I made this for MQX Albert Shaheen exhibit quilts this year. I recently gave this quilt to my brother Pat and his wife Carol in celebration of their 50th wedding anniversary this year. So I no longer have this quilt.  The central panel is a vintage Shaheen panel and I designed and painted the border based on the panel design.

In addition to that one, I have some ideas for additional quilts that I think I might be able to make in the time I have. Some of these involve some new techniques I want to try and I will be sharing these with you along the way. I am also going to complete my son Ken’s quilt, and I do plan to enter that one into a show or two, but I want it home for the spring exhibit.

This will be a kind of departure from the direction I have been moving–away from shows and toward other avenues for sharing my work.  I have become fairly puzzled by what is going on in the show quilting world recently.  Last week two of my best quilts were rejected from Road to California, one of which has already won a ribbon and one that has already been shown in two AQS shows.  I was encouraged by the Houston judging by what won.  I did not enter this year, but in many, maybe even most, of the other shows the winners and losers have been an absolute puzzle to me. Some of the most exquisite quilts, beautifully designed and quilted, that might remotely be considered an art quilt did not do well, and the winners also seemed surprising.

So I have decided to concentrate on making my quilts equally as well as I would if they were a show quilt, and show or sell them as I can in other avenues, and to work also on my books and teach a few workshops locally.  This decision already seems to have unlocked my creativity that felt like it was grinding to a slow halt.  I’ll keep you up to date on that in case you are in the area and can come see my quilts or take one of my workshops.  I will probably enter something in Houston for 2017, but we’ll see.  I will take a new look at this situation after the exhibit or later.

Sew I am happily working away in my studio, perhaps at an even higher level than I have up until now, and we’ll see just how much of the ideas will actually make it on time.

Sew happy everyone.  Follow your leanings in your quilting.  If you don’t you may find it hard to work.

What If You Can’t Go to Houston?…..Then…

Background stippling the central theme

This is kind of a repeat subject, but I thought it might be fun for you to consider if you can’t go to Houston.  Develop and take your own personal quilting retreat with a certain amount of commitment while other quilting friends are off carousing in Houston.

Shortly after I bought Fritz (my Bernina Q20 sitdown longarm), I took a week and had my own private quilting retreat that inspired me, gave me time to practice quilting on my new machine, and to take some really fun online classes.  I don’t know about you, but I sometimes feel I should be doing something else when I’m spending time on these activities.  So setting aside a period of time and designating it as “a retreat” to myself and family gave me a lot of fun without that nagging thought that maybe I should be working on something else or cleaning or some such.  It actually felt like I was at a retreat and it helped me learn a lot and just have some fun.  The cost was limited to the purchase of the online classes and the supplies for them, and I bought them on sale and pulled most of the supplies from my own stash.  The cost of going Houston is quite a significant amount more unless you live there, and you can review the classes whenever you want to.

I approached this just as I would have preparing for any retreat:  I put together a stack of small quilt sandwiches, some of which I marked with grids and lines, and some had no marking for my practice.  I bought several online classes and made sure I had all the supplies for them, and I did do a little cleaning prep of my studio beforehand.  These are some classes I recommend from iquilt.

  • Divide, Design, and Fill for Beautiful Quilting:  Lisa H. Calle
  • Machine Quilting on the Grid:  Gina Perkes
  • English Paper Piecing by Machine:  Karen K. Stone
  • Step by Step Quilted Landscapes:  Kathy McNeil
  • Three Embellished Fabric Bags:  Rami Kim

I also recommend these classes from Craftsy.

  • The Perfect Finish:  How to Bind a Quilt:  Susan Cleveland
  • The Machine Embroidery Inspired Quilt:  Susan Stewart
  • Scrap Quilting:  Pepper Cory

In addition, if you are a member of The Quilt Show, (and if you aren’t, why not?)  it’s a nice time to review or see some of the shows and the little Bernina videos (most techniques applicable to other than Bernina machines).

  • Select TQS shows, which I played while I was quilting (I have a small TV in Studio Fritz).  I think this moved my quilting forward.

The first thing I did was just play the classes through while I was practicing my quilting on Fritz.  Then I watched a couple of them with care and did some form of the projects.   I think it would be fun to have a friend join me for a similar private retreat sometime here in my studio.  Any volunteers?

Sew happy everyone!  I highly recommend you carry out your own personal quilting or sewing retreat and let me know how it goes for you and what classes you took.

 

My Own Quilting Retreat

On Monday my new Q20 Fritz was setup in the part of my studio that also houses my office with my computer, and recently iquilt has been having sales on their video classes and I purchased several.  Starting on Tuesday I have been having my own private quilting retreat (and I’m not finished). Actually, I kind of fell into this little quilting retreat by coincidence of the two things happening in close proximity to each other.

Here is Fritz:

My new Bernina Q20 named Fritz.

My new Bernina Q20 named Fritz.

 

The days have flown by as I watched the classes, put together practice quilt sandwiches, and practiced on my new machine.  I have spent four or five hours a day practicing quilting on Fritz, and sometimes, I just put the class videos on and let them play through, and sometimes I stopped and went carefully through the classes.  I have really enjoyed myself.

The classes are all great, by the way, and I am learning a lot.  Sew what classes am I taking?

I also have run thr0ugh a couple of The Quilt Show shows while I was practicing quilting and testing various threads and settings on Fritz.   It’s kind of been like I was taking a summer school in quilting.  I am planning a similar week next week.

I need much more practice on Fritz to produce show quality quilting, but I feel encouraged to see some progress.  I think I can, I think I can, I think I can….  I do need to get to quality quilting fairly soon because I have a lot of ongoing quilting plans and book samples to do, and the quilting on these needs to be beautiful and well done. Here are a couple of photos from my first practice:

 

Day 1...it's a beginning. The black thread is the very first, the blue varigated is next, and the stitching in the lower right includes both metallic and 12 wt thread.

Day 1…it’s a beginning

 

Day 1 specialty threads. I had to do some adjustments to the tensions to make these work. The metallic in the upper left worked well with just a little loosening of the upper tension. The 12 wt thread required loosening the bobbin and tightening the upper thread just slightly for both.

Day 1 specialty threads. I had to do some adjustments to the tensions to make these work. The metallic in the upper left worked well with just a little loosening of the upper tension. The 12 wt thread required loosening the bobbin and tightening the upper thread just slightly for both.

 

Day 2...some improvement in this pattern

Day 2…some improvement in this pattern.  See the first try in the upper left of Day 1 first picture.

 

Practice 2 a

Day 2, practicing ruler work with Lisa Calle’s pro pebble rulers

 

Practice 2 b

Day 2…very fast free form spiral…clearly needs a lot of work!!!

Sew happy everyone!  I know not many of you can take a lot of time for your own retreat, but I highly recommend it if you can manage it.  Nevertheless, I hope you can take some time to learn and practice, whichever machines, needles, and techniques you use.  This brings many rewards. I’m off to do some more practice!

 

A Visit to the “New” Old G Street Fabrics

 

This past week my big Bernina 830 (aka Gibbs), decided he would not sew another stitch until he had his spa treatment.  I would say his “annual” spa treatment, but it had been two years since he had been to the machine vet and I had put on about 1.3 million stitches in that time. Last year, G Street Fabrics where my dealer was had closed two of their stores in the area and drawn back to a single store in Rockville, Maryland.  They recently moved to another building in Rockville.  When I took him there, Mei-Ling Huang, the head of their Bernina section and my same dealer that was in a closer store that closed, showed me around.  I decided to take my camera when I went back to pick up Gibbs, which apparently had only some minor things wrong that Lew, the technician wizard, fixed quickly for me and did the “annual” clean and check, upon learning that I have several quilt deadlines coming up fast.  He fussed at me though about taking so long, pointing out that I have about 460 hours on the machine and suggested I divide the workload with a longarm.  Frankly, I was surprised it was that low.  Thank you Lew!!!!!!!

There is kind of a warehouse feel about the new store, but this may not be a bad thing.  It is much like some stores in New York I have been to that have some great fabrics, trims, buttons, and notions.  Two of the most outstanding things about the new location are the Bernina section, which I will talk about separately, and a bunch of classrooms that have windows and light and look fabulous to teach in.  The selection of fabrics is fairly substantial, though not to the level it used to be in its old glory days over a decade ago, but a good place to go when you are starting a project.  They have a very nice selection of home decorator fabrics, which make wonderful bags, coats, and costume segments, by the way.

The Back Wall of Home Dec Fabrics

The Back Wall of Home Dec Fabrics

One of several home dec lanes

One of several home dec lanes

Their quilting fabrics are ok, but I hope that as they pull themselves out of the hole that they will increase this section substantially.  Nevertheless, you can probably find the quilting cottons you need for a nice quilt project.

Quilting cottons

Quilting cottons

They also have a nice selection of buttons and trims, though substantially smaller than the great old store of yore.  Still, if you need buttons or trim for clothing, you can probably find what you need here.

Button wall

Button wall

Sew did I find the general part of the new G Street to be the fabulous, exciting place that it was in its glory days with its stages where the tailoring and the special occasion fabrics were shown in all their magnificent beauty and the quilting section was wonderful?…no.  Is it still the mecca for fabraholics the world over as it used to be?  No.  But I do think it has the possibility of reaching that place again and the class rooms really offer a wonderful possibility for building the future.  This seems a very good move on the whole for the store.  I found that they do not carry any thread brand I would use in the general store…they need to think about that.  Perhaps they don’t realize that some of us really dislike some of the brands they carry.  They have some wonderful fabrics that make one drool.

Most of all, however, I loved the Bernina section, which is still in process after the move.  It is in a separate smaller wing of the building. Mei-Ling and her crew have already given it an atmosphere of coziness and inspiration.  She told me that they are still organizing, so I anticipate that it will be downright fabulous in a month or so.  They run their new owner classes in this part of the store.

G Street 1

Walking in to the Bernina section

 

Feet and other notions

Feet and other notions

 

G Street 9

What I really want.

As you probably know, I am trying to sell some of my quilts.  You can see which ones here.  Mei-Ling has generously offered to hang some of these quilts on her walls, so I took three of them there…”Waiting…”, “Quiet Celebration”, and “The Storyteller”.

What do I hope the store will do?  I have a few suggestions:

  • Increase the quilting fabric section, and emphasize it as much as clothing and home dec sections.
  • I didn’t check it out, so I don’t know how this is, but be sure to have a solid and good offering of battings, fusibles, interfacings, and other underpinnings for clothes, quilts, bags, and fabric art of all kinds.
  • Start carrying Superior, Aurifil, and/or Wonderfill threads..in a broad selection of weights and fibers.
  • Emphasize the wonderful class rooms and fill them up.  Carry the threads, fabrics, books, and supplies needed for these classes so once someone learns something they can find what they need there.
  • Remember the store’s legacy and try to reach that again, and don’t try to be another Jo Ann’s or some such.  High quality fabrics with proper pricing (not 25 percent higher  than anywhere else, in other words), draw people in.

If you are near Rockville, I hope you will stop by and see what you think of this “new” old G Street Fabrics for yourself.  Be sure to look in the Bernina section and say “Hi” to Mei-Ling and look at my quilts on the wall. This nice store is about 50 minutes away over heavily traveled highways in heavy traffic, making it a little cumbersome for me to use on a regular basis, but I will certainly continue to go there for my Bernina needs.

Sew happy everyone.  I hope you have a good fabric store near you.

Planning for the New Year in My Studio

031As I look at my fabric art plans for the coming year, and take a hard analytical look at where I stand in my fabric art today, I am really excited about 2016 in my studio.

Here are my plans for the coming year.  I hope you find them fun and potentially interesting, and invite your comments.

Books: During the past couple of years I have been fiddling around with writing several books for sharing what I have learned over the past sixty years of sewing, art, and past ten years of art quilting.  I looked first at one and then another subject, trying to get a focus.  Very recently, after much thought, my direction has solidified in such a way that I can use what I have already done and direct my writing in a more focused way.  While I am using “techniques for fabric art” as the focus, I believe these books can apply to traditional work also.  These will be short books, complete with practice projects.   I may get all four done, but I only really expect to complete two this year and two next.

  1. Techniques for Fabric Art:  Applique Methods
  2. Techniques for Fabric Art:  Surface Design
  3. Techniques for Fabric Art:  Threads and Threadwork
  4. Techniques for Fabric Art:  From Digital to Fabric Art

Lectures/Workshops/Videos:  Develop these along the same subjects as the books listed above, using the same samples.

2016 Show Quilts:

  1. Quick quilt 1: Hawaiian Garden…a vintage panel central theme (for MQX special exhibit, not a long project).
  2. Major quilt 1:  Waiting 2…a storm at sea…second in the series of women (wives, mothers, sisters, friends) and children through history waiting for their men to return from difficult missions while keeping the home front.  (note:  while I realize that women have also fought in wars and carried out difficult missions throughout history, that is another subject that I may address at some point in another series).  Underway
  3. Quick Quilt 2: Hoffman Challenge 2016.  A two week project, more or less…just a small quilt.
  4. Major Quilt 2: Deep Space 3:  Spiral Galaxy M51
  5. Major Quilt 3:  Ancient Manuscript Series 3…TBD

I know this seems a lot, but realize that I work on this full time, have already been working on much of this for the past year, and some of this is bringing that work to completion.  I’ve already written much of book 1 and some of the other three books, I’ve already designed and begun construction of Quilts 1, 2, and 3, so I think it is a viable plan.

In the process of planning this work, I have decided to abandon the Bernina v7 workbook I was working on.  I got it about 80 percent complete and couldn’t seem to get it any further.  So instead, I will use it here in my blog and share it in sections  across the year.

I am considering developing a project for my readers to work along with me..kind of like a block of the month…but focused on making a small wall quilt.  Would you be interested in this?

Merry Christmas and Happy New Year.  Let me know what you are working on, and if you have any suggestions for me.

Sew Happy everyone!

 

Video Classes and Online Programs I Recommend

031OK, I couldn’t go to any quilt shows this year because of big unexpected expenses this year.  So instead, I have taken several excellent video classes to help me improve some of my techniques or just for fun and practice.  These are not all quilting classes, but all the techniques learned are things I use in my quilt creation.

I have five classes I particularly recommend and I see a bunch more out there I would like to take.  I love this way of learning.  It is there for me to refer back to and take again if there is something I forgot or just wanted to see again.  So here are my recommendations so far:

  •  Step by Step Quilted Landscapes by Kathy McNeil was part of the launch on 3 November of IQuilt by American Quilters Society (and I see “Bernina” also on the page, so it is probably a joint project).  Kathy McNeil does a superb job covering the range of complexities involved in creating a landscape quilt. I found I learned a lot even though I am an advanced landscape/art quilter myself. I particularly liked the way she covers building a depth of field in a landscape scene that is not visually flat and her discussion of values and colors throughout the class. She also adeptly covers a lot of the basic techniques required to build such a quilt in a way advanced beginners through expert sewists that might be moving from garment sewing to landscape quilting would need to know. I highly recommend this class for any sewist or quilter interested in building landscape quilts to decorate their walls or give as memorable gifts. Many of the techniques covered would also be useful in additional types of pictorial or other styles of art quilts.

 

  • Learn to Hand Quilt by Pepper Cory found on Annie’s Craft Store, may seem outside of what you may think I am interested in, but I found this class really fun, and yes, I have an interest in all kinds of quilting.  Pepper is a friend of mine too and I have taken several classes in person from Pepper, and this online class is an excellent addition to my studies with Pepper. I am encouraged by this to add some hand quilting to my repertoire of quilting techniques, but the class is also a good review of the use of stencils and of the marking and threads for any quilt project.

 

  • The Machine Embroidery Inspired Quilt by Susan Stewart is so much fun for those of us with embroidery modules or machines.  Susan is a fabulous sewist and heirloom quilter who uses machine embroidery in her award winning quilts in a way few can reach.  This class provides some of her techniques that I am interested in using myself.  Here she provides a clear and excellent class.  I only linked her name to her site instead of to the class because right now there is a discount if you use the link she provides from her site.

 

  • Photo Challenge Class by Ricky Tims has finally gotten me over the mental block I had against learning to how to properly use my camera and taught me a lot about using Adobe Photoshop as well, which I can also use in my digital fabric design work.  I took the 52 week challenge he offered this year, and he has recently launched his photo class website where he provides his planned classes for 2016.  I found this class really important for my work, but I also found it really difficult to try to meet the weekly challenge through several physical challenges that happened this year that I am making progress on getting over, but still have a little ways to go.  I think I may be his worst student, but I still managed to learn a great deal so far and there is the rest of the year to go.  So if you want to learn a lot, and I mean a lot, about using your camera and processing your photographs I really recommend this class.

 

  • Corel Painter classes and instructional videos by Aaron Rutton has taken my ability to use Corel Painter from very amateur to wildly fun abilities to paint what I want to paint for fun and also for my digital appliques for my quilts.  Aaron’s classes require that you watch a little, stop and work a little, and then watch a little, etc.  But there is no question he is a master digital painter.  I have really enjoyed learning from him and also have downloaded his workspace that provides his own set of brushes and so forth.  If you want to learn Corel Painter, I highly recommend his classes and videos.  Some of his videos are free, but if you support him with just a few dollars a month through Patreon, you will get a lot more access to his videos and extras.  I found his classes well worth the price, and he is very responsive if you have a question.  I’d really love to see the quilting world incorporate digital art more into their work and also support this young painter.

Sew happy everyone.  I hope you have the opportunity to explore some of these classes.  If you have one you took and really would recommend, please add them in a comment.  Cheers.