A Website Update and the Wool Applique Project

Hi everyone.  Well, I completed the update on my website and am reasonably happy with it.  I did not yet put the store in operation because I still am working on the downloadables I am planning to sell there.  My goodness I have been busy!

A digital design I created last year. It seems like winter to me with snowflakes that look like butterflies…LOL.

I have been having fun though.  This week I am embellishing my wool applique by machine sampler with decorative stitches using 12 weight Aurifil wool blend thread.  I have been really enjoying figuring out which stitches to use on each applique and how to set them.

Sampler one part one. Here we have the simple shapes of the sampler in place, ready to begin the embellishment/embroidery.

Since I used Steam-a-Seam 2 fusible for the appliques, and they are felted wool going on to Melton boiled wool background using wool thread, there is a lot of fluff!  So the fluff stuck to the needle and filled the bobbin area.  I just cleaned out the bobbin when my machine complained about the bobbin and it was just fine.  But I had just gotten a package of Schmetz super non stick 90/14 needles.  Now one needs that size needle for 12 weight threads, and I was using a Superior top stitch, which is a fine needle that I use for most of my work, but the fluff from all this wool was continuously climbing up the needle and had become problematic.  So I tried the non-stick needle and was astonished at how the fluff on the needle just went away!  The stitching went forward with no further problems other than stopping every now and then to clean out the bobbin area, which isn’t very hard to do. My bobbin sensor lets me know when it cannot “see” anymore.  LOL

Truly I encourage you all to try some embellished applique by machine.  Realize it isn’t very fast, in fact it is kind of slow when properly done, but it is beautifully satisfying to do and just plain fun!  So keep it small for your first projects! In another week or maybe  a little more, I will have the first of my embellished wool applique by machine videos up and running.  I will tell and show you what I have learned about this technique.  I invite you to join me in making a sampler of your own.  I know you will enjoy it.

Next week I will post a list of supplies for the project with links of where you can get them and I will also put a pdf downloadable handout here for you to use too.  This class and downloads are free. I do, however, have plans for presenting many other techniques and projects by video where the project workbooks and patterns will be available for sale on my new website shop.  I hope to keep the videos free, but we will see how that goes.  Keeping the videos free will depend on how many subscribers I get to my channel and how many people buy the downloadales.

Sew happy everyone! I hope you are enjoying a Happy Hanukkah and Christmas season.  It’s my favorite time of the year. Blessings everyone!

 

 

Embellishing Appliques by Machine

I have been having fun in my studio this past few days while I worked on my wool applique sampler.  I got all the pieces appliqued and have started the fun part of adding decorative stitches to turn them from simple shapes into interesting flowers.

As an example, here is one of the flowers appliqued and ready to embellish.  I used a combination of all wool felt and wool blend felt.

 

Here is the same applique after I added some decorative stitching using wool blend 12 weight Aurifil thread.

I may decide to add more stitching to this particular flower. It was helpful to me to see it in the photograph.  Somehow pictures of my work gives me a different perspective.  I may decide, instead, however, to use some free motion quilting to add more details to this flower.

Here is a little closer view of the flower heads and flower stem that I also embroidered with some decorative stitching.

Sew it is a layered process, and while I have a general idea of what it will look like when finished in my mind’s eye, I make adjustments and changes from my original concept as I go.

In any case, I find this phase of the project really fun as each addition changes the appliques and I see my original concept emerge into reality.  The last thing I will do before sandwiching and quilting it is to add some patches of grass and maybe a bug or animal around in the grass.  The quilting should also make its own addition to the overall interest of this little wall hanging.  I am considering how to finish the edge.  Should I bind it in cotton or edge stitch it with some heavy weight specialty thread, or even try out that yarn couched edging that Nina McVeigh demonstrated in one of the Bernina videos on The Quilt Show?

One of the useful little bits I learned in the process was how well the Schmetz Super non stick needles helped solve the problem I was having with the wool felt that I had fused on with Steam-a-Seam 2 sticking to the needle. It was getting balls of felt fuzz climbing up the needle until I switched needles.  Then I had no more problem with that so far.  I was rather astonished.

I’m not sure you can really see the various stitches in this picture, but you can see how I added the numbers of the stitches just above each stitchout.

I made a little test piece to help me decide which decorative stitches I want to use. I also tested the way I stitched them out.  For this I used the machine automatic knot it will stitch out if you ask it to both at the beginning and the end.  I also stitched them with a specific number of repeats and then just stitched using a slow set of the speed and the start button, rather than the foot pedal.  This allows for the machine to stitch out a very even pace, which makes decorative stitches more beautiful.

So when I set it up to go around those circles, I set it to stitch one repeat without turning (basically hands off), and then turn the fabric before doing the next repeat. It makes for a very nice embroidered stitch, almost like good hand embroidery, especially when using a nice thick thread like Aurifil Lana wool blend 12 weight thread.

One thing I learned about working with all this wool and wool thread is that I need to clean my machine a lot more often because both the fabric and the thread produce lint down in the bobbin area of the machine. It is well worth it though, because it is lovely.

I have a long ways to go before I finish this sampler, but I am really having fun with it. I am also video taping here and there as I go.

Sew happy everyone.  I encourage you to try your hand at wool applique by machine.  In just a few weeks I will come out with my three part video class on YouTube that will use this very sampler and the techniques I am talking about here.  I will have a free downloadable handout here to go with it.  That effort is progressing nicely finally.  I decided to produce all three videos before I posted the first one. Cheers everyone.  Happy Advent!

 

 

 

Simple Shapes for My Wool Project

Sew earlier this week I got everything ready to make my first video and then discovered I was missing a cord to connect the little monitor I need to my Sony Handicam camera.  Now I don’t know about you, but I don’t think identifying cords needed in the computer world is the easiest thing to do,  Thank GOODNESS I have my own family geek squad.  Hahaha.  My son David helped me to identify what I needed and looked through our huge collection of cords, but we didn’t have the right one.  So I ordered it and it is supposed to come today. If it comes, I hope then to get my first video on YouTube sometime next week.  I don’t know how long this whole video making and editing will take me, but my tentative plan is to put one up a week at first.

Sew I got all ready to make the first item for my book/video wool project.  It is called “Simple Shapes” and it is a small wall hanging, and I really invite you to join me in making one yourself.  I will be providing all kinds of help here and even videos demonstrating it.

For several years now I have had an Accuquilt Go! cutter, and have, over the years, collected a fair number of their dies.  I find the dies are wonderful for this particular kind of project, and also I cut all my bindings and borders on it.  It’s much more accurate than I am…LOL.

I also use it to cut my 8 inch blocks I use for cuddle quilts.  I used it when I work with my grandson, who made a couple of simple quilts with my help several years ago, and he was able to cut his own quilt pieces safely.  It’s just a very helpful tool in my studio.  Yesterday it took me only about half an hour to cut out all the pieces I need for this, and most of that time was because I am backing them with Steam-a-Seam  fusible before I cut them, and I had to get that ironed on.  This makes the wool feed through the cutter so nicely and hold the pieces nicely in place.  I have other methods to do this too, but this one is my favorite.

However, if you don’t have a cutting machine and don’t want to buy one right now but want to follow along with me and try your own hand at wool applique by machine, I have made a pdf pattern with simple shapes that you can download and use.  You can find the pdf file on my Aids and Links page on this blog (see the links at the top of this blog).  I know you could draw your own, but why bother, since I have them all put together in the free pattern. They are not necessarily the same as those on my dies, but close enough.

Sew I cut out a bunch of shapes from fun several colors of the wool felt I talked about in my last blog.  As I promised, I also looked around and found you can get satisfactory quality sets from Amazon if you want to make one of these wall hangings yourself.  I would love to see you join me in this fun project. I recommend you get four sets and you will have enough for several projects. Just click on the links below.

I also found a melton wool blend in black that would make a nice background, or you can use a nice solid color quilting cotton for the background. If you get a single yard the wool, it is large enough to make two or even three small wool projects, because these are small little jewels of projects and the yard is 58 inches wide. These would make nice Christmas or other celebration presents.

Sew now that I have all these simple shapes cut out  I will arrange them in a flower arrangement of some sort.  Follow this blog in the future to see what to do.  Note that I also cut some stems and vines about 1/4 inches wide and some leasves shaped from the felt that are not on my pdf but I did use the stems and leaves die on the Accuquilt site also.

I will talk more about what to do with all these shapes in future blogs, but you might guess if you look again at my last blog where I show a lot of the test piece I did.  I will be demonstrating this on my video, assuming I am successful in getting that done.  LOL  I will be linking to my video in my next blog probably.

Test and practice piece

Sew happy everyone!  Teach someone to sew or quilt or at least encourage sewists and other fabric wizards you know.  Even the most advanced folks need encouragement.  Sending you all hugs!

I Figured Out Custom Backgrounds on Bernina V8 design software

Hi there.  I have been working out how to get embroidery designs placed properly for my summer clothing efforts using my Bernina V8 software.  I could not find this anywhere in the help or manual, so I wrote it up and put it into the following PDF file for those of you who have the software.

Making a Custom Background Design Template for Clothing in Bernina V8

Here is a picture of the Jeans Vest Jacket back I managed to make the template for and then I discovered how to put it into the software so I can change the color and size.

I started with the line drawing in the pattern that I scanned into my computer and took it from there following the directions in my pdf file.   So fun.  Now I can place the embroidery onto the garment and know how large to make it and where it needs to go.   I wonder what else I can use this for?

If you have the Bernina V8 software and have problems with it, I wrote a book last year that you may find useful if you don’t have it already.  I wish I had discovered this before I published it or I would have included it into the book.

Sew happy everyone!  Stay healthy and happy.

 

Repurposing Sewing Patterns and Die Cut Shapes

Hi readers!  Yes, I am done with my mom’s memory quilt except for completing the hand sewing on of the butterflies.  They are taking a while.  I am very pleased with the quilt both front and back now, and if there is no show to enter it into this fall, I will go ahead and post pictures of it, which I have yet to take. But for now I am hoping to enter it first into the Mancuso show in Pennsylvania in September.

I was chatting with a friend of mine this week and we agreed that we both need new summer clothes…simple tops and simple pants made from pretty durable fabrics.  I took a look at the pattern sites and was horrified at all the ruffles and dresses straight out of the hippy Woodstock era that are definately not for me. But I did find just what I wanted in my own pattern stash and I realized some of them are still available online.  It might surprise you but I found a couple of particularly nice patterns in the “uniform/scrub” category.  I purchased McCall’s M6473.

Here is the pattern made up into scrubs.

But in looking at the line drawings accompanying the pattern, I realized they are exactly what I was looking for and, made in the right fabrics and adding some embellishments I would have the summer patterns I wanted…quick, easy, and stylish.  These are just right for my daily life.  Take a look.

The pants have a dual waistband with a smooth front and elastic sides and back and really fun pockets. All three versions of the top are perfect canvases for some interesting fancy stitches, embroidery or appliques to spice them up. These tunics are nice and loose but not pregnancy tops.

I also found in my pattern stash a Simplicity pattern I have had for some time, Simplicity 2371, that has a lot of the same characteristics, though I think the scrub pants are a little better.  I will do all the size testing/fixing on the scrubs slacks and make a couple of pair of those out of some nice sturdy knit fabrics I have for that purpose that I bought at least over a year ago.  But I will probably make some version of the long leeved tunic on th Simplicity pattern.

The Simplicity pattern from my stash. Note the pants have a simple full elastic waist and no pockets…not what I wanted exactly. But the long sleeve tunic provides a suggestion for the embellishment. I would be adding something more.

Now as I was browsing through my pattern stash I saw a plethora of bag patterns, my vintage pattern collection, and some really gorgeous jackets and suits for dressier, colder times.  I have the fabric for most of that too.  Yes, my clothing stash, though carefully trimmed, is still quite wonderful.  I will make at least one nice winter suit for this year, but mostly I am still losing weight, but not very fast, still…I want to save some of the nicer fabrics for later.  I already have some really nice summer dressier clothes.  Some of these I made and some I bought and I have kept them pretty much altered to my size as I have gone down.  So mostly I need casual summer clothes for daily wear in my studio and some nicer pieces for fall and winter.

Sew all of this clothing sewing I will fit in here and there between my quilting projects.

This made me think about how I was going to approach my wool applique project.  I have a lot of Accucut Go! dies with flowers, leaves, birds and animals, and decorative shapes.  I think I will simply cut out a lot of them in multiple colors after I back the small wool and other similar pieces  I have with a fusible and play around with making a hands on design.  Many of these have patterns with them and were designed for specific things, but I am breaking up the sets and making a bowl full of these pieces.  I also need to figure out some vines and stems, and I am thinking I may have to draw up another animal shape or two.  This should be a fun project and will result in a small sampler, a book, and a show quilt.

Sew you see, you don’t have to use the patterns or pieces like the original designer intended, and you can often find just what you want by opening your creative mind and looking further at the designs and giving them some thought.

So next I will start two new quilting projects…the wool applique one and a more complex art quilt design in one of my ongoing series.  This second half of the year promises to be much more fun than the first half.  I am hoping and praying that in spite of the darkness of the hour in the country, the light will begin to shine through and clear away the dark.  Like the hymn that has been buzzing around my head for at least a week “Morning has broken, like the first morning…”  Remember, morning starts at the darkest part of the 24 hours.

Sew happy everyone!  Make yourself something fun just for you.

 

 

 

Fine Tuning Quilted Art Projects: Thread Decisions

I don’t know about you, but my thread stash has grown to equal or beyond my fabric stash over the past few years.   I think this is caused by my many ideas for quilted art.  I have learned that the different weights and types of threads can make a huge difference in the success of the finished project.  Additionally, a lot of my quilted art projects have a lot of thread art that livens them up.

Sew I am currently trying hard to finish up the quilt I am making in my Mom’s memory using those beautiful 10 inch crocheted lace blocks as the center.  I just changed threads from a beautiful blue Superior 40 weight Magnifico, which is a polyester thread with a lovely sheen that matches my border fabric, to a Superior monopoly, which I truly have a very hard time seeing.  I am using Monopoly in the central pentagon where the five chrocheted blocks are.

This small quilt sampler has seven different thread types.

Now my Bernina machines sew well with this thread, but it took me a while to learn how to get that to happen.  After much trying and crying, I finally found that it works best with an 80/14 Universal needle.  If I use the top stitch needles I normally use for quilting, the needle will eventually “step on” the thread and break it.  It also requires the significant lowering of the upper thread tension and I use it with a 60 weight polyester bobbin thread (Superior Bottom Line). This thread is a very lively thread and requires threading to control it as much as possible.  I use the thread paths that cross the little pad with the pink silicone liquid, otherwise known as the thread lubrication unit.  This also adds a little tension to the top thread, and requires and additional little bit of tension lowering, but it holds it in the thread path really well and I am able to use it with hardly a bother.  I do this for both my Bernina 880 plus and my sitdown longarm Bernina Q20.

thread lubrication path on my Bernina Q20.

Thread Lubrication Unit on my Bernina 880 plus.

Thread lubrication path on another Bernina. They look a little different for each of the Bernina machines that has one.

For my little B350, my travel machine, it doesn’t seem to need as much control, but the thread path isn’t as long, and I figure that is why.   Happily these adjustments also work well with any 100 weight thread I use (I use both polyester and silk for various things).

My Bernina B350 named Edith Claire (E.Claire) after Edith Head. Even for this more simple machine, I do samplers before beginning to stitch a project. Circles make nice samples.

Deciding what threads to use on a project requires, once again, some testing and practice.  This is one of the big reasons I always make a practice quilted piece before I actually begin my main project.  The questions to ask that can only be answered with a little testing include:

  1. Do I want the stitching to take a front place in the overall design?  If so, use a heavier contrasting thread, even if the contrast is only one or two steps away from the fabric.  If not, use a lighter thread that matches as closely as possible the fabric, or even use a monopoly if I am stitching over a variety of fabrics in a small area (or, in this case, over hand crocheted lace).
  2. Is the stitching going to hide down in the seam or along the edge of an applique in stitch-in-the-ditch.  Or is the stitching echoing along the edge to highlight the applique or some element in the fabric, for instance.  Sometimes, like a halo, I might want the thread to be slightly or even strongly contrasting for this purpose.  The only way to tell is give it a try.
  3. What type of fabric is the stitching going on?
    • Right now, I am planning a substantial wool applique project that will include the writing of a large chapter in a book (or breaking into its own book), and will result in several samplers, the book project, and a separate show quilt.  This project requires decorative threads.  I am planning to use a variety of threads…primarily 12 weight wool/acrylic blend thread by Aurifil with a 50 weight cotton in the bobbin for most of the stitching at default tension settings with a longer stitch length, but also 40 weight Magnifico and Isacord embroidery threads, and metallic threads for some places.  These are all hopefully going to enhance and showcase the project.
    • For most of my cotton quilted projects I use the combination of 100 weight threads to sink into the background, and 40 weight embroidery threads to show the stitching.  But sometimes, I need additional types for a special thing.  I sometimes use 12 weight cotton thread by Sulky, which I have found runs smoother through the 100 weight top stitch needle with less mess on the back than other brands.  I tried a lot of brands before I settled on this one.  I have a lot of Superior 12 weight cottons that I sometimes use, but only my Bernina 880 plus and my little B350 seem to be ok with that.  My Q20 makes knots on the back with it no matter how I set the tensions and so forth. It might be the way I stitch.  Who knows.  Anyway, I usually use the Bottom Line with that in the bobbin and set the top tension just a little looser than normal to accommodate the width of the thread passing through the tension discs.

So you see, there are lots of considerations that make the thread choices successful.  Batting types and fabric densities, and yes, even the weather have an impact on these decisions.  That is why one really does need to make a small test piece, using the same fabrics, battings, needles, and so forth to practice on before stitching on your main project.  I write them down in my book I keep on projects, so I can return to these settings when needed.  It is truly helpful.  Also, be patient with the thread changes if you are stitching your masterpiece quilted art project especially.  They make a big difference.

Drawing Nigh, completed 4/17/2016. This quilt had 32 thread changes in the sky alone.

Sew happy everyone!  Stay healthy and have some fun in your studio while we are all still under house arrest quarentine.  And even after we are able to get out and move around, I hope you don’t abandon your studio.  Hugs!

 

Fine Tuning Quilted Art Projects: Part 4 Trees

The flowers and new spring growth are everywhere. I love this area at this time of year. I processed this picture of a nearby redbud (I think that’s what it is) as a “dreamscape”.  Not sure I caught the feeling right, but still…it’s pretty.

I am thinking my dear readers are possibly at the stage of thinking “will this never end” concerning our stay-at-home orders.  At first we were kind of shocked, then a bit scared, then ready to gung ho make face masks or whatever we could do, then start learning things, and now, after all of that, we are still here.  Still at home.  Still going to be at home for weeks yet. Sigh.  Oh, my, will this never end!  Well, yes, it most certainly will. Then we will have to pick up our alternative busy life styles where we will wish to goodness we had a little more time to quilt or sew.  Well, I won’t because I am retired and blessed to be working in my studio full time now anyway.  But I will have things to do outside of my studio and things that pull against my getting projects done.

Sew now that you have made your face masks or are coming to the end of that project, what are you working on or planning on working on?  (As an aside:  Quilted Art for me includes art quilts, traditional and contemporary quilts, quilted clothing, and quilted bags and other three dimensional items.)  If you are like me, you have more than one project going, or at least going on in your head.  Do they include trees?  I love making trees.

Trees for your quilted art

I love adding trees to my pictorial quilted art pieces, but I’m thinking that trees can be a really neat thing to add to lots of types of quilted art such as a jacket or skirt.  I didn’t realize until recently that I have learned or even developed many ways to come up with trees over the years, mostly made as embellishment items using thread painting, yarn couching, and applique and I thought I would share some of them with you.  The really neat thing about making trees for fabric art is they are so forgiving. They don’t require precision, but they do require looking at real trees and seeing what you can learn from them using your imagination.  Are they straight?  Are they interestingly textured? Are they spooky? Are they happy little trees?  Do the leaves read as a a bunch or individually or both?  What is the color of the trunk?  Try drawing the tree out first.

Machine Embroidering Trees or Parts of Trees

This tree is the stitchout from an olive tree I digitized in my Bernina software on wash-away stabilizer. I placed a tree photo in the art side and traced it by hand digitizing it in the embroidery side of the software (for further information on how to do this kind of digitizing, see my book Twelve Skill-Building Projects for Bernina V8).  The same could possibly be done by drawing it onto a piece of wash-away stabilizer and free motion embroidering it. I have done that too, but could not find a good picture. In both cases I would advise using a layer of black nylon veiling under the stitching to hold everything together off the quilt and then appliqueing it on.  One of the cool things about digitizing it this way, is that you can get the coloring very close to the photograph, the texture of the tree trunk close to how it really should look.  I used this tree on several Nativity quilts I have made.  That’s the other thing, if you digitize it in your design software, you can restitch it for another project later on.

Here is the first tree trunk I ever digitized and embroidered out.  It required a double hooping and I missed the connection just barely, so I free motion zig zagged the connecting place and you can’t see where it was.  In fact, I have even forgotten where it is and cannot figure it out even with close examination.  So even if you make a mistake like that, you can sometimes fix it on the spot without having to redo the whole thing.  I stitched it out with a variegated thread.  Here is the whole quilt “The Storyteller”.

But even though in this quilt, the tree trunk makes a happy tree, when you look at the stitchout design by itself you can probably readily see that the same trunk would make a really fun spooky tree where you could place a raven or an owl for Halloween.   So working out these things in digizing software gives you lots of additional options that can save you a lot of time on other projects.

Trees without the use of digitizing software and embroidery module

So sometimes I want to just applique my trees down.  In this case, I usually use steam-a-seam 2 and free cut out with scissors the tree trunks and limbs and even leafy sections without a pattern.  Then I iron them on the top and use a single narrow blanket stitch with a close matching thread color to permanently attach them.  It’s so much fun!!!!

Here’s a quilt where all the trees are made that way.  The texture of the trees is added when quilting.  This was really fun to make.

Summer Melody, 2016, 33 x 29 inches.

And sometimes you can make a rather cool evergreen tree freehand with a combination of yarn couching the trunk with Superior monopoly thread and heavy 12 weight wool/acrylic Aurifil thread free motion embroidery for the tree’s needles.  Here is the one I made on my failed Bob Ross contest quilt.  I made this quilt while my wonderful old Bernina830, which I did a great deal of heavy work on for 8 plus years, was failing, and so many things went wrong in my studio during that time.  I am not surprised it did not make the contest, but I still love the tree I made for it here, which I made entirely freehand on my Bernina Q20 as kind of a reprieve from my B830 problems.  I now have a new Bernina 880 plus to take the 830s place and I love it.  So production in my studio is at full speed lately.  I suggest if you want to make such a tree that you make a practice first.  It requires a fairly substantial stabilizer under the tree area of the top because all that stitching draws it in and makes a problem without it.  I used Madeira Cotton Stable that I get from Nancy’s Notions on the whole quilt top.  It tears away later, and, since it is cotton, it will soften when washed.  I marked only one line representing the main trunk to keep it tilted just as I wanted.  It hardly matters what you mark it with because the mark is completely buried with yarn.  I did all of this before sandwiching the quilt.

Happy little tree

 

and then you can combine applique and free motion yarn couching and other thread work to come up with some rather dramatic trees.  In this case, I appliqued the big cyprus trunks and then did a lot of shading using fabric paints to give the tree trunks the right round shape.  The tree limbs were couched on with wool yarn, and the spanish moss was free motion stitched using 12 wt Aurifil wool/acrylic thread.  I premarked straight lines down for the spanish moss with chalk before stitching, because it takes a fair amount of concentration to keep it from drifting sideways in an unatural way.

Night on the Bayou, 2018

 

Up close

And lastly, I was just playing around one day and here you see the resulting winter scene with the trees using both couching for some, 12 weight thread for others,  40 weight polyester, and even 40 wt metallic for others.  It is the kind of practice piece I suggest you try if you are new to making trees with free motion fibers. As for all these quilts with heavy amounts of stitching, be sure to back it with a heavy stabilizer that either tears off or washes off to help with the draw in of the stitching.  I recently finished this as a little quilt sampler, but don’t have a picture of it yet but you can see the thread work here.

Sew happy everyone!  God bless you in this holy week and have fun in your studio while you await the end of the quarantine.  Have a blessed and happy Easter Sunday.

 

 

 

Keeping On Keeping On With Some Fun Too

I know some of my gentle readers are about to pull their hair out by about now being confined to their homes.  Sew let us all get up and do some stretching and bending.  Ten reaches to the sky, ten toe touches, ten swings from right to left with arms out, and 100 in place marches.  Ten deep breaths and giggle like a kid for ten seconds.  Now!  Grammy BJ (that’s me) suggests doing this several times a day and then get to work or play.  Here’s what I have been working on this past week.

Yes I finally made a bunch of facemasks, primarily for my family and friends.  A lot of my friends have devoted their entire work time to making these masks.  There is a need, and now that the study came out showing the properly made cotton masks using high end “quilter’s cotton” in at least two layers is, indeed, fairly effective (79 percent for the best, but poorly made with poor fabric choice can be virtually no use at all.  A surgical mask is 65 percent effective, and the N95 is 95 percent, jusf for comparison), we no longer have to contend with people saying it isn’t of any use.  Sew if you want to make some for you and your family or more I highly recommend Bethanne Nemesh’s mask method shown here in her video.  I made mine this way.  Here are a few of them (100 percent cotton…cotton fabric, cotton t-shirt ties, and cotton thread are easy to launder and sterilize.  I may be wrong, but I don’t like the idea of a non-woven interfacing.  A third layer of cotton something like flannel might add some additional safety, but the study was looking at a two-layer tight woven quilting cotton):

Sew after I made a bunch of these, I am probably done with mask making, at least for a while.  Now I am very excited about my current projects.  I have four I am currently working on or planning.  Yes, I know that’s a lot for all at once, but I can’t help it that all the ideas came at once.  Hahaha.

My primary project is my Mom’s memory quilt I am centering around five beautiful ten inch crocheted lace squares I found in her workbasket after she passed.  I have made substantial quilting progress recently, and am working on quilting the borders now.

Mom’s lace squares…10 inches of beauty.

  1. Here’s a peak…more quilting is in order here.  I really really love that blue polyester dupioni and off white polyester satin.  They quilt very well and did not break the bank like silk would have.  I think the dupioni is clearly different from silk dupioni, but it does have a rich beautiful texture.
  2. A wool machine appliqued quilting project that includes both samplers for my book I am writing and a larger show quilt using what I am learning as I build this part of the book and its samplers.  My goal is to take true advantage of the magnificent threads and machines we have today to produce wool applique quilts that are at once suggestive of hand applique and shows and teaches the use of advanced stitching by machine.  I will also add considerable amount of beads and possibly other forms of embellishment.  Here’s a little test I have done to determine what may be possible and think about the pattern.

    Just a test

    I have determined to use my accuquilt go! cutter to cut out a bunch of shapes and in real time place them in a good design and add stitching, then make a pattern for the book.  I have this nice tool, as many of you do or many have cutters of some sort, and I think it would be a fun approach, but I also plan on providing enough of a pattern for those who do not have one to make the resulting project.  And yes, it will all be done on black boiled wool because that is what I have on hand.  I am on a tight budget right now.  LOL

  3. My appliqued bed quilt I started some time ago using a beautiful pattern by Sue Nickels.   It’s sort of Baltimore Album like, but all done by machine applique.  I don’t have a picture yet.   This is my relax and stitch project where I don’t have to please a judge and I didn’t have to think of the design.  I am, of course, making my own changes and it will be just for me.
  4. And the fourth project for the near term is a new deep space quilt.  I love doing these.  I have worked out the technique, have all the supplies I need for one, and I take the design straight from one of the NASA photographs they so generously share copyright free, so I only need to put some size and spacing marks on a wholecloth black top and away I go.  I plan on putting how to do this either in my current book on embellishment or in its own book.  So I will be taking a lot of pictures as I go.  In case you are unfamiliar with such quilts, I have two below for you to see.  Both have won ribbons, and the Sky Horse was in the juried Houston show in 2014.

    Sky Horse photographed by Ken Tatum

    Spiral Galaxy No. 3

    These are so much fun to make.  I make them at my sitdown longarm because they are all free motion stitching.

    Sttitching with a reference picture

    And finally, my oldest son Ken who designed Pendragon for me is working on Excalabar design for the next in my ancient manuscript series.  If I manage to get all of these quilts done this year I will be doing very well.  I don’t work as fast as some of my competors in the show quilt world…hahaha.

    Pendragon
    34 x 45

    Sew happy everyone!  I love you all.  I hope you are keeping busy and making all kinds of fun things in your studio, or cooking, or gardening, or doing all of these things.  God bless you!

Fine Tuning Quilted Art Projects: Part One, the Design to Pattern

I realized with some astonishment recently that 2020 is my sixteenth year of making quilted art projects, mostly, but not entirely in the form of wall art quilts.  I have been sewing since since I was five, when my mother began teaching me to sew, followed by years of learning and making my own clothes and helping my mother in her own sewing pursuits.  I retired from my intensive job with the US Government at the beginning of 2012, but I had already been working toward moving to full-time fabric artist upon retirement for a number of years.

Over the years I have learned a great deal.  I have almost always been in a learning mode, because I find it fun.  For me, a terrific development has been provided by generous fabric artists, digital artists and sewing technicians through online informative sewing and quilting sites, video classes, The Quilt Show with Alex Anderson and Ricky Tims, and YouTube.  This has enabled me to continue my love of learning new techniques and improvement of my skills while hanging out in my own studio and at a very low cost or even free.

What has all this to do with the title of this blog, you may be asking about now.  Well, I just wanted you to know that I do have a significantly solid and advanced basis to pull from for this series I will be blogging over the next month or so about building quilted projects for fun and excellence.

Sew approaching a new project should begin with a bit of planning and record keeping. Such projects can be divided several ways, but I like the following 10 steps, each of which will be dealt with in their own blog post:

  1.  Designing or Obtaining the Pattern
  2. Collecting the Parts
  3. Checking the Tools
  4. Cutting and Marking
  5. Constructing the Top
  6. Sandwiching Properly
  7. Quilting
  8. Blocking and Squaring
  9. Adding Embellishments
  10. Binding and Finishing.

Designing or Obtaining a Pattern for Your Project

Since I don’t normally use purchased patterns and usually create my own designs, for me that first step of designing frequently takes just under half of the time I spend on a project.  I use my computer heavily in this step.  Here are the computer apps I currently use for this:

  1. Corel Paint Shop Pro 2020 (for processing photographs)
  2. Corel Draw Graphics Suite 2018 (makes very good vector designs and communicates with Bernina Software.  This also helps me create my own pattern, size it, and print it out full size to tape together)
  3. Corel Painter 2020 (for painting.  It’s almost like having real paint,  brushes, and pencil collections with no mess and the ability to erase or add something in the middle layer.  I often start here for concept art)
  4. Bernina Embroidery Software V8.2 (for digitizing or personalizing embroidery designs, and even for some quilting)
  5. Electric Quilt 8 (aids in figuring placements, sizing, yardage, and if I need a traditionally pieced area for my quilt project, this is where I turn).

I won’t cover how to use these drawing packages for this, because I know even if you use digital design programs to help you out, you probably don’t use the same ones I do and they are expensive to gather, take time to learn, and there are lots of really good classes out there on youtube and on the sites where the packages are sold.

Once I have my design, I write out the steps, list the fabrics and threads, list the additional pieces, and think about the tools that will be required.  In other words, I create my own pattern with instructions. You may be surprised to learn that I mostly do this the old fashioned way in my planning notebook, where I glue in samples of the fabrics, write out steps, and keep other important notes as I go along. You can read about how I manage these things in my blog Project Management for Fabric Art from a year ago.  I still do things this way.

Now I know many of you don’t want to use the computer designing process, and if you want to design them yourself you would greatly prefer using a sketch book or graph paper and doing math to figure out what you need to make your project, or at the very least use Electric Quilt 8, which is an easy way to produce a good traditional quilt pattern.  This is a good approach, but I do encourage you to scan in your resulting images/designs,  keep a record of your project on your computer, and write out the steps you need to take for your project so you can start with a good pattern with steps to completion already thought through.

Also, there are those who prefer starting with a pattern that has good instructions.  That’s probably why you can make a quilt much faster than I can, and I think this is also a good approach if you have different goals from mine.  One of the keys to this is to use patterns from reliable designers that provide good instructions.

In other words, whichever your approach, the first step is to obtain or create the design with good instructions and project steps already thought through.

For me, I also want to load up my audible books, music, and podcasts to listen to while I work through the construction phase.  My next blog post will discuss building your own kit so you know you have what you need.

Sew happy everyone!  I encourage you to use an ordered approach to your quilted projects, however small or large, and you will really enjoy the process and probably come out with a wonderful result.

 

 

 

Making Samplers

I am writing a book on embellishment techniques and have a plethora of samplers to make for this book.  I will also be using examples from some of my show quilts.  One of the projects in my book includes  several samplers teaching how to make trees using couching and a variety of interesting decorative threadwork.The starry night in the winter forest scene above is almost complete.  I still have to bind it and add hot fix crystals in the sky.  But I thought I would show you what I have on this little sampler, which I stitched on with no premarking.  This is such a fun activity to just sit down with a small quilt sandwich and play.  Initially I had planned just to practice and test some tree making in preparation for this sampler, but I liked it and decided to just trim it down and make it one of the samplers.

  • The two front larger trees are couched on sport weight yarns using a couching foot #43 on my Bernina Q20 and white 100 weight Microquilter by Superior Threads with Bottom Line in the bobbin. (Q20 settings: net on the cone, bobbin tension 180 with a magic silicone bobbin washerover the spring, top tension 1.50, threaded across the silicone gadget with the pink liquid, 80/12 universal needle (note…for small thin 100 weight and monopoly threads the universal needles work best, because the top stitching needles I normally use tend to “step on” the thread and break it instantly.  This is true whatever machine you us).
  • The middle tree, though you can’t tell in this picture, is sparkly silver Ricky Tims Razzle Dazzle by Superior that I couched on also with the couching foot #43 using a silver Superior metallic thread in the top (same settings except top tension is 3.0 and needle is 90/14 titanium top stitch Superior).
  • Then I free motion stitched the two smaller back trees using Aurifil 12 weight wool/acrylic blend thread and a 100/18 top stitch needle (Bottom line bobbin set as above, top tension 3.0, spi 9, bsr1,  100/18 top stitch titanium Superior neeedle, threaded as normal, stitched slowly, use a tooth cleaning threader to thread the aurifil thread through the take up bar hole and the needle).  Clean and oil your machine after using wool blend thread.
  • After that, I free motion stitched with Superior metallic thread the lines showing the hilly shapes, ruler stitched the moon shape, and painted the moon with Setacolor paints.
  • Then I used 100 weight black Microquilter (set as in the first dot section) and did a simple stipple all over the quilt and outlined the trees.

I encourage you to try such a sampler.  It can make either a neat Christmas decoration once all the crystals are placed on it, or you could add a halloween pumpkin or owl applique for Halloween.



Progress on Mom’s memory quilt:

Now that I have it all designed, I decided I had to make a sampler to practice everything especially on the satin part of the quilt where I will have pictographs of flowers, birds, and embroidered items that are related to Mom’s interests.

So I managed to get all the marks out of the test piece when I used the heat away pen after a four hour soak and a cold water wash in Synthrapol and finally a reironing to take away the last of the marks, which were very light at this point.  I then refroze it thinking they would come back but they did not.  I will retest this on the sampler when I am finished with it.  This is the kind of treatments you have to do when your fabrics or thread colors bleed onto your quilt, so I do not recommend the use of these pens except in very rare circumstances and after much testing.  I plan on making a decorative pillow for my bed with this sampler.

Sew I thought the hardest part would be to quilt the pictographs, but I found that to be really fun and, while time consuming, they were fairly easy to do at a slow stitch with my Q20 using BSR1, spi 12, and Magnifico 40 wt thread by Superior, and a 90/14 top stitch titanium needle with top tension 3.5 and bottom line in the bobbin at 180 tension.  Now I am working on figuring out the background, but first I will be doing really really tiny scribble stitching for about a quarter inch out from the edges of all the pictographs with 100 wt thread to set them apart and make them look like trapunto.

I am using a double bat on this quilt (80/20 thin bottom and wool on top), a cotton backing, a beefy polyester crepe backed satin and two colors of polyester dupioni.  But the only pictograph quilting is only on the ivory satin.  Here are the sampler pictographs.  I think it is coming along really well, but I am puzzled about what kind of background I am going to put on the white.  I am thinking of using walking foot stitching with some simple decorative stitches on my 880 plus in some kind of grid work, but I am not sure yet.  One thing at a time on this project. LOL  It’s hard to see in this picture, and it looks like there is more problem with fabric management than there is, but here is the sampler so far.

Sew happy everyone!  Take some time to play on some samplers that you might want to use or just throw out later.  It gives you the freedom to try things you might be hesitant to do on a full quilt project.  Cheers.