Having Fun in My Studio

Someone asked me recently what I have been working on lately.

I have finished the Kingfisher wool applique by machine pillow top project (basic design without the eye pupil, which is a very small black button, shown above). I haven’t made the pillow yet, but will in a few days. I have some really black stretch denim I think would make a nice pillow back for it. I think it needs to be something kind of heavy to balance the wool which I have sandwiched and quilted, and a little stretch will help the pillow look good. I haven’t decided whether to put cording in the seam or not.  I like it a lot even though it is relatively simple. Two videos will come out of this project. One will be published soon…probably this coming weekend. It’s being edited and there will be a free pattern available for it on my website which I really hope you will download.  I will provide a link to it when my video is published.

Also, just yesterday, I got a stack of color cards for Wonderfil Threads of various types and a few sample spools, which are really a fun way to shop for threads.  I don’t have a local source for my favorite threads so I have to order them.  I have a Thanksgiving table runner project that I plan on using their threads for embroidery, applique, and quilting for that.  So I have to hurry, because it’s already August!!!

I love figuring out threads this way.  I can take my time, try out the thread samples, and see the actual threads.

Magnifico by Superior color card image

I also have some color cards for Superior Threads.  If you have to order your threads to get the kind you like, I highly recommend getting some of these sample cards even if you have to buy them.  Sometimes they give them away at big events like quilt shows or cut the cost for them a lot.  But even so, they provide color accuracy and coincidentally they are fun to look at if you love threads like I do.

So I have also been adding to my stitch library with pages for Wonderfil, Superior, and Miscellaneous thread types.  Today I made a page for different Wonderfil types, with a line of decorative stitches per type.  I encourage you to make your own library of stitches and thread types pages. It’s not only fun to stitch these pages but really useful.

 

And last, but not least, I worked up, but not yet printed, a full sized guide for my next deep space quilt.  That’s the closest I ever come to a pattern for this style quilt.  Basically, it’s a placement guide for the space objects.  I also print out the NASA picture or pictures of the space scene or objects and then build the scene on fabric using a little background paint, and Angelina Fibers hot fix fiber (they stick to themselves not the fabric) appliques, and I cover the whole quilt top with black nylon veiling. I sandwich it all together and baste it down.  So then I use quilting and free motion embroidery to build the space objects and quilt the whole thing.  It’s one big whole cloth quilt with big appliques, and different sizes and colors of hot fix crystals.   It’s loads of fun, but does require a placement and sizing guide to make it even start to look right.  I will be showing just some of the making of this quilt for fun…but not a how-to like some of my work.

Sew I have been having fun in my studio. That’s what I am working on.

Sew happy everyone.  Have fun in your studio too!

 

 

 

Capturing An Explosion of New Ideas for Future Projects

Hi everybody!  I think we all need a diversion and some quilting to help deal with the roiling of events in the news lately.  As for me, I have been starting two new projects after my last one that was going to be entirely on painting quilts took a nose dive.  By the way, if you want to know about painting quilted fabrics stay tuned. I will still present these techniques scattered throughout my other projects as needed, but not a whole video series for those techniques after all.  Mostly I have to work on camera placement and filming techniques for painting quilted fabrics. The problem was entirely related to painting while filming.

Sew what are these new projects?  Well, one of them, and the next video project, is a second dive into wool applique by machine in which I will be making a pretty scene with a Kingfisher bird on black wool that will be sized for use as a decorative pillow top.  I am nearly finished making the pattern and I will be using my Scan and Cut digital cutter to cut the pieces.  The downloadable pattern will be available on my shop for a small amount and will include both a pdf file for those who do not have a digital cutter and the svg files divided by color for those who do.  I will be providing videos showing how I do them for this project, including the use of my new Scan and Cut.

The second project is a new “show quilt”! Sew there will be a video exhibiting only some of the making of this quilt and there will be no pattern.  I am  making my fourth deep space quilt and as soon as my fabric arrives this week I’m ready to start construction.  I will be using Deep Space II #98 Peppered Cotton designed by Pepper Cory to build the scene, inspired by NASA photos of M51 Galaxy (there are many), which is a spiral galaxy that has a second spiral galaxy farther away and kind of behind it on the edge, making it look like a small spiral is attached to the larger M51’s tail.  Unlike most of the other peppered cottons, this one is not a shot cotton but is yarn dyed intensely black. It makes me happy that the name of the fabric is “Deep Space II”. Thank you Pepper for bringing it to my attention.  I love making deep space quilts.  They are a whole cloth quilt, built entirely with free motion stitching and almost no marking.  It includes a  little paint, a large Angelina Fibers applique, and covered with black veiling, then quilted together in ways that make sense, and adding some free motion embroidery to represent the space dust. After that, I add a lot of hot fix crystals, kind of using the NASA photo as a guide for placement to represent stars. Some of the larger stars or star clusters are sometimes backed with an embroidered representation of the light that shoots out around it from the lens flair often in a cross shape that is highlighted on the NASA photos. This adds to the interest and beauty of the quilt in my humble opinion.

Practicing for making a deep space quilt.

 

I like having two very different style projects going at once because it allows me to move from one to the other when I need a break from some aspect of a project.

Sew this past week I spent a fair amount of time thinking about and updating my Quilt Project Plans spreadsheet for the remainder of this year and into next year.  It is way more than I can possibly do in that space of time perhaps, but it is wonderful to look forward to the near future projects and be able to pick from some of those I have already thought through a lot.  I also keep a handwritten notebook where I describe most of the projects more fully and sometimes keep outlines and notes to help me make them.  I have been doing this for many years.  Way back to when I only did clothing designs and sewing.  It’s sometimes fun to take one of the old notebooks and look through them to see just what I actually made of the many plans that have floated by.  I sometimes pull a long-forgotten project out and make it.

Here are some pages from my Pendragon quilt project that I did complete and that was shown in several prestigious quilt shows, including Houston.  The sample shown here is a test for the upper left corner of the border.

Sew happy everyone!  And remember, sometimes you need to abandon a project and not feel like it is a fail. Doing so can often open up an explosion of new ideas when you realize you no longer have to struggle to complete something that just isn’t working, and sometimes persistence through the challenges helps you to finish works and you come out with a real winner.  Give yourself permission to take the path that works best and be sure to have fun in your studios!

 

“Hand Work” by Machine

I am sure you’ve noticed that there is a recent renewal of interest in embroidery and quilting by hand.  I can appreciate this.  I used to do a lot of it myself.  It looks wonderful and can give the stitcher a sense of meditative happiness and quiet, plus you end up with a beautiful piece to quilt and/or put on the wall, make into a pillow, or frame for a gift.  These are often small and exquisite little jewels that are a great pleasure to make and view.

As wonderful as these are, I am thinking that with today’s machines, specialty threads, specialty feet and attachments, plus a community of sewers and quilters who are constantly developing new techniques, it is possible to create equally exquisite little pieces by machine.  Mind, I am not advocating giving up hand work, just using it as inspiration for some extraordinary stitching by machine, or using both together on a single piece. While this might enable one to make such a treasure in a  shorter space of time, it may not be that much faster, but interestingly challenging in a different way.  Machine work is especially nice if one is facing arthritic or injured hands that make doing the hand stitching difficult or painful. Yes, it will almost certainly look a little different, but the texture and beauty that can be accomplished may be equally extraordinary.

I have two sources of inspiration that has made me want to try this.  Alex Anderson recently ran a free class on The Quilt Show and YouTube called Make It Your Own stitch along lessons.  I watched it.  I did not make one, but I found some of the results truly beautiful.  Trying to make a similar piece  by machine may be very interesting.

The second one is the Royal School of Needlework posts in Instagram. Their work is truly incredible. I am particularly fond of their gold work which is often a combination of couched on gold cord and padded embroidery. But I also love many of their other colored embroidery pieces. Can I approximate the looks of these pieces?  Well, I don’t know, but it is worth a try.  I do know that it is possible to do padded embroidery in-the-hoop, and I have done a lot of couched work on all three of my machines.

I will do a little experimenting first, and then demonstrate some of the techniques on my YouTube channel.  What do you think?  Would you enjoy that? This will take me months before I am ready to record the work, but I will keep you apprised here on my blog of my progress.

The first thing I need to do, and, in fact, am already doing, is to make myself an interesting “library” of stitches I can do on my machines using different threads, different settings, and including the default settings.  This actually came about because I ended up with a small stack of sheets of fabric all prepared for testing decorative stitches that I had put together for a class that I never ran due to the pandemic.  They are nice white on white quilting fabric backed with a stabilizer and I drew in lines and added a selection of needles up in the corner.  I think I will add some darker fabrics and interesting designs that I can get from my Bernina 880 plus.  Once I get this done, I will be better able to decide how to make some of my ideas and draw up instructions or a pattern.  I tell you, it is almost equally as meditative and calming to me to stitch these library sheets as it would be by hand.  I think the key is to not try to rush this project, but to sew at whatever speed it takes to get things to work right.

I am using all kinds of threads and weights I have in my stash, primarily from Wonderfil Threads (a relatively new passion of mine), but also from Superior Threads (which I developed a huge stash of over the years.  It differs a bit from Wonderfil, so they work well together).  I believe my thread stash is bigger than my fabric stash at the moment. When I finally get to the first project, I will give you a list of the threads I use so you can try them if you want.

In the process of putting together the right fabrics for these types of projects I thought you might like to know favorites that I’m sure you would love too that would make great fabrics for such projects (beyond our stand by of high quality quilting cotton).  These include Kaufman Essex Linen, a wonderful linen/cotton blend good for a multitude of sewing projects, and Kaufman silk/cotton Radiance.  Surprisingly, I also found that faux silk polyester dupioni (the 58 inch wide) makes a wonderful choice, but it needs to be backed with a lightweight iron on fusible such as  Pellon SF101 iron on woven interfacing.

Sew happy everyone! Have fun in your studio.

 

 

Adding Surface Design to Quilted Art

Making Spiral Gallaxy 3 (see below)

You may not know, but I have happily received several delightful and prestigious awards in Surface Design or similar awards over the years. I still find surface design and embellishment to be the most interesting part of making quilted wall art pieces.

The border swirls and leaves were all painted after quilting using Setacolor and Jacquard paints.

Some of my quilts are entirely surface design and quilting, such as my deep space quilts.  These encompass several techniques that often include multiple media pulled together, and are oh so fun to do.

Spiral Gallaxy 3…a wholecloth quilt with large Angelina Fibers applique, black veilling, a little background paint, lots of threadwork and quilting, and tons of hot fix crystals.

So what do I mean when I say Surface Design and Embellishment?  There may be a more formal definition among professional artists, but I personally mean anything outside the norm that is added to the fabric during construction of the piece or even a mostly finished piece to enhance the look or complete the design.  This might include paint, decorative thread-work, lace, Angelina Fibers, beads, buttons, crystals or found objects, and even dimensional applique.

Hawaiian Garden. The central panel is a vintage piece by Albert Shaheen. I made this as a challenge piece for MQX show in 2016. I pulled the border design from the panel and quilted, then painted the borders. I gave this to my brother and sister-in-law for their fiftieth wedding anniversary.

To me, surface design is like play.  Over the next several months, I am planning on providing some demonstrations on my YouTube channel presenting some of my techniques and products I use.  The first of these will be painting on a previously quilted piece.  The various fibers and fabric weaves respond differently to the selection of the painting product. Over the years I have accumulated a nice variety of these products and kept them replaced when used up or dried out, although recently it did hurt my feelings to find I had a large percentage of my Setacolor fabric paints that had dried out.  I don’t know why they did (I’m kidding), since they were only 8 or so years old and mostly less than a quarter of the jar left…LOL. So I threw a bunch out and rearranged what I have left to use for this project.  I think I have not been making enough wall art over the past couple of years, probably because life got in the way for a while, but I am back now to full time work and feeling pretty good for an ancient fabric artist.

For the most part, the products I use are basically machine washable in cold water once heat set with an iron.  Some do require a medium, such as GAC Fabric Medium or drug store pure Aloe gel, to make them permanent or even to make them behave right on fabric.  I plan on doing a test or two for you to show the results on this blog.  My goal has always been to use the product that helps me create the look I want without changing the hand of the fabric and that can be washed when needed.  I want to be able to wash a quilt even if it is going to be a piece of wall art only.  You’d be surprised how dirty a show quilt can get when it has been shown in multiple shows or hung for years. But they don’t need to be washable frequently in hot water, like you would if you are making a snuggle quilt for a child, for instance. I would not recommend painting such a snuggle quilt.

Anyway, I have been making a set of small quiltlets with spaces in them to paint and I am just about ready to start filming this work.  It will be fun for me, I’m sure.

Sew happy everyone!  Have fun in your studio!

 

 

 

 

A Show-and-Tell of My Experimental Quilting

knight detail from “Equipped to Stand”

My family helped me produce a new video I could never have done on my own for my YouTube channel that is a discussion and trunk show of my experimental quilting.  I think you might enjoy seeing it.  Here’s the link:  video

For years I have thought of much of my work as experimental fabric art, where I try to get certain looks in my quilts and sometimes had to develop a new technique or figure out how to apply a known technique to produce the look I wanted or just to see what something would look like.  It has been a bit of a wild ride over the years and so it seemed the thing to produce a show and tell for you all.

Thanks to my family for their help and encouragement both for the videos and the quilting. There are some fun things on the way.

Sew happy everyone!

 

Textured Appliques

                                                    Detail from The Wizards’ Duel

Textured appliques can be derived from using a combination of techniques.  Such appliques can add major interest, even take center stage, on an art quilt and I find them really fun to do and a little challenging to figure out what needs to be done.  The detail shown in the picture above started off as  white basic quilting cotton that I washed and steam pressed.  Then I traced the applique outlines on the fabric using my light table, painted with artists water soluble crayons, backed the applique itself with wool batting, quilted (I think of this as “prequilting”),  backed with fusible  web, cut out closely to the applique, fused it down.  Then I and edge stitched it to the top.  After the quilt top was completely ready, I sandwiched the quilt with a double bat of wool on top and 80/20 cotton/poly on the bottom and did some more stitching to improve the look of the appliques.  I was particularly trying to help show muscles and shapes on the dragon and so I added more paint highlights, this time with iridescent Shiva sticks.

Here’s a little closer picture of the dragon so you can see it better.

That’s just an example, but I have used a lot of other techniques to get textured appliques for my work.  I’ll probably do a video on this…maybe within my upcoming tree series.  They need a lot of texture.

Sew happy everyone!  Have fun in your studio.

Wool Applique by Machine with Video Demos

 

Wool sampler prototype piece part one. Embellishment will be presented in part two and quilting and finishing in part three.

Wool applique and embellishment is a great tool in a fabric artist’s quiver. There’s nothing else that provides the rich, warm, depth that real wool fiber does. It can make all the difference in achieving the artistic look you want. In my artist’s eye it compares to working with thick oil paints while cotton or silk is  like watercolors. Both are beautiful but achieve totally different looks.  Both require different techniques to get the best results.

So using a small project in wool applique I am finally launching my first video set  in my YouTube channel. Here is the link to the new video.  I have plans for multiple videos on my channel this year, and have just revamped my studio to include the things I need for producing them. So I would love you to subscribe to my channel and enjoy my videos just as a matter of interest or especially to  join me in working through the projects you like.  See the handout and pattern pdfs on my Aids and Links page here on this site for you to download and print out.  Then go to my YouTube video here.

* * * * * * * * * * * * * * *

Here is a list of the supplies with links that I will be using in this first project to which I have added links to help you in your shopping for the supplies:

1 yard of background fabric.  I am using all wool Melton, which I had in my stash.  Since the price of wool has skyrocketed since I filled my stash with it, I suggest using a melton wool blend for this, which is less expensive and still has a lot of the same characteristics and depth of beauty. Here’s another link at B. Black tailoring supplies, which is a fabulous store that has things that are difficult to find elsewhere.  A solid color quilting fabric would also work but will not provide the same deep sense of richness.

There is another option.  Use wool clothing that is no longer worn, or that you find in a thrift store, or use pure wool fabrics you have stashed under your bed in those storage boxes you put your clothing fabrics in. You may have had it for a decade and still haven’t made that garment you bought it for, like me.  Cut the clothing so you get the largest pieces from them and wash your wool in hot water with some detergent in your washing machine and dry it in your dryer.  This provides some amount of felting and cleans the fabric. It is also possible to dye this.  It requires all three elements…hot water, agitation, and detergent, to make it do a bit of felting the fibers together.  It does need to be pure wool for this to work well. The resulting fabric is also easy to dye in your washer.

One package of lightweight woven fusible interfacing sufficient to cover the yard of background fabric, such as  Pellon SF101 Shapeflex

One pack of precut melton wool felt pieces in a variety of colors for flower heads and a pack of a variety of green pieces for stems and leaves. You will probably have enough felt pieces for a couple of small wall hangings or other wool applique projects.  Be sure to save all the leftovers for small applique uses elsewhere. Please don’t use craft felt not made with any wool.  The comparison is like using paper to fabric. You can use wool blend felt, but pure wool really makes a big difference in how this looks.

Aurifil 12 weight wool blend thread (small spool collection)  or (large spool collection..the best value by the yard) or three or four colors of the large spools.  If you prefer to use a 12 weight cotton as a slightly cheaper alternative I recommend Sulky 12 weight cotton,  for this project, it will still look beautiful, just different and not quite as close to hand done that the wool thread will provide.  I have even successfully used 40 weight  all poly embroidery threads, and I sometimes have mixed them across a project in order to get particular looks or colors.  The wool adds a depth of beauty and is probably what most hand stitchers would use. You should do some testing to see how they look.

1 black 12 weight Aurifil wool thread or Sulky 12 weight cotton for outlining.

1 spool of Superior monopoly or multiple colors matching the applique fabrics of light weight threads such as 6o to 100 weight polyesters or silks. I used both the monopoly and 100 weight threads.

2  packs of fusible web. I used Steam a Seam2 for my project and it works well.

1oo/16 top stitch needles

universal 80/12 needles if you choose to use monopoly thread for your appliques. I found the Schmetz super non stick needles really helps with dealing with the fluff from wool combined with the fusible web.

1 piece of backing fabric about 25 x 25 inches (for the back of this small quilt)  This is a good thing to pull from your existing stash.

Small piece of lower loft batting about 25 x 25 inches.  I am using 80/20. This is a good place to use leftover batting from a larger quilt project.

Bohin mechanical chalk pencil to mark the wool with, if needed.

And whenever I use fusibles, I like to have on hand this effective iron cleaning kit good for multiple cleanings that I have successfully used for years: Rowenta Iron cleaning kit

* * * * * * * * * * * * * * *

While you can print the pattern out and use it to cut out your appliques, I did cut all my appliques using my Accuquilt Go! machine, which I really like for such projects.  I have had mine for some years, collecting dies a bit at a time, and use it a lot for circles, rectangles, strips, bindings and borders and projects such as this.  In my opinion, it is well worth the investment required.  I can cut out a simple snuggle lap or crib quilt of squares and a border (prestarched) with a few fun appliques to snazz it up (backed with steam-a-seam 2)  in ten minutes (after the fabric is pressed with starch) and make the quilt top all in the same day.  Everything is nice and accurate too, very unlike it looks if I do my own cutting.  Hahaha.

I used the following three dies for this project and it only took a few minutes for all the shapes I needed with some leftovers:

Go Circle (1 1/2″ to 2 1/2″) it’s so hard to hand cut good circles.  These are beautiful. If you can only get one dye set for this project, this might be it.

Go Round Flower

Go Stems and Leaves 

Sew happy everyone!  Let’s get started.  Please feel free to ask questions using comments here or on the YouTube channel.

 

A Website Update and the Wool Applique Project

Hi everyone.  Well, I completed the update on my website and am reasonably happy with it.  I did not yet put the store in operation because I still am working on the downloadables I am planning to sell there.  My goodness I have been busy!

A digital design I created last year. It seems like winter to me with snowflakes that look like butterflies…LOL.

I have been having fun though.  This week I am embellishing my wool applique by machine sampler with decorative stitches using 12 weight Aurifil wool blend thread.  I have been really enjoying figuring out which stitches to use on each applique and how to set them.

Sampler one part one. Here we have the simple shapes of the sampler in place, ready to begin the embellishment/embroidery.

Since I used Steam-a-Seam 2 fusible for the appliques, and they are felted wool going on to Melton boiled wool background using wool thread, there is a lot of fluff!  So the fluff stuck to the needle and filled the bobbin area.  I just cleaned out the bobbin when my machine complained about the bobbin and it was just fine.  But I had just gotten a package of Schmetz super non stick 90/14 needles.  Now one needs that size needle for 12 weight threads, and I was using a Superior top stitch, which is a fine needle that I use for most of my work, but the fluff from all this wool was continuously climbing up the needle and had become problematic.  So I tried the non-stick needle and was astonished at how the fluff on the needle just went away!  The stitching went forward with no further problems other than stopping every now and then to clean out the bobbin area, which isn’t very hard to do. My bobbin sensor lets me know when it cannot “see” anymore.  LOL

Truly I encourage you all to try some embellished applique by machine.  Realize it isn’t very fast, in fact it is kind of slow when properly done, but it is beautifully satisfying to do and just plain fun!  So keep it small for your first projects! In another week or maybe  a little more, I will have the first of my embellished wool applique by machine videos up and running.  I will tell and show you what I have learned about this technique.  I invite you to join me in making a sampler of your own.  I know you will enjoy it.

Next week I will post a list of supplies for the project with links of where you can get them and I will also put a pdf downloadable handout here for you to use too.  This class and downloads are free. I do, however, have plans for presenting many other techniques and projects by video where the project workbooks and patterns will be available for sale on my new website shop.  I hope to keep the videos free, but we will see how that goes.  Keeping the videos free will depend on how many subscribers I get to my channel and how many people buy the downloadales.

Sew happy everyone! I hope you are enjoying a Happy Hanukkah and Christmas season.  It’s my favorite time of the year. Blessings everyone!

 

 

Embellishing Appliques by Machine

I have been having fun in my studio this past few days while I worked on my wool applique sampler.  I got all the pieces appliqued and have started the fun part of adding decorative stitches to turn them from simple shapes into interesting flowers.

As an example, here is one of the flowers appliqued and ready to embellish.  I used a combination of all wool felt and wool blend felt.

 

Here is the same applique after I added some decorative stitching using wool blend 12 weight Aurifil thread.

I may decide to add more stitching to this particular flower. It was helpful to me to see it in the photograph.  Somehow pictures of my work gives me a different perspective.  I may decide, instead, however, to use some free motion quilting to add more details to this flower.

Here is a little closer view of the flower heads and flower stem that I also embroidered with some decorative stitching.

Sew it is a layered process, and while I have a general idea of what it will look like when finished in my mind’s eye, I make adjustments and changes from my original concept as I go.

In any case, I find this phase of the project really fun as each addition changes the appliques and I see my original concept emerge into reality.  The last thing I will do before sandwiching and quilting it is to add some patches of grass and maybe a bug or animal around in the grass.  The quilting should also make its own addition to the overall interest of this little wall hanging.  I am considering how to finish the edge.  Should I bind it in cotton or edge stitch it with some heavy weight specialty thread, or even try out that yarn couched edging that Nina McVeigh demonstrated in one of the Bernina videos on The Quilt Show?

One of the useful little bits I learned in the process was how well the Schmetz Super non stick needles helped solve the problem I was having with the wool felt that I had fused on with Steam-a-Seam 2 sticking to the needle. It was getting balls of felt fuzz climbing up the needle until I switched needles.  Then I had no more problem with that so far.  I was rather astonished.

I’m not sure you can really see the various stitches in this picture, but you can see how I added the numbers of the stitches just above each stitchout.

I made a little test piece to help me decide which decorative stitches I want to use. I also tested the way I stitched them out.  For this I used the machine automatic knot it will stitch out if you ask it to both at the beginning and the end.  I also stitched them with a specific number of repeats and then just stitched using a slow set of the speed and the start button, rather than the foot pedal.  This allows for the machine to stitch out a very even pace, which makes decorative stitches more beautiful.

So when I set it up to go around those circles, I set it to stitch one repeat without turning (basically hands off), and then turn the fabric before doing the next repeat. It makes for a very nice embroidered stitch, almost like good hand embroidery, especially when using a nice thick thread like Aurifil Lana wool blend 12 weight thread.

One thing I learned about working with all this wool and wool thread is that I need to clean my machine a lot more often because both the fabric and the thread produce lint down in the bobbin area of the machine. It is well worth it though, because it is lovely.

I have a long ways to go before I finish this sampler, but I am really having fun with it. I am also video taping here and there as I go.

Sew happy everyone.  I encourage you to try your hand at wool applique by machine.  In just a few weeks I will come out with my three part video class on YouTube that will use this very sampler and the techniques I am talking about here.  I will have a free downloadable handout here to go with it.  That effort is progressing nicely finally.  I decided to produce all three videos before I posted the first one. Cheers everyone.  Happy Advent!

 

 

 

Simple Shapes for My Wool Project

Sew earlier this week I got everything ready to make my first video and then discovered I was missing a cord to connect the little monitor I need to my Sony Handicam camera.  Now I don’t know about you, but I don’t think identifying cords needed in the computer world is the easiest thing to do,  Thank GOODNESS I have my own family geek squad.  Hahaha.  My son David helped me to identify what I needed and looked through our huge collection of cords, but we didn’t have the right one.  So I ordered it and it is supposed to come today. If it comes, I hope then to get my first video on YouTube sometime next week.  I don’t know how long this whole video making and editing will take me, but my tentative plan is to put one up a week at first.

Sew I got all ready to make the first item for my book/video wool project.  It is called “Simple Shapes” and it is a small wall hanging, and I really invite you to join me in making one yourself.  I will be providing all kinds of help here and even videos demonstrating it.

For several years now I have had an Accuquilt Go! cutter, and have, over the years, collected a fair number of their dies.  I find the dies are wonderful for this particular kind of project, and also I cut all my bindings and borders on it.  It’s much more accurate than I am…LOL.

I also use it to cut my 8 inch blocks I use for cuddle quilts.  I used it when I work with my grandson, who made a couple of simple quilts with my help several years ago, and he was able to cut his own quilt pieces safely.  It’s just a very helpful tool in my studio.  Yesterday it took me only about half an hour to cut out all the pieces I need for this, and most of that time was because I am backing them with Steam-a-Seam  fusible before I cut them, and I had to get that ironed on.  This makes the wool feed through the cutter so nicely and hold the pieces nicely in place.  I have other methods to do this too, but this one is my favorite.

However, if you don’t have a cutting machine and don’t want to buy one right now but want to follow along with me and try your own hand at wool applique by machine, I have made a pdf pattern with simple shapes that you can download and use.  You can find the pdf file on my Aids and Links page on this blog (see the links at the top of this blog).  I know you could draw your own, but why bother, since I have them all put together in the free pattern. They are not necessarily the same as those on my dies, but close enough.

Sew I cut out a bunch of shapes from fun several colors of the wool felt I talked about in my last blog.  As I promised, I also looked around and found you can get satisfactory quality sets from Amazon if you want to make one of these wall hangings yourself.  I would love to see you join me in this fun project. I recommend you get four sets and you will have enough for several projects. Just click on the links below.

I also found a melton wool blend in black that would make a nice background, or you can use a nice solid color quilting cotton for the background. If you get a single yard the wool, it is large enough to make two or even three small wool projects, because these are small little jewels of projects and the yard is 58 inches wide. These would make nice Christmas or other celebration presents.

Sew now that I have all these simple shapes cut out  I will arrange them in a flower arrangement of some sort.  Follow this blog in the future to see what to do.  Note that I also cut some stems and vines about 1/4 inches wide and some leasves shaped from the felt that are not on my pdf but I did use the stems and leaves die on the Accuquilt site also.

I will talk more about what to do with all these shapes in future blogs, but you might guess if you look again at my last blog where I show a lot of the test piece I did.  I will be demonstrating this on my video, assuming I am successful in getting that done.  LOL  I will be linking to my video in my next blog probably.

Test and practice piece

Sew happy everyone!  Teach someone to sew or quilt or at least encourage sewists and other fabric wizards you know.  Even the most advanced folks need encouragement.  Sending you all hugs!