Halloween, Basic Stencils for Ruler Work, and Other Things

Hi! Happy Halloween! Here we are finally into the fall.  Our leaves are not very pretty this year..just kind of brown, and the weatherpeople say we had so much rain and it was too warm too late at night so the trees got confused.   So the leaves will mostly just turn brown and fall off.  It was kind of like living in a tropical environment this summer…steamy, hot, wet.  So I am really happy to finally get to some good quilting and sewing weather.  Maybe there is some hope for some pretty oranges and reds in the leaves yet.

On Saturday, I finished all my teaching for this year and have my overcoat with its fur collar all cut out and stacked by my Bernina 830 ready to sew together starting tomorrow.  I have been working on one of my books today and am really going to finish the manuscript sometime in November.  I am working on a show quilt design.  And I am designing something interesting I wanted to tell you about and see if I can get any of you to give me some feedback on the idea.

I was recently challenged to develop a class or two in ruler work using a specific set of very basic quilting rulers that are inadequately marked.  Now while I find this concept a little limiting, given that I wanted to come up with some designs that are significantly more fun than drawing blocks and filling them in with ruler patterns, I also find it fun to meet this challenge.  I also decided it needed an accompanying handout/short book complete with designs and project ideas.  Sew developing a basic quilt sandwich to work with for this project has led me to think it would be fabulous to have a stencil I could use for marking a basic structure on the practice sandwich to build some designs on.

So I then drew some 16 inch by 16 inch foundation designs for marking these sandwiches and got some 13 x 19 inch paper, which is the largest my printer will take, and printed off a couple of different such designs for tracing and taped them together,  I tried using smaller paper, but that requires a lot of taping and it introduces small distortions.  This type of foundation design cannot have distortions and still be useful.  I’d like to share this concept, but a pdf file wouldn’t be helpful because of distortions when someone taped them together.

Wouldn’t it be nice, I asked myself, to have these in plastic stencils that I could either pounce or use to draw onto the sandwiches.  Then I could just work through a stack of structurally marked sandwiches until I came up with one or two completed designs that would be fun, interesting, and something a student could accomplish in a four or five hour class.

I then got to thinking that there may be others out in the quilting world who would like to have such basic structural stencils that go beyond grids and circles but are the right thing to hang a good design onto. I also have located someone who could make these for me for something that would enable me to sell them for about $12 to $15 each for the 16 inch square size.  To do this requires some up front investment, and it would be difficult to sell them for much less, so I have not yet decided what to do.

I would like to have my dear readers responses on what you think about this.  Is $15 too much to pay for a stencil that could help you build a mandala or other interesting designs.  It would be much less marking than a whole design, but could enable the quilter to create some really nice designs without detailed marking.  Just lay it down and pounce or mark the stencil and grab your favorite rulers.  You could even use it to make your guidelines on your design paper to work out your more detailed design.  I hope I have gotten the idea adequately explained.  I don’t want to put the designs on here I want to keep them for me to create first. LOL

Sew happy everyone!

 

The Wizards’ Duel

The Wizard’s Duel

I promised you all that I would write about this quilt after Mid Atlantic Quilt Festival.  I had a wonderful time going to the show with one of my best friends Mei-Ling Huang.  Mei-Ling is a lot of fun and we share many interests.  She claims not to be a quilter, but I have seen her quilting on the Bernina Q24 longarm set up in her Bernina shop at G Street Fabrics where she is the Bernina dealer.  But she is a long-term sewist and she does make beautiful garments.  Currently, I happen to know that she is working on a t-shirt quilt for her daughter, who is in medical school.  She was clearly fascinated by the goings on at MAQF and we enjoyed very much the class we took together from Sue Nickels on Stitched Raw Edge Applique.  I found the class a perfect example of how to organize and run a class as well as really enjoying the applique instruction,

Sew the picture above is my completed quilt and I got the judges comments back yesterday.  They have marking grades on standard criteria.  It fared very well, getting all top marks (E for Excellent) except for degree of difficulty and that was S for Satisfactory.

Judge 1 commented:

  • Powerful color impression
  • Ambitious Subject Matter
  • Nice use of crystals

Judge 2 commented:

  • Batting a bit too puffy [Huh?!!!]
  • So much care in the figures.  Rocks would benefit from same attention

Judges:  Esterita Austin, Pepper Cory, Marjan Kluepfel

I don’t know which judge had which comments section, though I do know that they weren’t Pepper (a friend of mine), who just signed it.  After looking at it objectively, I happen to agree with the comment about the rocks and plan on adding some additional quilting and maybe a litle more highlighting before I send it out again.  Not sure I agree on degree of difficulty, but seeing some of the other quilts there I am pretty pleased with these marks overall, which is rare when I get my judges comments back.  I am a little puzzled about the batting a bit too puffy comment, but to each his own.  Maybe it had to do with the rocks.

When I am done with a quilt I like to look back at the original concept and see how far away I wandered in the making of the quilt.  Here is the finished concept art, though I did go through a number of other versions along the way.

concept art for Wizards’ Duel

And here are some detail photos of the quilt.  I hope you can see all of the quilting.  I had loads of fun with that turbulent sky full of characters,  I have a Pegasus in this shot.  Go up and look at the full quilt and see if you can find the Phoenix, the small flying bird, a starry kind of symbol like I used in the corners, and the little bit of free motion feather design at the corner near the raven.  I also free motioned and straight ruler stitched the explosion of light (is that a sun?  I think so) behind the wizards.

Detail shot one

And here is detail shot two…on this you may think you see a row of flying geese, but that’s not what they are.  In my mind’s eye these are a row of flying pterodactyls!  Hahaha.  I hopeyou can see these, I know it’s kind of hard to see.  Also pay attention to the border.  This quilt is the first one where I used ruler work extensively. I used a strip of paper that was the exact length of the border and folded it until I got the divisions perfect (no math method) and marked the grid on the border, then used my rulers to quilt the design without additional design marking.  Then I just bubble stitched where it needed filling.  I was pleased with the results.

I will tell you that the biggest challenge was coming up with the figures.  I started with prepared for dye cotton fabric and marked the figures on with a simple Fons and Porter dark marking pencil.  Then I colored them using Neocolor water soluble paint crayons and brushed them with water. After that I ironed them dry, thereby heat setting them, and then I placed a bit of wool batting behind the dragon and stitched the outline and the scales.  After that I used some oil paint sticks to burnish the scales of the dragon a little.  Then I thread painted their garments with Superior metallic threads using my BerninaQ20 longarm sitdown.  Finally, I appliqued them to the quilt top.  After sandwiching them, I quilted the figures sections with Superior Monopoly thread, but that was the only place I used monopoly.  I didn’t want to interfere with the thread painting I had done, but they needed quilting for depth of character.  I wonder if the judges realized the difficulty involved there.  Perhaps they did.

And finally, here is a very good picture of the quilt hanging in the show that my friend Cathy Wiggins took.  I think it shows the quilting clearly…in fact the show had it lit just perfectly so the quilting showed well.

Wizards’ Duel at MAQF courtesy of Cathy Wiggins

The quilts at the quilt show were unbelievably magnificent.  I do think Wizards’ Duel stands up well in such a show, even if it didn’t receive a ribbon.  As I said, I plan on adding some quilting and highlighting on the rocks section and entering it in other shows.  Maybe it will place after that.  It’s very hard to place in such a show.  The MAQF is becoming a very important and popular show and for good reason…it is fabulous.

Mei-Ling and I attended the fashion show too and spent some time viewing the wearable art competition section at the show.  We were so inspired by this that we decided to try to make a joint entry for the wearable art next year.  Mei-Ling is a small beautifully proportioned woman and we will make it to fit her.  More on that much later.

I came home to find a chipmunk had invaded our home…he came in about an hour after I got home.  That is another story that is still going on .  He’s still here and in one of my studio rooms.  My studio is on the upper level of my town home where my bedroom also is.  It consists of two small bedrooms…Studio Fritz (where my computer/office section is and where my Bernina Q20, named Fritz, sits), Studio Gibbs (where my main fabric, thread, and paint stash, my work tables, and my Bernina 830LE named Gibbs sits), and Studio Betsy (one small side of my bedroom where my Bernina 350 named E. Claire sits where my old Bernina 1230 named Betsy used to sit.  I sold Betsy recently to my student and friend Anita).  The chipmunk has taken up residence in Studio Gibbs (thank goodness not my bedroom!).  So far, the only damage he’s done is knock things over and deposit chipmunk poop in places.  The stash is safely in drawers and the closet where he can’t get to chew or soil and Gibbs is of no interest to him so far.  I am soooooo hopeful of getting him out of there today.  I have a live trap set for him and have tried multiple things, and am trying once more today with the trap and all.  I need my studio back.  I never had this happen before.  Please pray for a successful removal of the chipmunk.  Silly me, I name everything, even a chipmunk I may end up killing…this one is Chippy.  I am so hopeful of not having to kill it to get it out of there.

Sew happy everyone!  You know you can get a basket like device to attach over your dryer vent so chipmunks can’t get in and chew holes in your dryer vent hose.  My son just installed one on our house.  I wish we had done it earlier!!!!

 

Decided to Make an Additional Show Quilt

I’m working on a new show quilt with a January 23rd deadline.  I started it too late, so it will be a bit of a race to finish on time.  But the thing is, I am really having fun making it.  I am making it mainly so I have something to enter into Mid-Atlantic Quilt Festival because I suddenly realized I had nothing for that show and I have already made arrangements to go to it.  I won’t be sharing pictures or descriptions about it until after its debut.  I put aside the Bayou quilt I am making for a while, because the deadline for it is months later next summer.  This new quilt is going together mostly just from my idea and directly on the quilt, because I wanted to keep the design time very short.  I just made a concept sketch and plunged in, using fabrics I already had on hand and, surprisingly, I have already made a fair amount of progress.  I had an interesting idea for it that required one piece of fabric I didn’t have, so I ordered that.  Everything else is on hand.  So there you go, I have already greatly shortened my usual design time and eliminated the shopping time for this quilt.  This probably means I will finish it, although it is touch and go.  I’m keeping anything about what it is like quiet because I want to give it the best chance possible.  Now that I have been playing around in the quilting community for a while I find I know a lot of the judges, as is the case for MAQF.  They also frequently know my quilts.  I’m sure this is true with other show quilters out there.  Maybe I can make one that they won’t recognize as mine. 

A quilt project like this makes it hard to write blog posts on a regular basis.  Additionally, the Bayou quilt also has some restrictions on sharing pictures of it for the most part until completion, at least.  Nevertheless, trust me when I say it is all fun right now. I’ve gotten both quilts fairly well started and over some of the beginning problems I had for both of them. 

A Question for my readers:

Over the decades I have accumulated a lot of sewing and quilting knowledge.  I’ve sometimes thought I am a techniques collector just for the heck of it.  LOL.  Sew my question to my readers, assuming there are any, is what would you like me to blog about? I can provide some short tutorials, answer how to questions, and talk about quilty things.  I will use your responses to write my blogs while I’m working on these two quilts.  Please respond.

Sew happy everyone! 

 

 

 

 

 

 

Two New Digital Quilt Projects

Believe it or not, I have completed all my projects I had going.  Now that the workshop at G Street Fabrics is over (I will be repeating it in the fall), I am going to make two quilts centered around two digital printouts.  I’m hoping to get one of them done by mid July for part two of my Exhibit at G Street Fabrics.

The field of flowers is a photograph by Beth Tatum, my daughter-in-law:

Photo by Beth Tatum, printed on fabric 36″ x 26″

 

The pink flowers I painted in Corel Painter 17 and had it printed.

I painted this one digitally in Corel Painter 17 and had it printed 28″ x 38″.

They came out really wonderful, and I washed them in Synthrapol, rinsing until they ran clear.  There wasn’t much color in the first batch of water and I can’t see any color loss.  So now I can use them in a quilt I will soak when the quilting is complete, which makes marking things  and blocking a lot easier.  I’ll have some embellishments I will add after blocking.

I plan on just sandwiching and quilting the field of flowers photo with  a variety of threads for depth and interest and adding beadwork and some 3D embroidered butterflies.  I might face it instead of binding it.

I plan on adding a double border on the pink flowers.  The inner border will maybe be shaped and appliqued on.  I plan on shortening the flower panel at the top to bring the border down to the vine, and cutting out the top half of the leaves that would be hidden by the border to have them break into the border.  Then I will quilt it with some pictographic flowers, vines, and creatures, also quilting in the flower and leaf textures.  I also am working on designing two or three 3d stumpwork with wire of small birds in
Bernina V7 software to applique on. This is my bigger project, as you might imagine. If this turns out well, this might be a show quilt, but we’ll see.

In the meantime, I have broken down my housecleaning project into small manageable sections and am spreading them out across a couple of weeks.  I did pretty well with this so far.  My upper level is mostly clean, though I have a plan to go through my stash at some point, eliminating some things and slightly reorganizing the fabrics so they all fit back into my storage units.  I’ll do this later, after the mid-July deadline for the second part of my G Street Fabrics exhibit.  I’ll do the main level next week, and David will do his level too (he has a nice “flat” on the walkout lower level that includes his bedroom/office and a nice big living area with his own back deck.  There is a bathroom area that has the rough in plumbing, but I haven’t gotten it finished yet.  Maybe if he has a big hit book, he will do that himself.).

A word about digital fabric art:   It is NOT “cheating” as some quilters seem to think.  For example, it took me s lot of time to paint the pink flowers, and they are fully my own artwork.  Why would that be any less of a “legitimate” quilt than a whole cloth, for instance?  Neither would a photograph that is printed, sandwiched, and quilted as a whole cloth.  I do think there is slightly greater acceptance of the value of digitally printed fabrics than there used to be.  And that is good.  Indeed, am hopeful some of the heated rhetoric about just about everything these days will cool off.  Let’s appreciate one another and their work…traditional, contemporary, modern, and art quilters, white collar and blue collar workers, sharing their Mom’s house while writing wonderful stories for the world to enjoy, making art quilts, plumbing the kitchen, powerwashing your home, managing a business, Democrat, Republican, Independent…cool it everyone.  Life can be wonderful and full of peace and love if we stop the arrogance and heated rhetoric and take a step back to love and appreciation that we are not all-knowing.

Sew happy everyone!  Try your hand at making some digital fabric art if you haven’t tried it yet.  I’ll post more on these projects along the way. Also, I have decided to put the landscape project I tried to start as a kind of block of the month on the backburner.  It needs more definition, and everyone that responded said they were too busy.  I think I am too busy too…LOL.

 

Make a Stylized Landscape Quilt with Me: Step One

I am making a fun new design-as-you-go stylized landscape quilt with some kind of flying creature and I hope you will try one of these too. For as many steps as it takes (to be determined) I will be providing a blog post to take us through this quilt together.  This quilt is made without first drawing out and printing a full sized design and will be using techniques that I am sure you may wish to try or have tried already.  I am not providing a pattern, telling you what size it will be, or even tutorials for all the techniques needed.  This is a project for us to play together making some wall art.  I will tell you where you can find the techniques, providing the links, and for some parts I will give tutorials, but not all.  It can be as simple or as complex as you want to make it, with guidance as to where you can find help.  And if you have a question all you have to do is make a comment on the blog post and I will respond as soon as I can.

Let’s begin:

I am using some interesting techniques available online at Iquilt and Craftsy.  But you don’t have to take a class for this project, just follow along.  If you have Electric quilt 7 and know how to do foundation paper piecing you, or you already know how to make a compass block, you can do this without additional classes.

For this fun project there are several objects we will need to make and obtain.

  1. Challenge–Make The Sun:  This can be either a simple quarter of a large circle of fabric to applique on a sky or one quarter of a sun compass block or a smaller full stylized star block in your choice of sun colors for your imaginary world.  For my quilt I am using the star block that Karen K. Stone teaches in “English Paper Piecing by Machine” found on iquilt here.  It’s very similar to a regular compass block, but has some interesting differences.  If you watch the sales, you can almost certainly get this class on a very good sale.  But there are a lot of beautiful choices for a star to represent our own star, the sun.  Here are some I found on Electric Quilt 7 that would be great choices with some color changes.  The outside large piece, or the background pieces need to be made from the same fabric as your background sky piece (see below), or you can use the curve to applipiece or piecelique (whatever you call it…it’s just joining the two pieces in an applique manner) it directly into the background sky.  I will provide a little tutorial of this in my next blog related to this project.  So just hold off on attaching the star/sun to the background sky.
  2. These blocks were all found in Electric Quilt 7 and would work very nicely. You can change the colors, of course, however you want them.

    In addition you could draft your own compass rose. I found this fascinating method on The Quilt Show that uses a really neat drafting device available from  Renea Haddadin’s website here.  I don’t have this device, but it really looks useful far beyond the drafting of a compass rose.

  3. Put together the background:  For this you will need a full width of ombre gradiated fabric that will be one third of the length of your finished quilt, or just a plain piece of fabric that looks like a sky to you.  You can paint this, buy this, or construct this with strips of various pieces of fabric.   You just have to size the sun appropriately to fit in the upper left corner of the scene.  Two thirds of your quilt will be mountains and maybe water or grass somewhere in there.  If you want to make this easy, you can use a simple white or off white or even light brown or green for the lower two thirds of your quilt background, giving you a background to applique mountains and rivers and plants onto.  Remember, this is a design as you go quilt and is meant to be just for fun.
  4. Wait to applique the sun in the upper left corner of your background until my next blog when I will be discussing applique techniques.

Okay, that’s all for now.  Go forth and make a sun and gather the background pieces or even make the simple background.  The next part will deal with appli-piecing the sun into the sky, and making the mountains and other parts of the foreground.  Then there is a part for making plants, and finally we will make some kind of flying creature for our scene, which may take several parts.  I plan on following this with a series of blogs focusing on embellishing and quilting.  I am not calling this a “block of the month” or anything, but I am planning this to stretch across several months…not sure how many.

Sew happy everyone!  Do some thinking about this…join me in the adventure and make your own wall quilt just for fun and to stretch your design techniques a bit.