Building a Pictorial Quilt Part Three: Working with Threads

As I work through my Bayou quilt, and think about past quilts I have made, I realize how much one needs to pay attention to the adjustments, needles, cleaning, setting, and other requirements for optimum machine performance as you use the varying types of techniques, fabrics, and threads.

Threads

Today I am adding more Spanish moss in differing colors of Aurifil’s wool 12 weight thread and additional wool yarn couching using Superior’s almost truly invisible Monopoly.

I was having problems this morning with my wool thread breaking and breaking after hours of working well.  So I stopped and did a thorough clean and check of the machine, oiled it, and added a new 100/16 Superior titanium top stitch needle.  When I cleaned the bobbin, I found a large bunch of wool fluff both outside in the bobbin casing area and in the bobbin casing itself full,  and I blew air through the upper tread track and dislodge additional wool fluff.  I like this thread, but it does require frequent machine cleaning, loosening the top tension, and really fresh needles.  I doubt it would be possible to make wool thread that didn’t do that, although Aurifil’s is excellent.  It is actually 50 percent wool and 50 percent acrylic. I also use a tooth floss threader to thread this through the needle (and the take up lever hole on my Bernina Q20).  I haven’t had the same breakage problem since I did the cleaning.

The Spanish moss here is Aurifil’s Lana wool/acrylic 12 weight thread.

When I am couching using my Bernina Q20, I use Superior’s monopoly.  I truly cannot see it well enough to make sure it is always threaded through the machine right.  Over the past little while, I have found that this thread works best with a universal 70 needle.  I don’t think I could go smaller using this powerful machine, but when I am using my Bernina 830 or Bernina 350, I use a 60 universal needle.  I haven’t figured out why it works better with the universal needle, but it does.  I have almost no problems with it, though I do lower the top tension significantly on all the machines when using this thread.  This thread makes wonderful couching thread when using the machine method that stitches through the yarn or cord.  It basically buries itself down in the yarn and disappears.  In the past, I have also used this thread to quilt over and around painted, appliqued, or thread embroidered areas of a quilt.  I don’t particularly like overall quilting using Monopoly, because I like to see the thread most of the time, even if it is nearly matching and you have to look to see it.  I have used it though when I am quilting through an area that has multiple colors and no particular single color or even variegated thread would work right.  I actually use a magnifying glass to work with this thread.

The gold Celtic border was outlined first with gold thread, then painted with gold paint, but it had no over and under view until after it was quilted with Monopoly thread. I will be using this technique again.

Yarns for couching are really another bit of my stash that might end up growing, but I hope to keep it kind of small.  Still it is exciting to work with.  My machine likes the smoother yarns and cords the best, but I want to use some of the less smooth ones, like the Shetland wool sport weight I am using for the limbs of my trees.  I can see this yarn making whole tree trunks and limbs.  It has various slubs and smooth sections that produces wonderful depth of character.  acrylic yarns are really smooth and even and make wonderful fills.  I’m still learning this element of my pictorial fabric work so I will talk more about it later.  I have found lots of help in learning this from Bethanne Nemesh’s couching work.  She has generously shared much of her techniques on both Facebook videos [only one example…she has several there]  and her blogs.

For background work, I often use Superior’s 100 weight Microquilter or its Kimono silk 100 weight.  This thread seems to call for a small needle also.  I use 60/10 or 70/11 topstitch needle depending on the density of the quilt I’m stitching through.  I sometimes have had to go up to 80/12  topstitch needles when stitching through multiple applique areas or heavily thread embroidered areas.  This thread also requires a lower top tension, just like the Monopoly, though not quite as low.  I  am not giving numbers because everyone’s machine and fabrics are just a little different, so you need to do a sample using the actual fabrics and threads you have on your quilt.

Sttitching on the space dust on one of my deep space quilts using 40 weight variegated Fantastico by Superier.  The background stitching you see here was done with 100 weight Kimono silk.

Sew for most of my quilting where I want the design to really show and machine embroidery, though, I usually use a 40 weight thread of some sort with an 80/12 or 90/14 Superior topstitch needle, depending on the fabrics and threads I am using.   Most of the time I use the 90/14 and it seems to make a great general needle.  My favorite threads for this are Superior’s Fantastico, Magnifico, and Rainbow (they no longer make this thread but I have a lot of it), and when stitching things like rocks or places I don’t want any shine, I use King Tut.  King Tut, a cotton, definitely requires the 90/14 needle.   I also like Aurifil’s 50 weight cotton when I need it a little less visible, but don’t want to use a polyester for some reason.  I use the 80/12 needle with Aurifil 50 weight cotton.

Isn’t this fun?!!! There are soooo many wonderful possibilities to make your pictorial quilt come to life now…I could work hours and hours and hours on it, except my body demands I stop from time to time and walk or stretch or breath….LOL.

Sew happy everyone!  Try out all those wonderful types of threads.  Just get the smallest spools at first so you can figure out whether you like them or not and how they might work for you.  Then make a sampler.

 

 

 

 

 

Building a Pictorial Quilt Part Two: Making a Tree

One of the most fun I have when making a pictorial quilt is making trees, mountains, rocks and water scenes.  Making these wonderful natural landscape items do not require perfect lines and matched points.  So each kind and size of trees I need to “grow” on a quilt may require a different technique and plan.  I have to consider the distance, the species, where the light is coming from, and then decide how to make them.  Here are a few examples:

Here the trees surround the house. For these trees, I digitized them on my Bernina Software (even the tiny trees have little leaf shaped leaves, though I think that is lost a bit to the viewer because of the size). I then stitched them out on black nylon veiling with wash-away stabilizer and free motion appliqued them onto the quilt top with matching thread.

 

This small tree is the stitch out from an olive tree I digitized in my Bernina software on wash-away stabilizer. I placed a tree photo in the art side and traced it by hand digitizing it in the embroidery side of the software. The same could be done by drawing it onto a piece of wash-away stabilizer with Crayola washable marker and free motion embroidering it. In this case I would advise using a layer of black nylon veiling to hold everything together.  The advantage of black nylon veiling is that it can be cut very close to the embroidery (without cutting through the stitching) and the little bits left tend to disappear when you applique it on…often covered with applique stitching. Note that when you soak away the stabilizer, the Crayola marker goes away also.  This happens to be laying on a paper towel, in case you are wondering.

 

Here you see the trunks of some big Cyprus trees in my current ongoing project. I cut the applique shape from different types of commercial woody type fabrics. So then I did highlighting and lowlighting with Shiva oil paint sticks and a stiff brush, then heat setting with my iron (covering it with a paper towel to absorb excess oil paint. I plan on adding a layer of wool batting behind the trees to give them a little more depth because the trees require considerable stitching to make the base look like the Cyprus, but this is how I started these trees.

So the Cyprus trees appear to have windy limbs that seem smaller than such a massive tree trunk would have.  I decided to couch the limbs on with wool yarns and then free motion embroider the Spanish moss.  Here are two pictures of the progress so far:

Here you see some of the limbs on the different trees with some Spanish moss.  I did a lot of looking at Spanish moss photos before I did these so I could figure how they should look. These seem to me to be coming out ok.

 

I learned early on that I needed to draw some guide lines for the direction of the stitching or I’d get them to be blowing around in different directions. Since the water in this quilt is going to look calm and reflective, it didn’t make since to have the Spanish moss blowing around much, though they don’t have to be exactly the same, but close. Here you see some of my marks for future stitching. Also note that I had to break the stitching on several clumps so it looked like the limb is further toward the back from the viewer.  I need to keep it pretty close to the same proportions as the top part, so drawing lines is helpful.

Sew I’ll show you the whole trees when they are done.  That will be a while now because they need to be quilted, and maybe a little more highlighting, to get the full impression.

Sew happy everyone.  I hope you decide to put some trees on your quilts and relax…they are fun to make.

Decided to Make an Additional Show Quilt

I’m working on a new show quilt with a January 23rd deadline.  I started it too late, so it will be a bit of a race to finish on time.  But the thing is, I am really having fun making it.  I am making it mainly so I have something to enter into Mid-Atlantic Quilt Festival because I suddenly realized I had nothing for that show and I have already made arrangements to go to it.  I won’t be sharing pictures or descriptions about it until after its debut.  I put aside the Bayou quilt I am making for a while, because the deadline for it is months later next summer.  This new quilt is going together mostly just from my idea and directly on the quilt, because I wanted to keep the design time very short.  I just made a concept sketch and plunged in, using fabrics I already had on hand and, surprisingly, I have already made a fair amount of progress.  I had an interesting idea for it that required one piece of fabric I didn’t have, so I ordered that.  Everything else is on hand.  So there you go, I have already greatly shortened my usual design time and eliminated the shopping time for this quilt.  This probably means I will finish it, although it is touch and go.  I’m keeping anything about what it is like quiet because I want to give it the best chance possible.  Now that I have been playing around in the quilting community for a while I find I know a lot of the judges, as is the case for MAQF.  They also frequently know my quilts.  I’m sure this is true with other show quilters out there.  Maybe I can make one that they won’t recognize as mine. 

A quilt project like this makes it hard to write blog posts on a regular basis.  Additionally, the Bayou quilt also has some restrictions on sharing pictures of it for the most part until completion, at least.  Nevertheless, trust me when I say it is all fun right now. I’ve gotten both quilts fairly well started and over some of the beginning problems I had for both of them. 

A Question for my readers:

Over the decades I have accumulated a lot of sewing and quilting knowledge.  I’ve sometimes thought I am a techniques collector just for the heck of it.  LOL.  Sew my question to my readers, assuming there are any, is what would you like me to blog about? I can provide some short tutorials, answer how to questions, and talk about quilty things.  I will use your responses to write my blogs while I’m working on these two quilts.  Please respond.

Sew happy everyone! 

 

 

 

 

 

 

A Sewing Machine and Design Software Fan

Gibbs at work.

Make no mistake, I love my machines and enjoy using my various pieces of design software to help me create art quilts, or just to sew, or just draw, paint, and design digitally.  It’s more than a hobby.  It’s my fun and my full time occupation, though I hardly make much money from it.  Indeed, I spend more than I make at this point.  It would be great to turn that around, especially since I periodically do things to update, add to, or improve my fleet of machines and suite of software because I think it is the right thing to do,

Oh, did I tell you?  They have a new pin point laser light attachment for Fritz that shows exactly where the needle will enter the fabric to help with precision quilting and free motion thread work.  Awesome!  I ordered one (they had a 25 percent off offer).  LOL  I need all the help I can get making my quilting sing.  Last week, I also updated my Electric Quilt to EQ8 (they had a great offer).

Sew now that we have clearly established that I spend too much on my super hobby and I make too little with it,  I keep thinking how I can turn this situation around and start making at least enough to support my quilt-making habit, and even have some for trips to places like Houston or Paducah for the big shows.  For example, I just updated my website gallery last week so you can see my quilts better and see what the sizes and prices are for those that are on sale.  By the way, the exhibit of my quilts is still going on at G Street Fabrics in Rockville, Maryland, where most, not all, of my quilts are on display through Thanksgiving if you have a chance to go.

Most of you probably know I am a Bernina girl.  I love Berninas.  I have four of them right now, but I am selling my Bernina 1230 to my student/apprentice,  Anita is one of my best friends, a true beginning quilter, and I am teaching her to quilt and improve her sewing, and to use the 1230 all just for fun.   I also have a Baby Lock Serger (yes, really!!!). Now I reluctantly admit that Baby Lock is also a very good brand, and they make wonderful sergers.  If I had to choose a machine other than Bernina, it would probably be Baby Lock.

My Bernina Q20 named Fritz.

Anyway, when Anita takes home the 1230 once she gets her sewing space set up and completes her initial classes on the machine, this will allow me to have all my machines in their own cabinet (except the serger), which makes my playground just plain wonderful.  It’s wonderful already, in fact, though it needs a little reorganizing and cleaning.  It’s a magical space even if it isn’t all slick and spacious.  I have Gibbs, my Bernina 830 LE in Studio Gibbs (meant to be a small bedroom), where I store the bulk of my quilting stash and have a small kitchen island for cutting and painting and the like.  Gibbs has a very large custom cabinet that can be a nice big work table if I simply move Gibbs.  I also have Studio Fritz, another small bedroom, where Fritz, my Bernina Q20 and, my ironing station, and my computers live.  Then there is Studio Betsy, well, actually that’s part of my bedroom, where I have my original Koala cabinet.  That’s where the Bernina 1230, named Betsy (for Betsy Ross) is currently residing, but I will be putting E.Claire (named for Edith Claire Head), my little Bernina 350 that is now on the floor in the cabinet.  Wilcox, my serger, hides under one end of that cabinet.  Plus the bulk of my sewing books are also housed in my still rather nice bedroom.  So nearly my whole upper floor in my modest townhome is pretty much dedicated to my studio.  I even briefly considered working out a way to sleep under a longarm frame when I bought Fritz, but decided the sit down setup for him would be the better option.  😉

My grandson a couple or years ago at  E, Claire, my Berinina 350

I have really neat plans for 2018.  I have several quilts already started or close to being started, and I am writing a couple of books on art quilting and I hope Anita will be my beginner beta tester of the projects in the book once I get her started.  My daughter in law Beth, who is an advanced quilter with a fabulous studio, will be my advanced beta tester.  Additionally, I am working out a few workshops for local teaching, but I seldom really make any money to speak of on those because it takes so much time for me to get them pulled together.  Maybe eventually those will make money too.  I really do them to learn what people want to know and am putting that in my books.  So they are still valuable to me.

Sew maybe 2018 will be my year…I’ll go through a whole year without updating any software or buying any new machines, start selling more quilts, win more and better cash award ribbons, and finish my two books which will, of course, each be a major hit and sell, sell, sell.  Ha-ha-ha-ha,,,,,,,,In the meantime, however, I plan on continuing to thoroughly enjoy my fleet of machines and suite of drawing and design software and endeavor to rein in my desire to have the very latest machines, attachments, and software.  We just won’t mention “adjustments” to my stash of fabrics, threads, yarns, beads, and paints here.  But they are necessary, right?

Sew happy everyone.  I hope you have a play space you enjoy.

 

A Discussion About Wall Art Quilt Sizes

I make art quilts now primarily  to first show them and then sell them (or give them away).  I think that these two goals slightly conflict with each other.  I believe most people would find wall quilts wider than about 50 inches just simply too big for most homes or offices today.  Normally, smaller is better for sale items.  Shows, however, seem to not see it that way, and I kind of understand that, since when they are in the show the impact is increased by the size for the most part.  I have been quite surprised, however, when I have made a quilt that is around 50 inches wide, which seems fairly large at home in my studio, and then go to the show to see it in place where it seems really small hanging there.  Nevertheless, I think the sizes I end up with are right for the styles and may make them more possible to sell later.  So you see, I have a bit of an argument with myself about sizes.   Just so you can see, I usually size my quilts to fit within the American Quilting Society’s guidelines because, truly, they are the least flexible.  Here are next year’s categories with sizes.

Another consideration is the physical challenge of dealing with large quilts. The older and creakier I get the more difficult I find large bed-sized quilts to make, but it helps that I have a large table for my main machine (Bernina 830LE) and my sit-down longarm (Bernina Q20) with a large table.  So I really can work up to about 60 x 60 with no problems.  Currently, I am working on my Bayou quilt, which is 60 inches wide and 30 inches long.  The original art work I am working with is 30 x 15, so when I enlarged it to a size that would be a good show quilt, I had no choice other than 60 x 30 if I were to keep the aspect ratio the same and meet AQS specifications.  Why is that?  Well, I want to enter it into AQS Virginia Beach 2018.  As you can see, if it is any wider than 60 inches it moves to the large quilts category that has a minimum of 60 inches long.  If it is any narrower than 60 inches the length would becomes shorter than the required 30 inches.

Normally, I get the design worked out and decide how I am going to approach making it and then enlarge the design to a showable and saleable size.  I kind of aim at 40 to 50 inches wide, which is really a small quilt for most shows,  but it also is a nice size for most walls.  I might try making a few of the AQS Fiber Art wall quilt sizes this year (24 to 40 inches wide by 24 to 60 inches long).  As a matter of fact, most of my Ancient Manuscript series fit within this size, but as you see, not all their shows support this size.

And finally, some consideration must be given to the cost of fabric.  If I am making a quilt all in silks, I want to use high quality silk fabric and that is expensive.  So smaller is more affordable.

I would love to start a discussion about wall quilt sizes.  What sizes do you think are the best, in general, and do you think the shows should set their sizes by specified width and length groups or by either perimeter inches or square inches, which would allow an ancient manuscript that is 27 x 37 into the wall quilt categories that would not be allowed now?  Or maybe it doesn’t really matter to you, just so you can make your quilt like you want it.  What do you think are the ideal parameters for wall art quilts for home or office?

Canterbury Silk. This all-silk quilt is the first in my Ancient Manuscript inspired series. It is 35 x 44 inches.

Sew happy everyone.  Make yourself a beautiful piece of fabric art for your wall, or make them for gifts.  They make wonderful presents if you know they would fit in the lives of the people you give them to (give that some serious consideration before giving them a quilt).  Also, check out my quilts on my website (link at top of this blog).  I have revamped my site slightly so you can really see the quilts better.  The prices and sizes can also be found there.

 

A Church Banner for Reformation 500

One of my church pastors asked me to make the church a banner for an area wide celebration of the 500th anniversary of the Reformation toward the end of October.  Another pastor asked my friend Anita Born, who is an artist, to make the banner.  The funny thing is that I am teaching Anita to make baby quilts and wall quilts and we get together frequently, so on Tuesday, we discovered that we had both been asked to make the banner.  So we did what any reasonable friends would do, decided to do it together.  We had both drawn up some concepts for the banner.  I had just decided that mine was too formal, and would probably take too long, for this particular kind of celebration and I should probably start over and maybe have some trumpets on the banner when I found out she had also been asked to do the banner.  So here is what I designed at first:

My original design for the reformation banner…too formal and too complex.

So when Anita came over on Tuesday for our usual Tuesday afternoons together, she brought several drawings and one of them had trumpets!  Here is her original drawing:

Anita’s original drawing

So we worked over the design a bit.  She came back yesterday and we finalized our design concept and I redrew it a bit in my drawing software and we decided how we were going to make this. Below is the design we came up with and I just got the fabric. Anita is going to paint us some trumpet appliques and do most of the handwork, and I am going to embroider the words in my Bernina 830 LE (Gibbs). and we are going to do the applique cutting and placing together.  We decided, after talking with our pastors, that we should put the “Reformation 500, 1517 – 2017”  text on a removable text box applique so we can change the text and use it in other ways for the church…something celebratory.

Here is the final design concept. The green ferns will be made from multiple greens and placed in small sections on the banner, so may look different when finished.

 

We are having a lot of fun doing this together and it will speed up the project a lot.  I’m so glad we found out about both being asked before we got two banners made!  I’ll post more on this project as we go.  I need to get back to work now.

Sew happy everyone!  Have a wonderful weekend and week.  Find a friend to do some creative things together.

My Son David’s New Book, Art, and New Projects

David’s New Book

We had a lot of excitement in my family this week.  My youngest son David A. Tatum published his fourth novel.  it’s always a wonderful thing when a new book gets published around here.  He has his own small publishing company Fennec Fox Press, and he has assured me that he will publish my quilting books through Fennec Fox also.  His other three books are Fantasy and are wonderful.  This book is his first space opera book and is also a wonderful fun book to read.  He hired a wonderful cover artist Joel Christopher Payne, that I talked about in my last blog. He’s the same artist I bought the rights on one of his paintings to use as inspiration for a new show quilt, and no, it isn’t the same picture.  Here’s the new book cover.  You can click on it and it will take you to the Kindle version in Amazon.  The print version is not yet out, but it will be in a few weeks from now.  That takes more time.

The Merrimack Event

If you want to help a wonderful man, my son David, I would love to have you buy a copy and once you have enjoyed reading it, for I am sure you will, I ask wholeheartedly for you to go to the Amazon site and write a small review, giving it the highest number of stars you feel you can.  It doesn’t have to be long…even a single sentence is enough, but the better review you can truthfully provide, the better off he will be.  He has put a lot of himself in his writing and it is good and getting better all the time.  His writing is his career…he is a novelist.  Reviews are so important, especially in the early days after publishing.  The only money he makes is from the sales of his books, and getting people to discover his work (even know they are there) is the singly hardest thing to do in the publishing world.  His work is really wonderful, and I say that from a reader’s perspective, not a mom’s.  If you don’t believe me, buy a book and read it and see what you think.  LOL  You can see his earlier books all have 4 plus star ratings, and Amazon won’t let me write one–I’m too close to the author.  This one is so new it has no ratings at this time.  Or wait until the print copy comes out and buy it just because you love the cover art…isn’t it fabulous?  It calls out “buy me”, “buy me”….LOL

If you’d rather buy, read, and review a fantasy novel, that helps too. He has written In Treachery Forged, In Forgery Divided, and The Kitsune Stratagem, all available in both ebook format or print copy.

My New Projects

My last blog was about Joel Payne’s art that I purchased and I have already made considerable progress getting this project up and running.  I usually spend three to six months designing my own quilt.  This year I am making three quilts that the art work is already done for me—Joel’s painting, my oldest son Ken is drawing a followup to Pendragon, and then a deep space quilt based on some NASA photos.  This means I can jump right in and start making the patterns, putting me months ahead for the 2018 show season.

Yesterday I took a little time out and cut out a reversible vest and a matching quilted tote bag.  The vest will have embroidery on it that I am using from the collection that came with Gibbs, my Bernina 830 LE, that I have never used.  It’s flower designs for the front and the back. I am using different designs for each front and back, but they are all from the same collection.  I always need a project that isn’t very stressful to work on when I am making a show quilt so I can go work on that when I get stressed out over my show quilt.  It’s a nice system and it works.  Plus, I get some clothes or bags or presents for friends and family out of it. Sometimes it’s another quilt.

OK, next week I will write up my instructions for making a pattern from a painting or photograph.  So look around and find what you would like to use and I’ll tell you how I do this.  If you have either Adobe photoshop, Corel Draw, Bernina design software, or some other drawing or photo editing software, that’s what I use.

Sew happy everyone!  Let’s each make something for those in Houston or Louisiana impacted by the hurricane…cuddle quilts, pillow cases, tote bags…or make a contribution of funds, or even both.  Look around for a good organization to send them through.  I’m going to use Jenny Byer’s studio which is not too far from here. She is collecting quilts.

New Design from an Artist Wizard

I think I’m a little nuts. I spotted a picture that I thought would make a fabulous quilt. It just seems magical and it’s by Joel Christopher Payne, a really wonderful artist.  So, since we have been FB friends for a while, I really just wanted to tell him how much I liked his piece and, unable to keep my trap shut about it, I mentioned how I thought it would make a great design inspiration for an art quilt. And, just curious, you see, I asked if he ever gave or sold permission to use his art in such a way.

He told me he had never considered the idea, and that he had a standard price for the rights to most of his work and mentioned what it was.  I told him that was probably appropriate, but my little micro-business could not manage that. Well, he then wanted to know what I would do with it, and I explained a little more and he asked for pictures of my work.  I provided a link to my website so he could see some.

In the end, he came substantially down on the price for the rights to his piece, since I was only going to use it one time for a quilt, and also, I think he was a little intrigued by the idea. He came down enough that I felt it would be well worth it, and so, I now have a new quilt project for an exciting piece.

Yesterday, he sent me the permission and a high-res jpg and I spent most of the day analyzing the colors and figuring out how I would approach this project. I made a little guide with the colors, using my various drawing softwares so I could hunt for the appropriate fabrics.

I had fun this afternoon pulling out fabrics from my stash and have found that I have what I believe to be all the right fabrics, colors, and even a rather large collection of wood-print fabrics (there is a fair amount of wood in the picture), which will require piecing and shading with inks or fabric crayons to make it work.

I just restocked my battings last week, and I even have a piece I can use for the backing. We all know my thread collection is taking over my fabric stash…so there you are.

Let the fun begin! (Sorry, I am not going to be able to share pictures until the project is complete). My goal is to complete it by June to enter it into AQS Virginia Beach 2018. I have two other show quilts in the works too. Exciting time in the old studio.

Sew happy everyone!  NEVER use someones art for your design inspiration that you don’t ask first.  Sometimes it works, sometimes you just have to walk away and find something else.  This is important.

Take care all of you folks caught in the horrible storm and floods.  My thoughts and prayers are with you.

Working on a Book, A Couple of Ideas

I haven’t got any real news for you this week, but I thought you might like to hear my musings about my books and a couple of ideas.  I have had a bad cold all week and am beginning to feel better, but it took a lot of energy out of me, so I made almost no progress on anything recently.

Nevertheless, I have not been without some interesting ideas.  About the only thing I did all last week was to reorganize my disorganized transcripts for art quilting into more directed and solid projects.

The first book (or is it books?) will be “Art Quilt Basics”, which will focus largely on design, applique, and quilting techniques to help the artist take the ideas floating around their heads and move them into finished wall art quilts.  It will be short on design and long on construction techniques and quilting. The quilting section is nearly complete, and the applique section is well along the way.  I need to make more samples.  Once I get those completed, then I am hoping my son Ken, who does all my quilt photos, can help me get the photos well done, and my son David, who has his own independent publishing company, will help me get it published.  Sew I am hopeful this will be complete by late fall just in time for Christmas.

The second book “Surface Design and Embellishment for Art Quilts: Sling That Bling” is basically an outline at this point with loads of concepts in small notes here and there, but I am going to use some of my already completed quilts for most of the pictures, necessitating only a few additional sample items.

Now I know there are lots of books out there about quilt making techniques and surface design and embellishment, but only a few of them seem to focus on realizing a piece of wall art in quilt form. I hope I can provide some original concepts and a place to look when you have an idea but don’t know how to get it from a great idea, or even a good design, to the finished project or need a reference for a technique you may have seen before but need instructions or refreshing.

Anyway, in addition to doing a lot of thinking and some limited work on my books, I have also been doing a lot of thinking about a couple of quilts I am going to make.  One of them is to turn into a quilt this piece of fabric I painted digitally and had printed by FabricOnDemand

I painted this one digitally in Corel Painter 17 and had it printed 28″ x 38″.

I bought some darker blue for the border, which I want to use as a base for an Art Nouveau style border.  I have a concept now but I haven’t yet drawn it up.  I hope I can get it drawn before the concept poufs away like a soap bubble popping…LOL.  I think I can.  I’m working on that today.

On Thursday a friend of mine and I are planning on attending Sacred Threads Quilt show, which is only about fifteen minutes from my home.  I am excited about that. 

Sew happy everyone! 

 

 

 

Down to the Last Minute, and A Thread Review

I am going to take the second batch of my quilts out to G Street Fabrics in Rockville, Maryland, for the second part of the exhibit of my quilts.  This exhibit, which runs from mid July until the end of August or so, includes nearly all my show quilts except for Pendragon, Dad’s House plan, this year’s Hoffman Challenge still on tour, and a couple I have sold or given away.  They will be displayed throughout the store, including those that are already there in the Bernina department.  I also have completed one new quilt and nearly finished a second new quilt just for this exhibit.  Some of these quilts are available for purchase.  I will (really) post photos of the exhibit sometime in the latter half of July.

Sew here is where I’m at on the preparations.  I have completed the second one of my Alfred Shaheen panel quilts and named it “Tropical Garden”.  I used a lot of Superior’s new 100 weight polyester thread called Microquilter on both that quilt and the “Field of FLowers” I hope to finish by Friday to include in the exhibit.

A Review of Microquilter Thread

When I won all thirty colors of Superior’s Microquilter 100 weight polyester from Superior Threads, I was really thrilled.  I use almost more 100 weight threads than I do any other thread.  I use it for background quilting, detail thread sketching on things like flowers and line drawings, and I also love it for machine applique.  I do not use it for piecing or bobbins.

I found it a wonderful workable thread.  I tried it in my Bernina Q20 sit down longarm, my Bernina 830 LE, and my Bernina 350.  In every case I had to lower the top tension to keep it from breaking, just as I do for silk 100 wt and monopoly.  It worked beautifully without further adjustment in everything but the Q20.  For that, I had to lower the bobbin tension also (I used it with Bottom Line in the bobbin, though I did try one bobbin with the Microquilter).  I found surprisingly that the Superior top stitch needle size 80 worked better than a smaller needle that I use for monopoly and silk.  So here is how I ended up setting up my Q20 (Fritz) if you have one:

  • I have found my Q20 works better with a Magic Bobbin Genie sized for M bobbin.  I just put it in over the spring in the bobbin.  Without it, I have some thread nests on the bottom of my quilt when I get going really fast, and believe me, the Q20 can go REALLY fast.
  • I set the bobbin tension with Superior’s Bottom Line or the Microquilter itself for 180 using the tension guage that came with my machine.  If you use the Microquilter in your bobbin don’t wind it full.  It works better a little less…starting at about 3/4 full.  In the course of making two quilts, I used both Bottom Line that I wound and some prewound Superior thread bobbins that use Bottom Line.
  • I set the top tension for 125
  • I used a size 80 Superior top stitch titanium needle.
  • I used BSR1 set at 280 speed for tiny little stippling and 200 for slower tiny bubbles
  • This setup makes it work like a dream…no nests, no hangups, no tension problems

I will provide some pictures of my quilting with Microquilter as soon as I get them taken.  I am behind in getting my quilts photographed.

 

I got my little personal app quilt home that was a part of Road to California’s traveling exhibit of app quilts.  It has lost about six hot fix crystals out of hundreds, so I need to replace them by Friday.  I have one quilt that needs washing and reblocking, which I will do today.  I have several more stumpwork butterflies to make for the Field of Flowers and I have to put the rod pocket and label on it.  I think I can make the Friday deadline on this one, since the actual quilt is complete and bound. I even have the silver spider charm on the spider web part of that quilt.  Here’s the dragonfly that is ready to go onto the quilt already.  It’s in parts and needs a little additional embroidery after attachment where the wings attach to the body.  I will do turned edge applique of the body and hide the wing wires under that.  I will also probably darken the little white edges of the sheer to match the stitching.  I may even do a hand blanket stitch over the edges if I decide it needs it.  The first picture shows the pieces after stitching, and the second picture shows the dragonfly together ready to applique on.

The embroidered pieces, which I made in the hoop with my Bernina 830 LE

And I also need to ship “Pendragon” to AQS this week.  I want to do a little gold paint touch up on the border paint before I ship it.

So I have a really busy week ahead of me, but it’s an exciting time.  I am enormously pleased that G Street has asked me to show my quilts in the exhibit there.  It is a real honor.  I hope you have a chance to see it.  The whole show will be available in mid-July. I’m not sure of the exact dates, so you might want to call them before you head there.

Sew happy everyone!  Teach someone to sew or quilt…yourself, you cat, your dog…your son.  Until next time!