A Church Banner for Reformation 500

One of my church pastors asked me to make the church a banner for an area wide celebration of the 500th anniversary of the Reformation toward the end of October.  Another pastor asked my friend Anita Born, who is an artist, to make the banner.  The funny thing is that I am teaching Anita to make baby quilts and wall quilts and we get together frequently, so on Tuesday, we discovered that we had both been asked to make the banner.  So we did what any reasonable friends would do, decided to do it together.  We had both drawn up some concepts for the banner.  I had just decided that mine was too formal, and would probably take too long, for this particular kind of celebration and I should probably start over and maybe have some trumpets on the banner when I found out she had also been asked to do the banner.  So here is what I designed at first:

My original design for the reformation banner…too formal and too complex.

So when Anita came over on Tuesday for our usual Tuesday afternoons together, she brought several drawings and one of them had trumpets!  Here is her original drawing:

Anita’s original drawing

So we worked over the design a bit.  She came back yesterday and we finalized our design concept and I redrew it a bit in my drawing software and we decided how we were going to make this. Below is the design we came up with and I just got the fabric. Anita is going to paint us some trumpet appliques and do most of the handwork, and I am going to embroider the words in my Bernina 830 LE (Gibbs). and we are going to do the applique cutting and placing together.  We decided, after talking with our pastors, that we should put the “Reformation 500, 1517 – 2017”  text on a removable text box applique so we can change the text and use it in other ways for the church…something celebratory.

Here is the final design concept. The green ferns will be made from multiple greens and placed in small sections on the banner, so may look different when finished.

 

We are having a lot of fun doing this together and it will speed up the project a lot.  I’m so glad we found out about both being asked before we got two banners made!  I’ll post more on this project as we go.  I need to get back to work now.

Sew happy everyone!  Have a wonderful weekend and week.  Find a friend to do some creative things together.

My Son David’s New Book, Art, and New Projects

David’s New Book

We had a lot of excitement in my family this week.  My youngest son David A. Tatum published his fourth novel.  it’s always a wonderful thing when a new book gets published around here.  He has his own small publishing company Fennec Fox Press, and he has assured me that he will publish my quilting books through Fennec Fox also.  His other three books are Fantasy and are wonderful.  This book is his first space opera book and is also a wonderful fun book to read.  He hired a wonderful cover artist Joel Christopher Payne, that I talked about in my last blog. He’s the same artist I bought the rights on one of his paintings to use as inspiration for a new show quilt, and no, it isn’t the same picture.  Here’s the new book cover.  You can click on it and it will take you to the Kindle version in Amazon.  The print version is not yet out, but it will be in a few weeks from now.  That takes more time.

The Merrimack Event

If you want to help a wonderful man, my son David, I would love to have you buy a copy and once you have enjoyed reading it, for I am sure you will, I ask wholeheartedly for you to go to the Amazon site and write a small review, giving it the highest number of stars you feel you can.  It doesn’t have to be long…even a single sentence is enough, but the better review you can truthfully provide, the better off he will be.  He has put a lot of himself in his writing and it is good and getting better all the time.  His writing is his career…he is a novelist.  Reviews are so important, especially in the early days after publishing.  The only money he makes is from the sales of his books, and getting people to discover his work (even know they are there) is the singly hardest thing to do in the publishing world.  His work is really wonderful, and I say that from a reader’s perspective, not a mom’s.  If you don’t believe me, buy a book and read it and see what you think.  LOL  You can see his earlier books all have 4 plus star ratings, and Amazon won’t let me write one–I’m too close to the author.  This one is so new it has no ratings at this time.  Or wait until the print copy comes out and buy it just because you love the cover art…isn’t it fabulous?  It calls out “buy me”, “buy me”….LOL

If you’d rather buy, read, and review a fantasy novel, that helps too. He has written In Treachery Forged, In Forgery Divided, and The Kitsune Stratagem, all available in both ebook format or print copy.

My New Projects

My last blog was about Joel Payne’s art that I purchased and I have already made considerable progress getting this project up and running.  I usually spend three to six months designing my own quilt.  This year I am making three quilts that the art work is already done for me—Joel’s painting, my oldest son Ken is drawing a followup to Pendragon, and then a deep space quilt based on some NASA photos.  This means I can jump right in and start making the patterns, putting me months ahead for the 2018 show season.

Yesterday I took a little time out and cut out a reversible vest and a matching quilted tote bag.  The vest will have embroidery on it that I am using from the collection that came with Gibbs, my Bernina 830 LE, that I have never used.  It’s flower designs for the front and the back. I am using different designs for each front and back, but they are all from the same collection.  I always need a project that isn’t very stressful to work on when I am making a show quilt so I can go work on that when I get stressed out over my show quilt.  It’s a nice system and it works.  Plus, I get some clothes or bags or presents for friends and family out of it. Sometimes it’s another quilt.

OK, next week I will write up my instructions for making a pattern from a painting or photograph.  So look around and find what you would like to use and I’ll tell you how I do this.  If you have either Adobe photoshop, Corel Draw, Bernina design software, or some other drawing or photo editing software, that’s what I use.

Sew happy everyone!  Let’s each make something for those in Houston or Louisiana impacted by the hurricane…cuddle quilts, pillow cases, tote bags…or make a contribution of funds, or even both.  Look around for a good organization to send them through.  I’m going to use Jenny Byer’s studio which is not too far from here. She is collecting quilts.

New Design from an Artist Wizard

I think I’m a little nuts. I spotted a picture that I thought would make a fabulous quilt. It just seems magical and it’s by Joel Christopher Payne, a really wonderful artist.  So, since we have been FB friends for a while, I really just wanted to tell him how much I liked his piece and, unable to keep my trap shut about it, I mentioned how I thought it would make a great design inspiration for an art quilt. And, just curious, you see, I asked if he ever gave or sold permission to use his art in such a way.

He told me he had never considered the idea, and that he had a standard price for the rights to most of his work and mentioned what it was.  I told him that was probably appropriate, but my little micro-business could not manage that. Well, he then wanted to know what I would do with it, and I explained a little more and he asked for pictures of my work.  I provided a link to my website so he could see some.

In the end, he came substantially down on the price for the rights to his piece, since I was only going to use it one time for a quilt, and also, I think he was a little intrigued by the idea. He came down enough that I felt it would be well worth it, and so, I now have a new quilt project for an exciting piece.

Yesterday, he sent me the permission and a high-res jpg and I spent most of the day analyzing the colors and figuring out how I would approach this project. I made a little guide with the colors, using my various drawing softwares so I could hunt for the appropriate fabrics.

I had fun this afternoon pulling out fabrics from my stash and have found that I have what I believe to be all the right fabrics, colors, and even a rather large collection of wood-print fabrics (there is a fair amount of wood in the picture), which will require piecing and shading with inks or fabric crayons to make it work.

I just restocked my battings last week, and I even have a piece I can use for the backing. We all know my thread collection is taking over my fabric stash…so there you are.

Let the fun begin! (Sorry, I am not going to be able to share pictures until the project is complete). My goal is to complete it by June to enter it into AQS Virginia Beach 2018. I have two other show quilts in the works too. Exciting time in the old studio.

Sew happy everyone!  NEVER use someones art for your design inspiration that you don’t ask first.  Sometimes it works, sometimes you just have to walk away and find something else.  This is important.

Take care all of you folks caught in the horrible storm and floods.  My thoughts and prayers are with you.

Working on a Book, A Couple of Ideas

I haven’t got any real news for you this week, but I thought you might like to hear my musings about my books and a couple of ideas.  I have had a bad cold all week and am beginning to feel better, but it took a lot of energy out of me, so I made almost no progress on anything recently.

Nevertheless, I have not been without some interesting ideas.  About the only thing I did all last week was to reorganize my disorganized transcripts for art quilting into more directed and solid projects.

The first book (or is it books?) will be “Art Quilt Basics”, which will focus largely on design, applique, and quilting techniques to help the artist take the ideas floating around their heads and move them into finished wall art quilts.  It will be short on design and long on construction techniques and quilting. The quilting section is nearly complete, and the applique section is well along the way.  I need to make more samples.  Once I get those completed, then I am hoping my son Ken, who does all my quilt photos, can help me get the photos well done, and my son David, who has his own independent publishing company, will help me get it published.  Sew I am hopeful this will be complete by late fall just in time for Christmas.

The second book “Surface Design and Embellishment for Art Quilts: Sling That Bling” is basically an outline at this point with loads of concepts in small notes here and there, but I am going to use some of my already completed quilts for most of the pictures, necessitating only a few additional sample items.

Now I know there are lots of books out there about quilt making techniques and surface design and embellishment, but only a few of them seem to focus on realizing a piece of wall art in quilt form. I hope I can provide some original concepts and a place to look when you have an idea but don’t know how to get it from a great idea, or even a good design, to the finished project or need a reference for a technique you may have seen before but need instructions or refreshing.

Anyway, in addition to doing a lot of thinking and some limited work on my books, I have also been doing a lot of thinking about a couple of quilts I am going to make.  One of them is to turn into a quilt this piece of fabric I painted digitally and had printed by FabricOnDemand

I painted this one digitally in Corel Painter 17 and had it printed 28″ x 38″.

I bought some darker blue for the border, which I want to use as a base for an Art Nouveau style border.  I have a concept now but I haven’t yet drawn it up.  I hope I can get it drawn before the concept poufs away like a soap bubble popping…LOL.  I think I can.  I’m working on that today.

On Thursday a friend of mine and I are planning on attending Sacred Threads Quilt show, which is only about fifteen minutes from my home.  I am excited about that. 

Sew happy everyone! 

 

 

 

Down to the Last Minute, and A Thread Review

I am going to take the second batch of my quilts out to G Street Fabrics in Rockville, Maryland, for the second part of the exhibit of my quilts.  This exhibit, which runs from mid July until the end of August or so, includes nearly all my show quilts except for Pendragon, Dad’s House plan, this year’s Hoffman Challenge still on tour, and a couple I have sold or given away.  They will be displayed throughout the store, including those that are already there in the Bernina department.  I also have completed one new quilt and nearly finished a second new quilt just for this exhibit.  Some of these quilts are available for purchase.  I will (really) post photos of the exhibit sometime in the latter half of July.

Sew here is where I’m at on the preparations.  I have completed the second one of my Alfred Shaheen panel quilts and named it “Tropical Garden”.  I used a lot of Superior’s new 100 weight polyester thread called Microquilter on both that quilt and the “Field of FLowers” I hope to finish by Friday to include in the exhibit.

A Review of Microquilter Thread

When I won all thirty colors of Superior’s Microquilter 100 weight polyester from Superior Threads, I was really thrilled.  I use almost more 100 weight threads than I do any other thread.  I use it for background quilting, detail thread sketching on things like flowers and line drawings, and I also love it for machine applique.  I do not use it for piecing or bobbins.

I found it a wonderful workable thread.  I tried it in my Bernina Q20 sit down longarm, my Bernina 830 LE, and my Bernina 350.  In every case I had to lower the top tension to keep it from breaking, just as I do for silk 100 wt and monopoly.  It worked beautifully without further adjustment in everything but the Q20.  For that, I had to lower the bobbin tension also (I used it with Bottom Line in the bobbin, though I did try one bobbin with the Microquilter).  I found surprisingly that the Superior top stitch needle size 80 worked better than a smaller needle that I use for monopoly and silk.  So here is how I ended up setting up my Q20 (Fritz) if you have one:

  • I have found my Q20 works better with a Magic Bobbin Genie sized for M bobbin.  I just put it in over the spring in the bobbin.  Without it, I have some thread nests on the bottom of my quilt when I get going really fast, and believe me, the Q20 can go REALLY fast.
  • I set the bobbin tension with Superior’s Bottom Line or the Microquilter itself for 180 using the tension guage that came with my machine.  If you use the Microquilter in your bobbin don’t wind it full.  It works better a little less…starting at about 3/4 full.  In the course of making two quilts, I used both Bottom Line that I wound and some prewound Superior thread bobbins that use Bottom Line.
  • I set the top tension for 125
  • I used a size 80 Superior top stitch titanium needle.
  • I used BSR1 set at 280 speed for tiny little stippling and 200 for slower tiny bubbles
  • This setup makes it work like a dream…no nests, no hangups, no tension problems

I will provide some pictures of my quilting with Microquilter as soon as I get them taken.  I am behind in getting my quilts photographed.

 

I got my little personal app quilt home that was a part of Road to California’s traveling exhibit of app quilts.  It has lost about six hot fix crystals out of hundreds, so I need to replace them by Friday.  I have one quilt that needs washing and reblocking, which I will do today.  I have several more stumpwork butterflies to make for the Field of Flowers and I have to put the rod pocket and label on it.  I think I can make the Friday deadline on this one, since the actual quilt is complete and bound. I even have the silver spider charm on the spider web part of that quilt.  Here’s the dragonfly that is ready to go onto the quilt already.  It’s in parts and needs a little additional embroidery after attachment where the wings attach to the body.  I will do turned edge applique of the body and hide the wing wires under that.  I will also probably darken the little white edges of the sheer to match the stitching.  I may even do a hand blanket stitch over the edges if I decide it needs it.  The first picture shows the pieces after stitching, and the second picture shows the dragonfly together ready to applique on.

The embroidered pieces, which I made in the hoop with my Bernina 830 LE

And I also need to ship “Pendragon” to AQS this week.  I want to do a little gold paint touch up on the border paint before I ship it.

So I have a really busy week ahead of me, but it’s an exciting time.  I am enormously pleased that G Street has asked me to show my quilts in the exhibit there.  It is a real honor.  I hope you have a chance to see it.  The whole show will be available in mid-July. I’m not sure of the exact dates, so you might want to call them before you head there.

Sew happy everyone!  Teach someone to sew or quilt…yourself, you cat, your dog…your son.  Until next time!

 

Two New Digital Quilt Projects

Believe it or not, I have completed all my projects I had going.  Now that the workshop at G Street Fabrics is over (I will be repeating it in the fall), I am going to make two quilts centered around two digital printouts.  I’m hoping to get one of them done by mid July for part two of my Exhibit at G Street Fabrics.

The field of flowers is a photograph by Beth Tatum, my daughter-in-law:

Photo by Beth Tatum, printed on fabric 36″ x 26″

 

The pink flowers I painted in Corel Painter 17 and had it printed.

I painted this one digitally in Corel Painter 17 and had it printed 28″ x 38″.

They came out really wonderful, and I washed them in Synthrapol, rinsing until they ran clear.  There wasn’t much color in the first batch of water and I can’t see any color loss.  So now I can use them in a quilt I will soak when the quilting is complete, which makes marking things  and blocking a lot easier.  I’ll have some embellishments I will add after blocking.

I plan on just sandwiching and quilting the field of flowers photo with  a variety of threads for depth and interest and adding beadwork and some 3D embroidered butterflies.  I might face it instead of binding it.

I plan on adding a double border on the pink flowers.  The inner border will maybe be shaped and appliqued on.  I plan on shortening the flower panel at the top to bring the border down to the vine, and cutting out the top half of the leaves that would be hidden by the border to have them break into the border.  Then I will quilt it with some pictographic flowers, vines, and creatures, also quilting in the flower and leaf textures.  I also am working on designing two or three 3d stumpwork with wire of small birds in
Bernina V7 software to applique on. This is my bigger project, as you might imagine. If this turns out well, this might be a show quilt, but we’ll see.

In the meantime, I have broken down my housecleaning project into small manageable sections and am spreading them out across a couple of weeks.  I did pretty well with this so far.  My upper level is mostly clean, though I have a plan to go through my stash at some point, eliminating some things and slightly reorganizing the fabrics so they all fit back into my storage units.  I’ll do this later, after the mid-July deadline for the second part of my G Street Fabrics exhibit.  I’ll do the main level next week, and David will do his level too (he has a nice “flat” on the walkout lower level that includes his bedroom/office and a nice big living area with his own back deck.  There is a bathroom area that has the rough in plumbing, but I haven’t gotten it finished yet.  Maybe if he has a big hit book, he will do that himself.).

A word about digital fabric art:   It is NOT “cheating” as some quilters seem to think.  For example, it took me s lot of time to paint the pink flowers, and they are fully my own artwork.  Why would that be any less of a “legitimate” quilt than a whole cloth, for instance?  Neither would a photograph that is printed, sandwiched, and quilted as a whole cloth.  I do think there is slightly greater acceptance of the value of digitally printed fabrics than there used to be.  And that is good.  Indeed, am hopeful some of the heated rhetoric about just about everything these days will cool off.  Let’s appreciate one another and their work…traditional, contemporary, modern, and art quilters, white collar and blue collar workers, sharing their Mom’s house while writing wonderful stories for the world to enjoy, making art quilts, plumbing the kitchen, powerwashing your home, managing a business, Democrat, Republican, Independent…cool it everyone.  Life can be wonderful and full of peace and love if we stop the arrogance and heated rhetoric and take a step back to love and appreciation that we are not all-knowing.

Sew happy everyone!  Try your hand at making some digital fabric art if you haven’t tried it yet.  I’ll post more on these projects along the way. Also, I have decided to put the landscape project I tried to start as a kind of block of the month on the backburner.  It needs more definition, and everyone that responded said they were too busy.  I think I am too busy too…LOL.

 

A Word About My Art Quilting and Some Early Quilts

                  Fandance by Moonlight. Hoffman Challenge

2008This is my very first show quilt and you can see the scotch tape on my photograph…LOL.  So you can see my professional side of show quilting has grown as well as my quilt making abilities.

As I prepare for my upcoming exhibit of my work at G Street Fabrics in Rockville, Maryland, one of the things they wanted was for me to provide my Hoffman Challenge quilts, which, if you look at them carefully, you can see my progress as both an artist and a quilter from year to year.  Unlike some of my quilty friends who make a quilt, enter it, and win big, I have struggled, indeed still struggle, to move my art quilting to a truly professional level, but it has been fun along the way. I love making art in fabrics, threads, and paints.  I think my artist side has been a little slower in developing than my quilting techniques, but I’m working on it.

“Equipped to Stand” 2012
Even though I can now see many flaws in both the design and the quilting making techniques on this quilt, I still love it. I would never send this quilt out for show today, but we all learn. They let it into several shows and the judges were sweet about it and their remarks didn’t bash me down to the point I quit quilting.  Unlike this photo, it is square and relatively flat, though I had to undo a lot of it to get a wave out of it.  You can see it was not all that long ago.  I have come a looong ways from here.  If they had torn it apart, I might have quit.

To me, an art quilt needs to have a lot of elements come together to make it good and this is what I am always striving for. Starting with the basic design concept  I draw the concept while considering balance, value, color, placement, perspective, and simply artistic appeal.  I am constantly attempting to learn more about all this through practice, books (some left from art classes in college and some collected over the years), and, more recently, online training.  I’m still trying.

So here is my process for a complex show quilt (not for all of my quilts).

I try to capture the concept that is in my head or the inspirational photo by drawing the picture of the planned quilt on my computer, thereby providing me with a “pattern” .  Here is how I work through this.

  • I use Corel Draw to draw out some elements, like buildings or space ships, and saving them with a transparent background as a .png file, which will import into other packages without a background.
  • I use Corel Painter, a truly powerful digital painting software, to draw the main picture, importing the items from Corel Draw and placing them where they belong.  I size it here and save with iterative painter files and finally as a .jpg.
  • I may go back and forth between Corel Draw and Corel Painter several times because one program is better than another for various things.
  • If I am putting borders on the quilt I will then move to Electric Quilt and set it up with a single block sized properly for my .jpg.  Then I play with the borders until I like them.  This gives me the pattern for the borders.  I save this as a .jpg.
  • I move back to Corel Draw and start a new file (you can’t just open a .jpg in Corel Draw, but you can import one).  I import the design I saved in Electric Quilt into Corel Draw and size  the image to the size I want the quilt to finish.  Corel Draw has a wonderful way of tiling the picture into sizes that match the printer paper with symbols to mark where they join.  I usually print the pattern on a 11″x 17″ paper.  I print one pattern in color and one in gray scale.  I also print the border pattern from EQ7.
  • I tape the pattern together carefully.
  • Then I pin the colored print on my design wall, or tape it somewhere if that is occupied, and sit there looking at it every now and then, wondering how on Earth I am going to accomplish this quilt.  At this point, I take time off from this particular project if I have time.  This is why I usually have some ongoing simple quilt or clothing projects so I can go work on something else while the concept “marinates” in my mind and I talk to myself…sometimes exclaiming “Oh THAT’s what I can try!”  I’m glad my son’s flat is on the lower level, and is not in my studio to hear me, he might be looking for “a place for Mom”, although, he’s a sci-fi/fantasy writer so probably not.
  • I keep a notebook nearby to write down my ideas.

Once I’ve figured out more or less how I’m going to make the quilt, I just jump in.  I first shop my stash to see if I have what I need for this quilt and buy the rest, including fabrics, threads, paints, and other embellishments.  After all my years of sewing and quilting my stash is now such that often I am able to complete a quilt without buying anything, or buying only one item.  It generally takes me nearly half the time of total time making a quilt to get to this point.

  • I have to take one or two elements of the quilt at a time.
  • I make samples and try things until I find what works.
  • I have to figure what must come first…usually working from background forward.
  • I take photos along the way because for some reason I can see mistakes better in a photograph than directly looking at the project.  I think I get too close to it, as they say.
  • I unsew and go backwards when I need to, but try to limit this as much as possible.  Sometimes “mistakes” are actually result in a good new direction.

As I construct the quilt, I pay close attention to how flat and square the project is becoming along the way. It’s ok not to have a square quilt, but it has to be deliberately not square and obviously not intended to be square.  Construction techniques really still need to be right. This often involves my ripping things out for correction, and sometimes even just starting over. I have obtained a laser square and a laser cross-hair lamp to help me with this

I’m not a piecer, but sometimes I have to piece.  “Pendragon” had the main center block, and ten border and text block pieces that all HAD to be square and straight and the border had to be lined up so the designs were straight and in the right place.  This is one of the more challenging things for me, because, did I say it?  I’m not a piecer.  Piecing is much more challenging to me than it must be to traditional quilters, who seem to love it.  I piece when I have to in order to realize my design.  I sometimes use foundation paper piecing when I need a real quilt block, like I did for “Waiting…” and “Drawing Nigh”.  So I’m very happy to have these tools and techniques to help me piece.

Sew once I have completed the top, including any highlighting or lowlighting I do with fabric paints and inks, I sandwich my quilt mostly using basting adhesive and rulers to get the lines that need to be straight and square right and adding some quilting pins because I use a very light amount of adhesive spray on the batting only.  This is my least favorite thing of making a quilt and I find it physically taxing, especially if it has to be on the floor because of size, and I wear a mask and often have to do it over and over again until it is right.

Then I quilt it, bind it, add a pocket, a label, and block it.  My oldest son Ken photographs it at his home in my daughter-in-law’s wonderfully big studio where her longarm and her Bernina 880 resides.  Beth was, afterall, the one who pulled me into quilting after Marvin died because she was sure I would love it.  I’m not sure she expected me to love it as much as I do, and I know she didn’t expect me to move into the art quilt world.  Before this happened, I had made several pieces of fabric art, had sewn for most of my life, used to have my own fashion design and tailoring business, and made my own clothes and some of Marvin’s.  I found art quilting simply unleashed and pulled together all the sewing and art skills I had learned in my life, but I did need to learn a lot before it was any good.

And I’m still learning, experimenting, and moving through art quilting.  Maybe someday I’ll start winning the big ribbons (I have won a few ribbons, but no BOS).

Sew are any of you making our free design art quilt with me introduced in my last blog post?  How’s it coming?  I’m not rushing you.  It will probably be another couple of weeks or month before I get to the next step.  I’m preparing for my exhibit and I figure the first step is a big one.

Sew happy everyone!

 

 

Make a Stylized Landscape Quilt with Me: Step One

I am making a fun new design-as-you-go stylized landscape quilt with some kind of flying creature and I hope you will try one of these too. For as many steps as it takes (to be determined) I will be providing a blog post to take us through this quilt together.  This quilt is made without first drawing out and printing a full sized design and will be using techniques that I am sure you may wish to try or have tried already.  I am not providing a pattern, telling you what size it will be, or even tutorials for all the techniques needed.  This is a project for us to play together making some wall art.  I will tell you where you can find the techniques, providing the links, and for some parts I will give tutorials, but not all.  It can be as simple or as complex as you want to make it, with guidance as to where you can find help.  And if you have a question all you have to do is make a comment on the blog post and I will respond as soon as I can.

Let’s begin:

I am using some interesting techniques available online at Iquilt and Craftsy.  But you don’t have to take a class for this project, just follow along.  If you have Electric quilt 7 and know how to do foundation paper piecing you, or you already know how to make a compass block, you can do this without additional classes.

For this fun project there are several objects we will need to make and obtain.

  1. Challenge–Make The Sun:  This can be either a simple quarter of a large circle of fabric to applique on a sky or one quarter of a sun compass block or a smaller full stylized star block in your choice of sun colors for your imaginary world.  For my quilt I am using the star block that Karen K. Stone teaches in “English Paper Piecing by Machine” found on iquilt here.  It’s very similar to a regular compass block, but has some interesting differences.  If you watch the sales, you can almost certainly get this class on a very good sale.  But there are a lot of beautiful choices for a star to represent our own star, the sun.  Here are some I found on Electric Quilt 7 that would be great choices with some color changes.  The outside large piece, or the background pieces need to be made from the same fabric as your background sky piece (see below), or you can use the curve to applipiece or piecelique (whatever you call it…it’s just joining the two pieces in an applique manner) it directly into the background sky.  I will provide a little tutorial of this in my next blog related to this project.  So just hold off on attaching the star/sun to the background sky.
  2. These blocks were all found in Electric Quilt 7 and would work very nicely. You can change the colors, of course, however you want them.

    In addition you could draft your own compass rose. I found this fascinating method on The Quilt Show that uses a really neat drafting device available from  Renea Haddadin’s website here.  I don’t have this device, but it really looks useful far beyond the drafting of a compass rose.

  3. Put together the background:  For this you will need a full width of ombre gradiated fabric that will be one third of the length of your finished quilt, or just a plain piece of fabric that looks like a sky to you.  You can paint this, buy this, or construct this with strips of various pieces of fabric.   You just have to size the sun appropriately to fit in the upper left corner of the scene.  Two thirds of your quilt will be mountains and maybe water or grass somewhere in there.  If you want to make this easy, you can use a simple white or off white or even light brown or green for the lower two thirds of your quilt background, giving you a background to applique mountains and rivers and plants onto.  Remember, this is a design as you go quilt and is meant to be just for fun.
  4. Wait to applique the sun in the upper left corner of your background until my next blog when I will be discussing applique techniques.

Okay, that’s all for now.  Go forth and make a sun and gather the background pieces or even make the simple background.  The next part will deal with appli-piecing the sun into the sky, and making the mountains and other parts of the foreground.  Then there is a part for making plants, and finally we will make some kind of flying creature for our scene, which may take several parts.  I plan on following this with a series of blogs focusing on embellishing and quilting.  I am not calling this a “block of the month” or anything, but I am planning this to stretch across several months…not sure how many.

Sew happy everyone!  Do some thinking about this…join me in the adventure and make your own wall quilt just for fun and to stretch your design techniques a bit.

On MAQF, Antiques, and Tutorials

MAQF

I just came home all inspired by a delightful few days at Mid Atlantic Quilt Festival where I had “Pendragon”.  I put together some of my pictures from the show.  Here is a link to the picture file:  Smugmug/MAQF 17

I stayed a day longer than I usually do for this show and it gave me lots of time to see every quilt, take all four lectures I was interested in and see the Show and Tell that I usually miss.  I also did a lot of shopping.  Well, afterall, my 70th birthday will be this coming Friday on March 3rd, so I gave myself some presents…threads, new rulers (a set of circles and a set of ovals), and one of those spinning cutting mats among a few additional small items.

The loot from the show

Pendragon did not place, but I believe it to be mostly because the theme of the show was modern quilting and that quilt has nothing to say that is even remotely modern quiltish.  I still believe it is a ribbon worthy quilt, so we will see what it does in the future. I decided to see if they would include it anyway because I sort of consider MAQF my main show.  It is within driving distance and I have relatives in the area, so going there is always a treat for me.  I did get some nice comments from the judges:

Your original design effective in telling your story; Embroidery well executed; Piecing well done; Quilting motifs compliments the design; Quilt hangs flat and square; Back of quilt should be free of loose threads and lint” (note:  I sticky rolled it and examined it with my big magnifying lamp when I packed it…lint may have happened on their end.  That backing fabric I used was a little lint grabbing…not using that again).

Pendragon
34 x 45

A New Page Is Turned

Now, however, I am turning a page on my work.  From here I am focusing on the quilt work itself, and on figuring out how to pass on what I have learned even as I maintain my studio artist status (not a lot of travel, a little teaching within driving distance, writing books and creating tutorials), rather than so much focus on the competition work. I will still enter shows, and still plan on making show quilts (they teach me a lot and give me a chance to stretch my work), but it’s an attitude and work flow adjustment in my studio that is on this nice new page in my life.   You can see more about this in one of my past blogposts here.

On Antiques

There are lots of definitions of “antique”.  The one I like the best for this discussion is “an object such as … a work of art that has a high value because of its considerable age.”    Tomorrow (Friday, March 3rd), I will be 70 years old.  I am a work (in progress) maybe even a “work of art” and have considerable age. I think every human being has high value…so there you are.  I could probably be called “an antique” fabric artist.  I feel physically great (have also lost some weight recently and hope to lose more) and I believe I am as mentally alert as ever (always a little daphy).  Many of my ancestors lived well into their hundreds.  I have a wonderful plan for my future and my kids are nearby.  My studio is well stocked, and my fleet of machines is wonderful and in good working order.  I’m excited about the future.  Thank the good Lord and I hope you will continue to join me on my quilting journey.

On Tutorials

One of the things I am going to begin on this blog post is a regular short tutorial (every week or month?).  This week’s tutorial is answering a question I got a lot at the show…how I made the chain mail on my characters in Pendragon using Bernina v7.  I haven’t yet gotten v8, but I suspect this would work there also.

Digitizing Chain Mail for Small Applique (Or using special fills to create what you want)

I wanted to make the characters’ chain mail shirts look right, and decided the best approach was to digitize the chain mail in my Bernina v7 software and embroider it in the hoop.  This took me a while to discover how to do it.  I think I spent two or three days on figuring this out, but I just did a chain mail heart shape and took snap pictures for this tutorial all in about three minutes.  So I thought I’d share this with you in case you wanted to create something special with interesting fills and shapes.  Using Bernina v7 software:

  • Draw a closed shape…you can put the picture in the art canvas side and trace it on the embroidery side
  • Right click on the object and bring up the Object Properties dialogue box.

    Draw shape and in object properties box make these selections (sorry the text box got cut off, but that’s what is said more or less).

 

    These are the selections I made..sizes will depend on your own project size and requires a little experimentation to get it right.

 

  • I had to turn my shirts upside down and move them around to get the wave fill to match where the parts of the wave needed to be to show the expansion and contraction of the chain…like a shirt on a beautifully muscled knight. 😀  I also gave each shirt their own color to help me figure out which belonged where when complete.  I embroidered them all in Superior Fantastico 5169..a silvery variegated gray on black fabric.  I cut them out close to the embroidery and glued them on with Roxanne basting glue and blanket stitched the edges in the same thread to give them a finish.

So there you are.  I can see this method working for a wide variety of appliques and purposes.  The software is so flexible, but finding out how to do something you want to do that is a little different can take time.

Finished chain mail in place

On Upcoming Events:

  • For the month of May and a couple of weeks into June, G Street Fabrics in Rockville, Maryland, is hosting an exhibit of my quilts.  I will have one day where I will provide a walking lecture tour of my approximately 15 quilts that will be placed around the store.  I’ll let you know when that is.
  • In June, I will be providing a workshop on machine quilting at G Street.
  • My quilt “Drawing Nigh” will be at AQS in Lancaster, PA, March 20-April 1.  If you attend and see my quilt, let me know.

Sew happy everyone.  Focus on your creative projects to have the most fun, put in your best effort, learn a little bit, and share, and don’t let it stress you out.  I would really appreciate comments.

The Making of Pendragon

I promised you I would write some posts about the making of Pendragon after it was accepted into its debut quilt show.  Pendragon will be shown in the Mid Atlantic Quilt Festival on Feb 23-26.  I am so excited because I am planning on attending this show.  When you read this post, I will probably be there, since I am setting this up for posting on the day I leave for the show.  Because of this, I can finally reveal the finished quilt picture.

Pendragon
34 x 45 Text from “The Legend of King Arthur” by Thomas Percy (1729-1811)

I actually made a few small changes since this picture was taken.  There was some stitching that went on a downhill decline under the lower left of the pictorial center on the top of the black text box.  I spent a whole day frogging (ripping out the stitching) of about five inches of decorative stitching and restitching it. It was worth it.  I think it was the only thing that would stand in the way of a judge who likes the design deciding it is a good quilt.  I’m not sure you can see it here on this web-sized picture, but I also added some interesting quilting below the text in the block.  I had to enlarge the text box just a bit to make the borders I made fit just right.

So here is a web-sized picture of the design that Ken gave me for my birthday last year, along with the threads and fabrics.  I blogged about this gift here.  He gave me the throne room background in a separate full-sized file without banners or people or the table, which I had printed on cotton by Spoonflower.

You can see there are some differences.  The banners are all a little different, the text box is longer than the one shown here to make everything fit together, and the border designs, which were a huge challenge, all have slight differences.  Also, there were three more swords pointing on the table from off-picture knights that I eliminated.

So first of all, I sent out the thrown room to be printed, as I said, and then I tried to dye the prepared for dye cotton/silk radiance he gave me to get that nice rich dark green for the Celtic borders. It came out a very pretty color, but not dark enough.  Here’s a picture of the fabric.  It will make a wonderful green for another quilt, so it isn’t a lost effort (I’m thinking a whole cloth pictograph).

My green dyed Radiance

So I talked to some of my quilting friends, particularly Jerry Granata, who has one specialty of working in unusual fabrics, and bought some (much less expensive) poly satin of exactly the right color of dark emerald green and did some testing.  That is what I ended up using.  I also had some green cotton of the right color that I used to work out the design and way to achieve the Celtic border designs on.  Quilters, I will tell you that getting these borders worked out was one of the biggest challenges of my entire fabric arts career.  I wrote a little about it in previous blogs: One and two and three.

After that, I decided it would be best for me to withhold additional photos and construction information until it actually debuts at its first show, which will be the Mid Atlantic Quilt Festival in just a week.  I’m so excited.  I decided to go to the show, not only because Pendragon got in, but so many of my quilting friends and mentors will be there.  I’m not taking any classes, but I am going to attend several lectures, try to spend some time with my friends, do some quilt gazing and shopping, and stand by my quilt a bit even if it doesn’t place.  And it may not place.  I love it, but it does incorporate digitally printed fabrics, which is not an altogether accepted method yet, and I am all too aware that my quilting is not traditional in any way and needs to grow.  I plan on showing it as much as I can over the next couple of years regardless of the reception by the judges just because it is a meaningful quilt that I want people to see.  When it finally comes home for its retirement, I plan on giving it to Ken if he wants it.  I am thinking it will also be at my exhibit of my quilts at G Street Fabrics in April or May (I’ll give you the dates when I get them).

Anyway, back to the making of the quilt.  I loved the way the people came out mostly.  I particularly like the queen.  Her dress is a small print with gold that I outlined all the little flowers with gold thread quilting.  I used a matching sheer for the sleeves and actually made tiny sleeves for her arms.  All their hair is free motion thread work.  The guys’ tabards and the little banners all have machine embroidered designs.  The little banners are independent banners that I made, then hand stitched on top of the quilt.

I digitized the mens’ chain mail shirts using some of the powerful software in Bernina V7.  It was a fun challenge and took me several days to make it come out with the appropriate differences that fit their bodies.  Then it was embroidered on black and after applique I added some free motion chain work around them to make them look more real and smooth some of the joinings.  The swords were so challenging to figure out that (after much consideration and discussion with Ken and Beth) I ended up printing the digital design of the swords from Ken’s design and appliqueing them on with monopoly.  Getting the hands properly tucked around the handles was a bit of a challenge, but in the end, I was happy with the swords.  I added black crystals on King Arthur’s sword.   The crowns are free motion stitching using metallic threads with the addition of hot fix crystals.

All the quilting of the throne room was done with the idea of bringing out a 3D concept.  I am generally happy with that result.

Then I faced the challenge of piecing it together.  The border was in pieces and had to match up square and with the pictorial center.  I should have had the throne room printed slightly larger, because by the time it was quilted and squared up, it was a bit smaller than the intended design.  I dealt with this by adding a bit of black below the text box (to make up for the lengthwise shrinking), where I placed some quilting designs, and slightly narrowing the top and bottom small Celtic border pieces (to make up for the crosswise shrinking).  But in the end, after a few bits of frogging and restitching, it actually came out very square and flat.  I was  ecstatic.  Getting quilts square and flat, especially my art quilts that have so many different types of techniques, stitching, painting, etc, is a huge challenge every time.  This one worked.  I used my laser devices (a laser square and a laser cross hair lamp) to help get it square.  If the judges measure it, and it doesn’t get shifted in any way in the transport and hanging, they will find it a square quilt.

I used Quilters Dream thin poly batting and Hobbs wool batting.  I ended up using 6 titanium top stitch needles on this quilt…I think the gold paint dulled the points quicker.  Constructed on my Bernina 830LE and quilted on my Bernina Q20.  All Superior threads (variety of weights and colors).

Sew happy everyone!  Will I see you at MAQF?  Do you have any questions?