Repurposing Sewing Patterns and Die Cut Shapes

Hi readers!  Yes, I am done with my mom’s memory quilt except for completing the hand sewing on of the butterflies.  They are taking a while.  I am very pleased with the quilt both front and back now, and if there is no show to enter it into this fall, I will go ahead and post pictures of it, which I have yet to take. But for now I am hoping to enter it first into the Mancuso show in Pennsylvania in September.

I was chatting with a friend of mine this week and we agreed that we both need new summer clothes…simple tops and simple pants made from pretty durable fabrics.  I took a look at the pattern sites and was horrified at all the ruffles and dresses straight out of the hippy Woodstock era that are definately not for me. But I did find just what I wanted in my own pattern stash and I realized some of them are still available online.  It might surprise you but I found a couple of particularly nice patterns in the “uniform/scrub” category.  I purchased McCall’s M6473.

Here is the pattern made up into scrubs.

But in looking at the line drawings accompanying the pattern, I realized they are exactly what I was looking for and, made in the right fabrics and adding some embellishments I would have the summer patterns I wanted…quick, easy, and stylish.  These are just right for my daily life.  Take a look.

The pants have a dual waistband with a smooth front and elastic sides and back and really fun pockets. All three versions of the top are perfect canvases for some interesting fancy stitches, embroidery or appliques to spice them up. These tunics are nice and loose but not pregnancy tops.

I also found in my pattern stash a Simplicity pattern I have had for some time, Simplicity 2371, that has a lot of the same characteristics, though I think the scrub pants are a little better.  I will do all the size testing/fixing on the scrubs slacks and make a couple of pair of those out of some nice sturdy knit fabrics I have for that purpose that I bought at least over a year ago.  But I will probably make some version of the long leeved tunic on th Simplicity pattern.

The Simplicity pattern from my stash. Note the pants have a simple full elastic waist and no pockets…not what I wanted exactly. But the long sleeve tunic provides a suggestion for the embellishment. I would be adding something more.

Now as I was browsing through my pattern stash I saw a plethora of bag patterns, my vintage pattern collection, and some really gorgeous jackets and suits for dressier, colder times.  I have the fabric for most of that too.  Yes, my clothing stash, though carefully trimmed, is still quite wonderful.  I will make at least one nice winter suit for this year, but mostly I am still losing weight, but not very fast, still…I want to save some of the nicer fabrics for later.  I already have some really nice summer dressier clothes.  Some of these I made and some I bought and I have kept them pretty much altered to my size as I have gone down.  So mostly I need casual summer clothes for daily wear in my studio and some nicer pieces for fall and winter.

Sew all of this clothing sewing I will fit in here and there between my quilting projects.

This made me think about how I was going to approach my wool applique project.  I have a lot of Accucut Go! dies with flowers, leaves, birds and animals, and decorative shapes.  I think I will simply cut out a lot of them in multiple colors after I back the small wool and other similar pieces  I have with a fusible and play around with making a hands on design.  Many of these have patterns with them and were designed for specific things, but I am breaking up the sets and making a bowl full of these pieces.  I also need to figure out some vines and stems, and I am thinking I may have to draw up another animal shape or two.  This should be a fun project and will result in a small sampler, a book, and a show quilt.

Sew you see, you don’t have to use the patterns or pieces like the original designer intended, and you can often find just what you want by opening your creative mind and looking further at the designs and giving them some thought.

So next I will start two new quilting projects…the wool applique one and a more complex art quilt design in one of my ongoing series.  This second half of the year promises to be much more fun than the first half.  I am hoping and praying that in spite of the darkness of the hour in the country, the light will begin to shine through and clear away the dark.  Like the hymn that has been buzzing around my head for at least a week “Morning has broken, like the first morning…”  Remember, morning starts at the darkest part of the 24 hours.

Sew happy everyone!  Make yourself something fun just for you.

 

 

 

Risk Taking in the Studio

Test sampler I made before starting my Mom’s memory quilt.

When I make a show quilt I have a variety of steps that can be a little bit scary, even if they are also fun. I have to take the risk or I would never accomplish the things I want to do. It doesn’t seem to matter how much I pretest, when I am actually working through the quilt project, things come up that are unexpected and must be either corrected or otherwise dealt with.  I am currently trying hard to finish my Mom’s memory quilt, which proves my point.  It has been a real challenge from the start and seems even more so the closer I get to the end.

Sew I finished the loooooooooong period of heavy quilting, unquilting, quilting, unquilting, quilting.  Each part of the quilt had a different sort of quilting that required much thought and practice, but even so, I have not been as happy with it as I had hoped.  I have been working on this quilt for mny hours over the course of a year.  The top looks really pretty good, but I am not as happy with the back.  Still, I love the quilt.

Today, I have been painting the flowers and birds on the white satin that I spent mnths quilting.  The painting is going fairly well on the top, but a few spots have soaked through to the white back.  I think I have control over that now and will not have any more soaking through, and if so, I can use the upper corner where that happened as the place to put the additional label I have planned for all along that will give a little bio and a picture of my mom.  I don’t think I can get away with more thanone of those, however…lol.  So if I do have more trouble with soaking through, I will have to color the back flowers and leaves using something that I know won’t soak through like fabric crayons, which would look nice, but I would rather not do that.  Hopefully I will be able to complete the painting without additional problems of the paint soaking through (I got my brush too wet).   Before I started this I made the sampler above and had no problems with the paints soaking through.  I have painted after quilting on many quilts, and I am pretty sure it was just that I got my brush too wet. Sigh!

Earlier this week we (or rather my son David, who is in control of  our washer that is on his level in our townhome..lol) washed the quilt to get the Crayola washable gel pen markings out of it and set it up for blocking.  I  had told him to wash it on the hand wash cycle with cold water and Wooolite.  It did not entirely come out.  I have to say I was stressed over that.  But anyway, he rewashed it another time using the same directions and more of it came out but not all.  So I suggested warm wash with Synthrapol, and then it all came out.  It also did not damage it in any way and looks fabulous overall.  The quilt has a double bat with an 80/20 bat on the back and a wool bat on the top.  I had done a bunch of testing of the Crayola washable gel pens before I marked the quilt top using the same fabric.  But when I did the test I washed it out with Synthrapol, not Woolite, and I only dried it a few hours and ironed it instead of having it sit in the fabric a year.  So I suspect that is what the difference is, but it might just have been the warm water or the third wash. The point is, it came out and it was a great help while it was in the quilt. I would most certainly use it again even if I have to wash my quilt several times.  But I kind of think just one wash in warm water with the Synthrapol would have done the job.

Oddly, the part that I was most worried about when washing/blocking…the appliqued on crocheted ten inch lace blocks my Mom made…came through the wash without a bit of trouble and they even look refreshed and truly beautiful.

I had originally thought this quilt would end up a little over 60 x 60 inches, but all the quilting drew it in to about 58 x 58 in the end.  I haven’t bound it yet, but that’s what I think it will end up.  It will, therefore, be a small wall quilt in whatever shows it is in, if they will even let it in, or if they even open.

Sew you see, when I make a show quilt, there are lots of things that can and often do go wrong.  What I have found is that I have had to develop a set of approaches to fix problems when they happen, or criteria to help decide when I can let it go and stay as it is.  Afterall, I am not a machine.  I do not make perfect quilts.  I think small flaws can actually add to the beauty and magic of a quilt. I’m not sure judges agree. But sometimes, I may even have to let it go and not enter them into shows.  I think this one will be ok for entry.  We’ll see when I’m done. I am sure those keen eyed judges will see every little flaw and tell me about them if they provide feedback.  They always do.  Hahahah.

In addition to binding, I still have the painting and to add lots of pearls to the quilt. Some of those pearls are possibly going to be Swarowski hot fix pearls, but I have to test that first, because my quilt top is made from polyester crepe back satin and polyester dupioni…it’s gorgeous.  It quilted beautifully, but I will have to test to see if the hot fix pearls go on ok without a hitch, and stay, and don’t melt or burn the fabric.  I once slightly burned a silk dupioni quilt in one spot with the hot fix crystals I started to add.  I ended up glueing the crystals all on, which I found I didn’t like doing at all.  Later on, I learned that I could use the transfer tape to help apply the crystals.  It holds them in place and provides a bit of heat protection of the fabric when I used the hot fix applicator.  So I am hopeful I can use the hot fix pearls for this quilt.  But it is another risk, and the last thing I do to complete the quilt I have spent so many hours on for a year now.

I am planning on making slightly smaller art quilts for a while.  They might actually sell better, since people may be able to find spaces on their walls for them.  But I will continue to do those risky techniques that make the end quilt look so fabulous.  I hope you will too.

I am hoping we are all able to begin to come out of our homes and are still stay well.  Just like a show quilt, risks are required if we are to accomplish anything good.  I personally don’t think we as a country can stay away from work for much longer without the entire world economy collapsing, which is also a massive threat to peoples’ lives, health, and overall well being…even more threatening than the Covid 19.  But we can take precautions as we go out, wearing our pretty face masks we probably all made or had made for us and washing our hands, using sanitization methods in our houses, cars, and places of business, and keeping our distance for a while.  There has been much progress in understanding this thing and how to treat it and they are still moving forward.

Sew happy everyone!  Make something fun.

 

 

A Sunny Mother’s Day and Considering Next Steps in My Studio

Happy Mother’s Day to everyone.  Yes, many of you are mothers and grandmothers, but I know a couple of you who have no children but provide much learning and support to us quilters and sewists in motherly fashion.  So Happy Mother’s Day to all of my readers (even the guys).   My oldest son Ken has already called to talk with me, and my youngest son David, who shares my home with me, is going to cook a steak dinner tonight.  Lovely!

My side yard

It’s gorgeous here in Ashburn, Virginia.  About 65 and totally sunny with not a cloud in the sky.  I just spend about an hour out back enjoying it all.  The back of my house looks out into a small woods, just thick enough so I can’t see over to the next part of the neighborhood and thin enough so developers won’t come and build back there.  The wildlife is delightful that live there…birds of several varieties, bunnies, turtles, squirrels, chipmunks, and even foxes.  I feed the birds so I can see them and they pay me back by keeping down the gnats and flies and singing to me.

My youngest son David on the upper deck.

Sew I had hoped to finish the quilt I am making in memory of my wonderful mom, but though I have made great progress, I still have a ways to go.  I have finished the quilting on the central part of the quilt and am working on the borders.  I put freeform feathers on the bottom border, and I plan on doing the same on the top border.  I got some new stencils and am have marked a beautiful vine with leaves coming down both sides.  Since I quilt everything to death, except my snuggle utility quilts, I have a lot of quilting to go yet.  And then I will have to wash it to remove the markings, and paint some of it.  So there is much to do still.  I had thought it would not be pretty enough on the back to be a good show quilt, but I just turned it completely over and was surprised to find it is beautiful.  Yes, there are flaws, but it is still beautiful.  The flaws don’t seem to show much on the front.  Some of them will be removed, others will maybe go under a label or two (I’m thinking of writing a little biography of my mom in a simple text label in addition to the who made it when and so forth label).

What’s Next?

Sew I am close enough to being done with Mom’s quilt to think about what my next major project will be.   I actually have three going now.  One is my own personal snuggle quilt for my bed using Sue Nickles applique blocks that I just use to work on when I want to do something that is just relaxing sewing, one is a fairly extensive project of wool applique by machine that I am simultaneously writing a book about.

I have found that there is a slight bit of room in the art quilting world for books that people with advanced machines may want to have.  There are a lot of how to quilting books for beginners, piecing books, and yes, even some advanced art quilting books, but I think while there are some books out there for people with all these wonderful stitches and feet and other attachments, that area might still have room for some skill building books for using these advanced machines many of us have.  Wool applique by machine is my first of these skill-building books I am working on (I just bought a second camcorder and will be making videos too).

Another book I am thinking of is multiple deep space quilts using a variety of methods in homage to the magnificent deep space scenes you can find many of on NASA’s website that are copyright free.  Here I have some credentials in the quilting world, because I have won several nice ribbons on my deep space quilts and I have many more to make.  So I thought this would be a good book and already have it underway using photos I took while creating some of these quilts.  I plan on making several more, some step outs and some small ones to sell for people who may want one of these for their wall, or to give as a gift.  Of course, I will be producing show quilts from this project also, giving my work double, or even triple use (I will be making some videos too).

Sttitching Spiral Quilt 3 with a reference picture.  I gave this quilt to Ken and Beth.

I guess maybe that is all I can do this year, but it doesn’t stop me from planning other quilts, and thinking about how I can incorporate them into books and videos.  I may speed up, and some of these books are nearly written and only need a few samplers. so it might not be as overwhelming as it sounds.

I would love for my readers to tell me what they want me to teach by book and video (I am not going to do much travel for a while), realizing that I have been sewing for more than sixty years, having even once owned my own fashion design business, and quilting since 2009, with ribbons and other awards to my name.

One of my most prized awards that may sound unrelated, but is not, is a simple honorable mention I won in Kanazawa Japan decades ago.  I studied Ikebana there, receiving my fourth year Sogetsu School Ikebana certificate, the next one, had I continued, would have been a master certificate.  While there, I entered a flower show and made an arrangement using great big sunflowers, chrysanthemums, and swooping curls of broomstick.  It won an honorable mention.  Theoretically, it was anonymous.  But there were some magnificent arrangements there.  It’s something I have never forgotten. Nor have I forgotten a single bit of my training.  I have sketch books with some of my arrangements too.  A flower arranging quilt would be fun.

Kanazawa Memories, with machine stitched sashiko and a fabric Ikebana arrangement I made by printing individual flowers on fabric and appliqueing them into an arrangement.  I lived in Kanazawa Japan for three years as a young woman.  I no longer own this quilt.

In the stitching/sewing world, I can probably teach almost anything except piecing and hand sewing.  I can do those things, but only at about an intermediate level, whereas clothes, tailoring, and now art quilting, I consider myself to be at an expert level in many of the techniques.  Please comment and send me your questions or suggestions either here, on Facebook or send me an email/message, realizing it will be a while before I get the answers to you, unless it is a simple answer I can put on my blog.  Also, what do you think of my planning to write books for people with higher tech machines?

Sew happy everyone!  I hope you get to go out and enjoy the great beauty of spring or fall wherever you are.

 

 

 

Fine Tuning Quilted Art Projects: Thread Decisions

I don’t know about you, but my thread stash has grown to equal or beyond my fabric stash over the past few years.   I think this is caused by my many ideas for quilted art.  I have learned that the different weights and types of threads can make a huge difference in the success of the finished project.  Additionally, a lot of my quilted art projects have a lot of thread art that livens them up.

Sew I am currently trying hard to finish up the quilt I am making in my Mom’s memory using those beautiful 10 inch crocheted lace blocks as the center.  I just changed threads from a beautiful blue Superior 40 weight Magnifico, which is a polyester thread with a lovely sheen that matches my border fabric, to a Superior monopoly, which I truly have a very hard time seeing.  I am using Monopoly in the central pentagon where the five chrocheted blocks are.

This small quilt sampler has seven different thread types.

Now my Bernina machines sew well with this thread, but it took me a while to learn how to get that to happen.  After much trying and crying, I finally found that it works best with an 80/14 Universal needle.  If I use the top stitch needles I normally use for quilting, the needle will eventually “step on” the thread and break it.  It also requires the significant lowering of the upper thread tension and I use it with a 60 weight polyester bobbin thread (Superior Bottom Line). This thread is a very lively thread and requires threading to control it as much as possible.  I use the thread paths that cross the little pad with the pink silicone liquid, otherwise known as the thread lubrication unit.  This also adds a little tension to the top thread, and requires and additional little bit of tension lowering, but it holds it in the thread path really well and I am able to use it with hardly a bother.  I do this for both my Bernina 880 plus and my sitdown longarm Bernina Q20.

thread lubrication path on my Bernina Q20.

Thread Lubrication Unit on my Bernina 880 plus.

Thread lubrication path on another Bernina. They look a little different for each of the Bernina machines that has one.

For my little B350, my travel machine, it doesn’t seem to need as much control, but the thread path isn’t as long, and I figure that is why.   Happily these adjustments also work well with any 100 weight thread I use (I use both polyester and silk for various things).

My Bernina B350 named Edith Claire (E.Claire) after Edith Head. Even for this more simple machine, I do samplers before beginning to stitch a project. Circles make nice samples.

Deciding what threads to use on a project requires, once again, some testing and practice.  This is one of the big reasons I always make a practice quilted piece before I actually begin my main project.  The questions to ask that can only be answered with a little testing include:

  1. Do I want the stitching to take a front place in the overall design?  If so, use a heavier contrasting thread, even if the contrast is only one or two steps away from the fabric.  If not, use a lighter thread that matches as closely as possible the fabric, or even use a monopoly if I am stitching over a variety of fabrics in a small area (or, in this case, over hand crocheted lace).
  2. Is the stitching going to hide down in the seam or along the edge of an applique in stitch-in-the-ditch.  Or is the stitching echoing along the edge to highlight the applique or some element in the fabric, for instance.  Sometimes, like a halo, I might want the thread to be slightly or even strongly contrasting for this purpose.  The only way to tell is give it a try.
  3. What type of fabric is the stitching going on?
    • Right now, I am planning a substantial wool applique project that will include the writing of a large chapter in a book (or breaking into its own book), and will result in several samplers, the book project, and a separate show quilt.  This project requires decorative threads.  I am planning to use a variety of threads…primarily 12 weight wool/acrylic blend thread by Aurifil with a 50 weight cotton in the bobbin for most of the stitching at default tension settings with a longer stitch length, but also 40 weight Magnifico and Isacord embroidery threads, and metallic threads for some places.  These are all hopefully going to enhance and showcase the project.
    • For most of my cotton quilted projects I use the combination of 100 weight threads to sink into the background, and 40 weight embroidery threads to show the stitching.  But sometimes, I need additional types for a special thing.  I sometimes use 12 weight cotton thread by Sulky, which I have found runs smoother through the 100 weight top stitch needle with less mess on the back than other brands.  I tried a lot of brands before I settled on this one.  I have a lot of Superior 12 weight cottons that I sometimes use, but only my Bernina 880 plus and my little B350 seem to be ok with that.  My Q20 makes knots on the back with it no matter how I set the tensions and so forth. It might be the way I stitch.  Who knows.  Anyway, I usually use the Bottom Line with that in the bobbin and set the top tension just a little looser than normal to accommodate the width of the thread passing through the tension discs.

So you see, there are lots of considerations that make the thread choices successful.  Batting types and fabric densities, and yes, even the weather have an impact on these decisions.  That is why one really does need to make a small test piece, using the same fabrics, battings, needles, and so forth to practice on before stitching on your main project.  I write them down in my book I keep on projects, so I can return to these settings when needed.  It is truly helpful.  Also, be patient with the thread changes if you are stitching your masterpiece quilted art project especially.  They make a big difference.

Drawing Nigh, completed 4/17/2016. This quilt had 32 thread changes in the sky alone.

Sew happy everyone!  Stay healthy and have some fun in your studio while we are all still under house arrest quarentine.  And even after we are able to get out and move around, I hope you don’t abandon your studio.  Hugs!

 

Fine Tuning Quilted Art Projects: Part 4 Trees

The flowers and new spring growth are everywhere. I love this area at this time of year. I processed this picture of a nearby redbud (I think that’s what it is) as a “dreamscape”.  Not sure I caught the feeling right, but still…it’s pretty.

I am thinking my dear readers are possibly at the stage of thinking “will this never end” concerning our stay-at-home orders.  At first we were kind of shocked, then a bit scared, then ready to gung ho make face masks or whatever we could do, then start learning things, and now, after all of that, we are still here.  Still at home.  Still going to be at home for weeks yet. Sigh.  Oh, my, will this never end!  Well, yes, it most certainly will. Then we will have to pick up our alternative busy life styles where we will wish to goodness we had a little more time to quilt or sew.  Well, I won’t because I am retired and blessed to be working in my studio full time now anyway.  But I will have things to do outside of my studio and things that pull against my getting projects done.

Sew now that you have made your face masks or are coming to the end of that project, what are you working on or planning on working on?  (As an aside:  Quilted Art for me includes art quilts, traditional and contemporary quilts, quilted clothing, and quilted bags and other three dimensional items.)  If you are like me, you have more than one project going, or at least going on in your head.  Do they include trees?  I love making trees.

Trees for your quilted art

I love adding trees to my pictorial quilted art pieces, but I’m thinking that trees can be a really neat thing to add to lots of types of quilted art such as a jacket or skirt.  I didn’t realize until recently that I have learned or even developed many ways to come up with trees over the years, mostly made as embellishment items using thread painting, yarn couching, and applique and I thought I would share some of them with you.  The really neat thing about making trees for fabric art is they are so forgiving. They don’t require precision, but they do require looking at real trees and seeing what you can learn from them using your imagination.  Are they straight?  Are they interestingly textured? Are they spooky? Are they happy little trees?  Do the leaves read as a a bunch or individually or both?  What is the color of the trunk?  Try drawing the tree out first.

Machine Embroidering Trees or Parts of Trees

This tree is the stitchout from an olive tree I digitized in my Bernina software on wash-away stabilizer. I placed a tree photo in the art side and traced it by hand digitizing it in the embroidery side of the software (for further information on how to do this kind of digitizing, see my book Twelve Skill-Building Projects for Bernina V8).  The same could possibly be done by drawing it onto a piece of wash-away stabilizer and free motion embroidering it. I have done that too, but could not find a good picture. In both cases I would advise using a layer of black nylon veiling under the stitching to hold everything together off the quilt and then appliqueing it on.  One of the cool things about digitizing it this way, is that you can get the coloring very close to the photograph, the texture of the tree trunk close to how it really should look.  I used this tree on several Nativity quilts I have made.  That’s the other thing, if you digitize it in your design software, you can restitch it for another project later on.

Here is the first tree trunk I ever digitized and embroidered out.  It required a double hooping and I missed the connection just barely, so I free motion zig zagged the connecting place and you can’t see where it was.  In fact, I have even forgotten where it is and cannot figure it out even with close examination.  So even if you make a mistake like that, you can sometimes fix it on the spot without having to redo the whole thing.  I stitched it out with a variegated thread.  Here is the whole quilt “The Storyteller”.

But even though in this quilt, the tree trunk makes a happy tree, when you look at the stitchout design by itself you can probably readily see that the same trunk would make a really fun spooky tree where you could place a raven or an owl for Halloween.   So working out these things in digizing software gives you lots of additional options that can save you a lot of time on other projects.

Trees without the use of digitizing software and embroidery module

So sometimes I want to just applique my trees down.  In this case, I usually use steam-a-seam 2 and free cut out with scissors the tree trunks and limbs and even leafy sections without a pattern.  Then I iron them on the top and use a single narrow blanket stitch with a close matching thread color to permanently attach them.  It’s so much fun!!!!

Here’s a quilt where all the trees are made that way.  The texture of the trees is added when quilting.  This was really fun to make.

Summer Melody, 2016, 33 x 29 inches.

And sometimes you can make a rather cool evergreen tree freehand with a combination of yarn couching the trunk with Superior monopoly thread and heavy 12 weight wool/acrylic Aurifil thread free motion embroidery for the tree’s needles.  Here is the one I made on my failed Bob Ross contest quilt.  I made this quilt while my wonderful old Bernina830, which I did a great deal of heavy work on for 8 plus years, was failing, and so many things went wrong in my studio during that time.  I am not surprised it did not make the contest, but I still love the tree I made for it here, which I made entirely freehand on my Bernina Q20 as kind of a reprieve from my B830 problems.  I now have a new Bernina 880 plus to take the 830s place and I love it.  So production in my studio is at full speed lately.  I suggest if you want to make such a tree that you make a practice first.  It requires a fairly substantial stabilizer under the tree area of the top because all that stitching draws it in and makes a problem without it.  I used Madeira Cotton Stable that I get from Nancy’s Notions on the whole quilt top.  It tears away later, and, since it is cotton, it will soften when washed.  I marked only one line representing the main trunk to keep it tilted just as I wanted.  It hardly matters what you mark it with because the mark is completely buried with yarn.  I did all of this before sandwiching the quilt.

Happy little tree

 

and then you can combine applique and free motion yarn couching and other thread work to come up with some rather dramatic trees.  In this case, I appliqued the big cyprus trunks and then did a lot of shading using fabric paints to give the tree trunks the right round shape.  The tree limbs were couched on with wool yarn, and the spanish moss was free motion stitched using 12 wt Aurifil wool/acrylic thread.  I premarked straight lines down for the spanish moss with chalk before stitching, because it takes a fair amount of concentration to keep it from drifting sideways in an unatural way.

Night on the Bayou, 2018

 

Up close

And lastly, I was just playing around one day and here you see the resulting winter scene with the trees using both couching for some, 12 weight thread for others,  40 weight polyester, and even 40 wt metallic for others.  It is the kind of practice piece I suggest you try if you are new to making trees with free motion fibers. As for all these quilts with heavy amounts of stitching, be sure to back it with a heavy stabilizer that either tears off or washes off to help with the draw in of the stitching.  I recently finished this as a little quilt sampler, but don’t have a picture of it yet but you can see the thread work here.

Sew happy everyone!  God bless you in this holy week and have fun in your studio while you await the end of the quarantine.  Have a blessed and happy Easter Sunday.

 

 

 

Keeping On Keeping On With Some Fun Too

I know some of my gentle readers are about to pull their hair out by about now being confined to their homes.  Sew let us all get up and do some stretching and bending.  Ten reaches to the sky, ten toe touches, ten swings from right to left with arms out, and 100 in place marches.  Ten deep breaths and giggle like a kid for ten seconds.  Now!  Grammy BJ (that’s me) suggests doing this several times a day and then get to work or play.  Here’s what I have been working on this past week.

Yes I finally made a bunch of facemasks, primarily for my family and friends.  A lot of my friends have devoted their entire work time to making these masks.  There is a need, and now that the study came out showing the properly made cotton masks using high end “quilter’s cotton” in at least two layers is, indeed, fairly effective (79 percent for the best, but poorly made with poor fabric choice can be virtually no use at all.  A surgical mask is 65 percent effective, and the N95 is 95 percent, jusf for comparison), we no longer have to contend with people saying it isn’t of any use.  Sew if you want to make some for you and your family or more I highly recommend Bethanne Nemesh’s mask method shown here in her video.  I made mine this way.  Here are a few of them (100 percent cotton…cotton fabric, cotton t-shirt ties, and cotton thread are easy to launder and sterilize.  I may be wrong, but I don’t like the idea of a non-woven interfacing.  A third layer of cotton something like flannel might add some additional safety, but the study was looking at a two-layer tight woven quilting cotton):

Sew after I made a bunch of these, I am probably done with mask making, at least for a while.  Now I am very excited about my current projects.  I have four I am currently working on or planning.  Yes, I know that’s a lot for all at once, but I can’t help it that all the ideas came at once.  Hahaha.

My primary project is my Mom’s memory quilt I am centering around five beautiful ten inch crocheted lace squares I found in her workbasket after she passed.  I have made substantial quilting progress recently, and am working on quilting the borders now.

Mom’s lace squares…10 inches of beauty.

  1. Here’s a peak…more quilting is in order here.  I really really love that blue polyester dupioni and off white polyester satin.  They quilt very well and did not break the bank like silk would have.  I think the dupioni is clearly different from silk dupioni, but it does have a rich beautiful texture.
  2. A wool machine appliqued quilting project that includes both samplers for my book I am writing and a larger show quilt using what I am learning as I build this part of the book and its samplers.  My goal is to take true advantage of the magnificent threads and machines we have today to produce wool applique quilts that are at once suggestive of hand applique and shows and teaches the use of advanced stitching by machine.  I will also add considerable amount of beads and possibly other forms of embellishment.  Here’s a little test I have done to determine what may be possible and think about the pattern.

    Just a test

    I have determined to use my accuquilt go! cutter to cut out a bunch of shapes and in real time place them in a good design and add stitching, then make a pattern for the book.  I have this nice tool, as many of you do or many have cutters of some sort, and I think it would be a fun approach, but I also plan on providing enough of a pattern for those who do not have one to make the resulting project.  And yes, it will all be done on black boiled wool because that is what I have on hand.  I am on a tight budget right now.  LOL

  3. My appliqued bed quilt I started some time ago using a beautiful pattern by Sue Nickels.   It’s sort of Baltimore Album like, but all done by machine applique.  I don’t have a picture yet.   This is my relax and stitch project where I don’t have to please a judge and I didn’t have to think of the design.  I am, of course, making my own changes and it will be just for me.
  4. And the fourth project for the near term is a new deep space quilt.  I love doing these.  I have worked out the technique, have all the supplies I need for one, and I take the design straight from one of the NASA photographs they so generously share copyright free, so I only need to put some size and spacing marks on a wholecloth black top and away I go.  I plan on putting how to do this either in my current book on embellishment or in its own book.  So I will be taking a lot of pictures as I go.  In case you are unfamiliar with such quilts, I have two below for you to see.  Both have won ribbons, and the Sky Horse was in the juried Houston show in 2014.

    Sky Horse photographed by Ken Tatum

    Spiral Galaxy No. 3

    These are so much fun to make.  I make them at my sitdown longarm because they are all free motion stitching.

    Sttitching with a reference picture

    And finally, my oldest son Ken who designed Pendragon for me is working on Excalabar design for the next in my ancient manuscript series.  If I manage to get all of these quilts done this year I will be doing very well.  I don’t work as fast as some of my competors in the show quilt world…hahaha.

    Pendragon
    34 x 45

    Sew happy everyone!  I love you all.  I hope you are keeping busy and making all kinds of fun things in your studio, or cooking, or gardening, or doing all of these things.  God bless you!

Here We Are in 2020! Merry 12th Night of Christmas!

Sampler practice piece.

Hi everyone!  Merry 12th night of Christmas (today January 5th 2020)!

Sew I will be leaving for California two weeks from today to visit my brother and his family and go to Road to California show with my brother Pat and sister in law Carol.  I would appreciate your prayers for an easy, safe trip! They have gone to R2CA twice before when I had quilts in the show.  I have a quilt in this show too…The Wizards’ Duel.  It looks a little different from this picture (I must get a new photo made).  I took the judge’s comments from Mid Atlantic Quilt Festival 2018 to heart and fixed the lower left mountainous rocks and added additional quilting and painting to the entire rocky area.  Then I sent it to Pennsylvania National Quilt Festival in Oak, PA and won a blue ribbon for Best Interpretation of Theme.  So I am hopeful I get some kind of ribbon at R2CA this year.  We will be there Wednesday night the 22nd, all day that Thursday, and a little bit that Friday morning.  I hope to see some of you there!

Wizards’ Duel before I improved the rocky area.

If you saw my last blog post you know I have lots of plans for this year, so I won’t relist that.  I know I have listed more quilts than I can possibly make, but then I can choose the ones I feel like making and put the others on the shelf for later.

By the way, if you got a Bernina v8 software for Christmas or some such, remember I have a book with skill-building projects to help you learn to really enjoy that software, Twelve Skill-Building Projects for V8.

Carrying on the skill-building theme, I am writing a skill building book on fabric embellishment, and another skill-building projects on various quilting styles good for art quilts.  I hope to get these two books published this year!  They require samples when I don’t already have one.  I like “skill-building” because it is not trying to tell you every little thing, but provide projects that will enable new or improved skills for your own fabric art.  I also am planning on making lots of new videos for my YouTube channel, but not until I get back home.

Sew happy everyone!  I hope you manage to get to at least one quilt show this year.  If you can’t get to one you really want to there are usually a lot of interesting YouTube videos about some of the shows.  I will take my cameras with me, but not sure what I will get done with that since I will be there with family.

Looking Forward to 2020

Happy New Year everyone and God’s blessings on your lives for the new decade!

I have a lot of fun plans for 2020.  As I usually do, I have almost certainly planned more than I can accomplish, but there is always the offhand chance I will actually get them all done and that would be grand.

As many of you may remember I made big plans for clothes making in November.  Read all about it here in my past blog.  But November was basically eaten up with my making of my son David’s “leather” coat, which, albeit successful in the end, required a lot of unexpected time while I polished up my rusty tailoring skills from decades ago, fixing several big mistakes, and taking my time doing a good job on the coat with the great feet and machine I had to sew it with.  If you missed it, you can see the end results in this blog.

But I still need some new clothes for myself.  Fortunately, most of the fabric I have for this update is four season fabric.  So I am going to scatter this sewing across the year.  Besides, I am hoping to lose some more weight so it would be a good idea to go kind of slowly in this wardrobe revamp project.

In the meantime, I hunted through some of the older jackets and shirts I had stored away I used for work that I haven’t worn for a while because they got too tight, but now they are nice and lose.  Some even require taking in.  The first thing I did last week was take a tan faux suede jacket I had but never wore much because it was just too boring, and embroidered the back and fronts with some really pretty steam punk designs in blues.  The designs include an old style sewing machine, an owl, and a bunch of gears and swirls.  They came from this OREA set of designs.  It really improved it and I will be using these designs elsewhere.  I also found the long dress that goes with it.  I don’t really wear dresses anymore, but it is also made from the same nice faux suede and I might make a bag or something to go with the jacket or I might just wear it as is, adding maybe some embroidery on it too, but I doubt I will do that.  In any event, I am not planning on buying new clothes in 2020, because I can make the ones I have work and can make some new ones while I continue to lose weight.

I think I have what I need ready to go now for my trip to California to see my brother, sister-in-law, and the Road to California show we are going to together.  It was a wonderful gift from my SIL.  We have a lovely relationship and I really am thrilled with this trip.  I will also get to see my nephew and his family.

Sew once I get back to my studio what are my plans?  Since I usually work on two quilts at a time, this year I will work on one quilt and one garment at a time for a while.  I like working two projects to give me some changes in muscle and eye activities periodically without losing a lot of time.

Sew in addition to my clothing plans I have an exciting plan for show quilts, books, and maybe some additional items for sale.  Right now, I am quilting my Mom’s memory quilt.  I have made a significant start in the quilting, but I have a long ways to go.  I really enjoyed returning to quilting this past week.

I made a list to pick from  the other day for 2020 show quilts.  I was thinking four quilts, and ended up with nine on the list to choose from.  I am fairly certain I won’t get nine show quilts made this year…hahahahaha.  Here’s a short list of some of the ones I am considering making.

  1. Mom’s memory quilt already well along the way
  2. A strata landscape quilt with embroidered and beaded fossils
  3. A steam locomotive train scene using the fabric I digitized and had printed for the background
  4. A new ancient manuscript quilt (probably Excalibur)
  5. A new deep space quilt
  6. An ancient map with a ragged edge
  7. A deep ancient forest that shows off my couching and thread painting
  8. Several landscape quilts based on my daughter-in-law’s beautiful travel and flower pictures
  9. A wool applique quilt with interesting decorative stitches and heavily beaded.

Plus I am writing two books, which require samples.  I am about halfway through the one on embellishments and have the one on quilting for art quilters outlined and started.

I will do what I can and not try to push myself too hard this year…just sew along and enjoy myself along the way.  But I would really love to get it all done.  Great fun in my studio.

Sew happy everyone!  I would love to know what your plans for the new year are, at least to begin the year.  Enjoy your New Year’s Eve and Day!

Upcoming Fun Events and the “Leather” Coat Project

Hi everybody!  I have several items of news, which some of you already know about if you read by Facebook posts, but I’ll tell you anyway.

First of all my Embellish This! workshop at G Street Fabrics in Rockville, MD suffered a delay because on my way to the planned workshop my car quit running.  I was on the toll road and right at an exit that went downhill, which was quite a good thing since I was able to coast off the exit ramp onto a generous grassy side and was completely out of harms way.  Turns out it was some kind of air hose had come disconnected for no known reason and that was all.  But the nice AAA tow truck rescuer towed the car and gave me a ride all the way back to my preferred car repair place and they fixed it for nothing and did the annual checkup at the same time, which revealed I needed new brake pads and a new belt of some kind.  I did get those fixed the next day.  So the new class date is now December 15 and there are still places left, and I would like to fill them.  A full class is a happy class!  This class will be totally fun and result in a top that could be made into a nice wall hanging or pillow for a Christmas present and leaves you with a lot of knowledge of the techniques needed to embellish your projects.

Embellish This! workshop sampler for December 2019 class.

Secondly, I have been, as you know from my past several blogs, making a faux leather, aka “leather” coat for my youngest son David, who is a big and tall man of noble stature.  You can read the past two blogs to get an idea of what this entails, but I will say that it has been the hardest thing I have ever made in my entire sixty plus years of sewing!  And no, it wasn’t difficult just because it is “leather”.  The “leather is fairly easy to sew with, but it is black and slightly shiny and you can’t take anything out if the stitches are going to show.  But I had made the Frankenpattern from three patterns and then did a substantial amount of size changing.

I have only got the hems and the buttons to go on this project. I just had a fitting with David and it looks fabulous, fits perfectly, and I am surprised after all the struggle I had getting it right.  Partly it was difficult because it has been decades since I made anything tailored for a man.  Partly it was difficult because some of the pattern needed so much adjusting.  Partly it was difficult because I made several stupid mistakes (probably lack of practice) that resulted in my having to recut the right front piece along with its pocket pieces, and the collar, which didn’t lay properly (I used the Burda pattern collar and it was probably right if I had been working in wool, but it did not work for “leather”, so I remade it.  But anyway, I am down to the hems and buttons and I am happy.  Only one more day of sewing on it and it will be complete.  I discovered it is hard to work on it beyond 4 or 5 pm  because I have to rely a lot on the light coming in my studio window for this black shiny fabric.  Once the light oustide goes down the artificial light makes it simply too hard to see.  This is why I made the mistake on the front pocket that made me have to remake the front and its pocket, and I was too stubborn to stop sewing.  But I learned the hard way…LOL.

And now for the really fun news.  My quilt The Wizards’ Duel got into Road to California quilt show in Ontario, California, which is relatively close to San Diego where my brother Pat and his wife Carol have one of their homes, and where my nephew Whitlow and his family live.  Now since I had to purchase a new machine the middle of this year (you can read about that in several previous blogs..it was necessary) and have had some additional unexpected expenses this year, I told Pat I was unable to come out to see him and go to the show around that time, but that my quilt had gotten into the show.  The next day, he called me back and let me know that Carol and he were going to give me the plane ticket and most of the expenses for the trip for a nice ten day visit with them!  You could have blown me over with a feather!  He and Carol are going to drive us up to Ontario on Wednesday night before the show and stay all day Thursday and the morning of Friday!  They have been to the show themselves whenever I had a quilt in the show and it will really be fun for us to go together!  So I now have the ticket reservations, we managed to get into one of the preferred hotels, and the tickets for the show.  How about all of that?!  What a lovely present from my dear SIL and brother (it was her idea I was told)!

Wizards’ Duel.  Since this picture I have improved the mountainous rocks in the scene per a judge’s suggestion at MAQF.  I then sent it to PA Nat’l Quilt Extravaganza and it won a blue ribbon (Best Interpretation of Theme) and had wonderful comments from the judges.  R2CA will be the third show it will be shown in.  I entered it into several AQS shows but they rejected it from all of them for unknown reasons.  Perhaps I should have had it rephotographed, because the rocks make a difference and the flash made the bottom scroll work too bright.

So in my blog from Nov 2, I so confidently laid out grand plans for November in which I would do a lot of clothing sewing and end up with a refreshment to my wardrobe and David’s coat.  I had thought David’s coat would take about a week and a half, but it has gobbled up all of November.  These things happen, but now I have to decide whether to keep on with the clothing sewing or go back to quilting and fit the clothes in a little at a time across the winter and early spring.  I think I will do a little bit of both, in light of my trip to California and the fact that I have lost a full size over the past year.  If I make one pair of slacks at least I will greatly improve my traveling wardrobe.  I would also benefit if I could fit in a jacket…either the jeans jacket or the faux suede jacket with lots of embroidery.  I’m inclined to do one of those also.  both have embroidery and would be fun to flaunt at the show.  I KNOW they won’t take very long because the patterns are already fitted and don’t require massive refits.  I looked at my wardrobe and figured I can get by with just the slacks addition.  Sew we’ll see.  Nevertheless, I will still make all the items I listed for my November sewing plans but will spread them out over three or so months in between the quilting because I need them.  BUT, I WANT TO FINISH MY MOM’S MEMORY QUILT!!! LOL Not to mention I want to make several additional show quilts for 2020.  We’ll see how it goes.  And don’t forget, I’m working on books.

Sew happy everyone!  Even if you end up having to struggle through a project, make something wonderful for you or your family.  Stretch your sewing and quilting skills a little further.  Send me pictures and I’ll post some of them here if you would like.  Also, you are free to ask me questions if you run into difficulties.  I know a lot (just a fact, not a brag). LOL

 

 

Upcoming: A Really Fun Class at G Street Fabrics

Embellish This! workshop sampler for November 15 2019 class.

Hi everyone!  Next Friday, a week from today, I will be teaching a super fun workshop called “Embellish This!” at G Street Fabrics in Rockville, MD sewing machine department.  There are empty spaces…so come and fill it up.  My classes usually have a waiting list, and often this happens in the week before it starts.   Call 301-231-2998 and ask for the sewing machine department to sign up.

Bring your machine and obtain the kit (a $45 kit worth over $100) that is filled with an interesting variety and weights of decorative threads and cords, and even some yarns, sequins, and needles to play with.  You will have a lot of threads leftover to use on several other projects. It also has a marked test fabric and a 15 x 15 inch fabric panel that I designed just for this class to embellish that will make a fun decorative pillow top, wall hanging, or table topper when compete (a nice present).  The fabric practice piece and the panel are both already backed with fusible tear away stabilizer.  Be prepared to have a LOT of fun.  I also have asked that students bring a free motion couching foot, an open toed embroidery foot, and an embroidery foot like Bernina embroidery foot 39 or 6 that has a small hole for cording to use with decorative embroidery.

You will be amazed what you can do with your machine, and you will enjoy yourself.  You will go home with a strong understanding of how you can use it to give your projects a special touch.  This is a stress-free class designed for all levels of sewists.

I hope my local friends will come  and launch their Holiday sewing with this fun class.