A Website Update and the Wool Applique Project

Hi everyone.  Well, I completed the update on my website and am reasonably happy with it.  I did not yet put the store in operation because I still am working on the downloadables I am planning to sell there.  My goodness I have been busy!

A digital design I created last year. It seems like winter to me with snowflakes that look like butterflies…LOL.

I have been having fun though.  This week I am embellishing my wool applique by machine sampler with decorative stitches using 12 weight Aurifil wool blend thread.  I have been really enjoying figuring out which stitches to use on each applique and how to set them.

Sampler one part one. Here we have the simple shapes of the sampler in place, ready to begin the embellishment/embroidery.

Since I used Steam-a-Seam 2 fusible for the appliques, and they are felted wool going on to Melton boiled wool background using wool thread, there is a lot of fluff!  So the fluff stuck to the needle and filled the bobbin area.  I just cleaned out the bobbin when my machine complained about the bobbin and it was just fine.  But I had just gotten a package of Schmetz super non stick 90/14 needles.  Now one needs that size needle for 12 weight threads, and I was using a Superior top stitch, which is a fine needle that I use for most of my work, but the fluff from all this wool was continuously climbing up the needle and had become problematic.  So I tried the non-stick needle and was astonished at how the fluff on the needle just went away!  The stitching went forward with no further problems other than stopping every now and then to clean out the bobbin area, which isn’t very hard to do. My bobbin sensor lets me know when it cannot “see” anymore.  LOL

Truly I encourage you all to try some embellished applique by machine.  Realize it isn’t very fast, in fact it is kind of slow when properly done, but it is beautifully satisfying to do and just plain fun!  So keep it small for your first projects! In another week or maybe  a little more, I will have the first of my embellished wool applique by machine videos up and running.  I will tell and show you what I have learned about this technique.  I invite you to join me in making a sampler of your own.  I know you will enjoy it.

Next week I will post a list of supplies for the project with links of where you can get them and I will also put a pdf downloadable handout here for you to use too.  This class and downloads are free. I do, however, have plans for presenting many other techniques and projects by video where the project workbooks and patterns will be available for sale on my new website shop.  I hope to keep the videos free, but we will see how that goes.  Keeping the videos free will depend on how many subscribers I get to my channel and how many people buy the downloadales.

Sew happy everyone! I hope you are enjoying a Happy Hanukkah and Christmas season.  It’s my favorite time of the year. Blessings everyone!

 

 

Embellishing Appliques by Machine

I have been having fun in my studio this past few days while I worked on my wool applique sampler.  I got all the pieces appliqued and have started the fun part of adding decorative stitches to turn them from simple shapes into interesting flowers.

As an example, here is one of the flowers appliqued and ready to embellish.  I used a combination of all wool felt and wool blend felt.

 

Here is the same applique after I added some decorative stitching using wool blend 12 weight Aurifil thread.

I may decide to add more stitching to this particular flower. It was helpful to me to see it in the photograph.  Somehow pictures of my work gives me a different perspective.  I may decide, instead, however, to use some free motion quilting to add more details to this flower.

Here is a little closer view of the flower heads and flower stem that I also embroidered with some decorative stitching.

Sew it is a layered process, and while I have a general idea of what it will look like when finished in my mind’s eye, I make adjustments and changes from my original concept as I go.

In any case, I find this phase of the project really fun as each addition changes the appliques and I see my original concept emerge into reality.  The last thing I will do before sandwiching and quilting it is to add some patches of grass and maybe a bug or animal around in the grass.  The quilting should also make its own addition to the overall interest of this little wall hanging.  I am considering how to finish the edge.  Should I bind it in cotton or edge stitch it with some heavy weight specialty thread, or even try out that yarn couched edging that Nina McVeigh demonstrated in one of the Bernina videos on The Quilt Show?

One of the useful little bits I learned in the process was how well the Schmetz Super non stick needles helped solve the problem I was having with the wool felt that I had fused on with Steam-a-Seam 2 sticking to the needle. It was getting balls of felt fuzz climbing up the needle until I switched needles.  Then I had no more problem with that so far.  I was rather astonished.

I’m not sure you can really see the various stitches in this picture, but you can see how I added the numbers of the stitches just above each stitchout.

I made a little test piece to help me decide which decorative stitches I want to use. I also tested the way I stitched them out.  For this I used the machine automatic knot it will stitch out if you ask it to both at the beginning and the end.  I also stitched them with a specific number of repeats and then just stitched using a slow set of the speed and the start button, rather than the foot pedal.  This allows for the machine to stitch out a very even pace, which makes decorative stitches more beautiful.

So when I set it up to go around those circles, I set it to stitch one repeat without turning (basically hands off), and then turn the fabric before doing the next repeat. It makes for a very nice embroidered stitch, almost like good hand embroidery, especially when using a nice thick thread like Aurifil Lana wool blend 12 weight thread.

One thing I learned about working with all this wool and wool thread is that I need to clean my machine a lot more often because both the fabric and the thread produce lint down in the bobbin area of the machine. It is well worth it though, because it is lovely.

I have a long ways to go before I finish this sampler, but I am really having fun with it. I am also video taping here and there as I go.

Sew happy everyone.  I encourage you to try your hand at wool applique by machine.  In just a few weeks I will come out with my three part video class on YouTube that will use this very sampler and the techniques I am talking about here.  I will have a free downloadable handout here to go with it.  That effort is progressing nicely finally.  I decided to produce all three videos before I posted the first one. Cheers everyone.  Happy Advent!

 

 

 

Simple Shapes for My Wool Project

Sew earlier this week I got everything ready to make my first video and then discovered I was missing a cord to connect the little monitor I need to my Sony Handicam camera.  Now I don’t know about you, but I don’t think identifying cords needed in the computer world is the easiest thing to do,  Thank GOODNESS I have my own family geek squad.  Hahaha.  My son David helped me to identify what I needed and looked through our huge collection of cords, but we didn’t have the right one.  So I ordered it and it is supposed to come today. If it comes, I hope then to get my first video on YouTube sometime next week.  I don’t know how long this whole video making and editing will take me, but my tentative plan is to put one up a week at first.

Sew I got all ready to make the first item for my book/video wool project.  It is called “Simple Shapes” and it is a small wall hanging, and I really invite you to join me in making one yourself.  I will be providing all kinds of help here and even videos demonstrating it.

For several years now I have had an Accuquilt Go! cutter, and have, over the years, collected a fair number of their dies.  I find the dies are wonderful for this particular kind of project, and also I cut all my bindings and borders on it.  It’s much more accurate than I am…LOL.

I also use it to cut my 8 inch blocks I use for cuddle quilts.  I used it when I work with my grandson, who made a couple of simple quilts with my help several years ago, and he was able to cut his own quilt pieces safely.  It’s just a very helpful tool in my studio.  Yesterday it took me only about half an hour to cut out all the pieces I need for this, and most of that time was because I am backing them with Steam-a-Seam  fusible before I cut them, and I had to get that ironed on.  This makes the wool feed through the cutter so nicely and hold the pieces nicely in place.  I have other methods to do this too, but this one is my favorite.

However, if you don’t have a cutting machine and don’t want to buy one right now but want to follow along with me and try your own hand at wool applique by machine, I have made a pdf pattern with simple shapes that you can download and use.  You can find the pdf file on my Aids and Links page on this blog (see the links at the top of this blog).  I know you could draw your own, but why bother, since I have them all put together in the free pattern. They are not necessarily the same as those on my dies, but close enough.

Sew I cut out a bunch of shapes from fun several colors of the wool felt I talked about in my last blog.  As I promised, I also looked around and found you can get satisfactory quality sets from Amazon if you want to make one of these wall hangings yourself.  I would love to see you join me in this fun project. I recommend you get four sets and you will have enough for several projects. Just click on the links below.

I also found a melton wool blend in black that would make a nice background, or you can use a nice solid color quilting cotton for the background. If you get a single yard the wool, it is large enough to make two or even three small wool projects, because these are small little jewels of projects and the yard is 58 inches wide. These would make nice Christmas or other celebration presents.

Sew now that I have all these simple shapes cut out  I will arrange them in a flower arrangement of some sort.  Follow this blog in the future to see what to do.  Note that I also cut some stems and vines about 1/4 inches wide and some leasves shaped from the felt that are not on my pdf but I did use the stems and leaves die on the Accuquilt site also.

I will talk more about what to do with all these shapes in future blogs, but you might guess if you look again at my last blog where I show a lot of the test piece I did.  I will be demonstrating this on my video, assuming I am successful in getting that done.  LOL  I will be linking to my video in my next blog probably.

Test and practice piece

Sew happy everyone!  Teach someone to sew or quilt or at least encourage sewists and other fabric wizards you know.  Even the most advanced folks need encouragement.  Sending you all hugs!

Looking Forward to Some Sewing and Quilting

Hi y’all.  I have pretty much figured out the video making puzzle and have all the things lined up for that, and now I need to do some additional work on the fabric art projects I am planning to use for my videos before I can start this up.

So, with a lot of happiness, I decided I will spend the whole next week at least just “working” on fabric art.  I will be taking progress photos and probably small snatches of videos as I do this, of course, but mostly I will be playing in my studio with fabrics and threads.  I’m so glad I don’t have a deadline!

The question is, what am I going to work on now?  Well, I have the wool applique by machine project and I also want to start up one of my many planned items I already designed in the free motion/quilting arena.  It should be fun and I hope very soon to share the fun with you in my planned videos on YouTube.

One of the things I have found really fun while I was working on the video equipment was to watch old Sewing with Nancy shows.  I think I have found nearly all of them now to watch on my tv or computer monitor.  Pfaff has put her original older ones on YouTube where she used Pfaff machines (search for Pfaff Talk and you will probably see it there).  They nicely bunched all the parts of a subject into one longer video, which is nice. In searching for “Sewing with Nancy” on my Roku, I also found I could place a PBS link on my Roku that has the Wisconsin PBS collection of her shows they have.  They are organized by season going back to about the time she switched away from Pfaff to the BabyLock that her company owned.  I believe that almost covers her entire production, though there may be more.  There is a huge wealth of great shows between these two sources and I have been having a lot of fun having that on while I worked.  She was an amazing woman who gave us sewists a lot.  I miss her though I only met her briefly once at a quilt show.

Sew I am taking a full break today.  I sold one of my two cars yesterday to one of those companies that buys cars, because we were having trouble keeping the battery charged and running since we used it so little.  They gave me a fairly good deal on it.  Both my son and I work from home and we simply don’t need more than one car between us.

That was an almost surreal adventure.  I found I had a flat tire when I got there. It drove fine all the way there except I had noticed a little bumpiness at one point that I chalked up to the road. David was driving the car I sold, and on the way the EZPass in that car decided it was time for the battery to quit working and he had to stop and pay the toll with a credit card, and then I got there and realized I had left my wallet behind!  I never do that.  But I had put it down to grab my mask and forgot to pick it back up.  So we got the AAA to come and fix the tire, which apparently is not damaged in any way, and we discovered the other car had a low tire too!  Odd, don’t you think?  Suspicious?  He pumped up that tire too, which also did not appear to be damaged and David drove me back to pick up my wallet and we went back and completed the sale.  It was trying and tiring, but we came home all safe and sound.

Sew after a tough week that also included having my dishwasher die and getting a new one installed on Wednesday, as well as the real work of figuring out all that video equipment, and then to be topped off with the difficult day yesterday, I decided to just goof off today and pick up again tomorrow after church (I watch our church service online, even singing the songs, giving the responses aloud, and so forth. That helps make it more real).

Despite it all, this difficult week ends up with a nice new dishwasher, a check for the car, and my video equipment and methods figured out and ready to use with charged batteries and downloaded manuals on how to use the equipment, and I even made progress on learning the editing software.  Thank the Lord!

Sew happy everyone!  I’m really ready for some time playing with fabric and threads.  How about you?

 

 

Interfacings or Stabilizers?

So recently a friend of mine asked me about the use of interfacings and  stabilizers and what was the difference. I consider interfacings and stabilizers both indispensable in fabric art creating of various types.  They make the difference between a successful project and a lackluster or even failed piece. Understanding them is one of the basic skills for everything from fashion sewing to quilted art.  I can fully understand her need to know more about them.

The Byzantine world of stabilizers and interfacings can be very confusing,  because there are so many of them and they all have different uses.  Adding to the confusion is all the different brands that are out there and may call them something different and what do they mean by “lightweight” anyway?

The Back Wall of Home Dec Fabrics at G Street Fabrics

First of all, let’s discuss her question of what is the difference between interfacing and stabilizer.

  1. Well, for one thing, stabilizers do not always stay in the project, but sometimes they can.  They are largely designed to assist in making machine embroidery work both in the hoop and free motion thread painting.  They are also useful for decorative machine stitching.
  2. What makes this confusing is that interfacings can also serve as stabilizers but they are designed to remain in the project and interfacings often look like stabilizers.
  3. You may need both or even two or more for specific projects.
  4. You can even use spray starch or other spray products to work as stabilizers.
  5. And then there are those clear plastic looking stabilizers of varying weights made with corn starch or similar ingredient that washes away.  They have a variety of interesting and helpful uses in the fabric artist’s studio.
  6. Interfacings provide stability for fabrics that have a tendency to disintigrate, spread the stitching, or simply need a heavier hand for the project you are making.  They help to properly shape clothing, and is particularly required for any high-end sewing like fine couture sewing, tailored garments, wedding dresses, simple dressmaker jackets or vests, and shirts with buttons and collars.  I use interfacings extensively in both my clothes making and art quilting to make my wide selection of fabrics work together.

Sew I am focusing this discussion by using popular brand names  just because it is easy to identify and I know from using them they are a good product, but there are other brands that are also fine and some that are just terrible (shrinking, bubbling, wadding up with use). Buy a good grade of these products so your project will be successful.

Interfacings

I have a handful of stabilizers that I keep stocked in the studio so I have them when the need to sew or quilt hits me in the middle of the night and it also helps to save lots of time.  Also by stocking, I can save a lot of money by buying them when a good sale goes by. There are a large number of Pellon interfacings, but I try to keep at least three yards available of these four weights of interfacings. I buy the first two of these by the bolt when they are on sale because I use a lot of them.  They are usually much cheaper–three or four times cheaper–by the bolt, and even more if you hit a good sale.

  • For stabilizing (there’s that word that helps make this all so confusing when talking about interfacings) such fabrics as silks, very light weight cottons, dupioni  and satin polyesters, specialty fabrics, and to use for some wool or wool like tailoring fabrics, I stock a woven fusible lightweight interfacing like SF101 Shape Flex by Pellon  This nice woven interfacing does not have much affect on the hand of the fabric and, if quilted, it causes the fabric to drape better and to be smoother and more attractive. It can be used for shirt making also, but you may want to use a heavier weight for more tailored shirts.  I would not use this as a rule on good quality quilting cotton unless you are making a shirt or dress out of it.
  • For an even lighter hand (fabric drape and feel) backing up fabrics that need a little help, such as high quality silk dupioni or cotton lawn I like one of the nearly sheer nonwovens, such as Pellon 906F sheerweight. This particular interfacing is scarce right now because it is one of the choice interfacings for making masks more effective.  So I linked to a pretty good price for the bolt.
  • For a little heavier interfacing that you might want to use for crisper collars in tailored shirts, or costumes, for instance, I like Pellon 931td Some people are using this for mask making also, making it a little scarce, but I think it is just too heavy to comfortably breath through for me.
  • For bag making or some such with leather (artificial or otherwise) or heavy upholstery fabrics when you want to quilt it I use Pellon’s naked foam. I thank Nina McVeigh for alerting me to this product on her fascinating The Quilt Show show (if you aren’t a member, you are missing a lot).  I layer it with the leather or heavier upholstery fabrics and add a cotton backing fabric.  This is approaching a batting discussion that will be a future blog post, but I felt it also fits well in the interfacing discussion too.
  • For high-end tailoring, especially with wool projects like coats and jackets I usually, but not always, move away from Pellon and use mostly Hymo.  Note that I have already run a few blogs about tailoring coats, and plan on making a wool slacks suit and a raw silk tailored jacket for this fall and winter and will blog the making of those, since I have some beautiful fabrics on hand that I should use before they age out.  You can easily obtain high quality and varying weights of these from tailoring supply houses online.  I generally buy these by the project.  So you will want to first consult your pattern or a tailoring book to get the right thing.   Here is a link to A group of Hymo tailoring interfacings especially good for wools from B. Black and Sons a wonderfully supplied company where I buy my tailoring supplies:  Hymo
  • And B. Black also has these lovely canvas/cotton interfacings that I have used with success for non-wool or light summer tailoring:  Canvas/cotton.

Stabilizers

I use several different stabilizers for my fabric art projects and even for embellished clothes, but I only stock a few of them because they could take over my storage space otherwise.

  1. The primary stabilizer I use for my in-the-hoop embroidery and free motion thread painting for my quilted art pieces is either OESD’s Ultra Clean and Tear Fusible or Madeira Cotton Stable, which I have a slight preference for but it is increasingly hard to find and has gone up in price. Both of these stabilizers give the fabric enough stability to take a higher amount of stitches than most of the stabilizers will do and they both tear away easily after stitching while remaining in place when you are stitching.
  2. A heavier film wash away stabilizer, such as OESD’s Badgemaster,  and a slightly lighter film stabilizer Madeira Avalon is especially useful in the studio.  I use both Madeira and OESD film stabilizers.  Washing it away can be interesting.  It’s like a science fiction slime creature at first…hahaha.  I just soak it in clear cold water and then rinse it well in running water.

I really like OESD’s Aqua Mesh Washaway, that looks like an interfacing, works well for marking designs on,  and easy to use for stitching a free-standing thread motif, applique, or free standing lace.  In such cases I will almost always add a layer of black  or white nylon tulle on top and a double layer of Aqua Mesh Washaway.  Then when you rinse it away, your piece will hang together and you just cut closely around the veiling, which basically disappears to your eyes on the fabric you applique it on to. Black veiling or matched to the background veiling works well for this. It is especially useful when you are embroidering or even free motion couching cords and yarns to build a heavy design to make them free from the main project and applique them on.  It helps deal with the pull and keeps your main project nice and flat.

I embroidered this freestanding lace star on blue nylon veiling with a double layer of wash away stabilizers and then appliqued it on.

Fusibles can act as a stabilizer/interfacing

And don’r forget that when you are making a fused on applique for a wall project, for instance, you may wish to keep the fusible whole rather than windowpane it if you are going to do a lot of heavy stitching on it later.  Then it acts just like a combination interfacing and stabilizer that does not get removed from your project. So you have to give some thought to how you are going to complete the project and how it is going to be used to decide whether to windowpane (cutting out most of the middle of the fusible leaving just the edges) to maintain a soft drape or is it a good idea to use the fusible whole.

There are several high quality fusibles on the market and everyone seems to have their own preferences.  I personally prefer steam-a-seam 2 with the two sides of paper.  One side has one inch squares on it and that’s the side that you draw your design on, cut roughly around the design about 1/4 inch away, peal off the plain side, stick the side with the grid and the drawing onto the back of your fabric, and cut it out. After that you remove the paper and you have an applique with a lightly sticky side that you can move around until you have it just right before hitting it with a steam iron that glues it in place ready to stitch.

Sew happy everyone!  This blog took me too long to write because I was trying to identify what I felt were the best links to online resources.  If, however, you are fortunate enough to have an open fabric store that carries these good products near you, then bless them with your purchases there.  Blessings to everyone.  Have a wonderful time in your studios!  Feel free to ask questions. I might know the answer.

 

 

 

 

 

 

A Notebook with Fabric Samples on Projects

I have sometimes seen on tv shows about history, costumes, or fashion development books from history that hold samples of fabrics used for interesting events or proposed for historic figures. They make me want to spend some time with them pouring over the interesting or beautiful fabrics. I recently saw a show “Stitches in Time” on Britbox streaming where such books were used in research to better understand clothing from the past and recreate a costume.

This got me to thinking about how, as a fabric artist, I have also made some attempt, albeit not suffiicient, at keeping such records as I work through my more advanced projects.

Here is a couple of pages from my notebook where I kept the records of my projets over several years. I recently filled it up and started a new one.  I did not use all these fabrics in this project, which was my quilt “Pendragon”, but my son had given me the fabrics for the project and I wanted to keep a record of all of them.

Pendragon, 34 x 45, this quilt was exhibited in several major shows and won some ribbons, including 3rd place in AQS Paducah (Fall) and was shown in Houston IQF

It is a delight to me to look back through these project pages, especially for those that were particularly successful.  I wish I had used more pages and put larger fabric samples .  Indeed, I am now adding larger samples for my current projects. Not all of them have fabric samples, but I find myself wishing I had added them.  Something to enjoy in years to come and pass to my family in the end, who may decide to pass it on to the trash bin (but I won’t mind at that point), or who may find it a lovely memory. Perhaps some anthropologist centuries from now may also find this intriguing, especially if the resulting projects are still around.  LOL I laugh in amusement, but the researchers from the show were looking at record books hundreds of years old with samples of fabrics trying to match them to paintings or actual aged garments. Sew it does seem likely that at least some of my work will be around long after I have gone from the earth.

1890 embroidered wool (origin unknown)

Keeping records as I make these projects is not only interesting, it is very helpful to me.  In the notebook I also put a lot of information as I go, such as stitch settings and a step by step list of things I need to do.  Then I can refer back to them if I put the project aside for a while and return to it or when I make a companion quilt, as I am planning to do for Pendragon.  I hope to begin on Excalibur this year.

Such records are also useful for me as I am writing books and blogging about quilted and embellished fabric art. It is my hope to get one of these out this year.

Sew happy everyone!  I encourage you to make a record with samples of the fabric along with information about the fabrics. It’s not a waste of time, doesn’t take very long, and can actually save you time in future projects if you make notes along the way of your project near the fabric samples.

 

Keeping On Keeping On With Some Fun Too

I know some of my gentle readers are about to pull their hair out by about now being confined to their homes.  Sew let us all get up and do some stretching and bending.  Ten reaches to the sky, ten toe touches, ten swings from right to left with arms out, and 100 in place marches.  Ten deep breaths and giggle like a kid for ten seconds.  Now!  Grammy BJ (that’s me) suggests doing this several times a day and then get to work or play.  Here’s what I have been working on this past week.

Yes I finally made a bunch of facemasks, primarily for my family and friends.  A lot of my friends have devoted their entire work time to making these masks.  There is a need, and now that the study came out showing the properly made cotton masks using high end “quilter’s cotton” in at least two layers is, indeed, fairly effective (79 percent for the best, but poorly made with poor fabric choice can be virtually no use at all.  A surgical mask is 65 percent effective, and the N95 is 95 percent, jusf for comparison), we no longer have to contend with people saying it isn’t of any use.  Sew if you want to make some for you and your family or more I highly recommend Bethanne Nemesh’s mask method shown here in her video.  I made mine this way.  Here are a few of them (100 percent cotton…cotton fabric, cotton t-shirt ties, and cotton thread are easy to launder and sterilize.  I may be wrong, but I don’t like the idea of a non-woven interfacing.  A third layer of cotton something like flannel might add some additional safety, but the study was looking at a two-layer tight woven quilting cotton):

Sew after I made a bunch of these, I am probably done with mask making, at least for a while.  Now I am very excited about my current projects.  I have four I am currently working on or planning.  Yes, I know that’s a lot for all at once, but I can’t help it that all the ideas came at once.  Hahaha.

My primary project is my Mom’s memory quilt I am centering around five beautiful ten inch crocheted lace squares I found in her workbasket after she passed.  I have made substantial quilting progress recently, and am working on quilting the borders now.

Mom’s lace squares…10 inches of beauty.

  1. Here’s a peak…more quilting is in order here.  I really really love that blue polyester dupioni and off white polyester satin.  They quilt very well and did not break the bank like silk would have.  I think the dupioni is clearly different from silk dupioni, but it does have a rich beautiful texture.
  2. A wool machine appliqued quilting project that includes both samplers for my book I am writing and a larger show quilt using what I am learning as I build this part of the book and its samplers.  My goal is to take true advantage of the magnificent threads and machines we have today to produce wool applique quilts that are at once suggestive of hand applique and shows and teaches the use of advanced stitching by machine.  I will also add considerable amount of beads and possibly other forms of embellishment.  Here’s a little test I have done to determine what may be possible and think about the pattern.

    Just a test

    I have determined to use my accuquilt go! cutter to cut out a bunch of shapes and in real time place them in a good design and add stitching, then make a pattern for the book.  I have this nice tool, as many of you do or many have cutters of some sort, and I think it would be a fun approach, but I also plan on providing enough of a pattern for those who do not have one to make the resulting project.  And yes, it will all be done on black boiled wool because that is what I have on hand.  I am on a tight budget right now.  LOL

  3. My appliqued bed quilt I started some time ago using a beautiful pattern by Sue Nickels.   It’s sort of Baltimore Album like, but all done by machine applique.  I don’t have a picture yet.   This is my relax and stitch project where I don’t have to please a judge and I didn’t have to think of the design.  I am, of course, making my own changes and it will be just for me.
  4. And the fourth project for the near term is a new deep space quilt.  I love doing these.  I have worked out the technique, have all the supplies I need for one, and I take the design straight from one of the NASA photographs they so generously share copyright free, so I only need to put some size and spacing marks on a wholecloth black top and away I go.  I plan on putting how to do this either in my current book on embellishment or in its own book.  So I will be taking a lot of pictures as I go.  In case you are unfamiliar with such quilts, I have two below for you to see.  Both have won ribbons, and the Sky Horse was in the juried Houston show in 2014.

    Sky Horse photographed by Ken Tatum

    Spiral Galaxy No. 3

    These are so much fun to make.  I make them at my sitdown longarm because they are all free motion stitching.

    Sttitching with a reference picture

    And finally, my oldest son Ken who designed Pendragon for me is working on Excalabar design for the next in my ancient manuscript series.  If I manage to get all of these quilts done this year I will be doing very well.  I don’t work as fast as some of my competors in the show quilt world…hahaha.

    Pendragon
    34 x 45

    Sew happy everyone!  I love you all.  I hope you are keeping busy and making all kinds of fun things in your studio, or cooking, or gardening, or doing all of these things.  God bless you!

Fine Tuning Quilted Art Projects: Part Two, Collecting the Parts

Sew I got some interesting feedback from some of you on my last post where I discussed obtaining or creating the design and pattern, and thinking through the instructions.  Several of my quilty friends…some of them prize wining quilters and teachers…just dive right in and go.  So I want you to know that this series of blogs is primarily designed to lead people like me who need a plan to work from through building a good fabric art/quilting project.

Personally, I like to work with a plan.  Very often, however, I make so many changes along the way the end result is unrecognizable from the beginning.  But it helps me to approach a new project with a plan in mind.  I will say though that sometimes I get kind of stuck on the pattern making part and in this case I may just go with a loose sketch and not a fully drawn pattern. I know what I want to do in my head, but getting it down into a pattern or plan is often kind of difficult for me, but I like it when I can.  I have friends who can just draw it out on their background fabric and start, or even just cut a bunch of fabric and start.  That would be amazing to have such a skill, but that is not me.  LOL

Sew once you have a project in mind, how do you pick your fabrics?  Do you buy a bundle from a particular fabric line?  Do you shop your own stash?  Do you just go to the store and buy a new set of fabrics?

I have an extensive stash that I have organized more or less by color and fabric type.  So I generally take my pattern I struggled to make, lay it out on my table, and start pulling fabrics from my stash that I think will fit into the quilt.  This is quite a messy process.  I end up with a pile of fabrics on my table, floor, and chair that might work.  Once I get to that insane place, I do a second pull of fabrics.  Then I put away the ones I decide definately won’t work and lay out what I have to work with.  From there I may eliminate a few more.

My idea is to put together my own kit for the project.  Here I will find if I need to buy additional pieces to pull it all together, which is usually the case.  I will say, however, that I frequently do not need additional fabrics.  I almost always need additional notions like stabilizers for embroidered embellishments, or more spray starch, a certain paint color, or a specific kind of cording or yarn to couch on the quilt.  It all depends on my project, but after all these years of collecting and trying to keep things organized I can usually make a nice quilt without buying a lot.  I will occassionally make a comfort quilt just to use up some of my stash and then I have a quilt to snuggle in or give away.  I think the hardest thing for me to keep in stock is the right battings, because I don’t have a lot of storage space for battings and I like different ones for different projects.

Sew here are the steps I take:

  1. Referencing the pattern or drawing I pull from my stash the fabrics that seem to me might work.  If you are new to this or don’t keep a stash, this would be done in the fabric store making a stack on the cutting table and asking them to let it stay there for a bit.
  2. Then I arrange the fabrics in a stack according to color or part of the quilt.  Here is where those small pieces leftover from some great piece of hand dyed fabrics come into play if I only need a small piece to make that flower petal, piece of armour, or leather saddle (yes, I do use leather for leather saddles on my horses).
  3. This arranging with the pattern in hand enables me to remove the fabrics that don’t work either because the color is jarring, the print is simply not right for the quilt, the value change is either too much or not enough, or I don’t like the whole set of fabrics so I put them back and start over.  Yes, I have done that.  Sometimes this fabric selection part can take a considerable amount of tme.
  4. If I’m shopping from my home stash I can determine at this point if I need to purchase more fabric.  If you are at the store, you may find you need to pull another piece and put back a bunch. Sometimes you can get a lot of what you need in a bundle of precuts and save a lot of money.
  5. Sew now I put away all the fabrics I will not be using and usually spray starch and iron the ones I will be using.  I prewash all my fabrics (unless they are not washable for unusual uses) before storing them away, so all I have left is the spray starching and ironing in preparation for use.

Now that I have my fabric bundle/kit put together, it is a good time to pick the threads. Actually, if I’m going to be using a lot of thread changes in my stitching I will just leave the threads in their storage place but check to make sure I have the right ones and that they are sufficient.  In my art quilts I use a LOT of threads…different colors, different weights, different types all for different uses, and over the last few years I have built a very nice thread stash, but I use them a lot so sometimes I have to replace a color.  It can be very frustrating when I am working hard to finish something and run out of a particular thread at an awkward time.  My closest brick and morter fabric store that carries the kinds of threads I like is 45 minutes away, and they may not have the color I want or some such.  So I order my threads online and that takes time, especially if I want to wait for a sale.  I also purchase threads at quilting and sewing events where they usually have a discount, so I try to keep a list of colors I need in my bag when I go to those.  You can save a lot of money on threads if you pay attention to what you use a lot of and what you may need in the future and who is having a sale on those.

The next thing to check for your kit collections is all the additional things that make your project work right…the batting, the stabilizers, the embellishments (paints, cords, beads, and so forth), and things you may not think of like thread nets if you use coned threads, fray check if you use that, interfacing if you are backing your light weight fabrics with a fusible, for instance.  I’m probably forgetting something.

So do you have it all together?  Are you ready to start the fun part of actually making your project?  Do you have the right tools?  Oh, I’ll talk about tools in my next blog post.

Sew happy everyone!  Enjoy yourselves while you are picking all the pieces for your next project.  Petting fabrics and admiring thread colors can be a lot of fun.  If you can shop your stash for everything you need on this project you can pretend you aren’t spending anything on it, because once these things are there and settle down into your stash it’s free, right?!  LOL

 

 

 

 

Finished “Leather” Coat, What Is Next, and a Quilt for Sale

I am struck by how much my readership dwindled during this past month as I worked on the “leather” coat for my youngest son.  I think it is informative to me that most of my readers are most interested in quilting, which doesn’t surprise me.  Well, nevermind.  I have finished the “leather” coat and I am going to do some quilting next before I do anymore clothing.  I do want to make a couple of pairs of slacks for me before I go to Road to California in late January.  But I am going to quilt, make a few small Christmas momentos in my embroidery hoop, and maybe a new bag to calm my sewing nerves after this tough project before I resume my clothing efforts sometime early in January.  LOL

The coat.

Well, it was time consuming and tough.  Why was it tough?  Not really because of the “leather” but more because I was tailoring a man’s coat for which I did not have a commercial pattern that fit.

One of the welted flap pockets

I was rusty in my tailoring methodology.  And yes, the “leather” does take more care and time, but it is still relatively easy to sew on.

Detail of collar

My new Bernina 880 plus, Odette, and the feet designed for use with the leather were marvelous.  I had no problems at all with that.  All the problems were mine.  LOL  Did I enjoy this project?  Well, yes.  I felt very happy to re-aquire my tailoring skills and enjoyed the sewing, which was amazingly easier than my decades ago work with leather.  I was only frustrated with my mistakes that cost me time and “leather” and with the time it was taking me.

Lapel detail

Now I have to dig out my studio and put away the scraps and so forth.  Then I have a workshop coming up “Embellish This! that I am teaching at G Street Fabrics in Rockville, Maryland on Friday the 13th (!) at 11 am to 3 pm.  It is largely filled, but I think there is another one or two places if you want to come and have a lot of fun. But I am all prepared for that one, so it won’t cost me any more time.

Finally, I put one of my quilts on special sale because need some spending money for my trip to R2CA.  I have reduced the price of this fun quilt to $899 from $1250.  I love this quilt that is centered around an Alfred Shaheen Vintage panel and I quilted on my Bernina Q20 pulling from Bethanne Nemesh’s book Quilted Textures from A to Zen for the textured quilting patterns.  I can provide more detailed photos if you are interested.

Tropical Garden, June 2017 36″ x 51.5″. I hand painted the border.

So contact me at BettyJo@bjfabricartist.com to buy this quilt.  We can arrange payments through PayPal.

Sew happy everyone!  Have some fun in your studio this week!

 

 

 

 

 

 

Upcoming Fun Events and the “Leather” Coat Project

Hi everybody!  I have several items of news, which some of you already know about if you read by Facebook posts, but I’ll tell you anyway.

First of all my Embellish This! workshop at G Street Fabrics in Rockville, MD suffered a delay because on my way to the planned workshop my car quit running.  I was on the toll road and right at an exit that went downhill, which was quite a good thing since I was able to coast off the exit ramp onto a generous grassy side and was completely out of harms way.  Turns out it was some kind of air hose had come disconnected for no known reason and that was all.  But the nice AAA tow truck rescuer towed the car and gave me a ride all the way back to my preferred car repair place and they fixed it for nothing and did the annual checkup at the same time, which revealed I needed new brake pads and a new belt of some kind.  I did get those fixed the next day.  So the new class date is now December 15 and there are still places left, and I would like to fill them.  A full class is a happy class!  This class will be totally fun and result in a top that could be made into a nice wall hanging or pillow for a Christmas present and leaves you with a lot of knowledge of the techniques needed to embellish your projects.

Embellish This! workshop sampler for December 2019 class.

Secondly, I have been, as you know from my past several blogs, making a faux leather, aka “leather” coat for my youngest son David, who is a big and tall man of noble stature.  You can read the past two blogs to get an idea of what this entails, but I will say that it has been the hardest thing I have ever made in my entire sixty plus years of sewing!  And no, it wasn’t difficult just because it is “leather”.  The “leather is fairly easy to sew with, but it is black and slightly shiny and you can’t take anything out if the stitches are going to show.  But I had made the Frankenpattern from three patterns and then did a substantial amount of size changing.

I have only got the hems and the buttons to go on this project. I just had a fitting with David and it looks fabulous, fits perfectly, and I am surprised after all the struggle I had getting it right.  Partly it was difficult because it has been decades since I made anything tailored for a man.  Partly it was difficult because some of the pattern needed so much adjusting.  Partly it was difficult because I made several stupid mistakes (probably lack of practice) that resulted in my having to recut the right front piece along with its pocket pieces, and the collar, which didn’t lay properly (I used the Burda pattern collar and it was probably right if I had been working in wool, but it did not work for “leather”, so I remade it.  But anyway, I am down to the hems and buttons and I am happy.  Only one more day of sewing on it and it will be complete.  I discovered it is hard to work on it beyond 4 or 5 pm  because I have to rely a lot on the light coming in my studio window for this black shiny fabric.  Once the light oustide goes down the artificial light makes it simply too hard to see.  This is why I made the mistake on the front pocket that made me have to remake the front and its pocket, and I was too stubborn to stop sewing.  But I learned the hard way…LOL.

And now for the really fun news.  My quilt The Wizards’ Duel got into Road to California quilt show in Ontario, California, which is relatively close to San Diego where my brother Pat and his wife Carol have one of their homes, and where my nephew Whitlow and his family live.  Now since I had to purchase a new machine the middle of this year (you can read about that in several previous blogs..it was necessary) and have had some additional unexpected expenses this year, I told Pat I was unable to come out to see him and go to the show around that time, but that my quilt had gotten into the show.  The next day, he called me back and let me know that Carol and he were going to give me the plane ticket and most of the expenses for the trip for a nice ten day visit with them!  You could have blown me over with a feather!  He and Carol are going to drive us up to Ontario on Wednesday night before the show and stay all day Thursday and the morning of Friday!  They have been to the show themselves whenever I had a quilt in the show and it will really be fun for us to go together!  So I now have the ticket reservations, we managed to get into one of the preferred hotels, and the tickets for the show.  How about all of that?!  What a lovely present from my dear SIL and brother (it was her idea I was told)!

Wizards’ Duel.  Since this picture I have improved the mountainous rocks in the scene per a judge’s suggestion at MAQF.  I then sent it to PA Nat’l Quilt Extravaganza and it won a blue ribbon (Best Interpretation of Theme) and had wonderful comments from the judges.  R2CA will be the third show it will be shown in.  I entered it into several AQS shows but they rejected it from all of them for unknown reasons.  Perhaps I should have had it rephotographed, because the rocks make a difference and the flash made the bottom scroll work too bright.

So in my blog from Nov 2, I so confidently laid out grand plans for November in which I would do a lot of clothing sewing and end up with a refreshment to my wardrobe and David’s coat.  I had thought David’s coat would take about a week and a half, but it has gobbled up all of November.  These things happen, but now I have to decide whether to keep on with the clothing sewing or go back to quilting and fit the clothes in a little at a time across the winter and early spring.  I think I will do a little bit of both, in light of my trip to California and the fact that I have lost a full size over the past year.  If I make one pair of slacks at least I will greatly improve my traveling wardrobe.  I would also benefit if I could fit in a jacket…either the jeans jacket or the faux suede jacket with lots of embroidery.  I’m inclined to do one of those also.  both have embroidery and would be fun to flaunt at the show.  I KNOW they won’t take very long because the patterns are already fitted and don’t require massive refits.  I looked at my wardrobe and figured I can get by with just the slacks addition.  Sew we’ll see.  Nevertheless, I will still make all the items I listed for my November sewing plans but will spread them out over three or so months in between the quilting because I need them.  BUT, I WANT TO FINISH MY MOM’S MEMORY QUILT!!! LOL Not to mention I want to make several additional show quilts for 2020.  We’ll see how it goes.  And don’t forget, I’m working on books.

Sew happy everyone!  Even if you end up having to struggle through a project, make something wonderful for you or your family.  Stretch your sewing and quilting skills a little further.  Send me pictures and I’ll post some of them here if you would like.  Also, you are free to ask me questions if you run into difficulties.  I know a lot (just a fact, not a brag). LOL