A Book, Christmas, and Thoughts about 2019

Hi Gentle Readers.  I hope you are having a lot of fun and sometimes actually managing to get into your studio or wherever  and play or write, or whatever you do for enjoyment and relaxation.  I have almost gotten my book Ten Skill-Building Projects for Bernina v7 Effectiveness ready to publish.  I still have to take two photographs and insert them, plus come up with the cover and the front material.  Sew I’m thinking this will be available sometime in January 2019 for you to purchase from Amazon.  I am self-publishing this book through Amazon’s KDP print on demand company with the valuable assistance of my sons and daughter-in-law.  It is about 90 pages long and jam packed full of illustrations and step-by-step instructions that, if you do them all, will leave you with considerable improvement in your proficiency in digitizing in-the-hoop embroidery in this software.

Yes, I know that v8 is already out.  But one of my best friends convinced me that there are enough people still using the v7 design software, or that have it and never could figure it out, that it is worth publishing anyway.  And then…I plan on doing an updated book for Bernina v8.  Hopefully, I can get that out before they come out with v9!!!

Formatting the book for publication to KDP specifications has taken me considerable time, but it is mostly done.  I hope to completely finish and do a final read over by the end of the year at the very least.  Maybe somebody will buy it.  That would really make me happy.  And yes, I have permission from Bernina to do this.  Well, actually, they said I don’t need their permission as long as I don’t claim it is through Bernina that I am doing this.  But not wanting to get into trouble with one of my favorite companies I asked.

Believe it or not I am ready for Christmas.  I have all my shopping done, and David (my youngest son) and I got all the decorations up already.  There have been years I didn’t get them up until the day before Christmas Eve, back when Marvin was alive and we did a lot of singing for Christmas.  Some years when the kids were small, and we did a lot of singing, we didn’t get our Christmas shopping done until a few days before Christmas.  Back then, at least, the malls had great sales at that time and we found everything we wanted despite the lateness of the time.  Now I just do it all online and it saves enormous time.

Memories float up as I open the Christmas decorations and the time approaches to celebrate the Lord’s birth.  Marvin and my parents have all departed this earth along with many of my favorite cousins, and all my twelve uncles and aunts. So it is a sweet time of happy musical memories, full of sparkle and light.  I fully believe in the hereafter you see, and sometimes believe I can feel their presence too.  I love Christmas and its memories.  My kids live nearby and my only grandchild, Kevin, is 15 this year and he is nearby too.  I am truly blessed.

I have started to wonder what 2019 will bring for Betty Jo’s Fabric Arts.  I know I have four workshops I am going to teach at G Street Fabrics in April and May.  I am going to Mid-Atlantic Quilt Festival in late February/early March, and I have plans for other books and other quilts.  I have “Night on the Bayou” in Road to California in January, and I have entered that one and “The Wizard’s Duel” in several additional shows, so we will see what happens there.

I am thinking of giving up competition quilting in 2020.  I have spent much time and effort doing these quilts and won a few ribbons, learned a huge amount, and want to share what I have learned.  I get frustrated when I get annoying or confusing feedback from the judges, and also when I get great feedback and no ribbon.  Both happen.  I don’t blame the judges.  They are faced with a huge job and little time to do it in. I have gotten some wonderful feedback that helped me improve a quilt or my next quilt too.  I still have not won a really top ribbon yet.  That is kind of a goal of mine I would still love to reach.  At this point, I normally (but not quite always) get into the shows I enter, and I sometimes win a lower level ribbon.  Is it still worth it to spend the time, money, shipping, anxiety, and so forth entering shows, or should I concentrate on writing and making quilts and samples for the books and maybe even come up with some that will sell?  I don’t know.  I have a few more show quilts I want to make, and will decide then, or I may just veer off and make quilts I would love to make that are really off the wall and only enter them if they end up something that might really work and not if they are not there.  I also am making a bed quilt for my bed.  It’s high time I get rid of that old box store coverlet I have had for decades.

I am already experimenting with a variety of additional techniques that can help me produce some interesting looks…like yarn and cord couching, 12 wt thread stitching, developing quilts using some of those fabulous fabric panels, and seeing if I can make my digitized in-the-hoop embroidery produce some unusual things…three dimensional insects or animals, for instance…or maybe needle punched bears roaming a deep woods, or discover ways to use my machine in other ways to create hand looks.  But what would I do with it if I don’t compete?!!!

Sew happy everyone!  Take your work to the next dimension and have fun doing it!  Merry Christmas!!!!!

 

Projects Completed, Looking toward 2019

Sew I finished my overcoat and it looks fabulous, fits well, and is even flattering.  It also is much warmer than I thought it was going to be, so I am all ready for what is expected to be a colder-than-usual winter. I haven’t got pictures yet, but I will and post them.

I finished! Ready for the next project.

The past few days my son David and I have been preparing the house for Christmas decorating.  In other words, we have been cleaning and David put together a nice small drop leaf table we are going to use to put our kind of short Christmas tree on and then, after Christmas, he will be using it for his chair side table.  It’s really quite pretty hardwood and seems perfect for the use we are planning for it.  I totally love Christmas.  It always warms my heart and it has a lot of sparkle.

Announcing the beginning of Advent! From Canterbury Knight.

I also have finished writing the manuscript for my book “Ten Skill Building Projects for Bernina V7 Embroidery Software”.  My dear friend and Bernina dealer Mei-Ling Huang convinced me to go ahead and complete the book since I almost had it finished because lots of people are still using v7.  So I have.  I am now working on putting it into book format using Corel Draw and will publish it through Amazon.  That project will take me a while, but sometime early in 2019 I will publish this book with the help of my son David, who has his own small press.  It may be published under Fennec Fox Press (David’s publishing company), but we are still deciding if this is the best way to do this.

So I bought Bernina v8 and plan to write a similar book for that version.  It may be mostly the same, just updated, though I might find something really fun in the new version that I want to use.  I think I can put that book out in 2019 also, not too much later than v7 book.

I will tell you that I feel greatly relieved to get these two big projects finished, and I will be really happy to get the house decorated, probably tomorrow.  I will be delighted to return to more quilting and less other things.  First of all, I am going to do a small project using couching and needle punch for practice and a sample  I am also working on a couple of ruler quilting practice samples. And yes, I already have several quilts in mind to use these particular techniques, and so this is part of preparing to launch into those.

One of the nice little bits of news is that Night on the Bayou has been accepted into Road to California 2019 in January 24-27.  I’m considering going.  My brother lives in San Diego and offered to put me up for a visit and drive up for a day trip to see the show if I can scrape together the round trip ticket funds. We’ll see what happens.

Limbs and spanish moss closeup.

Competition at this show is really keen.  It’s probably as high as for both Houston IQF and AQS Paducah.  So it would be a surprise if it ribbons.  Nevertheless. Joel Christopher Payne, the artist whose beautiful piece “Delights of the Bayou” inspired this quilt lives just 45 minutes away and said he will go to the show to see it.  I hope he really does, though I know he is a very busy person.  I think he would be amazed with the art of the quilts at the show.

Sew happy everyone!  Have a marvelous Christmas/Holiday season.  I celebrate from the first day of Advent through the twelve days of Christmas ending on January 6.

 

 

 

 

 

 

Happy Thanksgiving and Other Things

Hi everyone.  I wish you all a Happy Thanksgiving. I am very thankful for my wonderful family, friends, and my readers.  I was thinking about it the other day as I was pressing a section of the (seemingly never-ending project) overcoat.  I dug out my special pressing things I have had for years for use in making clothing…my ham, my sleeve pressing board, my shaped wood pressing piece.  I haven’t used them for a couple of years and I am grateful I did not get rid of them because of that.  I am grateful for my machines and my wonderful inspiring studio, no matter that it is a bit of a mess.

My thoughts today are also with those who have lost so much in recent disasters both hurricanes and fires.  I  just want to hug you all and wish you all a speedy  and full recovery.  I am trying to figure out the best approach for helping.  I don’t have a lot of cash to contribute and I know rushing to send stuff is sometimes more of a problem than a help in the end.  For now, I’m doing some praying and watching for what, if anything, I can do.

Sew how is my overcoat coming?  Well, I have completed the outer shell and am almost finished with the lining that includes the fur collar.  To me, the biggest challenge is getting that fur collar installed in the coat.  Sewing with this thick fur is not the easiest thing and requires some special techniques even it if is “faux” fur.  I think that will happen tomorrow afternoon or Monday.  Then I will be practically done except for hems and buttonholes, so it is looking like I will make my Thanksgiving deadline.  After that…back to quilt making and book writing, and I am looking forward to it.  The coat has been more of a project than I anticipated largely because of the challenging fabrics.  The fabulous wool is, nevertheless, loosely woven in a way that closely resembles hand woven fabric.  the fur collar is fabulous faux fur, but sewing with it is also challenging.  Nevertheless, I will be happy to have this beautiful coat.  It is going to be a little snug, but since I am in the process of losing weight I think that is the way it should be fitted at this time.  It will serve me well for several years even as I go down in size (I can move the buttons and I made the sleeve/side seems such I can take them up fairly easily).  My next fashion sewing project will be with well-behaving fabrics!!!

Sew happy everyone!  Have a wonderful time this week!

 

 

 

Halloween, Basic Stencils for Ruler Work, and Other Things

Hi! Happy Halloween! Here we are finally into the fall.  Our leaves are not very pretty this year..just kind of brown, and the weatherpeople say we had so much rain and it was too warm too late at night so the trees got confused.   So the leaves will mostly just turn brown and fall off.  It was kind of like living in a tropical environment this summer…steamy, hot, wet.  So I am really happy to finally get to some good quilting and sewing weather.  Maybe there is some hope for some pretty oranges and reds in the leaves yet.

On Saturday, I finished all my teaching for this year and have my overcoat with its fur collar all cut out and stacked by my Bernina 830 ready to sew together starting tomorrow.  I have been working on one of my books today and am really going to finish the manuscript sometime in November.  I am working on a show quilt design.  And I am designing something interesting I wanted to tell you about and see if I can get any of you to give me some feedback on the idea.

I was recently challenged to develop a class or two in ruler work using a specific set of very basic quilting rulers that are inadequately marked.  Now while I find this concept a little limiting, given that I wanted to come up with some designs that are significantly more fun than drawing blocks and filling them in with ruler patterns, I also find it fun to meet this challenge.  I also decided it needed an accompanying handout/short book complete with designs and project ideas.  Sew developing a basic quilt sandwich to work with for this project has led me to think it would be fabulous to have a stencil I could use for marking a basic structure on the practice sandwich to build some designs on.

So I then drew some 16 inch by 16 inch foundation designs for marking these sandwiches and got some 13 x 19 inch paper, which is the largest my printer will take, and printed off a couple of different such designs for tracing and taped them together,  I tried using smaller paper, but that requires a lot of taping and it introduces small distortions.  This type of foundation design cannot have distortions and still be useful.  I’d like to share this concept, but a pdf file wouldn’t be helpful because of distortions when someone taped them together.

Wouldn’t it be nice, I asked myself, to have these in plastic stencils that I could either pounce or use to draw onto the sandwiches.  Then I could just work through a stack of structurally marked sandwiches until I came up with one or two completed designs that would be fun, interesting, and something a student could accomplish in a four or five hour class.

I then got to thinking that there may be others out in the quilting world who would like to have such basic structural stencils that go beyond grids and circles but are the right thing to hang a good design onto. I also have located someone who could make these for me for something that would enable me to sell them for about $12 to $15 each for the 16 inch square size.  To do this requires some up front investment, and it would be difficult to sell them for much less, so I have not yet decided what to do.

I would like to have my dear readers responses on what you think about this.  Is $15 too much to pay for a stencil that could help you build a mandala or other interesting designs.  It would be much less marking than a whole design, but could enable the quilter to create some really nice designs without detailed marking.  Just lay it down and pounce or mark the stencil and grab your favorite rulers.  You could even use it to make your guidelines on your design paper to work out your more detailed design.  I hope I have gotten the idea adequately explained.  I don’t want to put the designs on here I want to keep them for me to create first. LOL

Sew happy everyone!

 

Workshops, Books, and Near Magic

On Workshops

I have one more workshop to teach of my three-part series on basic fabric art techniques.  The last one will be held at G Street Fabrics in Rockville, Maryland on 27 October and is on Organic Free Motion Quilting.  The class will quilt a prepared quilt sampler sandwich, and hopefully they will all leave with the same sense that one of my students said about the last class that “this has been a really good class and I feel so much more comfortable with my machine.”

Sew I have all the kits almost prepared, though I still have to put together six more sandwiches that are already cut, marked, and prepared, which should take me only about another hour.

So I have been asked by G Street to return for another round of these same classes next spring, and to add at least one more on ruler work.  I agreed to do that.

Drawing used to digitize the applique project.

On Books

While I was there, my friend and dealer talked me into finishing my 10 Skill-Building Projects for Bernina design V7 software book.  I had nearly finished it when Bernina came out with v8 and put it aside at that time, but I had shown it to her recently.  She said there are lots of people out there who are still using v7.  I decided she is right and maybe I won’t make much money with it, but someone may find it useful.  It does seem too bad to not publish it after all that work. She said then maybe I could maybe buy v8 at a sale price  and do another one for that software.  I’m considering that and think I probably will do that.

But I did open the file for the v7 book to see how much I have to do, and I think I can finish the manuscript in a matter of a few weeks. I only have one more chapter and I have to make one more stitch-out for photographs in addition to whatever I do for the last project.

Sew that made me look at the other book that covers the same fabric arts techniques presented in my three workshops only much more extensively, and that is not too far away from completion either.  And in fact, I even think I have nearly all the samples made that only needs photographing for the book.

I have a third book in the works also on surface design and embellishment…but it’s a ways away from completion.

I’ve been working on these three books off and on for years and it’s high time I get them finished and published.

On Near Magic

I know how frustrating computer software and computerized machines can be sometimes.  I also know that if they work, or if I actually figure out how they work, they can enormously enhane my ability to accomplish things, or accomplish them faster or better.  The more I learn the more I realize it’s nearly magical.  I also know that most of the problems I have with them is because I don’t really know how to use them right or don’t know all the cool things they will do that I can use.

I have been taking a class in Corel Painter this past couple of months and I have learned an enormous amount.  This will be a major help in my design work and it’s lots and lots of fun too.

For some unknown reason I am sometimes compelled to share what I have learned, which is why I am developing workshops, writing books, and sharing this blog.  I am going to add to those the making of videos.  My oldest son has outfitted me with all the equipment I need to do some simple videos and podcasts.  I have been practicing video making so those will happen sometime soon.

It may seem that I am getting in over my head, and am going to be overwhelmed, but while that may be, a lot of the work for quilts, books, workshops, and videos has multiple uses.  If I make samples and develop methods for a book, I can use the same thing in a workshop and video.  I can use my quilts or parts of them as some of the illustrations.  So it’s kind of like working on everything at once.  Magic, see?  Hahahaha

And I haven’t forgotten my show quilts.  Just today I worked on a pattern for one of my planned show quilts.  I won’t share this one until it is mostly done, but just think “trains”.

Sew happy everyone.  Share what you have learned with someone.  Happy new quilting season!

 

Bring on Fall!

I have some fun and interesting plans for the fall and winter quilting season and have been spending nearly all my working time preparing for them for the past couple of weeks.

First of all, I am preparing for my fall workshops at G Street Fabrics in Rockville, beginning with the first one on Saturday, September 22nd at 11 am!  See more about this on my blog from a few weeks ago here.

So I have all my handouts made and the kits for the first workshop. I almost have all the kits for the second workshop and have made progress on the third workshop.  So when you come, you will have a lot of fun and be able to dive right in to our projects.  You just need to call G Street sewing machine department and sign up!  You can sign up for one or all three.  So much fun to come starting in just a few weeks!  I should finish preparations for these this week and be able to get back to sewing and quilting.

Sew my plans for the fall and winter sewing and quilting season are exciting for me.  As you may know by now, I like to run two or three projects at once to keep me from getting frustrated…hopefully all at different stages along the way.

  • My current quilt project is for my bed, making an applique pattern by Sue Nickels that is really pretty and will add a lot of beauty to my bedroom.  I am about half way through that.  It is not for a show quilt and is just for fun and adding something to my home for me.
  • I am currently working out what my next show quilts will be.  My plans are exciting and two of them involve other people.
    1. My dear friend, student, and what we jokingly call my apprentice Anita has drawn a beautiful scene with a steam locomotive train and gifted it to me for use as a quilt design.  It is full of wonderful things and will be quite fantastic if I can pull it off…trees, rocks, trestles, the locomotive with steam, pulling cars…one with a load of wood. So cool!  Send good thoughts, because this one is a challenge but I plan on starting it soon.
    2. My oldest son, who designed Pendragon, is designing an accompanying piece Excalibur.   Oh I can hardly wait to see his design.  He started earlier but work got so busy for him that he had to lay it aside for awhile.  Things have gotten a little more sane for him now and he thinks he can finish it soon.
    3. Okay, so I am working on my own design(s) also.  I have an array of things I want to do, and am engaged in trying to draw up some of them to choose from for this season.  I am thinking of making one based on polyester satins that I embellish multiple ways to show what can be done with a limited quilt budget (under $100 is my goal).  That design work is not done yet, and I keep oming up with new ideas  with new subjects…I’m currently leaning toward a dark forest with spots of beauty and fun woodland characters, but it could end up entirely something else…spending a little time every day on this.  So it will be a little while before I just get the design sealed down and ready to make.
    4. And then I also want to do another line drawing quilt based on architecture.  I have a couple of possibilities, but I’m still looking.
  • I haven’t forgotten my book.  I have actually made considerable progress on it this summer, and hope to finish it sometime in October.
  • Plus I am wondering just how I can approach the passing on of my many surface design and embellishment techniques.  I have won several ribbons on this aspect of my quilts, and feel I have much to tell you about.  I already have a book outlined and started, but I am thinking of videos.  My son Ken has gotten me all set up to do videos, and I am thinking of making several…some on quilting and some on surface design and embellishment techniques.

I did mention clothes, didn’t I.  I am planning on making a new winter coat this fall.  I found a great pattern that I think I can make with fabrics (and faux fur) I already have..a free and hopefully gorgeous winter coat.  It’s free because I’ve had this fabric for years and properly stored, so it is in great shape.  If you haven’t made an overcoat, it is not really as difficult as making a shirt with a stand collar, really it isn’t.  And using thick winter fabrics is very forgiving, hiding most little mistakes.  I encourage you to try one.  There are some great patterns just out this year.  I also am planning on squeezing in a winter dress suit, yes a pants suit beause my legs just look best that way.  This will challenge me to resurrect my professional tailoring skills, but I have recently lost a couple of dress sizes (though I freely admit that I am still “fat”), and I will make it in a way I can take it up one more size.  I have fabric for that too.

As you see, this year is going to emphasize to myself trying to get all my sewing and quilting done by shopping my stash or keeping costs down while still producing some remarkable pieces.

Sew happy everyone!  I hope you are planning to do a lot of sewing and quilting this fall and winter or are encouraging your friends and family who do sew to let their lights shine (and help them make time to sew).  Happy September!

 

A Call to Stop Forgery and Design Theft in the Quilting World

I have several friends whose beautiful artistic quilted creations have been “copied,” or attempted to be copied, without permission and without acknowledgement and passed off as their own work.  In the rest of the art world, if an artist had painted, or otherwise crafted, a wonderful work of their own, and someone else had copied it to pass it off as their own, this action would be called “forgery” and would likely be a crime.  We in the quilting world should stand firmly against this kind of activity in our own craft.  I am sure that there are many of my friends who agree with me.

Note that I am not talking about quilts designed with blocks that have been in the public domain for years and happen to end up similar to someone else’s quilt, but I think that should be clear.

It is a wonderful thing to be so impressed by someone’s work that you are inspired to go work on your own piece.  Inspiration does not mean copy however.  And even if you do not copy, but create some similar subject, you need to acknowledge where the inspiration came from.

Let’s look at this a little bit.  I do not use other people’s quilts for my own fabric artwork (unless I bought a pattern or kit and am using it for my own utility quilt), but I might use someone else’s painting or drawing or photograph.

If I want to use someone’s artwork as an inspiration, or even a design, for  my quilt work, I will not even start it until I have contacted the artist and asked permission.  This has occasionally resulted in my not being able to make the quilt, but there are thousands and thousands of wonderful ideas, artworks, and photographs out there to try again, or even design things from scratch.  Sometimes, this has resulted in my having to buy the rights to use the artwork as inspiration or even the design for the making of a quilt. In addition, even if I obtain the rights to use it, I still feel it imperative to acknowledge the artist.

In the course of my work, I have gotten the following responses to my requests to use their work in some way from the artists:

  • Sure, no problem (the usual answer)
  • You cannot use this on your website (they didn’t read the request and were a little insulting)
  • The rights would cost $600 (I didn’t make that quilt)
  • The right for one show quilt would be $200 and you can’t use the art otherwise commercially (I made that quilt)
  • I make you a present of this design and would be honored for you to use it. (Designs in progress or quilts made)
  • You can use four to ten of the designs in each coloring book for your craft (Dover Publications standard use statement…but you cannot make another book using these designs and sell it.  Make no mistake this is not Copyright Free as many report Dover Publications as being, but is instead permitted use and is Royalty Free.  This doesn’t make much difference to us as quilters, but should be acknowledged).  I have used many Dover elements in my designs when I couldn’t draw it better myself.  I love Dover publications and thank them for their generosity.
  • And finally, when the work is way too old and is now in the public domain and the artists have been gone for centuries, you really don’t have to ask even if some unrelated organization has taken it up and tried to make it theirs.  Public domain means just that.  IF you know who the artist is, however, it would still be nice to acknowledge him or her.  I used elements from eleventh and twelfth century art as the basis for some of my work, but there is no possible way of knowing who the artists were.  We can safely assume they are in the public domain by now.  LOL

Sew join with me in helping to stop the forgery of the fabulous quilts and theft of designs within our quilting world.  Put it in your blogs, make a point of it if you are teaching a class, maybe even put up signs at quilt shows.  I don’t know all the ways, but people need to be made aware that just because it is a quilt does not mean it is free to be copied without request or acknowledgement.  It is like any other fine art and needs to be treated as such.

Sew happy everyone!

Fall Fabric Art Workshops

I am excited about my upcoming workshops I will be teaching at G Street Fabrics in Rockville this fall.  If you are in the area, please sign up and come.  I understand there are still a few spaces.  These three six hour workshops provide the basic techniques I use in building and quilting most of my wall art quilts.  There will only be eight students with each workshop, to give me time to be available for each student and answer questions.

September 22, 11am to 5pm.  Fabric Art Workshop 1: Applique Techniques to make a top ready for quilting.

Kits for the workshops are available for purchase that includes everything the students need for the projects that will enable everyone to complete or nearly complete each project.  For the applique workshop, the leaves, birds, and dog or cat are all precut with fusible on the back. The student gets to put it all together like he or she wants and different edge finishes are taught as well as how one might choose which finish is discussed.  Threads, needles, and other supplies are included as well as the handouts.

The two quilting classes also have kits of premarked sandwiches with everything one needs to plunge right in and start quilting.

October 6, 11 am to 5 pm:  This is the project for Fabric Arts Workshop II: Quilting with feed dogs up.  Kit has premarked sandwich, thread, a needle, and handouts.

The students will learn there are many interesting results that can be obtained with their feed dogs up.  Of course, a walking foot would always be helpful, but will not be required for this class.  It’s a small 20 x 20 sandwich.

 

October 20, 11am to 5pm, Fabric Arts Workshop III:  Free motion organic quilting.  The Kit for the free motion quilting project is a lightly marked sandwich, with a leaf applique ready to start the class.,  It also includes thread, a needle, and handouts.

Sew I don’t address how to square up and bind a quilt, but I do provide references as to where you can get that information.  There is another part of my work that is also not included and that is surface design and embellishment.  However, I started my art quilt career just using the techniques covered here, and learned how to bind off the internet.  I am considering how I might do a workshop in surface design and embellishment, but not sure I’ll do it yet.  I do provide a bit of information on how you can pull together a design for such projects in the course of the workshops.

Come join me.  There are 8 slots per class and some have already been filled, but if you hurry you might get in.  Contact G Street Fabrics  and ask for the Sewing machine department.

Meanwhile, I’ll go back to making kits…LOL

 

 

Surface Design, Texture, and Embellishment

I love adding surface design, texture, beads, artistic thread work, yarns, and other types of embellishments to my wall quilts.  I think these things, when well done, can take them to a different dimension turning what may be an already nice pictorial/art piece that would be acceptable for someone’s wall to a treasure of a piece that makes the viewer want to stand and look at it for a long time or makes them happy every time they pass by it.

“Well-done” in this case by no means implies perfect, symmetrical, or formal, but it does mean interesting, the right amount, beautiful, technically  good, or just plain fun.  Sew this is what I strive for, although I suspect I will still be trying to make these things work as I see them in my mind’s eye to the last day of my quilting/fabric art life (which I plan on doing for the rest of my life).  But that’s one of the many things that makes playing in my studio so much fun.  Here are a few examples of such work.

detail from one of my deep space quilts with Angelina Fibers and hot fix crystals over a lightly painted background.

 

I learned early on that I needed to draw some guide lines for the direction of the stitching or I’d get them to be blowing around in different directions. Since the water in this quilt is going to look very calm and reflective, it didn’t make since to have the Spanish moss blowing around much. Here you see some of my marks. Also note that I had to break the stitching on several clumps so it looked like the limb is further toward the back from the viewer.

I painted these borders to go along with the vintage panel in the middle.

Sew this week I bought a needle punch attachment for use on my little Bernina 350.  I particularly like the way this little machine, which I purchased to have a machine to carry along with me to classes and other events needing a machine, is rapidly becoming an essential in my studio too.  It will be my “embellisher” now and I also have found it makes wonderful bobbin work with specialty thicker threadsm and makes perfect piecing possible.  I am kind of excited about this.  I plan on making interesting bits on some of my pictorial quilts, like steam clouds coming out of a steam locomotive, tree barks, fluffly little animals, and other interesting textural areas.  I just got a package of wool roving in a variety of natural colors to try it out with.  I also think I will get some other things that work this way…ribbons, sheer fabric pieces, ????

Sew happy everyone!  Try a little embellishing if you haven’t yet and if you send me photos I will post them if you don’t mind.  Send to BettyJo@bjfabricartistcom

Software for Your Fabric Art

Practice painting I did today in Corel Painter

Sew my last couple of posts I’ve talked about the need to learn and practice your machine and quilting.  I don’t know about you, but I also use a lot of software in developing my fabric art.  This, too, requires a bit of practice (nice thing to do when I just want to sit down or am still mulling new ideas around)

I truly appreciate those of you who do everything with pencil, paper, or directly on your fabric.  But one of the things that attracts me to fabric art are the related technologies, and also, I not only find I do a much better job of constructing my pieces when I sketch them all out and print a full sized picture or pattern, but it helps me with a wide variety of decision-making along the way.

I turned mostly to art quilting about a year after my dear Marvin passed in late 2002.  So I’ve been at this now for somewhere around 15 years!  This is astonishing to me.  I have also been quite interested in the tech side of fabric arts for even longer, if you take in in-the-hoop embroidery and computerized machines which I have had now for longer than that.  So I have been collecting software related to my fabric art for a long time, and, while it would be overwhelmingly expensive if purchased all at once, I got it over the years and kept it mostly updated, spreading out the costs.

It started small.  I took a class online from the Pixel Ladies who used Photoshop Elements.  I learned that I could print large patterns using Excel spreadsheets and tape them together.  That opened up the idea to me that I could design my own quilts, quilting designs, and even fabrics using the computer and testing all the colors and placements and so forth without any fabric and stitching to undo or waste in the beginning (note that this saves a lot in the cost of fabrics and threads too).

I also bought Bernina design software when I got my Bernina 200E (I later traded it in for my 830 LE).  I think it was v5 at that time, but not certain.  I skipped everything until I got version 7.0.   I am going to skip the v8 update to save some money because I don’t think the update has sufficient advancement that I use (this does not mean it wouldn’t work for you) on 7.0.  It took me a long time to learn how to use that and very well.  It has some remarkable functions.  I did though, and even nearly finished a book I was writing on learning this program.  It was very close to being done for self publication when they came out with the update, which points out why writing books on software is not particularly the way to go for me.  I take too long to learn it before I can write it.  LOL

From there, I bought Corel Draw, because I found the Bernina software uses a limited version and I wanted all the bells and whistles.  I also added Electric Quilt somewhere along the way years ago.  And then I bought a Wacom drawing tablet that came with a back version of Corel Painter.

Sew there you go….I was off and running and haven’t stopped since.  I’m still learning all this software and probably will always be.  I have found it cheaper to keep it updated at least every other version than let it get old and needing to buy the whole package.  Besides, Corel, especially, gives you some really good buying opportunities once you become their customer, and if you watch carefully, you can often get the updates for much cheaper than the retail price.

Anyway, the point of this is that this year, the year I wasn’t going to buy any new software (heh heh),  I ended up updating everything (except Bernina software), including my Wacom tablet (my old one was 14 years old and had just decided to retire…i.e., it became a paper weight).  And then my son David hooked up his old smaller monitor for me so I have two monitors (really terrific advance and it was free).  So now I have  at my finger tips (and yes, I share it with some of my friends when they come over):

  • Corel Painter 2019 (for painting and fabric design)
  • Corel Draw 2018 (for illustrative drawing, pattern making, and digital work with Bernina design software)
  • Bernina Design v7 (for in-the-hoop embroidery)
  • Corel Paint Shop Pro (for photo editing similar to Adobe Photoshop…I like it better)
  • Electric Quilt 8 (for figuring out how to use a pictorial piece with borders, for designing utility quilts)
  • And several related smaller pieces that came with these items to make them work best.
  • The latest Wacom Intuos Pro tablet with really nice artist’s pen that came with it.  It works with all the above like having a pencil or brush that responds to pressure and turns in some of the programs.

I like Corel because you don’t have to subscribe to it. It also is very powerful, and I can use all the pieces together, and it has great webinars and other tutorials to help you learn it.

So to make a quilt design I might dress up a photo in Photoshop Pro and send it over to Corel Draw for turning pieces into patterns (maybe I liked a flower in the picture, but nothing else), and then to Corel Painter to use as inspiration for fabric pieces and concept design, then put it all together back in Corel Draw where I make a full sized printout or printouts (prepping a fabric file to send to the fabric printing company for larger pieces, for instance).  Then I would maybe design embroidery elements (like lions on the vests in Pendragon or the small wall hangings on the wall).

Now that I have this terrific design setup, for which I am very grateful, I am working to learn it better and practice it more, because I have a ton of ideas how to use all of this.

  1. I am writing a book (or is it three books) on Fabric Art skills that covers everything from the design phase through the making skills, surface design and embellishment, and finishing. It includes patterns, samples, and quilting designs in it (them), and I am hopeful of getting it out by the end of September (but don’t hold your breath).  I’m sure you can see the need for such a setup for this.
  2. In the process I have learned how to make to-size patterns you can print on your regular printer and tape together.  So there will be some of those coming also.
  3. I have already started using digital painting printed on fabrics in my show quilts.  Pendragon has a back castle wall and all the faces that were printed on fabric and used in the construction of the quilt (along with a plethora of other techniques).  I also used a considerable amount of small in-the-hoop embroidery pieces that I digitized myself in Bernina software.

    Pendragon, 34 x 45.  This quilt has been selected for the juried show at IQA Houston this fall.  I’m so excited.

  4. So I am currently working on trying to figure out a design for my next show quilt using this setup.
  5. And finally, well maybe only finally for now, I am thinking of developing a fabric run to assist pictorial/landscape fabric artists and submitting it to fabric companies to see if I can get someone interested in my ideas.  Wouldn’t that be fun?

Sew what did I learn from all of the years working with these technologies?  Learn the software, keep it updated more or less, you can skip at least every other update unless they give you a great deal and have a lot of improvements, practice, and use it to help you save money of fabric, thread, and accompanying items, and it can really help you improve over the years…you can keep your records of your struggles too for future reference.

Sew happy everyone!  If you have design software, it can really open new ideas and opportunities for fabric art if you spend a little time learning and practicing them.  Blessings everyone!