Looking Forward to Some Sewing and Quilting

Hi y’all.  I have pretty much figured out the video making puzzle and have all the things lined up for that, and now I need to do some additional work on the fabric art projects I am planning to use for my videos before I can start this up.

So, with a lot of happiness, I decided I will spend the whole next week at least just “working” on fabric art.  I will be taking progress photos and probably small snatches of videos as I do this, of course, but mostly I will be playing in my studio with fabrics and threads.  I’m so glad I don’t have a deadline!

The question is, what am I going to work on now?  Well, I have the wool applique by machine project and I also want to start up one of my many planned items I already designed in the free motion/quilting arena.  It should be fun and I hope very soon to share the fun with you in my planned videos on YouTube.

One of the things I have found really fun while I was working on the video equipment was to watch old Sewing with Nancy shows.  I think I have found nearly all of them now to watch on my tv or computer monitor.  Pfaff has put her original older ones on YouTube where she used Pfaff machines (search for Pfaff Talk and you will probably see it there).  They nicely bunched all the parts of a subject into one longer video, which is nice. In searching for “Sewing with Nancy” on my Roku, I also found I could place a PBS link on my Roku that has the Wisconsin PBS collection of her shows they have.  They are organized by season going back to about the time she switched away from Pfaff to the BabyLock that her company owned.  I believe that almost covers her entire production, though there may be more.  There is a huge wealth of great shows between these two sources and I have been having a lot of fun having that on while I worked.  She was an amazing woman who gave us sewists a lot.  I miss her though I only met her briefly once at a quilt show.

Sew I am taking a full break today.  I sold one of my two cars yesterday to one of those companies that buys cars, because we were having trouble keeping the battery charged and running since we used it so little.  They gave me a fairly good deal on it.  Both my son and I work from home and we simply don’t need more than one car between us.

That was an almost surreal adventure.  I found I had a flat tire when I got there. It drove fine all the way there except I had noticed a little bumpiness at one point that I chalked up to the road. David was driving the car I sold, and on the way the EZPass in that car decided it was time for the battery to quit working and he had to stop and pay the toll with a credit card, and then I got there and realized I had left my wallet behind!  I never do that.  But I had put it down to grab my mask and forgot to pick it back up.  So we got the AAA to come and fix the tire, which apparently is not damaged in any way, and we discovered the other car had a low tire too!  Odd, don’t you think?  Suspicious?  He pumped up that tire too, which also did not appear to be damaged and David drove me back to pick up my wallet and we went back and completed the sale.  It was trying and tiring, but we came home all safe and sound.

Sew after a tough week that also included having my dishwasher die and getting a new one installed on Wednesday, as well as the real work of figuring out all that video equipment, and then to be topped off with the difficult day yesterday, I decided to just goof off today and pick up again tomorrow after church (I watch our church service online, even singing the songs, giving the responses aloud, and so forth. That helps make it more real).

Despite it all, this difficult week ends up with a nice new dishwasher, a check for the car, and my video equipment and methods figured out and ready to use with charged batteries and downloaded manuals on how to use the equipment, and I even made progress on learning the editing software.  Thank the Lord!

Sew happy everyone!  I’m really ready for some time playing with fabric and threads.  How about you?

 

 

Interfacings or Stabilizers?

So recently a friend of mine asked me about the use of interfacings and  stabilizers and what was the difference. I consider interfacings and stabilizers both indispensable in fabric art creating of various types.  They make the difference between a successful project and a lackluster or even failed piece. Understanding them is one of the basic skills for everything from fashion sewing to quilted art.  I can fully understand her need to know more about them.

The Byzantine world of stabilizers and interfacings can be very confusing,  because there are so many of them and they all have different uses.  Adding to the confusion is all the different brands that are out there and may call them something different and what do they mean by “lightweight” anyway?

The Back Wall of Home Dec Fabrics at G Street Fabrics

First of all, let’s discuss her question of what is the difference between interfacing and stabilizer.

  1. Well, for one thing, stabilizers do not always stay in the project, but sometimes they can.  They are largely designed to assist in making machine embroidery work both in the hoop and free motion thread painting.  They are also useful for decorative machine stitching.
  2. What makes this confusing is that interfacings can also serve as stabilizers but they are designed to remain in the project and interfacings often look like stabilizers.
  3. You may need both or even two or more for specific projects.
  4. You can even use spray starch or other spray products to work as stabilizers.
  5. And then there are those clear plastic looking stabilizers of varying weights made with corn starch or similar ingredient that washes away.  They have a variety of interesting and helpful uses in the fabric artist’s studio.
  6. Interfacings provide stability for fabrics that have a tendency to disintigrate, spread the stitching, or simply need a heavier hand for the project you are making.  They help to properly shape clothing, and is particularly required for any high-end sewing like fine couture sewing, tailored garments, wedding dresses, simple dressmaker jackets or vests, and shirts with buttons and collars.  I use interfacings extensively in both my clothes making and art quilting to make my wide selection of fabrics work together.

Sew I am focusing this discussion by using popular brand names  just because it is easy to identify and I know from using them they are a good product, but there are other brands that are also fine and some that are just terrible (shrinking, bubbling, wadding up with use). Buy a good grade of these products so your project will be successful.

Interfacings

I have a handful of stabilizers that I keep stocked in the studio so I have them when the need to sew or quilt hits me in the middle of the night and it also helps to save lots of time.  Also by stocking, I can save a lot of money by buying them when a good sale goes by. There are a large number of Pellon interfacings, but I try to keep at least three yards available of these four weights of interfacings. I buy the first two of these by the bolt when they are on sale because I use a lot of them.  They are usually much cheaper–three or four times cheaper–by the bolt, and even more if you hit a good sale.

  • For stabilizing (there’s that word that helps make this all so confusing when talking about interfacings) such fabrics as silks, very light weight cottons, dupioni  and satin polyesters, specialty fabrics, and to use for some wool or wool like tailoring fabrics, I stock a woven fusible lightweight interfacing like SF101 Shape Flex by Pellon  This nice woven interfacing does not have much affect on the hand of the fabric and, if quilted, it causes the fabric to drape better and to be smoother and more attractive. It can be used for shirt making also, but you may want to use a heavier weight for more tailored shirts.  I would not use this as a rule on good quality quilting cotton unless you are making a shirt or dress out of it.
  • For an even lighter hand (fabric drape and feel) backing up fabrics that need a little help, such as high quality silk dupioni or cotton lawn I like one of the nearly sheer nonwovens, such as Pellon 906F sheerweight. This particular interfacing is scarce right now because it is one of the choice interfacings for making masks more effective.  So I linked to a pretty good price for the bolt.
  • For a little heavier interfacing that you might want to use for crisper collars in tailored shirts, or costumes, for instance, I like Pellon 931td Some people are using this for mask making also, making it a little scarce, but I think it is just too heavy to comfortably breath through for me.
  • For bag making or some such with leather (artificial or otherwise) or heavy upholstery fabrics when you want to quilt it I use Pellon’s naked foam. I thank Nina McVeigh for alerting me to this product on her fascinating The Quilt Show show (if you aren’t a member, you are missing a lot).  I layer it with the leather or heavier upholstery fabrics and add a cotton backing fabric.  This is approaching a batting discussion that will be a future blog post, but I felt it also fits well in the interfacing discussion too.
  • For high-end tailoring, especially with wool projects like coats and jackets I usually, but not always, move away from Pellon and use mostly Hymo.  Note that I have already run a few blogs about tailoring coats, and plan on making a wool slacks suit and a raw silk tailored jacket for this fall and winter and will blog the making of those, since I have some beautiful fabrics on hand that I should use before they age out.  You can easily obtain high quality and varying weights of these from tailoring supply houses online.  I generally buy these by the project.  So you will want to first consult your pattern or a tailoring book to get the right thing.   Here is a link to A group of Hymo tailoring interfacings especially good for wools from B. Black and Sons a wonderfully supplied company where I buy my tailoring supplies:  Hymo
  • And B. Black also has these lovely canvas/cotton interfacings that I have used with success for non-wool or light summer tailoring:  Canvas/cotton.

Stabilizers

I use several different stabilizers for my fabric art projects and even for embellished clothes, but I only stock a few of them because they could take over my storage space otherwise.

  1. The primary stabilizer I use for my in-the-hoop embroidery and free motion thread painting for my quilted art pieces is either OESD’s Ultra Clean and Tear Fusible or Madeira Cotton Stable, which I have a slight preference for but it is increasingly hard to find and has gone up in price. Both of these stabilizers give the fabric enough stability to take a higher amount of stitches than most of the stabilizers will do and they both tear away easily after stitching while remaining in place when you are stitching.
  2. A heavier film wash away stabilizer, such as OESD’s Badgemaster,  and a slightly lighter film stabilizer Madeira Avalon is especially useful in the studio.  I use both Madeira and OESD film stabilizers.  Washing it away can be interesting.  It’s like a science fiction slime creature at first…hahaha.  I just soak it in clear cold water and then rinse it well in running water.

I really like OESD’s Aqua Mesh Washaway, that looks like an interfacing, works well for marking designs on,  and easy to use for stitching a free-standing thread motif, applique, or free standing lace.  In such cases I will almost always add a layer of nylon tulle on top and a double layer of Aqua Mesh Washaway.  Then when you rinse it away, your piece will hang together and you just cut closely around the veiling, which basically disappears to your eyes on the fabric you applique it on to. Black veiling or matched to the background veiling works well for this. It is especially useful when you are embroidering or even free motion couching cords and yarns to build a heavy design to make them free from the main project and applique them on.  It helps deal with the pull and keeps your main project nice and flat.

I embroidered this freestanding lace star on blue nylon veiling with a double layer of wash away stabilizers and then appliqued it on.

Fusibles can act as a stabilizer/interfacing

And don’r forget that when you are making a fused on applique for a wall project, for instance, you may wish to keep the fusible whole rather than windowpane it if you are going to do a lot of heavy stitching on it later.  Then it acts just like a combination interfacing and stabilizer that does not get removed from your project. So you have to give some thought to how you are going to complete the project and how it is going to be used to decide whether to windowpane (cutting out most of the middle of the fusible leaving just the edges) to maintain a soft drape or is it a good idea to use the fusible whole.

There are several high quality fusibles on the market and everyone seems to have their own preferences.  I personally prefer steam-a-seam 2 with the two sides of paper.  One side has one inch squares on it and that’s the side that you draw your design on, cut roughly around the design about 1/4 inch away, peal off the plain side, stick the side with the grid and the drawing onto the back of your fabric, and cut it out. After that you remove the paper and you have an applique with a lightly sticky side that you can move around until you have it just right before hitting it with a steam iron that glues it in place ready to stitch.

Sew happy everyone!  This blog took me too long to write because I was trying to identify what I felt were the best links to online resources.  If, however, you are fortunate enough to have an open fabric store that carries these good products near you, then bless them with your purchases there.  Blessings to everyone.  Have a wonderful time in your studios!  Feel free to ask questions. I might know the answer.

 

 

 

 

 

 

Sizzling Hot in the Studio

We certainly are having a heat wave! My studio Fritz is the warmest room in my home.  This is where my longarm sitdown Bernina Q20 and my computer setup lives. I also have Studio Gibbs, where I store my fabrics and where my Bernina 880 Plus lives, and there is little Studio Betsy, where my little Bernina 350 and my old Baby Lock Serger lives in one part of my bedroom.  These rooms are all on the top floor of my home. It’s over 100 outside, supposedly it feels like 117 here in Ashburn, Virginia, right now and is very humid. Our AC is good, but is struggling to keep up for the upper floor.

So I am working down in my main level on my laptop writing this blog and doing some planning for some videos for YouTube I hope to make. I finally have gathered all the cameras, software, and so forth I need for that and am currently getting it all setup and figuring out how to run it all.

  • I now have three cameras and several tripods and clamp-on holders.
  • My son Ken gave me two of the cameras and a gadget he made with a remote that attaches to the wall so I can focus one camera over my island where I cut, do some paint/dying, and can even set up some ironing.  That will allow me to show a lot of things flat from above.  I still have to install that on the wall, but that should be easy and I will probably get that done tomorrow.
  • I will be able to use two cameras surrounding wherever I am working, which is always a great help when you are trying to show techniques involving sewing.
  • I have a nice video editor from Corel that I have been studying how to use and trying to set up some templates for the videos. This allows me to use multiple cameras in a single video.
  • I also now have a webcam, a clip on microphone, and  even some stuff I haven’t yet figured out that Ken gave me. hahahaha  I think some of it assembles into a device that I can hang a background or a green screen on.

I guess when you ask a tech-oriented family to help you get setup for videos, they think well beyond your own simple thoughts into a reasonably professional production set for the self producer.  LOL.  I may need some help doing some of the videos, but I think I will be able to do most of them alone once all is set up.  I’m hoping to get this all done this week, but we’ll see.

It is a great blessing, and I am thrilled, but it is taking me some time to figure it all out.  I figure I need to do some plans…not really a script but maybe some talking point and gather the pieces for the projects and other videos I will be showing.  I’ve been planning this for several years and am finally getting it all put together.

So in the late afternoons when it is too hot upstairs I will work on scripts or guides or whatever they should be called.

That’s probably more than you ever wanted to know about my production setup, but at least I have it all recorded so I can possibly figure out what I’m doing…hahaha.

My plan is to produce videos, books, and downloadables for intermediate to somewhat advanced people interested in advancing their fabric art/quilted art.  After doing some research there appears to be a plethora of these informative things for beginners, but a bit of a gap for the intermediate and above people.

I will be presenting what I have learned over the past sixty years of sewing and sixteen years of quilting (overlapping), while acknowledging there are many ways of doing things but these are the techniques I like.  I feel compelled to share this before I age out to the point I can’t.  Some of it will be free, and some will be for sale at reasonable prices.  I hope to get this fully launched at least by September, and there will probably be a few videos within a few weeks.

These are the main categories I am planning on addressing:

  1. Working with a sitdown longarm…quilting, free motion thread work, couching, and a few specifics for the Bernina Q20.
  2. Using high end sewing machines with all those wonderful things they open up to the fabric artist, going beyond the obvious.
  3. What you can do in-the-hoop embroidery and more on the Bernina software V8 to go along with my book I already have published.
  4. Projects that use multi media techniques and/or take advantage of a studio that has both a high-end 9 mm sewing machine and a sit down longarm and even occassionally includes a little 5 mm sewing machine.
  5. I am hoping to develop workbooks, project books, and patterns for sale to go with some of this. I’ve been working on these this past year but I still have a ways to go,

So there you are.  I will not be teaching out of my home for some time, so I thought it was really time to push forward with this plan that has been in my thoughts for years.

Sew happy everyone! Let me know if you have a particular technique or some such you wish you could learn more about.  Maybe I can work it in.  Stay happy everyone…go do some sewing or drawing or reading or watching of videos or just chilling. Cheers.

 

A Notebook with Fabric Samples on Projects

I have sometimes seen on tv shows about history, costumes, or fashion development books from history that hold samples of fabrics used for interesting events or proposed for historic figures. They make me want to spend some time with them pouring over the interesting or beautiful fabrics. I recently saw a show “Stitches in Time” on Britbox streaming where such books were used in research to better understand clothing from the past and recreate a costume.

This got me to thinking about how, as a fabric artist, I have also made some attempt, albeit not suffiicient, at keeping such records as I work through my more advanced projects.

Here is a couple of pages from my notebook where I kept the records of my projets over several years. I recently filled it up and started a new one.  I did not use all these fabrics in this project, which was my quilt “Pendragon”, but my son had given me the fabrics for the project and I wanted to keep a record of all of them.

Pendragon, 34 x 45, this quilt was exhibited in several major shows and won some ribbons, including 3rd place in AQS Paducah (Fall) and was shown in Houston IQF

It is a delight to me to look back through these project pages, especially for those that were particularly successful.  I wish I had used more pages and put larger fabric samples .  Indeed, I am now adding larger samples for my current projects. Not all of them have fabric samples, but I find myself wishing I had added them.  Something to enjoy in years to come and pass to my family in the end, who may decide to pass it on to the trash bin (but I won’t mind at that point), or who may find it a lovely memory. Perhaps some anthropologist centuries from now may also find this intriguing, especially if the resulting projects are still around.  LOL I laugh in amusement, but the researchers from the show were looking at record books hundreds of years old with samples of fabrics trying to match them to paintings or actual aged garments. Sew it does seem likely that at least some of my work will be around long after I have gone from the earth.

1890 embroidered wool (origin unknown)

Keeping records as I make these projects is not only interesting, it is very helpful to me.  In the notebook I also put a lot of information as I go, such as stitch settings and a step by step list of things I need to do.  Then I can refer back to them if I put the project aside for a while and return to it or when I make a companion quilt, as I am planning to do for Pendragon.  I hope to begin on Excalibur this year.

Such records are also useful for me as I am writing books and blogging about quilted and embellished fabric art. It is my hope to get one of these out this year.

Sew happy everyone!  I encourage you to make a record with samples of the fabric along with information about the fabrics. It’s not a waste of time, doesn’t take very long, and can actually save you time in future projects if you make notes along the way of your project near the fabric samples.

 

What I Do to Make Threads Behave Better, Part Two

Picking up where I left off on my last blog post, I want to address the problems of dealing with various threads when sewing and embroidery as opposed to free motion quilting.

I have had an interest in threads for a very long time and have been fascinated to see the development of threads over the past few decades.  Threads I use today are clearly considerably better than those I used decades ago when I had my fashion design and tailoring business in Ithaca, NY in the mid 70s to mid 80s. Even the threads I used then of the same brands have seemingly improved in their tencil strength and reduction of lint.  Even then though I used what I determined were the best thread brands available. So I suggest not using older threads from your great aunt’s basket, but any of the threads in your stash of a good brand are probably ok even if they are a decade old.

These are pretty, but best to place old threads in decorative jar or bowl and use more contemporary thread.  If you want to use one just for memories, just stitch a few inches somewhere it won’t be getting any stress.

One of the chief things is to keep your machine clean and oiled, your thread properly threaded (pulling off the top if it is cross wound, and from the side if it is stack wound).  Almost all the machines today have a method for both threadings.  Check your manual. My Bernina 880 plus has a little metal eyelet hole to send the stack wound through before threading it.  I am not sure that is obvious, so check your manual.

Thread path for stack wound spool on the 880 plus pulling sideways as needed for this wind.

First of all, I suggest you go back and read my last blog that was centered around thread management in free motion quilting.  Even so, though there are many things there that are the same for sewing and embroidery.

For the most part, when sewing clothes and accessories on the sewing machine, the tension goal is the same as for quilting..a balance between the top and the bottom, but tension settings sometimes have a different goal especially for decorative stitching and embroidery where the tension may be best when pulling to the back more than the front.  My Berninas automatically adjust that when I switch to decorative stitching and I never really have to think about it.  But if you are having trouble with your threads breaking or somehow misformed stitches, then it is likely some adjustment to the tension needs to be made.

Yes, you can change the bobbin tension!!!!  I have heard so many people say they were told not to change the bobbin tension, and that limits you to the standard thread weights and cuts out some wonderful specialty thread work you could do. But you may want to have a separate bobbin case if your bobbin works that way to use for specialty bobbin work or changing the tension to accommodate a specialty thread. My Bernina 880 Plus has a tension adjustment method built in using that little multi-purpose tool. Check your manual.

8 series multi-function tool.

Having the proper foundation for your sewing or embroidery project can make a huge difference in the behavior of your thread as you work.  For the most part, when quilting, the batting and backing fabric provides sufficient foundation for even rather intensely quilted projects, but if you are doing fancy stitching with specialty threads on your sewing machine for say, your new summer dressy top, you will really need to add interfacings and/or stabilizers (tear away or wash away is best).  I think I will write a separate blog on that subject because it is important and there is much to say about that. But getting it wrong can make you think there is something wrong with your machine or make your threads break and misbehave and your project get all bumpy and pully. So pay attention to the foundation.

Just like when you are quilting, you need to test things before you begin a project and periodically at certain phases of your project to make sure you have things working right before you stitch on your expensive fabrics. Make a test piece and take notes as you go  If your machine saves personalized settings then use that function to save time.

I realized I wrote a post that addresses a lot of thread decisions already and it belongs with these two blogs.

Here is page 18 from my Bernina 880 plus manual.  It has a great explanation of needles and what they are used for.  I thought you would like to see it:

Sew after you read that blog and my last blog and this blog, (and your manual) do you have any questions I may be able to help answer in thread management?  Please let me know.  I want to help people enjoy their sewing and quilting with little frustration and a lot of fun.

Sew happy everyone.  Take time to test and read your manuals as part of your project time especially if you have a deadline.  Unsewing is no fun at all.  Try out some of the wonderful specialty threads available. Cheers everyone.

 

 

Repurposing Sewing Patterns and Die Cut Shapes

Hi readers!  Yes, I am done with my mom’s memory quilt except for completing the hand sewing on of the butterflies.  They are taking a while.  I am very pleased with the quilt both front and back now, and if there is no show to enter it into this fall, I will go ahead and post pictures of it, which I have yet to take. But for now I am hoping to enter it first into the Mancuso show in Pennsylvania in September.

I was chatting with a friend of mine this week and we agreed that we both need new summer clothes…simple tops and simple pants made from pretty durable fabrics.  I took a look at the pattern sites and was horrified at all the ruffles and dresses straight out of the hippy Woodstock era that are definately not for me. But I did find just what I wanted in my own pattern stash and I realized some of them are still available online.  It might surprise you but I found a couple of particularly nice patterns in the “uniform/scrub” category.  I purchased McCall’s M6473.

Here is the pattern made up into scrubs.

But in looking at the line drawings accompanying the pattern, I realized they are exactly what I was looking for and, made in the right fabrics and adding some embellishments I would have the summer patterns I wanted…quick, easy, and stylish.  These are just right for my daily life.  Take a look.

The pants have a dual waistband with a smooth front and elastic sides and back and really fun pockets. All three versions of the top are perfect canvases for some interesting fancy stitches, embroidery or appliques to spice them up. These tunics are nice and loose but not pregnancy tops.

I also found in my pattern stash a Simplicity pattern I have had for some time, Simplicity 2371, that has a lot of the same characteristics, though I think the scrub pants are a little better.  I will do all the size testing/fixing on the scrubs slacks and make a couple of pair of those out of some nice sturdy knit fabrics I have for that purpose that I bought at least over a year ago.  But I will probably make some version of the long leeved tunic on th Simplicity pattern.

The Simplicity pattern from my stash. Note the pants have a simple full elastic waist and no pockets…not what I wanted exactly. But the long sleeve tunic provides a suggestion for the embellishment. I would be adding something more.

Now as I was browsing through my pattern stash I saw a plethora of bag patterns, my vintage pattern collection, and some really gorgeous jackets and suits for dressier, colder times.  I have the fabric for most of that too.  Yes, my clothing stash, though carefully trimmed, is still quite wonderful.  I will make at least one nice winter suit for this year, but mostly I am still losing weight, but not very fast, still…I want to save some of the nicer fabrics for later.  I already have some really nice summer dressier clothes.  Some of these I made and some I bought and I have kept them pretty much altered to my size as I have gone down.  So mostly I need casual summer clothes for daily wear in my studio and some nicer pieces for fall and winter.

Sew all of this clothing sewing I will fit in here and there between my quilting projects.

This made me think about how I was going to approach my wool applique project.  I have a lot of Accucut Go! dies with flowers, leaves, birds and animals, and decorative shapes.  I think I will simply cut out a lot of them in multiple colors after I back the small wool and other similar pieces  I have with a fusible and play around with making a hands on design.  Many of these have patterns with them and were designed for specific things, but I am breaking up the sets and making a bowl full of these pieces.  I also need to figure out some vines and stems, and I am thinking I may have to draw up another animal shape or two.  This should be a fun project and will result in a small sampler, a book, and a show quilt.

Sew you see, you don’t have to use the patterns or pieces like the original designer intended, and you can often find just what you want by opening your creative mind and looking further at the designs and giving them some thought.

So next I will start two new quilting projects…the wool applique one and a more complex art quilt design in one of my ongoing series.  This second half of the year promises to be much more fun than the first half.  I am hoping and praying that in spite of the darkness of the hour in the country, the light will begin to shine through and clear away the dark.  Like the hymn that has been buzzing around my head for at least a week “Morning has broken, like the first morning…”  Remember, morning starts at the darkest part of the 24 hours.

Sew happy everyone!  Make yourself something fun just for you.

 

 

 

Risk Taking in the Studio

Test sampler I made before starting my Mom’s memory quilt.

When I make a show quilt I have a variety of steps that can be a little bit scary, even if they are also fun. I have to take the risk or I would never accomplish the things I want to do. It doesn’t seem to matter how much I pretest, when I am actually working through the quilt project, things come up that are unexpected and must be either corrected or otherwise dealt with.  I am currently trying hard to finish my Mom’s memory quilt, which proves my point.  It has been a real challenge from the start and seems even more so the closer I get to the end.

Sew I finished the loooooooooong period of heavy quilting, unquilting, quilting, unquilting, quilting.  Each part of the quilt had a different sort of quilting that required much thought and practice, but even so, I have not been as happy with it as I had hoped.  I have been working on this quilt for mny hours over the course of a year.  The top looks really pretty good, but I am not as happy with the back.  Still, I love the quilt.

Today, I have been painting the flowers and birds on the white satin that I spent mnths quilting.  The painting is going fairly well on the top, but a few spots have soaked through to the white back.  I think I have control over that now and will not have any more soaking through, and if so, I can use the upper corner where that happened as the place to put the additional label I have planned for all along that will give a little bio and a picture of my mom.  I don’t think I can get away with more thanone of those, however…lol.  So if I do have more trouble with soaking through, I will have to color the back flowers and leaves using something that I know won’t soak through like fabric crayons, which would look nice, but I would rather not do that.  Hopefully I will be able to complete the painting without additional problems of the paint soaking through (I got my brush too wet).   Before I started this I made the sampler above and had no problems with the paints soaking through.  I have painted after quilting on many quilts, and I am pretty sure it was just that I got my brush too wet. Sigh!

Earlier this week we (or rather my son David, who is in control of  our washer that is on his level in our townhome..lol) washed the quilt to get the Crayola washable gel pen markings out of it and set it up for blocking.  I  had told him to wash it on the hand wash cycle with cold water and Wooolite.  It did not entirely come out.  I have to say I was stressed over that.  But anyway, he rewashed it another time using the same directions and more of it came out but not all.  So I suggested warm wash with Synthrapol, and then it all came out.  It also did not damage it in any way and looks fabulous overall.  The quilt has a double bat with an 80/20 bat on the back and a wool bat on the top.  I had done a bunch of testing of the Crayola washable gel pens before I marked the quilt top using the same fabric.  But when I did the test I washed it out with Synthrapol, not Woolite, and I only dried it a few hours and ironed it instead of having it sit in the fabric a year.  So I suspect that is what the difference is, but it might just have been the warm water or the third wash. The point is, it came out and it was a great help while it was in the quilt. I would most certainly use it again even if I have to wash my quilt several times.  But I kind of think just one wash in warm water with the Synthrapol would have done the job.

Oddly, the part that I was most worried about when washing/blocking…the appliqued on crocheted ten inch lace blocks my Mom made…came through the wash without a bit of trouble and they even look refreshed and truly beautiful.

I had originally thought this quilt would end up a little over 60 x 60 inches, but all the quilting drew it in to about 58 x 58 in the end.  I haven’t bound it yet, but that’s what I think it will end up.  It will, therefore, be a small wall quilt in whatever shows it is in, if they will even let it in, or if they even open.

Sew you see, when I make a show quilt, there are lots of things that can and often do go wrong.  What I have found is that I have had to develop a set of approaches to fix problems when they happen, or criteria to help decide when I can let it go and stay as it is.  Afterall, I am not a machine.  I do not make perfect quilts.  I think small flaws can actually add to the beauty and magic of a quilt. I’m not sure judges agree. But sometimes, I may even have to let it go and not enter them into shows.  I think this one will be ok for entry.  We’ll see when I’m done. I am sure those keen eyed judges will see every little flaw and tell me about them if they provide feedback.  They always do.  Hahahah.

In addition to binding, I still have the painting and to add lots of pearls to the quilt. Some of those pearls are possibly going to be Swarowski hot fix pearls, but I have to test that first, because my quilt top is made from polyester crepe back satin and polyester dupioni…it’s gorgeous.  It quilted beautifully, but I will have to test to see if the hot fix pearls go on ok without a hitch, and stay, and don’t melt or burn the fabric.  I once slightly burned a silk dupioni quilt in one spot with the hot fix crystals I started to add.  I ended up glueing the crystals all on, which I found I didn’t like doing at all.  Later on, I learned that I could use the transfer tape to help apply the crystals.  It holds them in place and provides a bit of heat protection of the fabric when I used the hot fix applicator.  So I am hopeful I can use the hot fix pearls for this quilt.  But it is another risk, and the last thing I do to complete the quilt I have spent so many hours on for a year now.

I am planning on making slightly smaller art quilts for a while.  They might actually sell better, since people may be able to find spaces on their walls for them.  But I will continue to do those risky techniques that make the end quilt look so fabulous.  I hope you will too.

I am hoping we are all able to begin to come out of our homes and are still stay well.  Just like a show quilt, risks are required if we are to accomplish anything good.  I personally don’t think we as a country can stay away from work for much longer without the entire world economy collapsing, which is also a massive threat to peoples’ lives, health, and overall well being…even more threatening than the Covid 19.  But we can take precautions as we go out, wearing our pretty face masks we probably all made or had made for us and washing our hands, using sanitization methods in our houses, cars, and places of business, and keeping our distance for a while.  There has been much progress in understanding this thing and how to treat it and they are still moving forward.

Sew happy everyone!  Make something fun.

 

 

A Sunny Mother’s Day and Considering Next Steps in My Studio

Happy Mother’s Day to everyone.  Yes, many of you are mothers and grandmothers, but I know a couple of you who have no children but provide much learning and support to us quilters and sewists in motherly fashion.  So Happy Mother’s Day to all of my readers (even the guys).   My oldest son Ken has already called to talk with me, and my youngest son David, who shares my home with me, is going to cook a steak dinner tonight.  Lovely!

My side yard

It’s gorgeous here in Ashburn, Virginia.  About 65 and totally sunny with not a cloud in the sky.  I just spend about an hour out back enjoying it all.  The back of my house looks out into a small woods, just thick enough so I can’t see over to the next part of the neighborhood and thin enough so developers won’t come and build back there.  The wildlife is delightful that live there…birds of several varieties, bunnies, turtles, squirrels, chipmunks, and even foxes.  I feed the birds so I can see them and they pay me back by keeping down the gnats and flies and singing to me.

My youngest son David on the upper deck.

Sew I had hoped to finish the quilt I am making in memory of my wonderful mom, but though I have made great progress, I still have a ways to go.  I have finished the quilting on the central part of the quilt and am working on the borders.  I put freeform feathers on the bottom border, and I plan on doing the same on the top border.  I got some new stencils and am have marked a beautiful vine with leaves coming down both sides.  Since I quilt everything to death, except my snuggle utility quilts, I have a lot of quilting to go yet.  And then I will have to wash it to remove the markings, and paint some of it.  So there is much to do still.  I had thought it would not be pretty enough on the back to be a good show quilt, but I just turned it completely over and was surprised to find it is beautiful.  Yes, there are flaws, but it is still beautiful.  The flaws don’t seem to show much on the front.  Some of them will be removed, others will maybe go under a label or two (I’m thinking of writing a little biography of my mom in a simple text label in addition to the who made it when and so forth label).

What’s Next?

Sew I am close enough to being done with Mom’s quilt to think about what my next major project will be.   I actually have three going now.  One is my own personal snuggle quilt for my bed using Sue Nickles applique blocks that I just use to work on when I want to do something that is just relaxing sewing, one is a fairly extensive project of wool applique by machine that I am simultaneously writing a book about.

I have found that there is a slight bit of room in the art quilting world for books that people with advanced machines may want to have.  There are a lot of how to quilting books for beginners, piecing books, and yes, even some advanced art quilting books, but I think while there are some books out there for people with all these wonderful stitches and feet and other attachments, that area might still have room for some skill building books for using these advanced machines many of us have.  Wool applique by machine is my first of these skill-building books I am working on (I just bought a second camcorder and will be making videos too).

Another book I am thinking of is multiple deep space quilts using a variety of methods in homage to the magnificent deep space scenes you can find many of on NASA’s website that are copyright free.  Here I have some credentials in the quilting world, because I have won several nice ribbons on my deep space quilts and I have many more to make.  So I thought this would be a good book and already have it underway using photos I took while creating some of these quilts.  I plan on making several more, some step outs and some small ones to sell for people who may want one of these for their wall, or to give as a gift.  Of course, I will be producing show quilts from this project also, giving my work double, or even triple use (I will be making some videos too).

Sttitching Spiral Quilt 3 with a reference picture.  I gave this quilt to Ken and Beth.

I guess maybe that is all I can do this year, but it doesn’t stop me from planning other quilts, and thinking about how I can incorporate them into books and videos.  I may speed up, and some of these books are nearly written and only need a few samplers. so it might not be as overwhelming as it sounds.

I would love for my readers to tell me what they want me to teach by book and video (I am not going to do much travel for a while), realizing that I have been sewing for more than sixty years, having even once owned my own fashion design business, and quilting since 2009, with ribbons and other awards to my name.

One of my most prized awards that may sound unrelated, but is not, is a simple honorable mention I won in Kanazawa Japan decades ago.  I studied Ikebana there, receiving my fourth year Sogetsu School Ikebana certificate, the next one, had I continued, would have been a master certificate.  While there, I entered a flower show and made an arrangement using great big sunflowers, chrysanthemums, and swooping curls of broomstick.  It won an honorable mention.  Theoretically, it was anonymous.  But there were some magnificent arrangements there.  It’s something I have never forgotten. Nor have I forgotten a single bit of my training.  I have sketch books with some of my arrangements too.  A flower arranging quilt would be fun.

Kanazawa Memories, with machine stitched sashiko and a fabric Ikebana arrangement I made by printing individual flowers on fabric and appliqueing them into an arrangement.  I lived in Kanazawa Japan for three years as a young woman.  I no longer own this quilt.

In the stitching/sewing world, I can probably teach almost anything except piecing and hand sewing.  I can do those things, but only at about an intermediate level, whereas clothes, tailoring, and now art quilting, I consider myself to be at an expert level in many of the techniques.  Please comment and send me your questions or suggestions either here, on Facebook or send me an email/message, realizing it will be a while before I get the answers to you, unless it is a simple answer I can put on my blog.  Also, what do you think of my planning to write books for people with higher tech machines?

Sew happy everyone!  I hope you get to go out and enjoy the great beauty of spring or fall wherever you are.

 

 

 

Only Slightly Off Topic–Quarantine Inspirations for the Future

The things I have observed (online and in online and phone chats) that my friends are doing to get through this in relation to home management and economics are very interesting and many are very positive.  It makes me hope after we are through this, some of this is incorporated in future activities in schools and online and supplies are made more available that seem difficult to obtain at this point in the quarantine.  So here is what I am talking about.

I see people baking breads, cookies, and other interesting things, resurfacing these activities in the kitchen that they may have done years ago or seldom do and they are teaching their children more about this.

I see some people teaching their children more about sewing, quilting, and cooking.

I love how many sewists and quilters have pitched in to make masks and hats.  I have always loved how they pitch in when people somewhere face a disaster, making clothes and quilts.

I myself am trying to develop a very small deck garden using vegetables from my kitchen (potatos, tomatos, lettuce that came with the roots) and I want to add herbs and flowers when I can.

I am cleaning more than I usually do.  It isn’t a great deal more, but my “someday” list has shortened lately.  I have developed almost a daily bit of short periods that don’t overtake my work in my studio and have accomplished a lot really.

I greatly appreciate how much sharing of quilting, sewing, and cooking is being done online.  Great whole classes and I am spending a little bit most every day learning something.  I think many are doing it for free, but a lot of us would pay to watch these great teachers.  I just discovered that King Arthur Flour, for instance, is running a series of videos called The Isolation Baking Show!

So here is what I hope happens after we are through this. I hope to see many of these things continue.  I would love to see our school system give a lot of thought to the fact that school is as much there to prepare the children for living life through thick and thin in the real world as well as how to get into college (and maybe introduce consideration of a trade for their career).  I hope they will emphase learning survival skills.  I mean survival through a quarantine, a war, a great depression, a natural disaster, a family emergency, or individual financial difficulties people sometimes have, and how to enjoy life even in the face of these things. Some of these things can begin with the very young, and then skills can be built through the school years.  Some of us, like myself, should continue to learn or improve these skills even when we get to what one might call “elderly”.   I am not saying your children’s or grandkid’s schools don’t, but I have the impression that there could be improvement in many schools across the country, especially, and also continuation and development of more online sources for classes in:

  • Buying and maintaining your computers, how to stay safe on the Internet, and how to be a responsible person on the Internet, how to organize your computer files, and shop safely online (I have a friend that needs a lot of help in this, and I do too sometimes)
  • Sewng and quilting, including what to look for in buying a machine. Maybe even making costumes for cosplay, which would teach a lot, and repurposing clothes in the closet you no longer wear or you find in a thrift store, for instance, and what you should keep on hand even if you aren’t much of a sewist.
  • Managing your wardrobe with an eye on the budget, including how to wash, clean, repair, and press it and the properties of fabrics
  • Making a budget and watching out for problems and what is a financial advisor anyway
  • Gardening, even if all you have is a window or a deck and you grow herbs
  • Cooking and baking and figuring out how to capture and maintain wild yeast for sourdough, how to join things together to eat even when you have what I think of as a pantry that has odd things that don’t necessarily fit together because you are snowed in or quarantined
  • What a properly stocked pantry should always contain and how to prepare regardless of your eating choices (yes, I lean towards being a prepper, if you will, and will eswpecially continue doing so after this).  I recently learned from King Arthur Flour, for instance, that you can freeze yeast and use it direct from the freezer, making it good for a decade at least.
  • DIY home repairs suitable for the everyday person…repairing a leaky faucet, a small hole in the wall, preparing your home for winter, or living in a desert, repairing or constructing a lamp, safely using a ladder, power washing your home, replacing a towel rack, and so forth.
  • What tools and items one should keep on hand for DIY home repairs
  • Basic safe carpentry skills
  • Maintaining your home in general.  How to tell when to call in a professional and when to do it yourself.  Cleaning and organizing your refrigerator and pantry.  Changing the bed linens.  Properly disinfecting the home on a regular basis.
  • Home decorating, art, and music, because we really do need to have beauty in our lives as well as practicality, and sometimes we may need to make this ourselves
  • Maintaining your car (Although I can do this, I turn this one over to my youngest son)
  • And perhaps we should all give some thought about how to care for family members who become ill from one thing or another while trying not to catch it ourselves.

So Grammy BJ (my alternative personality…LOL)  surfaces again.   But it is something I have been thinking of a lot lately.

Sew happy everyone.  What skills have you resurfaced, added to, practiced, or learned since the great quarantine began?  What do you plan to continue developing or doing?

 

 

 

 

Fine Tuning Quilted Art Projects: Fixing Things

I know that sometimes things go awry with my quilted art projects no matter how hard I try to keep things on track.  Usually, though not always, it is entirely my fault.  But sometimes, it is a machine or tool misbehaving.  This week it was my bobbin case, or rather the little spring in my bobbin case.  Fortunately, I had a spare, but I was not good about trying that until I had exhausted all the other reasons I was getting nasty big nested wads on the back of my quilt.

It started with just an occassional nest, and got progressively worse.  In the end, before I was about to decide there was something seriously wrong with my Bernina Q20 (Fritz) sitdown longarm, it looked like this:

back when bobbin spring broke down.

Sew I made every step and tried many things.  I cleaned, oiled, flossed out the thread path, and blew out the bobbin area.  I took the bobbin out and put in a fresh bobbin.  I took out the magic bobbin washer I usually use and tried that.  I put it back in and tried that.  I reset the bobbin tension, and yes, it was way off for some reason, and tried that.  I changed the needle, I changed the top thread.  It got better periodically, and I thought we were ok, so I went back to quilting. Unfortunately, it started misbehaving badly again (it looked great on the top but I could feel and hear it everytime it made a nest).  So I stopped.  I prayed about it.  It was especially important that I could fix it myself since my Bernina shop is closed right now.

And then I remembered that I had bought a spare bobbin case spring because I had read on one of my facebook groups that is something people should have on hand for the Bernina Q20/Q24 longarms.  I replaced the spring on the bobbin, rethreaded everything, and reset to default settings, just in case. I still got thread nests…and was about to give up, but I decided to doublecheck the tension on the bobbin again.  When I took the bobbin case out, I found the bobbin was in upside down!  Hahahaha.  I must have done that the last time I took it out and put it back.  So I put it in right, rechecked the bobbin tension and tried again.  What do you know!  It worked.  It sewed cleanly and beautifully without any problems.  So I readjusted the tension and stitch length to my preferred settings and sewed for a full half day with no problems.  It is still sewing well.  The spring didn’t seem to be that far flattened, but it was flatter and less bouncy than the new one. I know the bobbin was in right for most of my attempts to fix the nests.  I had to laugh at myself.

Sew now I am left with the ten or so inches of the quilting on my border of the quilt that I have to unstitch, or unstitch at least a good part of it and restitch.  I hate unstitching and it’s hard to do!  So I have to make some decisions here on what I have to actually do.  The location of this batch of bad quilting is in the lower right corner, right where a label should go.  So I can hide at least some of the bad back stitches under a label, cutting off a good portion of the nests.  In the process of all of this, I used a different thread for the actual large feather on that section of the border than I did for the second one on the other side of the lower border.  The first thread is lighter and needs to be removed, because the darker new thread looks much better.  So I will have to remove the whole feather.  Sigh.  I am not having much success at this.  This portion stitched well and I find the stitches hard to pick out. It is slow.  Sigh! But I will persist.

This all brings up the topic of fixing things on your quilted art pieces.  There are things to consider when deciding to unstitch and other things that can be done some of the time.

  1. Is the project a show quilt or show garment or for other professional use? If so, it must be fixed.
  2. Does the problem really make the item less desireable for personal use or a gift?
  3. Can you somehow cover up the problem with appliques, false back sections (shows do not accept false backs on show quilts), back appliques that add fun or beauty, or hide with paint?
  4. Is it even possible to fix the problem? If not, can you use the item in some alternative way?

Sew happy everyone!  Hang in there.  We really are going to come to the end of this trying time and things will get better again.  We may have even learned a lot of interesting life lessons from all of this.  I am, in fact, really pretty excited about the fall and winter quilting and quilt show season that is before us.  I am already working on it.  How about you?