A Sewing Machine and Design Software Fan

Gibbs at work.

Make no mistake, I love my machines and enjoy using my various pieces of design software to help me create art quilts, or just to sew, or just draw, paint, and design digitally.  It’s more than a hobby.  It’s my fun and my full time occupation, though I hardly make much money from it.  Indeed, I spend more than I make at this point.  It would be great to turn that around, especially since I periodically do things to update, add to, or improve my fleet of machines and suite of software because I think it is the right thing to do,

Oh, did I tell you?  They have a new pin point laser light attachment for Fritz that shows exactly where the needle will enter the fabric to help with precision quilting and free motion thread work.  Awesome!  I ordered one (they had a 25 percent off offer).  LOL  I need all the help I can get making my quilting sing.  Last week, I also updated my Electric Quilt to EQ8 (they had a great offer).

Sew now that we have clearly established that I spend too much on my super hobby and I make too little with it,  I keep thinking how I can turn this situation around and start making at least enough to support my quilt-making habit, and even have some for trips to places like Houston or Paducah for the big shows.  For example, I just updated my website gallery last week so you can see my quilts better and see what the sizes and prices are for those that are on sale.  By the way, the exhibit of my quilts is still going on at G Street Fabrics in Rockville, Maryland, where most, not all, of my quilts are on display through Thanksgiving if you have a chance to go.

Most of you probably know I am a Bernina girl.  I love Berninas.  I have four of them right now, but I am selling my Bernina 1230 to my student/apprentice,  Anita is one of my best friends, a true beginning quilter, and I am teaching her to quilt and improve her sewing, and to use the 1230 all just for fun.   I also have a Baby Lock Serger (yes, really!!!). Now I reluctantly admit that Baby Lock is also a very good brand, and they make wonderful sergers.  If I had to choose a machine other than Bernina, it would probably be Baby Lock.

My Bernina Q20 named Fritz.

Anyway, when Anita takes home the 1230 once she gets her sewing space set up and completes her initial classes on the machine, this will allow me to have all my machines in their own cabinet (except the serger), which makes my playground just plain wonderful.  It’s wonderful already, in fact, though it needs a little reorganizing and cleaning.  It’s a magical space even if it isn’t all slick and spacious.  I have Gibbs, my Bernina 830 LE in Studio Gibbs (meant to be a small bedroom), where I store the bulk of my quilting stash and have a small kitchen island for cutting and painting and the like.  Gibbs has a very large custom cabinet that can be a nice big work table if I simply move Gibbs.  I also have Studio Fritz, another small bedroom, where Fritz, my Bernina Q20 and, my ironing station, and my computers live.  Then there is Studio Betsy, well, actually that’s part of my bedroom, where I have my original Koala cabinet.  That’s where the Bernina 1230, named Betsy (for Betsy Ross) is currently residing, but I will be putting E.Claire (named for Edith Claire Head), my little Bernina 350 that is now on the floor in the cabinet.  Wilcox, my serger, hides under one end of that cabinet.  Plus the bulk of my sewing books are also housed in my still rather nice bedroom.  So nearly my whole upper floor in my modest townhome is pretty much dedicated to my studio.  I even briefly considered working out a way to sleep under a longarm frame when I bought Fritz, but decided the sit down setup for him would be the better option.  😉

My grandson a couple or years ago at  E, Claire, my Berinina 350

I have really neat plans for 2018.  I have several quilts already started or close to being started, and I am writing a couple of books on art quilting and I hope Anita will be my beginner beta tester of the projects in the book once I get her started.  My daughter in law Beth, who is an advanced quilter with a fabulous studio, will be my advanced beta tester.  Additionally, I am working out a few workshops for local teaching, but I seldom really make any money to speak of on those because it takes so much time for me to get them pulled together.  Maybe eventually those will make money too.  I really do them to learn what people want to know and am putting that in my books.  So they are still valuable to me.

Sew maybe 2018 will be my year…I’ll go through a whole year without updating any software or buying any new machines, start selling more quilts, win more and better cash award ribbons, and finish my two books which will, of course, each be a major hit and sell, sell, sell.  Ha-ha-ha-ha,,,,,,,,In the meantime, however, I plan on continuing to thoroughly enjoy my fleet of machines and suite of drawing and design software and endeavor to rein in my desire to have the very latest machines, attachments, and software.  We just won’t mention “adjustments” to my stash of fabrics, threads, yarns, beads, and paints here.  But they are necessary, right?

Sew happy everyone.  I hope you have a play space you enjoy.

 

Two New Digital Quilt Projects

Believe it or not, I have completed all my projects I had going.  Now that the workshop at G Street Fabrics is over (I will be repeating it in the fall), I am going to make two quilts centered around two digital printouts.  I’m hoping to get one of them done by mid July for part two of my Exhibit at G Street Fabrics.

The field of flowers is a photograph by Beth Tatum, my daughter-in-law:

Photo by Beth Tatum, printed on fabric 36″ x 26″

 

The pink flowers I painted in Corel Painter 17 and had it printed.

I painted this one digitally in Corel Painter 17 and had it printed 28″ x 38″.

They came out really wonderful, and I washed them in Synthrapol, rinsing until they ran clear.  There wasn’t much color in the first batch of water and I can’t see any color loss.  So now I can use them in a quilt I will soak when the quilting is complete, which makes marking things  and blocking a lot easier.  I’ll have some embellishments I will add after blocking.

I plan on just sandwiching and quilting the field of flowers photo with  a variety of threads for depth and interest and adding beadwork and some 3D embroidered butterflies.  I might face it instead of binding it.

I plan on adding a double border on the pink flowers.  The inner border will maybe be shaped and appliqued on.  I plan on shortening the flower panel at the top to bring the border down to the vine, and cutting out the top half of the leaves that would be hidden by the border to have them break into the border.  Then I will quilt it with some pictographic flowers, vines, and creatures, also quilting in the flower and leaf textures.  I also am working on designing two or three 3d stumpwork with wire of small birds in
Bernina V7 software to applique on. This is my bigger project, as you might imagine. If this turns out well, this might be a show quilt, but we’ll see.

In the meantime, I have broken down my housecleaning project into small manageable sections and am spreading them out across a couple of weeks.  I did pretty well with this so far.  My upper level is mostly clean, though I have a plan to go through my stash at some point, eliminating some things and slightly reorganizing the fabrics so they all fit back into my storage units.  I’ll do this later, after the mid-July deadline for the second part of my G Street Fabrics exhibit.  I’ll do the main level next week, and David will do his level too (he has a nice “flat” on the walkout lower level that includes his bedroom/office and a nice big living area with his own back deck.  There is a bathroom area that has the rough in plumbing, but I haven’t gotten it finished yet.  Maybe if he has a big hit book, he will do that himself.).

A word about digital fabric art:   It is NOT “cheating” as some quilters seem to think.  For example, it took me s lot of time to paint the pink flowers, and they are fully my own artwork.  Why would that be any less of a “legitimate” quilt than a whole cloth, for instance?  Neither would a photograph that is printed, sandwiched, and quilted as a whole cloth.  I do think there is slightly greater acceptance of the value of digitally printed fabrics than there used to be.  And that is good.  Indeed, am hopeful some of the heated rhetoric about just about everything these days will cool off.  Let’s appreciate one another and their work…traditional, contemporary, modern, and art quilters, white collar and blue collar workers, sharing their Mom’s house while writing wonderful stories for the world to enjoy, making art quilts, plumbing the kitchen, powerwashing your home, managing a business, Democrat, Republican, Independent…cool it everyone.  Life can be wonderful and full of peace and love if we stop the arrogance and heated rhetoric and take a step back to love and appreciation that we are not all-knowing.

Sew happy everyone!  Try your hand at making some digital fabric art if you haven’t tried it yet.  I’ll post more on these projects along the way. Also, I have decided to put the landscape project I tried to start as a kind of block of the month on the backburner.  It needs more definition, and everyone that responded said they were too busy.  I think I am too busy too…LOL.

 

Christmas, Advent, Blogs, and Magic

I am astonished to see that it has been nearly a month since I published my last blog post.  In general, I try to publish once a week every weekend, but sometimes I get caught in that time vortex where each week is but a day and each day but an hour…you know the ones I mean.  I am just bobbing my head up from the latest whirl as I prepare for Christmas and work to complete some deadlines.

I am waiting on a wish list from my most difficult of all family members to buy a gift for (my oldest son Ken), and if he doesn’t give me one he gets a gift cirtificate.  But other than that I have completed my Christmas shopping.  I have not yet even started decorating for Christmas.  I celebrate Christmas, the birth of my Lord,  from Christmas Eve through 6 January.  I also celebrate Advent as a time of preparation and reflection.  So for me, having the house decorated by about December 20th or so is just about right and in tune with the preparation part of Advent.  Yet, the other night I was driving home from being out and saw my whole neighborhood is bright with beautiful Christmas lights.  So I think for my neighbors we will endeavor to get our outdoor lights up this week.

My youngest son, David, is under a heavy set of deadlines for his writing.  He has been asked to contribute a novelette for a collection of stories that is due by the end of the month, and he has to get it to his editor by the 15th.  So I am putting off decorating until he gets that manuscript to his editor. He is a necessary part of this endeavor.  After all, someone has to go up that ladder to get the decorations down…LOL.

He also has been asked to be a guest author at a writing/fantasy/sci fi conference (Raven Con in Williamsburg, Virginia) in April, and he has the third book in his Law of Swords series close enough to completion that he wants to get that one published in time to have it in hand for the conference.  So snatching a bit of his time here and there is really difficult.  But I’m excited for him.  His writing is downright magical.

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If you haven’t read any of his books, I encourage you to do so even if you don’t normally read fantasy, because they are full of romance, intrigue, and adventure and are so very well written. They would make great Christmas presents too, and talent as deep and wonderful as his is needs supporting.  So please buy a book and see what you think.

I have not forgotten the blog this past month.  I have been struggling to write a post about the magic of combining today’s wonderful drawing and painting software with fabric art and specifically with art quilting.  But I think I’m going to put that one aside because I just can’t get it put together like I want.  But believe me, it’s worth the time and money spent to obtain and learn such technologies as Corel Draw, Corel Painter, Bernina Design software, Electric Quilt, and any photographic editing software.  With it, you can paint in the computer and print on fabric.  You can design in the computer and print a full sized design.  You can design your own fabric and have it printed.  You can draw a whole quilt and have it printed full sized on wonderful fabric and quilt it. You can digitize your own embroidery items and stitch it out on your embroidery machine.

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You can just draw something wonderful and print it out full size and replicate it on your free motion machine (even a treadle machine if that’s how you roll). It’s so exciting and wonderful that it’s almost magical.

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And so what are my deadlines, you wonder.  Ahhhhh….that’s a good question!  Maybe I’ll tell you some of them next time.

Sew happy everyone!  I bet you have some kind of artistic software lurking around your computer somewhere.  It’s time to learn to use it if you haven’t already as part of your quilting and/or sewing adventure.

 

 

Testing Border Designs

This will be the last blog post I write on making Ken’s special quilt until it is completed, and probably until after it has been debuted at some show in order to keep it for a surprise, but I wanted to tell you how I was solving the border problems.  I will write the posts, but not publish them until then. I will, of course, continue writing blog posts about other topics.

I have been kind of concerned about whether or not I could get the border right for the quilt my son Ken designed for me.  It uses complex Celtic knots and designs.

So this week I managed to get all but one of the corners digitized and tested to stitch in-the-hoop at my Bernina 830 LE (Gibbs).  While working in the embroidery module, Gibbs rebelled over most of my gold metallic threads, finally accepting Superior metallic.  With some testing and fussing with tensions and needles, coupled with slowing way down to nearly the slowest speed, it decided to stitch out my designs without any further tantrums.  But I don’t much like the way the thread looks, so I am going to test some near-metallic colored threads.

After all, this is the outline for painting the design with Setacolor gold paint and finishing with Setacolor Gold Glitter Finish.  I have used these paints for several years now on my show quilts and they are permanent once dried and heat set.  I’ve even washed them with success.  The glitter may need a little refreshment after a couple of years of shipping, folding, showing, folding, shipping, but the underlying gold stays solid and most of  the glitter is still there even so.  I’m fairly certain with ordinary hanging in one’s home or office, and an occasional light vacuuming with a cheesecloth over the end of the vacuum hose, these paints will last for decades.

This is my first test of stitchout 1...small right corners. Here you can probably see that I have only half of the block finished with glitter paint. It seems the right finish to me. But I am not happy with the metallic threads here.

This is my first test of stitchout 1…small right corners. Here you can probably see that I have only half of the block finished with glitter paint for comparison. It seems the right finish to me. But I am not happy with the metallic threads here.

My biggest problem was getting the long designs on the border that were too big to fit into a hoop and that I thought were too exacting to manage a good multi-hooping of the many hoops required.  So I decided to see if I could get the outline stitching done with good marking and free motion/ruler work on my new sit-down longarm Bernina Q20 (Fritz).

Fritz is a dream.  Fritz does not dislike any of my metallic threads.  Neither does Gibbs, for that matter, if it isn’t working in-the-hoop.  But I practiced on Fritz this time in non-metallics.  Oh my….I set it up in BSR2, which Bernina recommends for ruler work.  Using 7 of Lisa Calle’s wonderful rulers, I have done some practice work.  While I need more practice, I am fairly certain by now that I can make these border pieces.  I have found that Fritz can place each stitch where I want it…it will slow way down, work at higher speed, stop when I stop and start when I start, and all controlled only by how I move the fabric when it’s set on BSR2.  I will note that this can also be done at most any sit-down sewing machine, although perhaps not as easily.

I am pre-stitching the designs, not quilting them in.  I will quilt them after sandwiching the quilt, and will use either Superior’s monopoly or 100 weight silk matching the backgrounds.  This will provide further definition to where the design goes over and under to make the Celtic knots.

So I starched and then backed my test pieces with my favorite stabilizer for embroidery (for that is what this is).  That is Madeira Cotton Stable, which has a light fusible on it, and is 100 percent cotton.  Thereby no hooping is necessary.  This stabilizer can either remain in the border or tear out. I usually tear out most of it and don’t worry about getting absolutely everything before sandwiching.

The top corner design was done at Gibbs in the hoop and then painted. The lower left and right designs were done with rulers at Fritz and then painted.

The top corner design was done with Gibbs in the hoop and then painted. The lower left and right designs were done using rulers and the Bernina #96 ruler foot with Fritz and then painted.  I left unpainted some of the stitching on the lower left so you can see how it looks before painting.  It needs practice.

I still have to complete the digitizing of the one big upper left block, and when I finish and test that, and dye my PFD Radiance a dark green (which kind of makes me nervous, but they don’t make it the color I want), I will FINALLY be ready to start actually making the quilt top.

This is progress, though it kind of doesn’t seem like it since I haven’t actually started assembling the real quilt yet.  But the time I’m taking to work everything out beforehand I will mostly gain back when I make the quilt and know exactly what to do each step along the way. 🙂

Sew happy everyone!  I hope you are having a wonderful weekend.  God’s blessings.

 

 

My Own Quilting Retreat

On Monday my new Q20 Fritz was setup in the part of my studio that also houses my office with my computer, and recently iquilt has been having sales on their video classes and I purchased several.  Starting on Tuesday I have been having my own private quilting retreat (and I’m not finished). Actually, I kind of fell into this little quilting retreat by coincidence of the two things happening in close proximity to each other.

Here is Fritz:

My new Bernina Q20 named Fritz.

My new Bernina Q20 named Fritz.

 

The days have flown by as I watched the classes, put together practice quilt sandwiches, and practiced on my new machine.  I have spent four or five hours a day practicing quilting on Fritz, and sometimes, I just put the class videos on and let them play through, and sometimes I stopped and went carefully through the classes.  I have really enjoyed myself.

The classes are all great, by the way, and I am learning a lot.  Sew what classes am I taking?

I also have run thr0ugh a couple of The Quilt Show shows while I was practicing quilting and testing various threads and settings on Fritz.   It’s kind of been like I was taking a summer school in quilting.  I am planning a similar week next week.

I need much more practice on Fritz to produce show quality quilting, but I feel encouraged to see some progress.  I think I can, I think I can, I think I can….  I do need to get to quality quilting fairly soon because I have a lot of ongoing quilting plans and book samples to do, and the quilting on these needs to be beautiful and well done. Here are a couple of photos from my first practice:

 

Day 1...it's a beginning. The black thread is the very first, the blue varigated is next, and the stitching in the lower right includes both metallic and 12 wt thread.

Day 1…it’s a beginning

 

Day 1 specialty threads. I had to do some adjustments to the tensions to make these work. The metallic in the upper left worked well with just a little loosening of the upper tension. The 12 wt thread required loosening the bobbin and tightening the upper thread just slightly for both.

Day 1 specialty threads. I had to do some adjustments to the tensions to make these work. The metallic in the upper left worked well with just a little loosening of the upper tension. The 12 wt thread required loosening the bobbin and tightening the upper thread just slightly for both.

 

Day 2...some improvement in this pattern

Day 2…some improvement in this pattern.  See the first try in the upper left of Day 1 first picture.

 

Practice 2 a

Day 2, practicing ruler work with Lisa Calle’s pro pebble rulers

 

Practice 2 b

Day 2…very fast free form spiral…clearly needs a lot of work!!!

Sew happy everyone!  I know not many of you can take a lot of time for your own retreat, but I highly recommend it if you can manage it.  Nevertheless, I hope you can take some time to learn and practice, whichever machines, needles, and techniques you use.  This brings many rewards. I’m off to do some more practice!

 

The Q20 and the Great Customer Service from G Street Fabrics

Yesterday my friend and Bernina dealer Mei Ling Huang and my wonderful machine tech Lew, who work from G Street Fabrics in Rockville Maryland, came and spent the day with me.  Putting together the pieces of the Koala cabinet that came with my Q20 took longer than setting up the Q20.  All of it is heavy, and so my son David helped with some of the necessary lifting.  It all fit just where I thought it would, and it looks fabulous.

After it was all set up, they spent some time with me teaching me what I needed to know in the care and feeding of my new machine, which I have named “Fritz” after the founder of Bernina and also after a favorite fictional character of mine..Nero Wolfe’s chef Fritz (pronounced Freetz, which is the way I’m pronouncing my new machine’s name).  Both Fritz’s were wildly successful and talented, so it seems a great name for the new big boy machine.

The weather was wonderfully cooperative.  I put together a light lunch and we all stopped for a short time and had lunch on the back deck.  After they left in the late afternoon, I was able to spend a couple of hours trying it all out.  The whole day was a delight for me.

Today I put together the Bernina chair that they included for me in the deal, and spent the day getting used to the machine.  In fact, I found that it was so wonderfully easy to quilt with that after a few hours, I finished the quilting on my Hoffman challenge 2016 quilt, and it is ready for the binding, blocking and beading.

So I have now spent about six hours quilting on this machine, or at least playing on this machine.  I have only one minor complaint.  You have to use the foot peddle to quilt with it.  For the Bernina 830 (“Gibbs”), I can punch a button and leave my foot off the peddle for the stitch regulator modes.  I’ll bet they can fix that with a software update.  I’m going to write to Bernina and suggest it.

At first, I thought the machine was not as smooth to run as I had initially found with my try-outs.  But after I fiddled with the various controls a bit, I found it runs so much smoother than anything I’ve tried to date.  The stitches from the stitch regulator mode are so perfectly even, and it can keep up with me.  I don’t have to hold back, but can quilt as fast or as slowly as I want to.  There are absolutely no skipped stitches and they are so very even and beautiful.

It is clear to me already that Fritz will help me to quilt better, faster, and more accurately. Soon I will post pictures of my studio and some quilting.

I thank G Street and the Bernina section there for such great customer service.  If you are a Bernina owner (or want to be) and live within striking distance of Rockville, MD, I highly recommend this store/dealership.

Sew happy everyone!  May your days be blessed with peace and safety.

Finishing Things So I Can Start New Things

I love finishing projects of all kinds.  It means I have accomplished something, but chiefly, it means I can start something new.  Currently, I am working on finishing my Hoffman Challenge 2016 small wall quilt.  It is such a happy project…full of butterflies and bunnies, and set in a whimsical forest.  I am quilting it now.    I know that you don’t HAVE to finish one project before starting another, but it’s really nice to do it that way.  I have a hard time not finishing before starting another, simply because of all the years I had to finish things for really important reasons, and way back when I had my own fashion design/tailoring business when I HAD to finish projects for my clients’ sake.

I am also getting my studio rearranged so I can put my new Bernina Q20 where it will be easily available.  To do this, I had to start with reorganizing my bedroom so I could eliminate one of my two dressers and move the Koala cabinet that I use with my Bernina 1230 and Bernina 350 into my bedroom.  I have finished preparations for that part of the reorg.  Next I will be putting the Q20 where the Koala cabinet is now.  It all starts tomorrow with a scheduled pickup of no-longer-in-use clothing and shoes (six bags so far).  Then on Tuesday the 31st, the guys come who are taking the dresser away to charity and moving the koala cabinet in place.  Then the following Monday, June 6th, I am expecting the delivery and setup of the Q20.  And finally, on Wednesday, the 8th, my dear friend and Bernina dealer Mei Ling, and the magician machine tech Lew, who fixed my 830LE, are coming to provide me with a day of training on the use and servicing of the Q20.

Wow!  I mean WOW!!!  When they have finished on Wednesday, I will be ready to begin a new phase in being a studio fabric artist.  I’ve recently learned that is what I am, because I am not an extrovert who wishes to travel all over and teach.  I am not particularly an introvert either, because I love people.  But I love my studio and my work as an artist whose medium is fabric and quilting.  I feel inspired when I’m in the studio working (and usually listening to music).

Upon completion of all of this, I will have available for my creative use two standard workhorse machines for use in clothing and some piece work (and the 350 to take to classes), my Bernina 830LE (Gibbs) for machine embroidery, specialized applique, and decorative stitch work, and my new Q20 set up as a sit down longarm for my quilting work.  I will still use Gibbs for quilting when I want to quilt with decorative stitching, but that is only about one percent of my quilting.  I also have a small kitchen island that is my cutting and painting station, a nearby small bathroom where I do some occasional hand dyes and for use with cleaning up after painting, and my computer station with a good ink jet printer.  In the process of all of this, I am removing a couple of old printers and putting in a second monitor for my computer station (at no cost…just work) to assist me with the design work.

I am most grateful to the Lord, my kids, and my Bernina friends who have or are all pitching in one way or another to help me make this happen.  It is a dream studio.  Sew I am a healthy, albeit overweight, 69 now.  In the past, I sewed decades using lesser machines and after work and weekends, and then spent a lot of time learning the art quilt craft after I retired a little over three years ago.  This seams a very good time to raise the level of my work up another notch, don’t you think?  It would also be a great help to me to start winning more ribbons and selling more quilts (and even completing and selling my books) to help pay for my fabric art work and maybe even add a little additional income.

I just completed “Drawing Nigh” and am about to finish the Hoffman Challenge quilt.  So what is next after my studio revamp?  Ahhh.,..I have a lot of plans that seem to be growing all the time.  First off, I want badly to make a new show quilt by 15 August for the PA Nat’l Quilt Extravaganza in Philadelphia because I’m going up there for that show and am staying with a long term friend who recently retired and moved nearby there.  So I want something to show off with…LOL…I don’t think I can complete Ken’s wonderful quilt by then, so I am planning on attempting the next quilt in my deep space series, which may be doable.  After all, it was that show last year that gave Sky Horse it’s ribbon (Best color choice for its category).  I think I probably can.  More than half of the work on those quilts is free motion quilting.  It will be a good tryout for my new Q20.  I hope to complete Ken’s quilt by the end of the year or early next.  It is much the most difficult piece of art I have ever attempted, so I refuse to rush it.  And then, I am considering making a couple of whole cloth quilts inspired by really ancient historical quilts.  Oh, and don’t forget the orange/gold dragon flying over volcanos and possibly fighting a phoenix, or the third in my “waiting…” series, or my memorial quilt for my mom, or the deep dark forest in nearly three dimensions, oh, and there’s Jacob’s ladder, and Adam naming the animals, and…and….

Sew happy everyone!  Do a little spring cleaning and reorganizing and start something new and fun.

Betty Jo’s Fabric Arts: The Adventure Continues!

I am excited about the future of Betty Jo’s Fabric Arts.  Now that Drawing Nigh is completed, I am working to finish my Hoffman Challenge quilt.  I have the top nearly finished, and only have to applique on the animals.  The focus is oversized butterflies, which are flying playfully through a happy, whimsical forest.  I am going to have to figure how I want to quilt this quilt, but I expect to get to the sandwiching and quilting in a day or two.

Some of you may already know the really good news…my Bernina 830 LE, named “Gibbs” was repaired yesterday by Lew, the magician tech who works at G Street Fabrics Bernina section.  It had somehow gotten everything way out of timing among other things and there was a big knot of thread he pulled out of it, but I THINK that was a result not a cause of the problem.  Nevertheless, he says it is in good shape and should keep going for a good long time.

More than ever now I believe I need to get a dedicated quilting machine to help move my quilting a higher level and reduce the stress on my domestic machines, especially Gibbs.  I have been doing a lot of research on sit down longarms.  I had a lot of you all give me some great feedback to my question about what you think I should look into.  While I was at the Mid Atlantic Quilt Festival, I tried a bunch of them there.  That left just a few to look into.

After all the research and a family conference with my sons and Beth (my daughter in law), I have decided on a Bernina Q20.  The dealer is closer (a big point), the machine stitch is beautiful and smooth, and it has a really great stitch regulator (which I particularly wanted).  I had some good feedback from people who have one, and the G Street Bernina dealership has provided me a very good price on one and the table, and starting tomorrow there is a 60 month interest free finance special and sale.

I am now trying to figure out how I can fit it into my studio, and I think I can.  Like a computer adventure game, it starts at a different place from where it will end up and things need to be solved along the way.  I first have to go through my dressers and closets and empty enough from them to remove one of my two dressers.  It is high time anyway, since I still have a bunch of things I no longer wear now that I don’t have a government job that required a totally different wardrobe.  Doable, but somewhat overwhelming.

After I remove the dresser, I will move the Koala cabinet that I use with my backup/alternate Berninas (the B350, and the old 1230), from my office space to my bedroom where the dresser is now. The new cabinet will fit where the Koala cabinet is now in the office side of my two-small-bedroom studio.  I have my ironing board set up in there, and it will not fit after the new machine is there, since it is in a somewhat wider cabinet.  So I will have to figure out what to do with that.   A big job, but there you are…a way forward.

Sew happy everyone.  May your machine(s) play happily with your projects.

 

Thoughts about Machines

One thing for certain, my kind of fabric work requires a good quality sewing machine, and I need to be able to both embroider and free motion quilt on it a great deal (to a professional level).  Working as I do, I put a lot of stress on my main machine.

On Thursday my wonderful Bernina 830 LE, whose name is Gibbs (after the Gibbs in Wilcox and Gibbs who were historically important in the development of sewing machinery) went berserk in the middle of a simple embroidery stitch-out.  First it started sewing really really fast, which I managed to stop.  Then it started back sewing ok for about 10 stitches, and suddenly there was a “clunk” and the needle stopped going up and down, but the bobbin was spinning at a steady pace.  I tried to stop the embroidery, but the bobbin still spun.  I turned the machine off and on again, and, after a few seconds, the bobbin spun.  I had noticed one time before that it had stitched very fast for no apparent reason, but that was months ago and it stopped after one incident, and I cleaned and oiled it and it went back to sewing ok. I was in shock and actually cried a bit.

Machine appliqueing with very narrow zig zag

Gibbs at work machine appliqueing with very narrow zig zag. Note the Sashiko that I stitched out on Gibbs using the embroidery module.

Sew I don’t know whether it is prohibitively expensive to repair it (in other words, it is “dead”), or whether it is repairable.  I have put about 9 million stitches on it over the course of the past four and a half years, and have used it on average probably more than 25 to 35 hours a week, with some weeks being about 50 or 60 hours. I’m taking it in to the shop on Monday.  I am blessed with a very good Bernina dealership and a first rate tech (Lew) at G Street Fabrics.  It is about an hour from here over heavy traffic, so I only go when I have to.

This comes at a really bad time…not that these things ever are good times…but I had just begun working on building my son Ken’s special quilt design project.  This is something that requires some bits of machine embroidery.  I wanted to complete this very challenging project by mid August so I could enter it into the Pennsylvania National Quilt Festival.

I took Gibbs in for his spa treatment and to fix a minor problem in March, and Lew told me then that I really used that machine hard and should buy a longarm to “share the burden” of all that stitching.  I knew then that I could not even get a longarm in the house even if I could afford one.  But I also started thinking about a sit down longarm.

Yesterday, my oldest son came along with my daughter in law to pick up Kevin, my grandson.  While he was here we all talked about the possibilities.  They know that I have been putting extra effort this year into moving my quilting up a level competitively, and am also working on a couple of books…one on applique for fabric art and one on surface design.  And I have really been making a lot of good progress on all of this. Also, I have limited funds and can’t really afford to buy a new 8 series Bernina or similar machine every four years.  Besides, it interrupts the flow of work when it is out of service.

Sew something needs to be done if I am to continue on this path, which I hope will eventually start making me a bit more money..in fact, it already has, but not enough to pay for a new machine.  It’s a wonderful career for me as I move into my senior years.  I am not the type to not have a career even if I were very wealthy.  It’s the joy of creativity, and I must continue in some fashion.

Yesterday I packed up Gibbs with everything he came with to take it out on Monday, and realized my studio really needs a good cleaning.  So I started that.  I am setting up my Bernina B350 (Edith Claire Head…ECLAIR) and my Bernina 1230 (Betsy Ross…BETSY) and getting them all cleaned and oiled to help me through this crisis.

I know there are a lot of fabric artists out there who do not have a big advanced machine, and they make beautiful fabric art and quilts.  My problem is that I am something of a techie and I have developed paths that take advantage of what these advanced machines can do.  I know I could go back to not having an embroidery machine or a big harp space, but I don’t think that is the right path for me.  So it is a crisis.

I am considering what to do.  I can’t decide, of course, until I know whether or not Gibbs can be repaired, or if I have to replace it.  But even if it can, I need to figure out what to do about the possibility of a sit down longarm to add to my store of machines.  It would be a wonderful addition, and would allow me to use the main machine mostly for quilt top construction.  I do like to use decorative stitching sometimes in my quilting, but it is a small percentage of my quilting and I could still use it for that.  Mostly I do free motion with my Bernina Stitch Regulator. Besides, I think I could do ever better fmq on such a machine.

Sew happy everyone!  I’ll let you know how this goes.  Have a wonderful Mother’s Day weekend!

Laser lights and robots in my studio

This week I got a new toy.  It’s a Perfect Alignment Laser 2 cross-hair lamp, which I am hoping will help me a lot in my studio especially with aligning embroideries and  multi-hoop embroideries as I hoop them for my Bernina 830 LE and squaring up small quilt projects.  I already had a laser square, which helps me square up my quilts and which I used just this week to make sure my quilt now named “Drawing Nigh” (the Waiting…2 quilt) was perfectly squared up.  I found that the laser square didn’t quite do the job, however, because I have a lot of trapunto on that quilt that interfered with the lights, so I had to go back to rulers.  I eventually got that done though it did take me quite an effort.  Here is the first full picture of this quilt…Ta da!!!

Drawing Nigh, completed 4/17/2016, 39.5 x 44.5 inches.  Original design by BJ

Drawing Nigh, completed 4/17/2016, 39.5 x 44.5 inches. Original design by BJ

Sew today I’ve been doing some stitch-outs in my embroidery module of little animals for my Hoffman Challenge quilt.  That quilt is a happy whimsical forest path with big funny flowers, butterflies all over the place, and big trees.  I thought it needs some animals peaking out here and there and running or walking along the path. The embroidery module, of course, is a robot.

All of this got me to thinking how much fun it is to use these high tech toys to achieve the looks I want and to wish for a robot that would straighten and clean my house so I could live in a cleaner home.  At least, I could live in a cleaner home without having to stop playing in my studio with all my toys in order to clean it up.  I was looking at an IROBOT vacuum cleaner ad the other day.  The problem is, it doesn’t do the straightening first, which is my biggest problem.  Once it’s straight I can vacuum it without too much effort.  LOL

Sew happy everyone!  Have fun in your studio this week.  Learn to use your high tech assistants you have…computer drawing and design programs, laser tools, and especially the wonderful things your machine can help you do if only you just knew how to use it.  🙂