Finished “Leather” Coat, What Is Next, and a Quilt for Sale

I am struck by how much my readership dwindled during this past month as I worked on the “leather” coat for my youngest son.  I think it is informative to me that most of my readers are most interested in quilting, which doesn’t surprise me.  Well, nevermind.  I have finished the “leather” coat and I am going to do some quilting next before I do anymore clothing.  I do want to make a couple of pairs of slacks for me before I go to Road to California in late January.  But I am going to quilt, make a few small Christmas momentos in my embroidery hoop, and maybe a new bag to calm my sewing nerves after this tough project before I resume my clothing efforts sometime early in January.  LOL

The coat.

Well, it was time consuming and tough.  Why was it tough?  Not really because of the “leather” but more because I was tailoring a man’s coat for which I did not have a commercial pattern that fit.

One of the welted flap pockets

I was rusty in my tailoring methodology.  And yes, the “leather” does take more care and time, but it is still relatively easy to sew on.

Detail of collar

My new Bernina 880 plus, Odette, and the feet designed for use with the leather were marvelous.  I had no problems at all with that.  All the problems were mine.  LOL  Did I enjoy this project?  Well, yes.  I felt very happy to re-aquire my tailoring skills and enjoyed the sewing, which was amazingly easier than my decades ago work with leather.  I was only frustrated with my mistakes that cost me time and “leather” and with the time it was taking me.

Lapel detail

Now I have to dig out my studio and put away the scraps and so forth.  Then I have a workshop coming up “Embellish This! that I am teaching at G Street Fabrics in Rockville, Maryland on Friday the 13th (!) at 11 am to 3 pm.  It is largely filled, but I think there is another one or two places if you want to come and have a lot of fun. But I am all prepared for that one, so it won’t cost me any more time.

Finally, I put one of my quilts on special sale because need some spending money for my trip to R2CA.  I have reduced the price of this fun quilt to $899 from $1250.  I love this quilt that is centered around an Alfred Shaheen Vintage panel and I quilted on my Bernina Q20 pulling from Bethanne Nemesh’s book Quilted Textures from A to Zen for the textured quilting patterns.  I can provide more detailed photos if you are interested.

Tropical Garden, June 2017 36″ x 51.5″. I hand painted the border.

So contact me at BettyJo@bjfabricartist.com to buy this quilt.  We can arrange payments through PayPal.

Sew happy everyone!  Have some fun in your studio this week!

 

 

 

 

 

 

Working with “Leather” Tips

I am finally in the construction phase of the “leather” coat for my youngest son and it has been a time of learning and relearning. It has also taken me much longer to get here than I thought it would, but as I work, I am remembering a lot of the cool things I had learned decades ago that are helping me now, so I am speeding up.  I have now worked with this faux leather enough to know I really like it.  It has just the right weight, a good hand, and responds well to construction steps.  It is a vast improvement over faux leathers of the past.

Sew here are a few hints if you want to try your hand at working with such “leather”.

  1. I found that my Bohin chalk marker I use for quilting works well for marking.

    Bohin chalk marker

  2. After you get your flat pattern adjusted and a muslin piece fitted (essential) and ready to use, you have to mark each piece one side at a time on the back of the “leather”.  First, cut out the pattern carefully, then weight it down flat on the back of the “leather” and chalk around the pattern.  Cut carefully with scissors or rotary cutter (small rotary cutter will cut around the curves better).  Accuracy of the cutting will make a difference in the finished product.  This process takes about three times or more of pinning a pattern on woven fabric folded in half and then cutting out both sides of each piece together.

    Here’s my pattern on the “leather’ with my “fancy” pattern weights…LOL  Note some of the pieces chalked in ready to cut.

  3. You cannot readily pin the “leather” because the hole stays permanently.  Exception:  I pinned a few places where I really needed help keeping it together for stitching, but making certain the pin holes will be in the seam or hidden some other way.
  4. Clips work really well as a substitute for pinning when working along the edges for most of your stitching needs, and blue painter’s tape works great when you need some help where you can’t put a pin or a clip.

    The collars for this project are constructed with a separate under collar, interestingly shaped collar stands that are added before joining the collar pieces. Here you see the collar stand seam has been top stitched open and the collar pieces are clipped together ready to sew.

  5. You really need a teflon foot for most stitching (see my last post for the feet I am using), but I also have added my clear plastic foot number 34D Bernina that allows me to see the exact placement of the needle when making a bound welt pocket.

    Reverse pattern foot 34D, clear with marks and works with dual feed.

    In the case of the plastic foot, I was using my dual feed and stitching very slowly.  It worked well for this purpose, but for regular stitching at normal it really is best with a teflon foot.

  6. Marking carefully is vital when making welt pockets and don’t try to push yourself when you get tired.  I actually ruined one of the coat fronts late in my sewing day after the sun had gone down, and had to recut that piece and the binding pieces and start over by doing that.  So I suggest you buy an extra length of the longest piece in your pattern to be able to recut if need be.  You can use the leftovers for bags, hats, eye glass covers, and other interesting small projects.  I will be using that ruined piece as part of a bag I plan to make, so it isn’t really lost.  The next day, I got the pockets in really nicely and now I am so confident in making such pockets I will probably start using them on a regular basis again.

  7. I am using a seam roller gadget to “press” the seams open, but that is just temporary and the seams need to be either top stitched down or glued.
  8. I found you can iron on fusible interfacing on the wrong side at a lower iron setting than you normally use, no steam, and with a quilting cotton pressing cloth.  Be careful, press, don’t iron, and test your own “leather” first.  I am using a pellon tailoring interfacing.  Do NOT iron on the right side of the “leather” and I suggest you not try to iron the seams and completed turned pieces either.

Sew I will publish at least one more post on this project showing you the end result.  I am writing this information up into a how-to book including this and other projects.  There is a lot more to tell you about this.

Sew happy everyone.  I encourage you to take a look at the current day vegan leathers and try working with it.  There are a lot of interesting “leathers” out there and they come in different textures and weights.

 

Working With “Leather” from the 1970s to Now

When I recently got my new Bernina 880 plus, I also got a number of intersting new feet, including leather roller foot 55, teflon foot 52D (for dual feed), and teflon zipper foot 54, and other feet and attachments to go with the collection I already had from my erstwhile Bernina 830 that I traded in.  Sew I have a number of interesting projects I want to try that my wonderful studio can now handle that I might have not done before.  One of these is working with leather.

 

Leather roller foot 55

Teflon zipper foot 54

Teflon dual feed foot 52

 

 

 

 

 

As some of you probably know, I have started a project of tailoring a faux leather, aka “leather”, overcoat for my youngest son David, the moderately popular sci-fi/fantasy writer, who is a cute, big and tall man in his early forties.

Decades ago I had my own fashion design and tailoring (real tailoring, not alterations) business in Ithaca, New York.   During that time I did some leather work…making a few bags and re-styling a couple of old fur coats.  I did this on my two machines…a beautiful antique White machine, which I still have, from the early 20th century that has a powerful motor that only has a straight stitch, and my Singer Golden Touch and Sew that was the Singer top of the line at the time before they  went greatly downhill as a machine.  It was a good little machine, but truly insufficient for what I was using it for. But I did not have any special feet that sew smoothly across leather, a dual feed mechanism for keeping the two layers together of slick lining fabrics, for instance, and the buttonhole program that has a simple rectangle for assisting in the making of bound buttonholes.  I didn’t have YouTube to look up reminders on how to do a bound buttonhole or a welted pocket, for instance.

What I did and still do have is a wonderful treasure of a long out-of -print book I found in the library and Marvin later bought from a used book store.  It is called How to Make Men’s Clothes by Jane Rhinehart published in 1975. Years ago when I had my shop in Ithaca, I wrote to her and obtained permission to use her book for instructional purposes and the illustrations in her book as needed in my own manuals. She was delighted, actually. I have yet to write that manual, but I am thinking of doing one now adding leather techniques and updated available supplies. As you see if you click on the link to her book, it is still available as a used book from Amazon.  There are other used book places you can find it…some grossly overpriced.  I highly recommend this book if you want to improve your tailoring abilities (much of it works for women’s tailored clothes too).  I made my dearest Marvin several jackets shortly after we were married using these techniques.  He wore those jackets for most of our life together and said he could throw them in the corner, sit on them, pick them up and put them on and they looked like they had just been freshly pressed.  It is really a construction manual that helps you to “build” tailored clothing from inside out.

Sew now I have a powerful Bernina 880 Plus with feet designed specifically for leather and vinyl work using the dual feed mechanism and a wide harp space in a large cabinet to assist me in keeping things together.

The faux leathers have vastly improved over the years.  The one I bought for this project (I bought a whole 8 yard bolt of 60 inch wide “leather”, which allowed me to get it at a reasonable price per yard, and I plan on making myself a jacket from the remaining fabric) feels almost exactly like the true leather samples I obtained before starting this project and even the back side resembles a smoother version of the back of the real leather.  It has about the same weight as the jacket-weight leather samples.  From a short distance, and maybe even up close, you will not readily be able to identify this as faux leather once I have it sewn up.  Yes, I would really prefer the real leather, but this is a wonderful substitute and is a quarter of the price.  So be aware that if you prefer not to use real leather for whatever reason, you can still make that smart “leather” jacket.  I will say that you might still want to use real leather if you are going for a quilted leather project.  It can take the heavy stitching that type of project requires and I am not sure the “leather” would.  Also I found several good suppliers of leather if you want to go that way…just let me know in the comments.

I remember the older faux leather.  It was too shiny, too stiff, and in a year or so it would crack and peal.  The back was not as good either.  You could tell from a distance it was not real leather.  I used it for Ithaca opera costumes (I was the chief costumer for several of their operas back when I lived in Ithaca) from time to time…not fun to work with.

When I worked on the leather projects of the past, I used tissue paper under my needle, and I just tightly held the sides together and stitched slowly.   Now I use clips to hold the sides together, stitch normally with the dual feed engaged, and have even better results.

When I worked on the leather projects in the past, I glued down the seam allowances and hammered them flat with a wood mallet on a towel.  The glue was a heavy goo similar to that gooey paper cement only worse.  It smelled too.  Today they have a double sided leather strip and I got some white leather glue, actually from the same manufacturer that made the old gooey junk.  What an improvement!  Now I use the double sided tape or the much nicer white leather glue and my little wood wall paper roller to make a nice flat seam.

When I worked on the leather projects in the past, I avoided top stitching as much as I could because I almost had to hand crank my machine stitches to make them go through all the layers (try keeping that straight!).  Today, I don’t mind it at all because the machine stitches right through all those layers with no problem.

Sew for my current coat project, I could not find a pattern that fit my tall nobly-shaped son.  They do not have big and tall men tailored clothing patterns published by any company that I could find.  They absolutely need to fix that!!!!  The closest I came was a couple of costume coats for cos-play, and even those still would not have fit well.  So I ended up taking a Burda pattern, a McCall’s costume pattern, some instructions from How to Make Men’s Clothes, and Frankensteined a sloper together for him.

The Franken pattern ready to chalk and cut.

Then I made a muslin fitting shell…one that did not quite work but headed me in the right direction, and one that did work after that.  Then I transfered all the corrections to the flat sloper pattern and have chalked the pattern while weighting the pattern on the back of the “leather” (one side at a time) and have cut out the “leather” with my newly sharpened big scissors.  I know you can also do this with a small-blade rotary cutter, but it requires a bigger mat than I have and the scissors work well.  I have an idea the rotary cutter would work best on true leather.  I still have another 18 pieces of interfacings, linings, and pocket bags to cut out before I start construction.

Here’s my pattern on the “leather’ with my “fancy” pattern weights…LOL…I should make myself some nice pattern weights, but who has the time?!

I have, however,  made a sample to see how my machine uses it, practice the seam finishing, and so forth.  What a dream!  I may be doing a lot more in this “leather”.  But I really do want to get back to my quilting. So I am thinking I can make a practice welted pocket in a square piece big enough to later use on a bag.  That way if I ruin it, I can try again without ruining the coat.

Sew happy everyone!  Try something new you haven’t tried before, or something you did long ago in the past that was more difficult than it would be today with today’s machines and products.  Now…back to cutting.

 

 

 

 

 

 

 

Wardrobe Analysis, Slopers, Muslin Test Garments, and a Fashion Fabric Stash

It’s November!  I have a plan for November.  Now I know my topic is usually related to the art of quilting, but I decided I seriously need to do some garment sewing for a bit, delaying some of my quilting plans while I do.  I have a really beautiful collection of fall, winter, and early spring fabrics stashed in three under bed storage units and in my blanket box I had built to match my bed some years back.  I also recently added a full 8 yard bolt of faux leather, and three pieces of fabric suitable for dress slacks for me. It’s literally been a decade or more since I replaced or added significant clothes to my wardrobe, and my son needs a new coat.

Over the past few years I have lost a couple of dress sizes although I am still quite a large woman with long arms, a smallish waist, and big hips.  So purchased clothes seldom look good on me, though a few simple styles can serve.  I also have worn out most of my old collection of nice shirts and slacks I used to wear to work even if the style and fit is still ok. Then there is the fact that I am now a fabric artist, retired from government work, so even if it was still serviceable, my wardrobe doesn’t fit my lifestyle anymore.

Analysis of my current wardrobe tells me that the addition of several nice pairs of slacks, a few simple jackets, and some tops would make the rest of it work (I no longer wear dresses and I have black jeans, blue jeans, some nice sweaters and just a couple of shirts).

Now I know from having once had my own fashion design/tailoring business long years ago that once one gets a perfectly fit pattern for slacks, I can make a pair in less than a day.  At my top speed at that time, I could make a beautifully finished pair of well fitting slacks in an afternoon, including the cutting.  The big problem with that is getting the pattern perfectly fitted. So the first step is to get a sloper (or basic slacks pattern) flat fitted from measurements and then make up a pair of muslin test slacks.  After that I will make any changes to the test slacks and adjust the flat pattern.  That is step one.  Then I can zip through the three pairs of slacks.  I might make my poly/wool pants I have stashed away and add a simple cute jacket to get a nice dressy suit for winter…but maybe in December.

For my son David’s “leather” coat, I already have a sloper pattern and need to make a muslin fitter test for that before I add the style touches and make the coat.  That will probably take me a week or week and a half to make his coat.

Faux Leather..looks good. Has a nice weight. When I finish sewing it, one may not readily be able to tell it isn’t real leather. Real leather was out of my budget.

I recently flat fitted the cutest McCall’s jacket pattern to make a denim jacket out of some of the on hand denim.  It has places for adding some interesting embroidery.  I’m not going to make a test muslin for that, mostly because it has a lot of style ease in the pattern and also because I have a whole lot of denim, and since I have had it for a long time, I figure it is about equal to the cost of the muslin.  I buy my jeans from Lee Jeans, which has a style that fits me well surprisingly.  I may take a pair and add some corresponding embroidery at the bottom of the blue jeans, thereby giving me an attractive  blue denim suit to wear when teaching or even go to church or some such.  This will probably take me less than a week.

This is the denim jacket pattern. I will do the embroidery too.

Then I will make myself a faux leather jacket, for which I have a pattern that I already know fits me, though I still think I will make a muslin fitter before I cut the leather, since it cannot be unstitched even the slightest because of the holes from the stitching.  Leather…faux or real…has to stay like you sew it!  This is a more complex jacket and will probably take me a week to make.  This will be fun.  My new machine came with some feet designed to sew on leather/faux leather.

I have a stack of blouse/top fabrics that will make nice year round tops and also a piece of  black faux suede to make an elaborately embroidered, but otherwise simply styled jacket to wear for Holidays or some such (I’ll make this for Christmas, but not until December).  I just ordered a couple of new tops patterns that look fairly simple to make.  I’ll make those across the next year with one every once in a while.  So I am not counting them on my initial wardrobe redo timing.

Sew my initial wardrobe update seems to me to be doable by the beginning of December, especially since I am still quilting my Mom’s memory quilt, which is coming along nicely.  Don’t forget, I made myself a beautiful overcoat last year that has a faux fur collar and I love it.  It also told me I still love making clothes, but doing them right and carefully fitting them.  This wardrobe update will be using on hand fabrics and thread.  I probably have all the interfacing and other additional notions I may need.  So the entire cost of this year’s update will be really low and I will end up with a wonderful wardrobe.  I will construct most of the items so I can take them up as I lose more weight. I am, of course, planning on embellishing,  embroidering, and adding some interesting style touches for most of the new clothes I make (not the slacks). That’s what makes constructing my own clothes so much fun. I’m excited.

Meanwhile, I have made a very nice start to the quilting of my Mom’s memory quilt.  I will work these things together.  This makes it really fun for me in my studio.  I also have gotten mostly ready for my next workshop I am teaching at G Street Fabrics on 15 November…Embellish This! in which we embellish a fabric panel I designed that makes a 15 inch by 15 inch square suitable for a pillow top or wall hanging (Christmas present?).   That class is going to be a lot of fun and not a lot of stress, plus you end up with a very nice selection of decorative threads you can use for Holiday embellishment (purchased kit $45, worth at least twice that much).  So I encourage my local friends to sign up.  I think there is still room in this class.  Call G Street and ask.

So I have a plan in addition to continuous periodic work on my Mom’s memory quilt:

  • November sewing
    • David’s “leather” coat
    • My three slacks
    • My denim jacket
    • My “leather” jacket
  • December sewing
    • My “suede” embroidered jacket for Christmas
    • My wool suit????
    • A new bag from leftover “leather” and “suede” together
    • A simple top or two

Will I finish all of this?  I’m thinking I actually might with careful planning with no additional costs.  That way I will save a lot of money and have a good wardrobe for my current lifestyle.  Then I can get back to focusing on quilting full time.

Happy sewing everyone!  Make yourself some lovely garment or garments to make you happy, but I encourage you to make a muslin fitting test piece before you cut your expensive fashion fabric if you do not already know the pattern fits.  Then you can make the same pattern with different style touches with several fabrics…stack them up, cut them out, embellish them, make them all at once!  Then let me know how it went.

 

 

 

Sew Happy with My New Machine

I have been blessed with a really fine new Bernina 880 Plus, aka Odette.  I have been doing a lot of work with the machine since I got it all settled down and I learned its little ins and outs.

I have been working on a quilt in  memory of my Mom.  Mom was a great beauty, a fabulous sewist. a woodworker, had been a nurse, and a home decorator.  She was a wonderful mother and wife during her life.  She taught me to sew and knit. This quilt is a hug and a bow to her sparkling memory.  I’m really enjoying working on it as I remember all the wonderful things she taught me and shared with me.

Mom (Zephana Bivens) in her woodshop at 78.

So my design for Mom’s memory quilt has a considerable amount of in-the-hoop embroidery in it.  Some of the embroidery designs came with my new machine, were some I had purchased or collected  in the past, and two of them I purchased just for this quilt.  In spite of when I got them, all the designs are from OESD and are amazingly well digitized and have stitched out wonderfully on my new machine.  I am so impressed with how beautiful the stitches are, how they don’t overly pull, and how wonderful they look when done.  I have three more to go, each requiring about two hours to complete.  Then I will sandwich, quilt, paint, wash and block, bind, and add crystals and pearls.

Mom, Dad, and my brother Pat before I was even on the way.

I also have done some additional sewing just to see how the machine works, testing all the attachments.  I got some special feet designed to work with leather and vinyl.  Just this week I bought enough beautiful faux leather to make my youngest son, the writer who shares this house with me, a coat and myself a jacket.  I’m excited about this project.

One of the things that came with my new machine is Bernina’s Big Book of Feet. I have been reading through it while babysitting the embroidery module doing its work.  I find I have most of the feet, since I had a Bernina 830 prior to this one and had collected them across the eight years and I got some new ones that came with the deal.  It’s so exciting when I can do and I will be sewing a lot of clothes and home decorating items over the next year as well as the planned show quilts on my list to explore some of these interesting techniques.  I’m thinking I might make some of the clothes as wearable art and enter them into shows also.  Maybe I will make a few bags and hats too.

Mom and me in May 1967. I am showing off the dress I made.

How exciting!  Will I get it all done?  Probably not, but it will be fun trying.  After nearly three months of working to get a good new machine following the breakdown of my 830, and another couple of weeks learning Odette’s ins and outs, I have concluded I have the best machine I have ever had.  It sews evenly, beautifully, and smoothly.  I foresee many years of exciting new projects ahead. Knock on wood!  LOL

I’m currently writing a book about embellishment that will include several sampler projects, just to fill in my spare time…hahahaha.  (Also, I am going to teach a class at G Street sometime in November on embellishment).

Embellish This! workshop sampler for November 2019 class.

Sew happy everyone!  Take time to learn what your machine can do.  Even some of the more basic machines will help you do some remarkable work if you take the time to explore it, but especially if you have a more advanced machine….take that time to read the manual, and try some new techniques to enhance your sewing.  It will give you lots of happiness in the process and with the items you make.

Problem Solving in the Studio 3: Free Motion Couching

One of the things I have really been enjoying experimenting with lately is couching by machine.  Couching, or laid work in which cords or yarns are laid onto a fabric and attached using small stitches, reaches back into history at least as far as the llth century, usually gold cording.  Of course, that was by hand and gloriously beautiful.

I have been working on a book on embellishment and one of the techniques I will be covering in the book is couching.  Or rather, several of the techniques I am discussing are several different types of couching by machine.  Our machine companies have developed or are developing couching feet designed to help us apply interesting cords and yarns to the surface of our projects by machine.  Like many things, though, success in this endeavor requires a bit of practice.

 

This is the start of a small sampler of winter trees that I am making. The largest tree is couched on sports weightyarn, using foot number 43 on my Bernina Q20 sitdown longarm. The next largest tree on the right uses a thinner baby fingering yarn and so I used the ruler foot 72 with the largest of the three couching inserts. The silver tree in the center back is couched on Ricky Tim’s Razzle Dazzle decorative heavy thread, the thinest of the bunch, that I couched on using the smallest insert in the ruler foot 72. This was pure fun to do.

I also used free motion couching using Bernina 43 foot for my quilt Night on the Bayou, which will be in this year’s Houston IQF show.  Isn’t that terrific?  No, it will not be winning a ribbon, but I’m very happy to have it in the show nevertheless.

A close up of the Night on the Bayou showing the tree limbs I couched on with yarn using foot 43. I also couched on the bushes and grasses growing in the water (not shown here).

Sew there are some problems I have had sometimes especially in free motion couching.

Normally, I use either Superior Thread’s wonderful Monopoly thread or a 100 weight matching (to the yarn or cord) silk or poly thread to couch the thread on.  I use a small 70/10 needle.

When I first started trying this, I had trouble with the thread breaking periodically, especially the monopoly.  Then I saw someone, and I cannot remember who or where, say that using a universal needle helps prevent thread breakage for monopoly threads.  Sew I tried it and found a 70/10 or even a 60/8 universal needle actually does make a big difference. Lowering the top tension also makes a difference.  My biggest problem is getting these small needle eyes threaded with thread I can barely see. It just takes magnification and time. for me to do that.

The other problem I have sometimes is stitching off the thread when doing a curve or circle, leaving the stitches in the right shape and the yarn hanging there.  To make this better, I have found from experimentation that it is a matter of making sure to provide sufficient looseness of the yarn or cord feeding into the foot and stitching slowly enough.  I pile on a bit of loose cord/yarn onto the fabric and watch to make sure it doesn’t feed a loop into the foot, stopping and adding more cord/yarn as it uses up.  If the yarn/cord feeds in with even a small amount of too much tension, it will pull it out of the stitch path.

For the most part, this is fixable if you take your time by going back and stitching over it, using a stiletto or bent tweezers pulling the cord/yarn into place while you slowly restitch over the yarn, following the stitching now on the fabric.  Alternatively, you can remove the yarn beyond the skipped area by pulling gently on the stitched down part and clipping the thread.  But if there is enough looseness of yarn, and you sew slowly enough in the first place, you probably won’t miss the yarn/cord in the first place for the most part.

Of course, like every really good technique, you need to practice.

A word about practice and testing:  I know it takes time to test and practice techniques and products, but it can save you a great deal of time later and even the ruination of your project.  Keep a notebook and staple samples into it and write up what you did.  That way, next time you use the same kinds of items to do the same thing, even if it is months down the road, you just have to look up what you already did and proceed straight to your project.

Do I sound like an annoying nagging teacher now?  LOL…well, maybe I am.

Sew happy everyone! I hope you try couching and have a lot of fun with it.  I have lots of plans for using this technique in future quilts.

 

Satin Sampler

OK.  I have been working out a satin sampler to test markers, techniques, threads, paints, and background designs for several projects, one being my Mom’s memory quilt.  The cool thing about this is that I am making it with polyester crepe back satin.  It has a lovely beefy hand and I wanted to test it for future projects.  Why?  Partly because I can get a 58 inch wide piece for about $5 per yard for a lighter hand up to $8 a yard for a heavy satin instead of the $17 to $40 a yard for 43″ wide fabric, and partly because there are some wonderful colors available in the polyester that don’t run when washed.  I am using the heavy polyester crepe back satin for this sampler.  I will be making it into a pillow top for my bedroom since I can tell I will like it when finished.

Sew I have layered it with a cotton backing, and a double bat of Quilter’s Dream 80/20 select loft on bottom and Quilter’s Dream wool on top.  I marked it with a heat-away gel pen (see my blog on marker testing for this satin) that I do not recommend unless you are prepared to go through a removal process that requires much effort and time.  This ink returns when frozen (such as in the airplane when you check your luggage or ship it someplace). Also, my marker testing is incomplete, because I want to finish the sampler, freeze it, and completely test the removal process again on this sandwiched piece. I am quilting it with 40 weight Superior Magnifico and, where needed, 100 weight microquilter.

I painted this sampler with a combination of Setacolor and Jacquard Lumier fabric paints in order to get the colors I wanted.  Their steadfastness will also be tested in the freezing/washing test.

Here is a little look at my work on this little sampler thus far.  I am really having fun with this.  While most of the stitch work has been on my Bernina Q20 sitdown longarm, some very small amount was done on my new B 880 Plus machine, just to see how it quilts.  LOL

 

 

So my conclusion about good quality polyester crepe back satin as a quilting fabric…it works, it’s beautiful, and it both paints and quilts well.  I do back it with a very light weight pellon fusible to make it behave well.

* * * * * * *

Something I didn’t tell you all earlier is that just after I got Odette all sorted out with a new machine from Bernina because the first one seemed to have a serious problem, I made a mistake in threading it and got a huge glob of thread nest in it that I could not remove myself.  So I had to take it in to the dealer to get it fixed.  It made me weep. I was really gloomy when I found that Lew, the magical tech guy, was out for two weeks and so I had to wait.  He fixed it almost imediately when he got back and I got it safely home on Tuesday and have done considerable sewing and embroidery on it since then.  It is clearly a wonderful machine.  It was my mistake, and I have since figured out what I did wrong (with Lew’s suggestions).  I didn’t want to whine again or have people tell me I was wrong to buy it in the first place because their prefered brand works so much better they think.

Anyway, that meant that I was without my main sewing machine for nearly three months with the exception of a day or two twice!!!  So I did a lot of sewing on my little Bernina 350 and a lot of free motion work on my Q20, and a lot of non-machine prep work for future projects, and stacked up quite a bit of work for the new machine.  I will, therefore, be missing a few deadlines I had tentatively planned on.

I have begun attacking the stack of work and have been having a huge amount of fun and the icy fear of further machine problems has begun to melt away over the past week.  In addition to some “regular” sewing, I did some in-the-hoop embroidery last week that came out so perfect and beautiful that I was nearly weeping again, this time in joy.  You should know that I seldom cry for anything much, and am known as a “tough old bird” as one of my former colleagues told me.  But this machine saga seems to have loosened a few tears from me.

Sew happy everyone!  May your stitches be beautiful and your machines play well with you for many years.  Hugs to you all!

 

Fall Is In the Air

Color Swirl by Kevin Tatum (my grandson) using Corel Painter.

Ever since I was in High School, which was a long long time ago, I have gotten excited when I started thinking about fall and winter sewing and quilting.  This year is no exception.  In fact, having just reorganized my fabric, thread, paint, and notions stashes, and purchased a new Bernina 880 Plus, I am more excited than usual about the projects I have before me this year.

One of the things I always like about going through my studio to sort things out is finding pieces of fabric I had forgotten about or had at least pushed to the back of my to do list.  This is for both clothes and quilts.

When I cleared up my studio this year, I also went through my clothing patterns, pruning out about 75 percent of my old patterns and keeping only those that seem right for me now.  The remaining patterns and fabrics for clothes on hand are inspiring me  to think about making some new clothes. My wardrobe really needs an update too.

When I bought my new machine, I got it at a time when they were providing a gift that includes new feet, some machine luggage, additional embroidery motifs for use in the hoop and a variety of other neat things.  I was able to exchange some of the feet that duplicated those I already had for some new ones.  So now I have a lot of feet that are inspiring ideas for using interesting techniques.

Remember when I talk about all  the things I have found in my studio, I have been sewing since I was five years old and I am 72. I retired in 2012 to be a full time fabric artist.  So some of the things have been hiding for a while from me in some of the closets, in boxes under my bed, and even in plain sight…LOL.  I feel very blessed.  Because of all the things I recently rediscovered stashed away I don’t have to buy anything new for most of the projects I want to make.  I did restock some threads and paints that I anticipate needing.  So I have resolved to myself that for the next year I will attempt to do m work without new stuff.  Now I want to make:

  • a new bag, in leather (I now have feet for use with leather and vinyl and some leather).
  • a new suit, in black denim (I have a stash that includes a fair amount of denim) with embroidery
  • a blue denim jacket
  • a new dress suit in wool with a silk top to go with it
  • a new jacket in raw silk, maybe 2 since I have 2 nice pieces
  • several new tops and use some heirloom techniques  (I have a nice collection of feet to use for this now) and embroider some of them.
  • I also want to make several new show and utility quilts.

It is fairly certain that  I won’t get all of this done this year, but it’s nice to have them on the list to pick from as I do have time.

Clearly I have an exciting and busy time ahead that will last well beyond fall and winter, and I have already started.  I will have to plan my days in order to fit other important things into my life.  I’m excited!  I’m sure the nicely rearrangement of my studio, and my wonderful fleet of machines will help me accomplish a great deal of these projects though.  So I won’t have to buy any new clothes for fall through spring either. I don’t have much in the way of summer fabrics, unless I use my quilting cottons.  LOL

Oh, and last year I made a new dressy overcoat with a “fur” collar using some of the fabrics on hand.  It’s warm and cosy.  So I really do complete a lot of these dream projects.

Messy work table with coat pieces


Progress Report on My Mom’s Memory Quilt

I have made a good start on my Mom’s memory quilt, which is going to also be a show quilt, but I have a long ways to go on it.  It has a large pentagon in the middle of it on which I am appliqueing her needle work.  The pentagon fabric is a lovely medium blue dupioni that sets off the beauty of her crocheted lace.  It’s a pentagon because I thought I only had five of the ten inch squares I found in her work basket, but during the reorganization I found a sixth square.  It’s a slightly different shade of crochet thread, though, so I will find something neat to do with that one.  The color difference is probably why it was in a separate  place.  There are  some more crocheted items, but they don’t work with this quilt.

I had no idea how difficult it would be to make a perfect pentagon that has 21 inch sides.  It was a challenge.  A good friend of mine sent me a Corel Draw pattern for one to print in tiled sheets and taped together.  I thought that it would then be easy to get it right, but putting the tiles together that way gave many opportunities for slight variations in the shape.  I had to try it several times until I got it right, but finally succeeded when I started using a lot of rulers to help.

So yesterday I cut out the freezer paper pentagon, cut out the fabric, and then glue basted the edges down.  I checked the edges for straightness and measurements.  It’s very good.  the sixteenth of an inch off I had on the paper pattern disappeared as I worked the fabric from it.  I love how it looks.  I placed the crocheted pieces around  it in a way that forms a star in the middle, just laying them down to see how it looked for now.  (No pictures until its debut show, whatever that will be).

It is in many ways a gift to my Mom. It would be so much fun if she were still here to show it to her, but I am having a lovely time making it while thinking about all the great things she taught me and the lovely things she made herself. She did not quilt, but she was a real expert seamstress.  She has been gone now  twenty years, but sometimes I think she is nearby.

Sew happy everyone!  What are your planned projects for this fall and winter?

 

 

 

Exciting New Beginnings

So I’m excited.  Bernina came through and replaced the original Bernina 880 Plus with a new one.  I will get it either Tuesday or Saturday next, depending on several factors.  So I have been working on preparing to start a new show quilt, which is my Mom’s memory quilt incorporating her pieces of crocheted lace I found in her work basket and have held on to for the past 20 years.  It’s time.  I have completed the design, which really took me days and days and days, and have printed it out full size and taped it together (that’s a project, believe me).  It is one of my biggest…59″ x 59″ and will be satin and dupioni and include painting and beads, and ……well, we will see as I go along.

I will also finish my appliqued bed quilt I started a while back using a Sue Nickels pattern I bought from her at MAQF a couple  of years ago.  And clothes…I have tons of fabrics for fall, winter, and early spring clothing and the best patterns I kept from my pattern pruning when I reorganized my studio.

I also have to complete the sampler for my fall workshop on embellishment.

Sew let the sewing begin!   Did I say I am so excited?

Sew happy everyone.  It’s time to start sewing for fall, winter, Christmas, and next year’s shows.

Meet Odette, the New Machine

After what seemed like a very long wait, I finally got my new big machine to replace Gibbs (my old 830 LE that bit the dust about a month ago).  As you know I name my machines and that is for some silly reason very important to me.  I try to name them for some significantly important figure in the sewing, quilting, or fashion world.  My new machine, a Bernina 880 Plus is named “Odette” after Odette Ueltschi, the daughter of Fritz Gegauf, the founder of Bernina.  Odette took over lead of the Bernina company in 1959 and their were many advances in the machine under her leadership.  So it seems appropriate to name my new machine after her.

Odette the machine’s namesake, Odette Ueltschi.

I named my Bernina Q20 “Fritz” after her father (and coincidentally Nero Wolf’s chef, just for fun). I also have “E.Claire” my little Bernina 350 I use for travel and some specialty sewing named after Edith Claire Head..a fashion design great during the glory days of old Hollywood.  So that is my Bernina Fleet.   I sold “Betsy” (after Betsy Ross) my great old Bernina 1230, to my good friend and student Anita, whose name you have seen in my blog posts from time to time.  She also got a big bag of Bernina feet, because they don’t fit on the newer machines.  She loves the machine, and any of you that have a 1230 know it is a workhorse that will last her many more years.

I look back over my years of sewing and think about all the machines I have had.  I started learning at about 5 years old both on my mother’s great old Singer and she gave me a child’s machine, which was wonderful and I wish I still had it.  When I was in high school I bought an inexpensive machine from the hardware store.  I don’t even know its brand.  It did ok for a few years, but Mom gave me a Singer Golden Touch and Sew somewhere along the way, which I used for decades and even used as my primary machine when I had my fashion design and tailoring business in Ithaca, New York as a new bride to Marvin (my second husband).I added a great old black White antique which had a powerful moter and only a straight stitch.  I used it to do tailored suits and heavy coats on. It is a beautiful antique, but it needs rewiring.  I still have that one.  It’s name is “Eli” after Eli Whitney.  I traded the Singer in for my first Bernina, which was Betsy shortly after we moved to Washington, DC in the 1980s.  I bought a floor model Bernina 200E, and oddly can’t remember its name, which I later traded in on Gibbs (my 830 LE) when the LEs came out.

So you see I have worked my way up from a very basic machine to my wonderful fleet I have now across the years and to this latest new friend Odette.

I started sewing on the dining room table, and moved to a corner of my bedroom, and finally I had larger section of my large bedroom in my last home.  After Marvin died I moved to my current townhome and took the two smaller rooms and a small section of my bedroom for my studio, where I am now.  You can see the studio without my new machine in it in the video I shared in my last blog post if you haven’t looked at it yet.

Here is the unpacking of Odette:

The two big boxes:

The main box

The embroidery module box

Everything out of the boxes

And finally:

Meet Odette, all set up and ready to sew. It fits exactly as Gibbs did, and the embroidery module is in one of the drawers especially designed for such a module. I have this wonderful custom cabinet…very practical.

Sew if you are sewing or quilting using a simple machine on your dining room table, there is so much you can accomplish…and maybe, just maybe, you can move up the sewing machine/studio ladders a little at a time.  My advice for this is go for the practical, not necessarily the most beautiful, but functional is the key.

Sew happy everyone!  Make sure you take good care of your equipment…clean and oil on a regular basis, at least at the start of every project, and  change the needle when needed (I listen for the thump thump indicating it is dull).  Every few years go through your stash and supplies and reorganize, get rid of what you aren’t going to use, and clean everything.  I apparently do mine about every 6 or so years..LOL.

Now let’s go sew (or quilt, or embroider)!