Upcoming Fun Events and the “Leather” Coat Project

Hi everybody!  I have several items of news, which some of you already know about if you read by Facebook posts, but I’ll tell you anyway.

First of all my Embellish This! workshop at G Street Fabrics in Rockville, MD suffered a delay because on my way to the planned workshop my car quit running.  I was on the toll road and right at an exit that went downhill, which was quite a good thing since I was able to coast off the exit ramp onto a generous grassy side and was completely out of harms way.  Turns out it was some kind of air hose had come disconnected for no known reason and that was all.  But the nice AAA tow truck rescuer towed the car and gave me a ride all the way back to my preferred car repair place and they fixed it for nothing and did the annual checkup at the same time, which revealed I needed new brake pads and a new belt of some kind.  I did get those fixed the next day.  So the new class date is now December 15 and there are still places left, and I would like to fill them.  A full class is a happy class!  This class will be totally fun and result in a top that could be made into a nice wall hanging or pillow for a Christmas present and leaves you with a lot of knowledge of the techniques needed to embellish your projects.

Embellish This! workshop sampler for December 2019 class.

Secondly, I have been, as you know from my past several blogs, making a faux leather, aka “leather” coat for my youngest son David, who is a big and tall man of noble stature.  You can read the past two blogs to get an idea of what this entails, but I will say that it has been the hardest thing I have ever made in my entire sixty plus years of sewing!  And no, it wasn’t difficult just because it is “leather”.  The “leather is fairly easy to sew with, but it is black and slightly shiny and you can’t take anything out if the stitches are going to show.  But I had made the Frankenpattern from three patterns and then did a substantial amount of size changing.

I have only got the hems and the buttons to go on this project. I just had a fitting with David and it looks fabulous, fits perfectly, and I am surprised after all the struggle I had getting it right.  Partly it was difficult because it has been decades since I made anything tailored for a man.  Partly it was difficult because some of the pattern needed so much adjusting.  Partly it was difficult because I made several stupid mistakes (probably lack of practice) that resulted in my having to recut the right front piece along with its pocket pieces, and the collar, which didn’t lay properly (I used the Burda pattern collar and it was probably right if I had been working in wool, but it did not work for “leather”, so I remade it.  But anyway, I am down to the hems and buttons and I am happy.  Only one more day of sewing on it and it will be complete.  I discovered it is hard to work on it beyond 4 or 5 pm  because I have to rely a lot on the light coming in my studio window for this black shiny fabric.  Once the light oustide goes down the artificial light makes it simply too hard to see.  This is why I made the mistake on the front pocket that made me have to remake the front and its pocket, and I was too stubborn to stop sewing.  But I learned the hard way…LOL.

And now for the really fun news.  My quilt The Wizards’ Duel got into Road to California quilt show in Ontario, California, which is relatively close to San Diego where my brother Pat and his wife Carol have one of their homes, and where my nephew Whitlow and his family live.  Now since I had to purchase a new machine the middle of this year (you can read about that in several previous blogs..it was necessary) and have had some additional unexpected expenses this year, I told Pat I was unable to come out to see him and go to the show around that time, but that my quilt had gotten into the show.  The next day, he called me back and let me know that Carol and he were going to give me the plane ticket and most of the expenses for the trip for a nice ten day visit with them!  You could have blown me over with a feather!  He and Carol are going to drive us up to Ontario on Wednesday night before the show and stay all day Thursday and the morning of Friday!  They have been to the show themselves whenever I had a quilt in the show and it will really be fun for us to go together!  So I now have the ticket reservations, we managed to get into one of the preferred hotels, and the tickets for the show.  How about all of that?!  What a lovely present from my dear SIL and brother (it was her idea I was told)!

Wizards’ Duel.  Since this picture I have improved the mountainous rocks in the scene per a judge’s suggestion at MAQF.  I then sent it to PA Nat’l Quilt Extravaganza and it won a blue ribbon (Best Interpretation of Theme) and had wonderful comments from the judges.  R2CA will be the third show it will be shown in.  I entered it into several AQS shows but they rejected it from all of them for unknown reasons.  Perhaps I should have had it rephotographed, because the rocks make a difference and the flash made the bottom scroll work too bright.

So in my blog from Nov 2, I so confidently laid out grand plans for November in which I would do a lot of clothing sewing and end up with a refreshment to my wardrobe and David’s coat.  I had thought David’s coat would take about a week and a half, but it has gobbled up all of November.  These things happen, but now I have to decide whether to keep on with the clothing sewing or go back to quilting and fit the clothes in a little at a time across the winter and early spring.  I think I will do a little bit of both, in light of my trip to California and the fact that I have lost a full size over the past year.  If I make one pair of slacks at least I will greatly improve my traveling wardrobe.  I would also benefit if I could fit in a jacket…either the jeans jacket or the faux suede jacket with lots of embroidery.  I’m inclined to do one of those also.  both have embroidery and would be fun to flaunt at the show.  I KNOW they won’t take very long because the patterns are already fitted and don’t require massive refits.  I looked at my wardrobe and figured I can get by with just the slacks addition.  Sew we’ll see.  Nevertheless, I will still make all the items I listed for my November sewing plans but will spread them out over three or so months in between the quilting because I need them.  BUT, I WANT TO FINISH MY MOM’S MEMORY QUILT!!! LOL Not to mention I want to make several additional show quilts for 2020.  We’ll see how it goes.  And don’t forget, I’m working on books.

Sew happy everyone!  Even if you end up having to struggle through a project, make something wonderful for you or your family.  Stretch your sewing and quilting skills a little further.  Send me pictures and I’ll post some of them here if you would like.  Also, you are free to ask me questions if you run into difficulties.  I know a lot (just a fact, not a brag). LOL

 

 

Working With “Leather” from the 1970s to Now

When I recently got my new Bernina 880 plus, I also got a number of intersting new feet, including leather roller foot 55, teflon foot 52D (for dual feed), and teflon zipper foot 54, and other feet and attachments to go with the collection I already had from my erstwhile Bernina 830 that I traded in.  Sew I have a number of interesting projects I want to try that my wonderful studio can now handle that I might have not done before.  One of these is working with leather.

 

Leather roller foot 55

Teflon zipper foot 54

Teflon dual feed foot 52

 

 

 

 

 

As some of you probably know, I have started a project of tailoring a faux leather, aka “leather”, overcoat for my youngest son David, the moderately popular sci-fi/fantasy writer, who is a cute, big and tall man in his early forties.

Decades ago I had my own fashion design and tailoring (real tailoring, not alterations) business in Ithaca, New York.   During that time I did some leather work…making a few bags and re-styling a couple of old fur coats.  I did this on my two machines…a beautiful antique White machine, which I still have, from the early 20th century that has a powerful motor that only has a straight stitch, and my Singer Golden Touch and Sew that was the Singer top of the line at the time before they  went greatly downhill as a machine.  It was a good little machine, but truly insufficient for what I was using it for. But I did not have any special feet that sew smoothly across leather, a dual feed mechanism for keeping the two layers together of slick lining fabrics, for instance, and the buttonhole program that has a simple rectangle for assisting in the making of bound buttonholes.  I didn’t have YouTube to look up reminders on how to do a bound buttonhole or a welted pocket, for instance.

What I did and still do have is a wonderful treasure of a long out-of -print book I found in the library and Marvin later bought from a used book store.  It is called How to Make Men’s Clothes by Jane Rhinehart published in 1975. Years ago when I had my shop in Ithaca, I wrote to her and obtained permission to use her book for instructional purposes and the illustrations in her book as needed in my own manuals. She was delighted, actually. I have yet to write that manual, but I am thinking of doing one now adding leather techniques and updated available supplies. As you see if you click on the link to her book, it is still available as a used book from Amazon.  There are other used book places you can find it…some grossly overpriced.  I highly recommend this book if you want to improve your tailoring abilities (much of it works for women’s tailored clothes too).  I made my dearest Marvin several jackets shortly after we were married using these techniques.  He wore those jackets for most of our life together and said he could throw them in the corner, sit on them, pick them up and put them on and they looked like they had just been freshly pressed.  It is really a construction manual that helps you to “build” tailored clothing from inside out.

Sew now I have a powerful Bernina 880 Plus with feet designed specifically for leather and vinyl work using the dual feed mechanism and a wide harp space in a large cabinet to assist me in keeping things together.

The faux leathers have vastly improved over the years.  The one I bought for this project (I bought a whole 8 yard bolt of 60 inch wide “leather”, which allowed me to get it at a reasonable price per yard, and I plan on making myself a jacket from the remaining fabric) feels almost exactly like the true leather samples I obtained before starting this project and even the back side resembles a smoother version of the back of the real leather.  It has about the same weight as the jacket-weight leather samples.  From a short distance, and maybe even up close, you will not readily be able to identify this as faux leather once I have it sewn up.  Yes, I would really prefer the real leather, but this is a wonderful substitute and is a quarter of the price.  So be aware that if you prefer not to use real leather for whatever reason, you can still make that smart “leather” jacket.  I will say that you might still want to use real leather if you are going for a quilted leather project.  It can take the heavy stitching that type of project requires and I am not sure the “leather” would.  Also I found several good suppliers of leather if you want to go that way…just let me know in the comments.

I remember the older faux leather.  It was too shiny, too stiff, and in a year or so it would crack and peal.  The back was not as good either.  You could tell from a distance it was not real leather.  I used it for Ithaca opera costumes (I was the chief costumer for several of their operas back when I lived in Ithaca) from time to time…not fun to work with.

When I worked on the leather projects of the past, I used tissue paper under my needle, and I just tightly held the sides together and stitched slowly.   Now I use clips to hold the sides together, stitch normally with the dual feed engaged, and have even better results.

When I worked on the leather projects in the past, I glued down the seam allowances and hammered them flat with a wood mallet on a towel.  The glue was a heavy goo similar to that gooey paper cement only worse.  It smelled too.  Today they have a double sided leather strip and I got some white leather glue, actually from the same manufacturer that made the old gooey junk.  What an improvement!  Now I use the double sided tape or the much nicer white leather glue and my little wood wall paper roller to make a nice flat seam.

When I worked on the leather projects in the past, I avoided top stitching as much as I could because I almost had to hand crank my machine stitches to make them go through all the layers (try keeping that straight!).  Today, I don’t mind it at all because the machine stitches right through all those layers with no problem.

Sew for my current coat project, I could not find a pattern that fit my tall nobly-shaped son.  They do not have big and tall men tailored clothing patterns published by any company that I could find.  They absolutely need to fix that!!!!  The closest I came was a couple of costume coats for cos-play, and even those still would not have fit well.  So I ended up taking a Burda pattern, a McCall’s costume pattern, some instructions from How to Make Men’s Clothes, and Frankensteined a sloper together for him.

The Franken pattern ready to chalk and cut.

Then I made a muslin fitting shell…one that did not quite work but headed me in the right direction, and one that did work after that.  Then I transfered all the corrections to the flat sloper pattern and have chalked the pattern while weighting the pattern on the back of the “leather” (one side at a time) and have cut out the “leather” with my newly sharpened big scissors.  I know you can also do this with a small-blade rotary cutter, but it requires a bigger mat than I have and the scissors work well.  I have an idea the rotary cutter would work best on true leather.  I still have another 18 pieces of interfacings, linings, and pocket bags to cut out before I start construction.

Here’s my pattern on the “leather’ with my “fancy” pattern weights…LOL…I should make myself some nice pattern weights, but who has the time?!

I have, however,  made a sample to see how my machine uses it, practice the seam finishing, and so forth.  What a dream!  I may be doing a lot more in this “leather”.  But I really do want to get back to my quilting. So I am thinking I can make a practice welted pocket in a square piece big enough to later use on a bag.  That way if I ruin it, I can try again without ruining the coat.

Sew happy everyone!  Try something new you haven’t tried before, or something you did long ago in the past that was more difficult than it would be today with today’s machines and products.  Now…back to cutting.

 

 

 

 

 

 

 

Sew Happy with My New Machine

I have been blessed with a really fine new Bernina 880 Plus, aka Odette.  I have been doing a lot of work with the machine since I got it all settled down and I learned its little ins and outs.

I have been working on a quilt in  memory of my Mom.  Mom was a great beauty, a fabulous sewist. a woodworker, had been a nurse, and a home decorator.  She was a wonderful mother and wife during her life.  She taught me to sew and knit. This quilt is a hug and a bow to her sparkling memory.  I’m really enjoying working on it as I remember all the wonderful things she taught me and shared with me.

Mom (Zephana Bivens) in her woodshop at 78.

So my design for Mom’s memory quilt has a considerable amount of in-the-hoop embroidery in it.  Some of the embroidery designs came with my new machine, were some I had purchased or collected  in the past, and two of them I purchased just for this quilt.  In spite of when I got them, all the designs are from OESD and are amazingly well digitized and have stitched out wonderfully on my new machine.  I am so impressed with how beautiful the stitches are, how they don’t overly pull, and how wonderful they look when done.  I have three more to go, each requiring about two hours to complete.  Then I will sandwich, quilt, paint, wash and block, bind, and add crystals and pearls.

Mom, Dad, and my brother Pat before I was even on the way.

I also have done some additional sewing just to see how the machine works, testing all the attachments.  I got some special feet designed to work with leather and vinyl.  Just this week I bought enough beautiful faux leather to make my youngest son, the writer who shares this house with me, a coat and myself a jacket.  I’m excited about this project.

One of the things that came with my new machine is Bernina’s Big Book of Feet. I have been reading through it while babysitting the embroidery module doing its work.  I find I have most of the feet, since I had a Bernina 830 prior to this one and had collected them across the eight years and I got some new ones that came with the deal.  It’s so exciting when I can do and I will be sewing a lot of clothes and home decorating items over the next year as well as the planned show quilts on my list to explore some of these interesting techniques.  I’m thinking I might make some of the clothes as wearable art and enter them into shows also.  Maybe I will make a few bags and hats too.

Mom and me in May 1967. I am showing off the dress I made.

How exciting!  Will I get it all done?  Probably not, but it will be fun trying.  After nearly three months of working to get a good new machine following the breakdown of my 830, and another couple of weeks learning Odette’s ins and outs, I have concluded I have the best machine I have ever had.  It sews evenly, beautifully, and smoothly.  I foresee many years of exciting new projects ahead. Knock on wood!  LOL

I’m currently writing a book about embellishment that will include several sampler projects, just to fill in my spare time…hahahaha.  (Also, I am going to teach a class at G Street sometime in November on embellishment).

Embellish This! workshop sampler for November 2019 class.

Sew happy everyone!  Take time to learn what your machine can do.  Even some of the more basic machines will help you do some remarkable work if you take the time to explore it, but especially if you have a more advanced machine….take that time to read the manual, and try some new techniques to enhance your sewing.  It will give you lots of happiness in the process and with the items you make.

My Uncle and What’s Happening in My Studio

I’ve taken too long to write a new post.  This past month has had its lows and highs.

My uncle Betterton passed a week and a half ago.  He was 91 and was two years younger than my mom.  I had five aunts and six uncles on my mom’s side and one aunt on my Dad’s side and all are gone now, as well as my parents.   Uncle Betterton was one of my favorite uncles.  He was always close with my mom and someone everyone could rely on for help.  He had various tough illnesses the last several years, mild dementia, and is now no longer suffering.  He was a strong Christian.  Like my father, he was a civil engineer, both served in WWII, and he and Dad enjoyed a strong friendship.  My memories of him are sweet and dear and the pain of losing him is softened by his wonderful long giving life and his final release from the difficulties of his last few years.

Sew what’s going on in my studio these days?  My “apprentice” Anita and I finished the church banner celebrating the 500th anniversary of the Reformation.  The church members apparently love it, and I was really pleased with how it looks.  I have still not gotten a good photo of it, but I will share as soon as I do.  The big community celebration is next Sunday.  I guess this tells you that I attend a Lutheran church.  I do.  It’s five minutes drive from my house and the it’s a lovely church with services not far in liturgical style from the Episcopal church.  I grew up an Episcopalian.  For many years I drove down to Georgetown to go to the historic St John’s Episcopal in Georgetown where Marvin and I both were very active and sang in the choir.  After Marvin passed, I moved to Ashburn, Virginia, and the drive to Georgetown got even longer, so I looked for somewhere closer.  Our Savior’s Way Lutheran Church is in my neighborhood…now that’s a luxury I had not had for decades.

I have gotten a start on my next show quilt.  I’m not sure I would call them “show quilts” any longer, except that’s a term many understand.  I like to show them, but my primary goal for these quilts is to make wonderful art, and hopefully sell most of them in the long run.  Everything I make I hope to meet show quilt level, but sometimes show judges don’t seem to understand why the techniques I choose are done the way they are, or how difficult they really are.  Sometimes they seem to see things and remark on them that I simply cannot see, and sometimes I think they don’t see something about my quilts that I think is especially unique and interesting.  Maybe I need new glasses, a flashlight, and a better magnifying glass.  Or maybe I need a microscope.  LOL  So I have found a lot of freedom in reaching for creating beautiful art the best way I can make it and not worrying too much about what a judge might see or not see.  Competition can be rough on one’s ego.  He-he-he

Anyway, back to my latest project.  It’s based on the art piece I bought the rights for one art quilt from the Disney artist Joel Christopher Payne.  It’s set in the Bayou and has interesting trees, and two rather rundown homes with light peaking out through the cracks in the boards.  One is a houseboat, and the other is a shack built on stilts on a platform.  The scene is at night and there is a little pale light filtering through the trees in a way that suggests a heart shape, and there are fireflies.  This is a huge challenge for me, but really, I am enjoying myself so far.

I have the houseboat “built” and the shack about half done.  Yesterday I did a little low and high lighting with Neocolor II pigment crayons.  When you use them with fabric, you can just color it on and then brush it with water to blend it onto the fabric and then heat set it for a permanent color.  Sometimes when I heat set it, it gets lighter so I have to go back and add more color, but it’s a wonderful way to over color an existing fabric pattern to add shadows and lights where you need them or “correct” colors.  In this case, I have three different wood print fabrics that I have backed with Steam-a-Seam II light and cut into board shapes.  I am using these to “build” the shack and the houseboat.

The picture has really big trees that also have some Spanish moss hanging from them.  I have five different tree bark prints that I will use to make the tree appliqués.  They, too will need to be overpainted to get the right look and color,  I am planning on thread painting the Spanish moss on, and probably it will be more than Joel put in his picture because this is a fabric and threads interpretation of his wonderful art piece.

I have obtained some glow in the dark paints and threads to make the fireflies with, and the paint has some additional pigment so it will look good in light too.  I may add crystals to the fireflies for added dimension.

The biggest challenge as I see it is the light that is getting the back light that is coming through the trees and reflecting across the water right.  I am thinking this will have to be done with paint, but I’m still thinking about it.

Sew I hope you all have a wonderful week.  Try something new and push to get it as well done as possible.  I have a lot going on in my studio besides this new quilt, so I hope I will get back to my weekly blogs for a while.  Cheers!

 

 

 

 

 

 

Space and Quilts

The Heavens declare the glory of God…(Psalm 19:1) 

Wow!  This week with the eclipse and spending that time with my 14 year-old grandson Kevin was soooo special!  We had eighty-five percent of the eclipse in a pure clear sky with the birds and the noisy cicadas in the woods behind us.  His parents, who are serious astronomy hobbyists, headed down to Tennessee to get in a total eclipse area, but he did not want to spend that long in the car.  The traffic for them was aweful and they had to spend an extra night in a motel on the way home, so he clearly made the right choice for him and it gave me and his uncle David a real special time together with Kevin even though it was not total here.  I am told Ken got some photos to process of the eclipse.  I am looking forward to seeing them.

This comes at an interesting time in my quilting life, because I am trying to line up a couple of new deep space quilts to fill out my space series inspired by the fabulous photos found in the NASA gallery.  The pictures have to be copyright free for me.  I have tried a couple of times to get in touch with the astronomers whose pictures NASA sometimes shows that are copyrighted and they simply ignore my inquiries.  But there are many many magnificent copyright free photos available to use for the basis of new quilts.  I will probably also include a couple of space quilts that may use other techniques inspired by Ken’s (oldest son, Kevin’s Dad) and Beth’s (his wife) photography and ideas.  I am planning on writing about making space quilts and including all of these in the book.  This will probably be a part of my ongoing project of Art Quilt Basics:  Surface Design and Embellishment that I hope to get published this year.  These quilts are practically all surface design and embellishment with organic, but well planned, quilting.  They are very hard to photograph because of all the light reflection, but I leave that to Ken, who does a credible job on it.

Spiral Galaxy No. 3: See this quilt in the upcoming MQX Midwest show!

So I am currently on the hunt for my next deep space quilt photo inspirations.  If you have a favorite, let me know in a comment  but do it soon, because I’m going to start working on this next space quilt very soon. 😄

I hope you are all having fun with your art, sewing, or quilting.  I’m busy drawing up a couple of new ideas and making sampler quiltlets to include in my book project Art Quilt Basics:  Machine Quilting for Art Quilters (this book starts with the very basics for machine quilting (both feed dogs up and free motion) and moves through the process ending with a discussion and ideas specific for art quilters.

Sew happy everyone!  Make yourselves a stack of small quilt sandwiches and play.  You’ll be surprised how much fun it is…use all your machines.  You will benefit by improving your skills and having a lot of fun too.  Cheers.

 

Marathon of Quilting

Whew!  You haven’t heard from me here for a while because I was finishing making the quilt my son Ken designed for me to add to my Ancient Manuscript series in a marathon of quilt making and got my entry into the Mid Atlantic Quilt Festival (MAQF) just under the wire of the deadline.  This quilt is a tribute to King Arthur and the knights of the round table and is now named “Pendragon“.  I have been working nearly full time on this quilt since last March, with just a few breaks here and there. Without question it was the most difficult quilt I’ve ever made, but I was so happy to make it and am quite happy with its outcome.  I made this quilt for the love of my son, but I am going to enter it as extensively as possible in quilt shows so my friends and other quilt lovers can see it.  I will be posting photos of this quilt sometime in February along with a short series of blog posts on making the quilt.

I had planned on entering Drawing Nigh into MAQF, but it unexpectedly got into AQS Lancaster, and so will not be available for MAQF.

Today, I’m sewing the rod pocket and label onto Pendragon, and trying to rest my creaking quilting muscles.  No one will ever convince me that intense quilting like this is not something of a sport…it requires practice, muscles, sweat, blood, tears, and determination, and a marathon of such quilting leaves me tired and a bit achy…but I’ll recover.

Sew next I will be working on several less taxing quilts to go into my exhibit at G Street Fabrics in Rockville in the spring.  It should be really fun and I can provide photos of those along the way.

Sew happy everyone!  Will I see you at the Mid Atlantic Quilt Festival?

 

 

 

 

Happy 2017: A New Year Full of Promise and Opportunities!!!!

Happy New Year everyone!

I don’t know about you, but I’m very excited about the promise and opportunities this new year brings.  Right away in 2017 I have a batch of really exciting new projects all ready to start and several very interesting projects close to the finish.   My sons, daughter in law, and grandson all have made me proud and their future for this year looks really promising.  I even have begun to make some progress already on my plan to lose a lot of weight, which always seems harder for me than most.  I am grateful and thankful to my dear Lord for all He has done for me.

I am first of all finishing Ken’s quilt, and then making several fun quilts that will be simply for my spring exhibit at G Street Fabrics in Rockville, Maryland and then for sale…not necessarily for shows. One book is well along the way and two are outlined and started.  The next thing is to make a bunch of samples for these books.  And I will have to make some new clothes if I actually succeed in my weight loss program, but that will probably be in the second half of the year.

This is a preliminary design of one of my quilts for the exhibit based on the digital flowers in the middle that I have spent several weeks painting in my spare time and finished today.  I plan to have the central section printed on fabric. The borders will have a little more to them.

Sew happy everyone.  May you have a wonderfully blessed and productive 2017.  Celebrate!

A New Birdfeeder

This week I replaced my birdfeeder.  The old one had gotten really beaten up with that huge snow storm and the subsequent wind storms we have had here this year.  It never worked well anyway.  It had mostly plastic and it blew sideways, dumping the birdseed in a windstorm.  It got the seed stuck at the bottom with every rainstorm because the drain holes were ill placed and inadequate, and finally the place the birds stood broke off altogether.  So I replaced it with a nice heavier and sturdier feeder made with brass, stainless steel, and glass (I hope the glass doesn’t break in future storms since we sometimes get a lot of wind here).  It seems really nicely shaped for the birds to use too.

The birds like it.  I put it up a few days ago and already I have had a constant crew of various finches, mourning doves, black birds, cardinals, and the ever plentiful sparrows.  But the real treat was two bird varieties I have never had at my feeder (or seen there at least).

The first day an American gold finch paid a call.  Here is a picture of one from Cornell’s All About Birds site:

American Goldfinch

American Goldfinch

I’ve seen them fly by occasionally but they never paid a visit when I watched until yesterday.

Today, I had a bird visit that I have never had the pleasure of seeing.  He not only visited, but he stayed long enough for me to get a real good look at him with my binoculars.  This picture is also from Cornell’s All About Birds.

Rose Breasted Grosbeak

Rose Breasted Grosbeak

I walked out onto my back deck today and listened for a few minutes while the birds were singing and chattering, and the air felt wonderful, and went out front where my azalea is blooming its head off, and then I went upstairs into my delightful studio and worked on a quilt while I thought about my great family and how I have had many wonderful opportunities and experiences, and I came back down to my kitchen and used my floor scrubber to clean the kitchen floor without having to get down on my aging knees with a scrub brush like my grandmother did, and then I made myself a wonderful low-carb chicken dinner and watched The Martian and it made me think about all the good ways I have been taught to take one problem in life at a time and figure out how to solve it.  Yes!! That WAS a very long run on sentence.  😀   😀  😀

I am very blessed.

Sew happy everyone.  May you all be so blessed and may birds and flowers bling up your space in this world.

 

A Watch Project and MAQF

The cheap white plastic watch ready to ink.

The cheap white plastic watch ready to ink.

I leave tomorrow for the Mid-Atlantic Quilt Festival in Hampton, VA and a visit with my family members there.  I’m very excited.  It looks like the weather is going to cooperate and the trip is all happily arranged.  So in the way of things, the battery died in my beautiful Bolova watch and I really didn’t have time to take it to a jewelry and get it changed (I can’t do that one myself) before I went.  So I ordered this cheap white plastic watch with one-day delivery for about the same a battery would cost.  And yes, I will still get the Bolova fixed, but I also wanted a watch to wear when I am working with paints and dyes, etc.

When it came, and I put it on, it seemed to scream…cheap white plastic watch here!  So my son David suggested I paint it if I could.  What a great idea.  I tried out several markers on the back of the strap and found only one will stay without wiping off..Sharpies.  I have a nice collection of sharpies, and so I turned it into this:

After...It was hard to keep any kind of straightness, so I ended up doing wandering colors.

After…It was hard to keep any kind of straightness, so I ended up doing wandering colors.

It is seemingly dry now.  I’m going to let it continue to dry for another hour or so before putting it on.  It may wear off as I wear it, but just passing a cloth over it, there is no change of color or stain on the cloth.  After that dried I painted over it with clear finger nail polish.  We’ll see how this wears.  The fun thing is the numbers on the watch face are all different colors kind of like a color wheel, so it fits the project.

Sew I’m off to my neice’s first thing in the morning, and on to MAQF on Friday and Saturday, home Sunday.  How fun is that?!

Sew happy everyone!

I Am a Magpie

This nice drawing is from Dover's Chinese Designs.  Whatever would I do without Dover!

This nice drawing is from Dover’s Chinese Designs. I THINK this MAY be a magpie, but it’s pretty even if it isn’t.  Whatever would I do without Dover!

I have concluded after several years of art quilting that am “a magpie”.  I love light and how it plays across crystals, water, shiny paints, Angelina Fibers, and Metallic Threads.  It seems magical to me.

This week my oldest talented son Ken, who doesn’t share my love of such things, nevertheless rephotographed “Sky Horse”, because even though it has been out in the shows for a little over a year now, I want to show it a bit more and I didn’t think the photos I had of it were adequate.  This is a very difficult quilt to photograph just because of the way the light bounces all around.  I thought he did a really wonderful job, so I thought I’d share it with you.

Sky Horse photographed by Ken Tatum

Sky Horse photographed by Ken Tatum November 2015

I don’t have sparkles or gold or some such on all my quilts, but I do on a lot of them.  I am planning a new deep space quilt for one of my 2016 show quilts.  I am basing this one on M51

One of the many NASA photos of the Whirlpool Galaxy.

One of the many NASA photos of  M51.

One of the things that inspired me to use a spiral galaxy for my next deep space quilt are these two  photos featured by NASA on their pictures of the day.

This image shows the galaxy Messier 94, which lies in the small northern constellation of the Hunting Dogs, about 16 million light-years away. Within the bright ring around Messier 94 new stars are forming at a high rate and many young, bright stars are present within it – thanks to this, this feature is called a starburst ring. The cause of this peculiarly shaped star-forming region is likely a pressure wave going outwards from the galactic centre, compressing the gas and dust in the outer region. The compression of material means the gas starts to collapse into denser clouds. Inside these dense clouds, gravity pulls the gas and dust together until temperature and pressure are high enough for stars to be born.

This image shows the galaxy Messier 94, which lies in the small northern constellation of the Hunting Dogs, about 16 million light-years away. Within the bright ring around Messier 94 new stars are forming at a high rate and many young, bright stars are present within it – thanks to this, this feature is called a starburst ring. The cause of this peculiarly shaped star-forming region is likely a pressure wave going outwards from the galactic centre, compressing the gas and dust in the outer region. The compression of material means the gas starts to collapse into denser clouds. Inside these dense clouds, gravity pulls the gas and dust together until temperature and pressure are high enough for stars to be born.

And

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Ken and his wife Beth are into astronomy.  They own a telescope and are part of a star gazing group.  So I have some interest and guidance from them in my deep space quilts even though neither of them particularly like the way I approach them with sparkly Angelina Fibers and crystals.  But we will see what they think of my spiral galaxy quilt when I get it finished.  Sky Horse is not as close to the look of the Horsehead Nebula as I had hoped to achieve, but I think maybe I can get closer to the look of a spiral galaxy.  We’ll see.

I am fairly backed up in my quilt making with some deadlines, so I probably won’t get to this one until sometime in January or February.  Once I improve my technique significantly and feel I can really explain it well, I have plans for sharing how to make one yourself, but not just yet.

Sew happy everyone.  Are you a magpie too?