Fireflies, Workshops, Quilt Names, and Other Stuff

 Yes, Virginia, I am alive!

So sorry to have been away for such a long time.  I have been working hard up until last Friday when I came down with some kind of aweful stomach thingy that hit me like a truck.  I’m all better now, though taking it easy for a few more days, but it did cut into my work schedule.

Before that, I was finishing up my latest show quilt..the Bayou quilt that I have not yet named.  I still have to put the crystals on the fireflies, and get professional photos of the quilt, but here is my little snap I took with my small camera:

So do you have any suggestions for the name?  Here are some ideas…I don’t know that I like any of them;

Home on the Bayou, Bayou at Night, Among the Cyprus, Cyprus Night, Cyprus Shelter, Bayou Night Lights, Bayou Cyprus, Bayou Summer Night, Summertime Night on the Bayou, Fireflies at Play (they will show up better with crystals), Night among the Cyprus.

I was disappointed with the supposedly glow-in-the-dark fabric paint.  It does have some nice pigment in it, and looks kind of nice enhancing the lights, but it doesn’t really glow in the dark very much. So the fireflies are the most disappointing, and I have obtained the tiniest little yellow and slightly orange hot fix crystals to enhance all the painted fireflies.  Otherwise the quilt is complete except for a label.  I even have the rod pocket on it.  I plan to try to debut it at Pennsylvania National Quilt Extravaganza this coming fall. I have no idea where I will send it after that, but I will send it elsewhere for about a year or more.  This quilt has taken me a great many hours.  I don’t have any idea how many.

A Little Soapbox  Rant:

See the source image

With the efforts I put into my own show quilts in mind…I was just watching Craft in America.   The episode they showed today was talking about craft as a livelihood.  They featured Gee’s  Bend quilters among other artisans.  Their quilting style is beautiful and carries on a tradition I am very happy to see in the country.  But I found myself wondering if Craft in America ever had or ever would feature quilt artisans that use contemporary quilting methods and styles (even those who do it all by hand), make exquisite jewels of quilts contemporary, modern, or traditional, or artists that use quilting as their medium sometimes using many techniques in one project.  I somehow doubt it because many responsible for producing such shows, or writing articles about quilts, seem to think the development of quilting, styles, techniques and the craft itself stopped at the water’s edge of the late 19th century.  They probably are not even aware of where the quilt world has flown over the past few decades.  Have they even attended one of the national or international quilt shows?  Do they even know it is a thriving industry economically and deserves attention?  And indeed, it is not just the media that is unaware, as those of us who quilt are well aware.  How often have I told someone I quilt, and they said their [grandma, great grandma, aunt] used to quilt [back when they were alive or physically able].    And finally, I hope you will read Joe Cunningham’s blog Calvin Klein and Me discussing this issue way better than I am here.

Sew what am I working on now?

Feed Dogs Up workshop sampler

Well, right now I’m writing a blog post…but my current project set is to make the samplers, handouts, and kits for three Fabric Arts Workshops I am going to lead at G Street Fabrics in Rockville, Maryland this fall.  They are fairly basic, but are designed to provide a suite of techniques that can be used to make quilted fabric art and, of course, some quilting techniques.  They do not include piecing.  I am not a piecer. G Street has quilters who lead some really nice piecing workshops.  So here are my workshops:

  • Fabric Arts Workshop 1:  Applique Techniques — Saturday, 22 September 11 am to 5 pm
  • Fabric Arts Workshop 2: Feed Dogs Up Quilting on a Domestic Machine — Saturday, 6 October 11 am to 5 pm
  • Fabric Arts Workshop 3:  Free Motion Organic Quilting at a Sitdown Machine –, 20 October 11 am to 5 pm

If these go well, I might take them on the road to shows and guilds within a four or five hour driving distance from Ashburn, VA, or just try to do them locally (within an hour’s drive).  I might also add one or two more complex workshops to these.  The nice thing is that some of the work I am doing for these can also be used in the books I’m writing.  Maybe I’ll even be able to publish one of my books before the workshops this fall.

But fear not, I am also making some quilts, just at a slower pace.  I am making a bed quilt (shock!) for myself using a Sue Nickel’s applique quilt pattern.  I have only just begun working on a new design for one of my Ancient Manuscript series quilts.  Actually, truth be told, I have only come up with the idea and haven’t really started the design.  Happy National Sewing Machine day! (this is 6/13/18).

Sew happy everyone!  What are you working on?  Let me know.  Send me pictures. Make comments.  I really want to hear from you.  Hopefully, now, I am back to making about a blog a week or more.

 

Working On Developing Workshops

I have agreed to present three classes or workshops at G Street Fabrics sometime this fall for a six-hour day for each.  One will be on machine applique two ways, one will be quilting with feed dogs up, and one will be free motion quilting for sit down machines.  So I have been working out what exactly I want to present and how best to present them.

In the past I have done a couple of these classes and found flaws in how I developed them and hope these will  be much better.  One thing I did at Mid-Atlantic Quilt Festival this year was take  a class from Sue Nickels and carefully observed her methods for presentation. She ran one of the best organized and presented classes.   I have also taken classes from other noted quilters, like Pepper Cory, and will be drawing from all of these teaching methods to improve my own.

One of the things Sue Nickels did, as did Libby Lehman in a class I took from her years ago, was to have a camera on their work at the machine so people could really see what she was doing when demonstrating.  I thought this was extremely helpful when taking these classes.

Between my oldest son and myself, I have everything I need to do this with the single exception of the projector.  G Street has a projector they are going to loan me to see if I can make everything all work together to manage this for those classes.  Eventually, though, I will maybe get my own projector if I teach anywhere else.

So I will now make some samples and determine what I need to do to make a kit.  I decided to use my Go! cutter and precut some fusible shapes for the applique kits so it will save the students a lot of time.  I have designed a fall scene for the applique class.

I also will be putting together small sandwiches for the quilting classes.  I tried with my last class having them bring the sandwich.  Several of them arrived with no sandwich at all, some had all the pieces but had not put them together and I had to spend time telling them how to do it.  Time is like gold at a workshop.  So I decided to make a 20 inch x 20 inch sandwich that I premark.  I am only going to have six to eight students per class, so this will not be a huge burden and make a big difference for the class.

So I will really appreciate any suggestions you may have both from the perspective of classes you have attended and of classes you may have taught.  I don’t yet have the dates for these and I’ll tell you more about it later.

Sew happy everyone!  Add your comments to help me make the best workshops ever!

 

 

The Wizards’ Duel

The Wizard’s Duel

I promised you all that I would write about this quilt after Mid Atlantic Quilt Festival.  I had a wonderful time going to the show with one of my best friends Mei-Ling Huang.  Mei-Ling is a lot of fun and we share many interests.  She claims not to be a quilter, but I have seen her quilting on the Bernina Q24 longarm set up in her Bernina shop at G Street Fabrics where she is the Bernina dealer.  But she is a long-term sewist and she does make beautiful garments.  Currently, I happen to know that she is working on a t-shirt quilt for her daughter, who is in medical school.  She was clearly fascinated by the goings on at MAQF and we enjoyed very much the class we took together from Sue Nickels on Stitched Raw Edge Applique.  I found the class a perfect example of how to organize and run a class as well as really enjoying the applique instruction,

Sew the picture above is my completed quilt and I got the judges comments back yesterday.  They have marking grades on standard criteria.  It fared very well, getting all top marks (E for Excellent) except for degree of difficulty and that was S for Satisfactory.

Judge 1 commented:

  • Powerful color impression
  • Ambitious Subject Matter
  • Nice use of crystals

Judge 2 commented:

  • Batting a bit too puffy [Huh?!!!]
  • So much care in the figures.  Rocks would benefit from same attention

Judges:  Esterita Austin, Pepper Cory, Marjan Kluepfel

I don’t know which judge had which comments section, though I do know that they weren’t Pepper (a friend of mine), who just signed it.  After looking at it objectively, I happen to agree with the comment about the rocks and plan on adding some additional quilting and maybe a litle more highlighting before I send it out again.  Not sure I agree on degree of difficulty, but seeing some of the other quilts there I am pretty pleased with these marks overall, which is rare when I get my judges comments back.  I am a little puzzled about the batting a bit too puffy comment, but to each his own.  Maybe it had to do with the rocks.

When I am done with a quilt I like to look back at the original concept and see how far away I wandered in the making of the quilt.  Here is the finished concept art, though I did go through a number of other versions along the way.

concept art for Wizards’ Duel

And here are some detail photos of the quilt.  I hope you can see all of the quilting.  I had loads of fun with that turbulent sky full of characters,  I have a Pegasus in this shot.  Go up and look at the full quilt and see if you can find the Phoenix, the small flying bird, a starry kind of symbol like I used in the corners, and the little bit of free motion feather design at the corner near the raven.  I also free motioned and straight ruler stitched the explosion of light (is that a sun?  I think so) behind the wizards.

Detail shot one

And here is detail shot two…on this you may think you see a row of flying geese, but that’s not what they are.  In my mind’s eye these are a row of flying pterodactyls!  Hahaha.  I hopeyou can see these, I know it’s kind of hard to see.  Also pay attention to the border.  This quilt is the first one where I used ruler work extensively. I used a strip of paper that was the exact length of the border and folded it until I got the divisions perfect (no math method) and marked the grid on the border, then used my rulers to quilt the design without additional design marking.  Then I just bubble stitched where it needed filling.  I was pleased with the results.

I will tell you that the biggest challenge was coming up with the figures.  I started with prepared for dye cotton fabric and marked the figures on with a simple Fons and Porter dark marking pencil.  Then I colored them using Neocolor water soluble paint crayons and brushed them with water. After that I ironed them dry, thereby heat setting them, and then I placed a bit of wool batting behind the dragon and stitched the outline and the scales.  After that I used some oil paint sticks to burnish the scales of the dragon a little.  Then I thread painted their garments with Superior metallic threads using my BerninaQ20 longarm sitdown.  Finally, I appliqued them to the quilt top.  After sandwiching them, I quilted the figures sections with Superior Monopoly thread, but that was the only place I used monopoly.  I didn’t want to interfere with the thread painting I had done, but they needed quilting for depth of character.  I wonder if the judges realized the difficulty involved there.  Perhaps they did.

And finally, here is a very good picture of the quilt hanging in the show that my friend Cathy Wiggins took.  I think it shows the quilting clearly…in fact the show had it lit just perfectly so the quilting showed well.

Wizards’ Duel at MAQF courtesy of Cathy Wiggins

The quilts at the quilt show were unbelievably magnificent.  I do think Wizards’ Duel stands up well in such a show, even if it didn’t receive a ribbon.  As I said, I plan on adding some quilting and highlighting on the rocks section and entering it in other shows.  Maybe it will place after that.  It’s very hard to place in such a show.  The MAQF is becoming a very important and popular show and for good reason…it is fabulous.

Mei-Ling and I attended the fashion show too and spent some time viewing the wearable art competition section at the show.  We were so inspired by this that we decided to try to make a joint entry for the wearable art next year.  Mei-Ling is a small beautifully proportioned woman and we will make it to fit her.  More on that much later.

I came home to find a chipmunk had invaded our home…he came in about an hour after I got home.  That is another story that is still going on .  He’s still here and in one of my studio rooms.  My studio is on the upper level of my town home where my bedroom also is.  It consists of two small bedrooms…Studio Fritz (where my computer/office section is and where my Bernina Q20, named Fritz, sits), Studio Gibbs (where my main fabric, thread, and paint stash, my work tables, and my Bernina 830LE named Gibbs sits), and Studio Betsy (one small side of my bedroom where my Bernina 350 named E. Claire sits where my old Bernina 1230 named Betsy used to sit.  I sold Betsy recently to my student and friend Anita).  The chipmunk has taken up residence in Studio Gibbs (thank goodness not my bedroom!).  So far, the only damage he’s done is knock things over and deposit chipmunk poop in places.  The stash is safely in drawers and the closet where he can’t get to chew or soil and Gibbs is of no interest to him so far.  I am soooooo hopeful of getting him out of there today.  I have a live trap set for him and have tried multiple things, and am trying once more today with the trap and all.  I need my studio back.  I never had this happen before.  Please pray for a successful removal of the chipmunk.  Silly me, I name everything, even a chipmunk I may end up killing…this one is Chippy.  I am so hopeful of not having to kill it to get it out of there.

Sew happy everyone!  You know you can get a basket like device to attach over your dryer vent so chipmunks can’t get in and chew holes in your dryer vent hose.  My son just installed one on our house.  I wish we had done it earlier!!!!

 

Sunday Musings on Quilts

I don’t have a large number of ribbons from the big shows like some of my quilty friends do, but I do have a few.  Several of them center around surface design, color choice, and embellishment.  I got to thinking about that recently and  I decided that I am really more of a fiber artist than I am a quilter and wondering if that impactsthe ribbon worthiness of my quilts.  True, I have struggled to learn the things one must pay attention to as a competition quilter, such as nice square corners and even quilting, but I am far more interested in the overall look of the art of my show work than I am the overall quilting techniques.  When i am doing the actual quilting, I might take a more organic freestyle pattern over a more formal design pattern simply because I think it corresponds best to my quilts.  One of my quilts recently received “quilting needs to improve” from a judge, when I was thinking it was one of my best results because it looked like the wind to me.  Maybe that’s not what they meant.  I don’t know.  I wish they had said what they meant.

Drawing Nigh, completed 4/17/2016, 39.5 x 44.5 “Quilting needs to be improved.” Original design by BJ

Sky quilting

I regard “making a quilt” as an entirely different activity than “making an art quilt” or to the extreme of “making a competition art quilt”.  I love warm cuddly love-filled quilts that one can curl up in, drape over a lap, eat a picnic on, give to your pet, or cover your bed with.  I enjoy making them.  I just would never make one for a competition quilt.  Why, you ask?  Well, because I am not that good at it.  I have been to enough quilt shows to see those fabulous traditional or even contemporary perfections.  But I am really good at making a piece of fabric art in the form of a wall quilt. Still, I do make snuggle quilts, but I usually use only piecing and applique and perhaps a little bit of embroidery.  My points aren’t always good, and things just never quite look right, but they are fun and pretty.

I love joining my computer art, hand painted art, thread painted art, composition fun, color play, and even my love of history or space together in a piece of quilted art for the wall.  In my enthusiasm to get the look I want, I draw from whatever technique I think will work, sometimes resulting in a project with piecing, applique, hand painting, digital art on fabric, thread painting, machine embroidery, quilting, beading, hot fix crystals, and some additional elements on one single piece.  Does it work?  Well, it works for me, not always for judges, apparently.  LOL

detail from one of my deep space quilts with Angelina Fibers and hot fix crystals quilted over a lightly painted background.

Sew what do you think?  Is a piece of quilted wall art actually a quilt?

Sew happy everyone!  Make that quilted piece you love.  Merry Christmas and Happy Hanukkuh!

 

 

 

 

A Sewing Machine and Design Software Fan

Gibbs at work.

Make no mistake, I love my machines and enjoy using my various pieces of design software to help me create art quilts, or just to sew, or just draw, paint, and design digitally.  It’s more than a hobby.  It’s my fun and my full time occupation, though I hardly make much money from it.  Indeed, I spend more than I make at this point.  It would be great to turn that around, especially since I periodically do things to update, add to, or improve my fleet of machines and suite of software because I think it is the right thing to do,

Oh, did I tell you?  They have a new pin point laser light attachment for Fritz that shows exactly where the needle will enter the fabric to help with precision quilting and free motion thread work.  Awesome!  I ordered one (they had a 25 percent off offer).  LOL  I need all the help I can get making my quilting sing.  Last week, I also updated my Electric Quilt to EQ8 (they had a great offer).

Sew now that we have clearly established that I spend too much on my super hobby and I make too little with it,  I keep thinking how I can turn this situation around and start making at least enough to support my quilt-making habit, and even have some for trips to places like Houston or Paducah for the big shows.  For example, I just updated my website gallery last week so you can see my quilts better and see what the sizes and prices are for those that are on sale.  By the way, the exhibit of my quilts is still going on at G Street Fabrics in Rockville, Maryland, where most, not all, of my quilts are on display through Thanksgiving if you have a chance to go.

Most of you probably know I am a Bernina girl.  I love Berninas.  I have four of them right now, but I am selling my Bernina 1230 to my student/apprentice,  Anita is one of my best friends, a true beginning quilter, and I am teaching her to quilt and improve her sewing, and to use the 1230 all just for fun.   I also have a Baby Lock Serger (yes, really!!!). Now I reluctantly admit that Baby Lock is also a very good brand, and they make wonderful sergers.  If I had to choose a machine other than Bernina, it would probably be Baby Lock.

My Bernina Q20 named Fritz.

Anyway, when Anita takes home the 1230 once she gets her sewing space set up and completes her initial classes on the machine, this will allow me to have all my machines in their own cabinet (except the serger), which makes my playground just plain wonderful.  It’s wonderful already, in fact, though it needs a little reorganizing and cleaning.  It’s a magical space even if it isn’t all slick and spacious.  I have Gibbs, my Bernina 830 LE in Studio Gibbs (meant to be a small bedroom), where I store the bulk of my quilting stash and have a small kitchen island for cutting and painting and the like.  Gibbs has a very large custom cabinet that can be a nice big work table if I simply move Gibbs.  I also have Studio Fritz, another small bedroom, where Fritz, my Bernina Q20 and, my ironing station, and my computers live.  Then there is Studio Betsy, well, actually that’s part of my bedroom, where I have my original Koala cabinet.  That’s where the Bernina 1230, named Betsy (for Betsy Ross) is currently residing, but I will be putting E.Claire (named for Edith Claire Head), my little Bernina 350 that is now on the floor in the cabinet.  Wilcox, my serger, hides under one end of that cabinet.  Plus the bulk of my sewing books are also housed in my still rather nice bedroom.  So nearly my whole upper floor in my modest townhome is pretty much dedicated to my studio.  I even briefly considered working out a way to sleep under a longarm frame when I bought Fritz, but decided the sit down setup for him would be the better option.  😉

My grandson a couple or years ago at  E, Claire, my Berinina 350

I have really neat plans for 2018.  I have several quilts already started or close to being started, and I am writing a couple of books on art quilting and I hope Anita will be my beginner beta tester of the projects in the book once I get her started.  My daughter in law Beth, who is an advanced quilter with a fabulous studio, will be my advanced beta tester.  Additionally, I am working out a few workshops for local teaching, but I seldom really make any money to speak of on those because it takes so much time for me to get them pulled together.  Maybe eventually those will make money too.  I really do them to learn what people want to know and am putting that in my books.  So they are still valuable to me.

Sew maybe 2018 will be my year…I’ll go through a whole year without updating any software or buying any new machines, start selling more quilts, win more and better cash award ribbons, and finish my two books which will, of course, each be a major hit and sell, sell, sell.  Ha-ha-ha-ha,,,,,,,,In the meantime, however, I plan on continuing to thoroughly enjoy my fleet of machines and suite of drawing and design software and endeavor to rein in my desire to have the very latest machines, attachments, and software.  We just won’t mention “adjustments” to my stash of fabrics, threads, yarns, beads, and paints here.  But they are necessary, right?

Sew happy everyone.  I hope you have a play space you enjoy.

 

A Discussion About Wall Art Quilt Sizes

I make art quilts now primarily  to first show them and then sell them (or give them away).  I think that these two goals slightly conflict with each other.  I believe most people would find wall quilts wider than about 50 inches just simply too big for most homes or offices today.  Normally, smaller is better for sale items.  Shows, however, seem to not see it that way, and I kind of understand that, since when they are in the show the impact is increased by the size for the most part.  I have been quite surprised, however, when I have made a quilt that is around 50 inches wide, which seems fairly large at home in my studio, and then go to the show to see it in place where it seems really small hanging there.  Nevertheless, I think the sizes I end up with are right for the styles and may make them more possible to sell later.  So you see, I have a bit of an argument with myself about sizes.   Just so you can see, I usually size my quilts to fit within the American Quilting Society’s guidelines because, truly, they are the least flexible.  Here are next year’s categories with sizes.

Another consideration is the physical challenge of dealing with large quilts. The older and creakier I get the more difficult I find large bed-sized quilts to make, but it helps that I have a large table for my main machine (Bernina 830LE) and my sit-down longarm (Bernina Q20) with a large table.  So I really can work up to about 60 x 60 with no problems.  Currently, I am working on my Bayou quilt, which is 60 inches wide and 30 inches long.  The original art work I am working with is 30 x 15, so when I enlarged it to a size that would be a good show quilt, I had no choice other than 60 x 30 if I were to keep the aspect ratio the same and meet AQS specifications.  Why is that?  Well, I want to enter it into AQS Virginia Beach 2018.  As you can see, if it is any wider than 60 inches it moves to the large quilts category that has a minimum of 60 inches long.  If it is any narrower than 60 inches the length would becomes shorter than the required 30 inches.

Normally, I get the design worked out and decide how I am going to approach making it and then enlarge the design to a showable and saleable size.  I kind of aim at 40 to 50 inches wide, which is really a small quilt for most shows,  but it also is a nice size for most walls.  I might try making a few of the AQS Fiber Art wall quilt sizes this year (24 to 40 inches wide by 24 to 60 inches long).  As a matter of fact, most of my Ancient Manuscript series fit within this size, but as you see, not all their shows support this size.

And finally, some consideration must be given to the cost of fabric.  If I am making a quilt all in silks, I want to use high quality silk fabric and that is expensive.  So smaller is more affordable.

I would love to start a discussion about wall quilt sizes.  What sizes do you think are the best, in general, and do you think the shows should set their sizes by specified width and length groups or by either perimeter inches or square inches, which would allow an ancient manuscript that is 27 x 37 into the wall quilt categories that would not be allowed now?  Or maybe it doesn’t really matter to you, just so you can make your quilt like you want it.  What do you think are the ideal parameters for wall art quilts for home or office?

Canterbury Silk. This all-silk quilt is the first in my Ancient Manuscript inspired series. It is 35 x 44 inches.

Sew happy everyone.  Make yourself a beautiful piece of fabric art for your wall, or make them for gifts.  They make wonderful presents if you know they would fit in the lives of the people you give them to (give that some serious consideration before giving them a quilt).  Also, check out my quilts on my website (link at top of this blog).  I have revamped my site slightly so you can really see the quilts better.  The prices and sizes can also be found there.

 

New Design from an Artist Wizard

I think I’m a little nuts. I spotted a picture that I thought would make a fabulous quilt. It just seems magical and it’s by Joel Christopher Payne, a really wonderful artist.  So, since we have been FB friends for a while, I really just wanted to tell him how much I liked his piece and, unable to keep my trap shut about it, I mentioned how I thought it would make a great design inspiration for an art quilt. And, just curious, you see, I asked if he ever gave or sold permission to use his art in such a way.

He told me he had never considered the idea, and that he had a standard price for the rights to most of his work and mentioned what it was.  I told him that was probably appropriate, but my little micro-business could not manage that. Well, he then wanted to know what I would do with it, and I explained a little more and he asked for pictures of my work.  I provided a link to my website so he could see some.

In the end, he came substantially down on the price for the rights to his piece, since I was only going to use it one time for a quilt, and also, I think he was a little intrigued by the idea. He came down enough that I felt it would be well worth it, and so, I now have a new quilt project for an exciting piece.

Yesterday, he sent me the permission and a high-res jpg and I spent most of the day analyzing the colors and figuring out how I would approach this project. I made a little guide with the colors, using my various drawing softwares so I could hunt for the appropriate fabrics.

I had fun this afternoon pulling out fabrics from my stash and have found that I have what I believe to be all the right fabrics, colors, and even a rather large collection of wood-print fabrics (there is a fair amount of wood in the picture), which will require piecing and shading with inks or fabric crayons to make it work.

I just restocked my battings last week, and I even have a piece I can use for the backing. We all know my thread collection is taking over my fabric stash…so there you are.

Let the fun begin! (Sorry, I am not going to be able to share pictures until the project is complete). My goal is to complete it by June to enter it into AQS Virginia Beach 2018. I have two other show quilts in the works too. Exciting time in the old studio.

Sew happy everyone!  NEVER use someones art for your design inspiration that you don’t ask first.  Sometimes it works, sometimes you just have to walk away and find something else.  This is important.

Take care all of you folks caught in the horrible storm and floods.  My thoughts and prayers are with you.

Five Years as a Full Time Fabric Artist: Stash Changes

I’ve been making art quilts now on a serious basis for about 10 years and full time for five! 

It surprised me when I realized that.  While thinking about that and looking at my bulging and dripping over stash storage, I realize that my quilt needs have changed as I developed my styles over the past ten years.

So how has it changed?

I have enormously increased my thread stash over the years, and recently I jaw-droppingly won Superior Threads giveaway of 30 cones of all 30 colors of their new Microquilter 100 weight.  This is a thread I will use a lot and recognized when they introduced it that if it was as good as I expected that I would want a lot of it.  What a nice thing!  Thanks Superior! So I bought  new cone holder to accommodate that.  I store my smaller spools in the plastic drawers where I used to store more fabric.  I would have a hard time adding much thread into my stash now.  I am thankful for this stash and expect to use most of it over the next few years. I use a lot of thread in my wall art quilts.

I had originally stocked in a lot of Oriental fabric prints, story prints, and landscape prints in the strong reds, browns, and blues I really love.

I have increased those fabrics that are either solid or read solid, and I also have large quantity of blacks and whites, and I even have a lot of prepared for dye fabrics.  Truly, I could use bolts of blacks, whites, and solid dark blues.  I recently used up a bolt of black and had to buy some more.

I still love landscape fabrics, and have lots of plans for those.

I originally told myself I would never paint a quilt.  Sew how has it happened that paints, inks, and other fabric markers have grown into a big stash…not huge, but big?  He he he he.

Then there are crystals, beads, and sequins, which I use mostly on space and ancient manuscript quilts with a crystal or two on some of my others.  These are small and take little space, but I use them up rapidly when I make one deep space quilt.  I don’t buy a lot ahead because it is so expensive.  I do watch for big sales in bulk though.

I can’t seem to keep enough stabilizers and battings in stock, since I use them a lot and mostly buy them as I need them, so those spaces are about the same.

I plan on a little stash busting by making a quilt for my bed and maybe a couple of lap quilts for my home and a charity quilt or two from the parts of the stash I no longer anticipate using in professional art quilts.

I will be reducing my stashes throughout this year.  The last time I did this was about five years ago when I retired and started full time, and it held up well, but is once again in need of some attention.

I refuse to let myself add more storage, because I have plenty to keep enough fabrics, threads, and paints to last me the rest of my life! I must reduce what I have to make it all fit again and make room for the few things I need for specific projects that aren’t already there.  This will be an ongoing effort for the next several months, I think…maybe longer.

Sew I am well stocked for quilting and sewing, though I could use more cotton-silk Radiance and a few more neutrals.

With apologies to those of you who are interested, I will be late in my promise for part two of our stylized landscape project next steps.  I have to work through the background to get  pictures and maybe even videos and that is taking longer than I anticipated.  Nevertheless, I will get part two done in this month.

Sew how has your stash changed since you started this activity?  Do you need to reduce or add or both?  I would love to hear from you about this.

An Exhibit of My Quilts at G Street Fabrics

I am enjoying a new fabric adventure into the world of exhibiting of the body of my art quilting work at G Street Fabrics in Rockville, Maryland, which is a two-part exhibit.  The first part is in the Bernina section of the store.  The second part will start in mid-July and my quilts will be displayed throughout the store.  I believe this part will run for an additional two months and I am hoping to complete several new quilts for this part.  So in effect, my quilts will be on display from now through August.

Yesterday I took eight of my quilts over to the store for part one. This part includes all three of my Ancient Manuscript quilts, four of my Hoffman Challenge quilts that demonstrate my growth as a quilter from 2008 to 2013, and Dad’s House Plan from 2013.  I had such a good time while I was there and am very excited about this two-part exhibit.  I am honored that G Street Fabrics wants to do this exhibit for me.

In June, I will be teaching a three hour workshop on quilting there at G Street…primarily free motion quilting but I am also going to briefly talk about quilting with a walking foot. Sometime while my quilts are there I will be providing a walking lecture around the store to talk about my quilts and related things in the store.

G Street is a wonderful store.  It is getting better all the time after it clearly moved to save itself from failing.  It closed two stores in Virginia to my chagrin and moved from it’s old Rockville location to its new one.  The new store is less showy and slightly smaller than the old Rockville one, but I looked over it yesterday and found it has a fine selection of fabrics and notions and seemed busy again.  It also has a kind of interesting atmosphere similar to some fabric stores I encountered in New York years ago…not flashy, but full of wonderful things for the sewist, quilter, and fabric artists of all kinds.  The Bernina section is in a setting like its own store, and it has a wonderful set of classrooms for teaching.  They have a Bernina Q24 longarm set up in the store that is available for in-store rental of time on the longarm.  And Lew is the best Bernina tech I have ever encountered over my many years of sewing on Berninas.  I encourage you to go pay it a visit if you are ever in the area, or even make a trip there if you are close enough.  You can even order from them online.

Sew happy everyone!  I hope you can make it to G Street and see my exhibits.   I better get to work…I have several new quilts in the works for the second part of the exhibit!

On MAQF, Antiques, and Tutorials

MAQF

I just came home all inspired by a delightful few days at Mid Atlantic Quilt Festival where I had “Pendragon”.  I put together some of my pictures from the show.  Here is a link to the picture file:  Smugmug/MAQF 17

I stayed a day longer than I usually do for this show and it gave me lots of time to see every quilt, take all four lectures I was interested in and see the Show and Tell that I usually miss.  I also did a lot of shopping.  Well, afterall, my 70th birthday will be this coming Friday on March 3rd, so I gave myself some presents…threads, new rulers (a set of circles and a set of ovals), and one of those spinning cutting mats among a few additional small items.

The loot from the show

Pendragon did not place, but I believe it to be mostly because the theme of the show was modern quilting and that quilt has nothing to say that is even remotely modern quiltish.  I still believe it is a ribbon worthy quilt, so we will see what it does in the future. I decided to see if they would include it anyway because I sort of consider MAQF my main show.  It is within driving distance and I have relatives in the area, so going there is always a treat for me.  I did get some nice comments from the judges:

Your original design effective in telling your story; Embroidery well executed; Piecing well done; Quilting motifs compliments the design; Quilt hangs flat and square; Back of quilt should be free of loose threads and lint” (note:  I sticky rolled it and examined it with my big magnifying lamp when I packed it…lint may have happened on their end.  That backing fabric I used was a little lint grabbing…not using that again).

Pendragon
34 x 45

A New Page Is Turned

Now, however, I am turning a page on my work.  From here I am focusing on the quilt work itself, and on figuring out how to pass on what I have learned even as I maintain my studio artist status (not a lot of travel, a little teaching within driving distance, writing books and creating tutorials), rather than so much focus on the competition work. I will still enter shows, and still plan on making show quilts (they teach me a lot and give me a chance to stretch my work), but it’s an attitude and work flow adjustment in my studio that is on this nice new page in my life.   You can see more about this in one of my past blogposts here.

On Antiques

There are lots of definitions of “antique”.  The one I like the best for this discussion is “an object such as … a work of art that has a high value because of its considerable age.”    Tomorrow (Friday, March 3rd), I will be 70 years old.  I am a work (in progress) maybe even a “work of art” and have considerable age. I think every human being has high value…so there you are.  I could probably be called “an antique” fabric artist.  I feel physically great (have also lost some weight recently and hope to lose more) and I believe I am as mentally alert as ever (always a little daphy).  Many of my ancestors lived well into their hundreds.  I have a wonderful plan for my future and my kids are nearby.  My studio is well stocked, and my fleet of machines is wonderful and in good working order.  I’m excited about the future.  Thank the good Lord and I hope you will continue to join me on my quilting journey.

On Tutorials

One of the things I am going to begin on this blog post is a regular short tutorial (every week or month?).  This week’s tutorial is answering a question I got a lot at the show…how I made the chain mail on my characters in Pendragon using Bernina v7.  I haven’t yet gotten v8, but I suspect this would work there also.

Digitizing Chain Mail for Small Applique (Or using special fills to create what you want)

I wanted to make the characters’ chain mail shirts look right, and decided the best approach was to digitize the chain mail in my Bernina v7 software and embroider it in the hoop.  This took me a while to discover how to do it.  I think I spent two or three days on figuring this out, but I just did a chain mail heart shape and took snap pictures for this tutorial all in about three minutes.  So I thought I’d share this with you in case you wanted to create something special with interesting fills and shapes.  Using Bernina v7 software:

  • Draw a closed shape…you can put the picture in the art canvas side and trace it on the embroidery side
  • Right click on the object and bring up the Object Properties dialogue box.

    Draw shape and in object properties box make these selections (sorry the text box got cut off, but that’s what is said more or less).

 

    These are the selections I made..sizes will depend on your own project size and requires a little experimentation to get it right.

 

  • I had to turn my shirts upside down and move them around to get the wave fill to match where the parts of the wave needed to be to show the expansion and contraction of the chain…like a shirt on a beautifully muscled knight. 😀  I also gave each shirt their own color to help me figure out which belonged where when complete.  I embroidered them all in Superior Fantastico 5169..a silvery variegated gray on black fabric.  I cut them out close to the embroidery and glued them on with Roxanne basting glue and blanket stitched the edges in the same thread to give them a finish.

So there you are.  I can see this method working for a wide variety of appliques and purposes.  The software is so flexible, but finding out how to do something you want to do that is a little different can take time.

Finished chain mail in place

On Upcoming Events:

  • For the month of May and a couple of weeks into June, G Street Fabrics in Rockville, Maryland, is hosting an exhibit of my quilts.  I will have one day where I will provide a walking lecture tour of my approximately 15 quilts that will be placed around the store.  I’ll let you know when that is.
  • In June, I will be providing a workshop on machine quilting at G Street.
  • My quilt “Drawing Nigh” will be at AQS in Lancaster, PA, March 20-April 1.  If you attend and see my quilt, let me know.

Sew happy everyone.  Focus on your creative projects to have the most fun, put in your best effort, learn a little bit, and share, and don’t let it stress you out.  I would really appreciate comments.