Looking Forward to Some Sewing and Quilting

Hi y’all.  I have pretty much figured out the video making puzzle and have all the things lined up for that, and now I need to do some additional work on the fabric art projects I am planning to use for my videos before I can start this up.

So, with a lot of happiness, I decided I will spend the whole next week at least just “working” on fabric art.  I will be taking progress photos and probably small snatches of videos as I do this, of course, but mostly I will be playing in my studio with fabrics and threads.  I’m so glad I don’t have a deadline!

The question is, what am I going to work on now?  Well, I have the wool applique by machine project and I also want to start up one of my many planned items I already designed in the free motion/quilting arena.  It should be fun and I hope very soon to share the fun with you in my planned videos on YouTube.

One of the things I have found really fun while I was working on the video equipment was to watch old Sewing with Nancy shows.  I think I have found nearly all of them now to watch on my tv or computer monitor.  Pfaff has put her original older ones on YouTube where she used Pfaff machines (search for Pfaff Talk and you will probably see it there).  They nicely bunched all the parts of a subject into one longer video, which is nice. In searching for “Sewing with Nancy” on my Roku, I also found I could place a PBS link on my Roku that has the Wisconsin PBS collection of her shows they have.  They are organized by season going back to about the time she switched away from Pfaff to the BabyLock that her company owned.  I believe that almost covers her entire production, though there may be more.  There is a huge wealth of great shows between these two sources and I have been having a lot of fun having that on while I worked.  She was an amazing woman who gave us sewists a lot.  I miss her though I only met her briefly once at a quilt show.

Sew I am taking a full break today.  I sold one of my two cars yesterday to one of those companies that buys cars, because we were having trouble keeping the battery charged and running since we used it so little.  They gave me a fairly good deal on it.  Both my son and I work from home and we simply don’t need more than one car between us.

That was an almost surreal adventure.  I found I had a flat tire when I got there. It drove fine all the way there except I had noticed a little bumpiness at one point that I chalked up to the road. David was driving the car I sold, and on the way the EZPass in that car decided it was time for the battery to quit working and he had to stop and pay the toll with a credit card, and then I got there and realized I had left my wallet behind!  I never do that.  But I had put it down to grab my mask and forgot to pick it back up.  So we got the AAA to come and fix the tire, which apparently is not damaged in any way, and we discovered the other car had a low tire too!  Odd, don’t you think?  Suspicious?  He pumped up that tire too, which also did not appear to be damaged and David drove me back to pick up my wallet and we went back and completed the sale.  It was trying and tiring, but we came home all safe and sound.

Sew after a tough week that also included having my dishwasher die and getting a new one installed on Wednesday, as well as the real work of figuring out all that video equipment, and then to be topped off with the difficult day yesterday, I decided to just goof off today and pick up again tomorrow after church (I watch our church service online, even singing the songs, giving the responses aloud, and so forth. That helps make it more real).

Despite it all, this difficult week ends up with a nice new dishwasher, a check for the car, and my video equipment and methods figured out and ready to use with charged batteries and downloaded manuals on how to use the equipment, and I even made progress on learning the editing software.  Thank the Lord!

Sew happy everyone!  I’m really ready for some time playing with fabric and threads.  How about you?

 

 

Preparing to Make Videos in a Tangle of Cables and Technology

Sew I have spent the whole last week working toward getting set up for VLOG’s that I plan to periodically publish on YouTube. I thought in the beginning I would be able to do the setup in a couple of days at most, but there were so many things my test videos revealed that needed attention…placement of the cameras, sound quality of the recordings, doing the demonstration of the sewing around the cameras, poor skill of the presenter (me).  I have finally managed to get a setup of two of my three cameras at my Bernina 880 plus and an additional setup at my Q20 so that you can see me fairly well, and it doesn’t emphasize my age too very much like my first try did.  I got the front camera placed so you can see the stitching going on relatively well and it doesn’t get so much in my way so I can’t really work.  For instance, it doesn’t get in the way of threading my machine like one of my tries did.  I think that front camera will also be a little adjustable so if you need to see the screen and buttons on the machine that will be possible. The third camera will be placed on an overhead gadget my son Ken put together for me.  That has to be installed first though.

Through a little YouTube research on the camera gear, I finally figured out I was missing a small piece of equipment that is designed to improve the sound quality between the camera and the microphone.  I ordered that from Amazon and it will presumably arrive early next week.

Besides getting the equipment set up, I realized I need to do considerable practice for my videos to flow nicely and be enjoyable.  I am not a natural presenter, so I have to work at that a bit. I am also working on getting my video editing with multiple cameras up to par. So I am guessing it will be another couple of weeks before I start publishing videos on YouTube, but I am thinking I have made a lot of progress so far.

In the meantime, I am working on my book and downloadable handouts to accompany some of these videos.  I kind of wish, in a way, that I could just drop all of this and go make a fun piece of fabric art.  But I think once I get it all set up I CAN go make a fun piece of fabric art and include my quilty friends that are interested in the process with my videos.

I am still very excited about my wool applique by machine overall project that inspired all of this in the first place.  I so far have five skill-building pieces outlined and some are completely written in my book manuscript.  I need to make the samples for that.   After that, I am planning on additional books encapslating some of my somewhat unique techniques that draw heavily on machine work.  So this is just the necessary not-so-fun part right now and I’ll get over that hump shortly.

I really admire those of my friends who so successfully create their teaching videos with seeming speed and grace.  My process is much more bumpy and slow.  LOL

Sew happy everyone! Have fun in your studios this week.  I love watching a lot of my quilty friends videos.  They help keep me cheerful.  Cheers.

Sizzling Hot in the Studio

We certainly are having a heat wave! My studio Fritz is the warmest room in my home.  This is where my longarm sitdown Bernina Q20 and my computer setup lives. I also have Studio Gibbs, where I store my fabrics and where my Bernina 880 Plus lives, and there is little Studio Betsy, where my little Bernina 350 and my old Baby Lock Serger lives in one part of my bedroom.  These rooms are all on the top floor of my home. It’s over 100 outside, supposedly it feels like 117 here in Ashburn, Virginia, right now and is very humid. Our AC is good, but is struggling to keep up for the upper floor.

So I am working down in my main level on my laptop writing this blog and doing some planning for some videos for YouTube I hope to make. I finally have gathered all the cameras, software, and so forth I need for that and am currently getting it all setup and figuring out how to run it all.

  • I now have three cameras and several tripods and clamp-on holders.
  • My son Ken gave me two of the cameras and a gadget he made with a remote that attaches to the wall so I can focus one camera over my island where I cut, do some paint/dying, and can even set up some ironing.  That will allow me to show a lot of things flat from above.  I still have to install that on the wall, but that should be easy and I will probably get that done tomorrow.
  • I will be able to use two cameras surrounding wherever I am working, which is always a great help when you are trying to show techniques involving sewing.
  • I have a nice video editor from Corel that I have been studying how to use and trying to set up some templates for the videos. This allows me to use multiple cameras in a single video.
  • I also now have a webcam, a clip on microphone, and  even some stuff I haven’t yet figured out that Ken gave me. hahahaha  I think some of it assembles into a device that I can hang a background or a green screen on.

I guess when you ask a tech-oriented family to help you get setup for videos, they think well beyond your own simple thoughts into a reasonably professional production set for the self producer.  LOL.  I may need some help doing some of the videos, but I think I will be able to do most of them alone once all is set up.  I’m hoping to get this all done this week, but we’ll see.

It is a great blessing, and I am thrilled, but it is taking me some time to figure it all out.  I figure I need to do some plans…not really a script but maybe some talking point and gather the pieces for the projects and other videos I will be showing.  I’ve been planning this for several years and am finally getting it all put together.

So in the late afternoons when it is too hot upstairs I will work on scripts or guides or whatever they should be called.

That’s probably more than you ever wanted to know about my production setup, but at least I have it all recorded so I can possibly figure out what I’m doing…hahaha.

My plan is to produce videos, books, and downloadables for intermediate to somewhat advanced people interested in advancing their fabric art/quilted art.  After doing some research there appears to be a plethora of these informative things for beginners, but a bit of a gap for the intermediate and above people.

I will be presenting what I have learned over the past sixty years of sewing and sixteen years of quilting (overlapping), while acknowledging there are many ways of doing things but these are the techniques I like.  I feel compelled to share this before I age out to the point I can’t.  Some of it will be free, and some will be for sale at reasonable prices.  I hope to get this fully launched at least by September, and there will probably be a few videos within a few weeks.

These are the main categories I am planning on addressing:

  1. Working with a sitdown longarm…quilting, free motion thread work, couching, and a few specifics for the Bernina Q20.
  2. Using high end sewing machines with all those wonderful things they open up to the fabric artist, going beyond the obvious.
  3. What you can do in-the-hoop embroidery and more on the Bernina software V8 to go along with my book I already have published.
  4. Projects that use multi media techniques and/or take advantage of a studio that has both a high-end 9 mm sewing machine and a sit down longarm and even occassionally includes a little 5 mm sewing machine.
  5. I am hoping to develop workbooks, project books, and patterns for sale to go with some of this. I’ve been working on these this past year but I still have a ways to go,

So there you are.  I will not be teaching out of my home for some time, so I thought it was really time to push forward with this plan that has been in my thoughts for years.

Sew happy everyone! Let me know if you have a particular technique or some such you wish you could learn more about.  Maybe I can work it in.  Stay happy everyone…go do some sewing or drawing or reading or watching of videos or just chilling. Cheers.

 

Fine Tuning Quilted Art Projects: Thread Decisions

I don’t know about you, but my thread stash has grown to equal or beyond my fabric stash over the past few years.   I think this is caused by my many ideas for quilted art.  I have learned that the different weights and types of threads can make a huge difference in the success of the finished project.  Additionally, a lot of my quilted art projects have a lot of thread art that livens them up.

Sew I am currently trying hard to finish up the quilt I am making in my Mom’s memory using those beautiful 10 inch crocheted lace blocks as the center.  I just changed threads from a beautiful blue Superior 40 weight Magnifico, which is a polyester thread with a lovely sheen that matches my border fabric, to a Superior monopoly, which I truly have a very hard time seeing.  I am using Monopoly in the central pentagon where the five chrocheted blocks are.

This small quilt sampler has seven different thread types.

Now my Bernina machines sew well with this thread, but it took me a while to learn how to get that to happen.  After much trying and crying, I finally found that it works best with an 80/14 Universal needle.  If I use the top stitch needles I normally use for quilting, the needle will eventually “step on” the thread and break it.  It also requires the significant lowering of the upper thread tension and I use it with a 60 weight polyester bobbin thread (Superior Bottom Line). This thread is a very lively thread and requires threading to control it as much as possible.  I use the thread paths that cross the little pad with the pink silicone liquid, otherwise known as the thread lubrication unit.  This also adds a little tension to the top thread, and requires and additional little bit of tension lowering, but it holds it in the thread path really well and I am able to use it with hardly a bother.  I do this for both my Bernina 880 plus and my sitdown longarm Bernina Q20.

thread lubrication path on my Bernina Q20.

Thread Lubrication Unit on my Bernina 880 plus.

Thread lubrication path on another Bernina. They look a little different for each of the Bernina machines that has one.

For my little B350, my travel machine, it doesn’t seem to need as much control, but the thread path isn’t as long, and I figure that is why.   Happily these adjustments also work well with any 100 weight thread I use (I use both polyester and silk for various things).

My Bernina B350 named Edith Claire (E.Claire) after Edith Head. Even for this more simple machine, I do samplers before beginning to stitch a project. Circles make nice samples.

Deciding what threads to use on a project requires, once again, some testing and practice.  This is one of the big reasons I always make a practice quilted piece before I actually begin my main project.  The questions to ask that can only be answered with a little testing include:

  1. Do I want the stitching to take a front place in the overall design?  If so, use a heavier contrasting thread, even if the contrast is only one or two steps away from the fabric.  If not, use a lighter thread that matches as closely as possible the fabric, or even use a monopoly if I am stitching over a variety of fabrics in a small area (or, in this case, over hand crocheted lace).
  2. Is the stitching going to hide down in the seam or along the edge of an applique in stitch-in-the-ditch.  Or is the stitching echoing along the edge to highlight the applique or some element in the fabric, for instance.  Sometimes, like a halo, I might want the thread to be slightly or even strongly contrasting for this purpose.  The only way to tell is give it a try.
  3. What type of fabric is the stitching going on?
    • Right now, I am planning a substantial wool applique project that will include the writing of a large chapter in a book (or breaking into its own book), and will result in several samplers, the book project, and a separate show quilt.  This project requires decorative threads.  I am planning to use a variety of threads…primarily 12 weight wool/acrylic blend thread by Aurifil with a 50 weight cotton in the bobbin for most of the stitching at default tension settings with a longer stitch length, but also 40 weight Magnifico and Isacord embroidery threads, and metallic threads for some places.  These are all hopefully going to enhance and showcase the project.
    • For most of my cotton quilted projects I use the combination of 100 weight threads to sink into the background, and 40 weight embroidery threads to show the stitching.  But sometimes, I need additional types for a special thing.  I sometimes use 12 weight cotton thread by Sulky, which I have found runs smoother through the 100 weight top stitch needle with less mess on the back than other brands.  I tried a lot of brands before I settled on this one.  I have a lot of Superior 12 weight cottons that I sometimes use, but only my Bernina 880 plus and my little B350 seem to be ok with that.  My Q20 makes knots on the back with it no matter how I set the tensions and so forth. It might be the way I stitch.  Who knows.  Anyway, I usually use the Bottom Line with that in the bobbin and set the top tension just a little looser than normal to accommodate the width of the thread passing through the tension discs.

So you see, there are lots of considerations that make the thread choices successful.  Batting types and fabric densities, and yes, even the weather have an impact on these decisions.  That is why one really does need to make a small test piece, using the same fabrics, battings, needles, and so forth to practice on before stitching on your main project.  I write them down in my book I keep on projects, so I can return to these settings when needed.  It is truly helpful.  Also, be patient with the thread changes if you are stitching your masterpiece quilted art project especially.  They make a big difference.

Drawing Nigh, completed 4/17/2016. This quilt had 32 thread changes in the sky alone.

Sew happy everyone!  Stay healthy and have some fun in your studio while we are all still under house arrest quarentine.  And even after we are able to get out and move around, I hope you don’t abandon your studio.  Hugs!

 

Planning the Day

I retired on January 1st of 2012 to become a full time fabric artist.  When I think about it, it is a surprise to me that is 8 years plus a few months! During this time I have developed a loosely professional approach to ordering my day and I have found it really makes me feel right about the day.  I guess it is because I spent decades working in sometimes pretty intense situations in my work life and got kind of use to having to put order in the day by necessity.

Now, even though I am home-based in my studio for work, I still like to take a professional approach to the day, and if you are sheltering in place at home you may find this really helpful.  So I start like I am planning to go to work at my former job, only I have a little more relaxing time about it, and my wardrobe is more casual (all happy things).   Here’s the list I give myself.

  1. Make my bed
  2. Get dressed
  3. Read my email and make a plan for the day…a to do list if you will…which I may or may not write down, but I thoughtfully think it through.
  4. Have breakfast
  5. Clean the kitchen
  6. Go to “work”.  I put it in quotes because it is so much fun for me to work in my studio working with with fabrics and threads, or designing my next project.  Remember that work can and should include some educational activities (like TQS offers and Bluprint or Iquilt) sometime during the week.
  7. Listen to podcasts, music, and audio books as I work.
  8. Keep to a (loose) schedule and actually have a “quitting time”, a day for chores (cleaning, bill paying, shopping), a day or a couple of half days I don’t “work” and just chill out.  Sometimes I chill out in my studio though because I love this fabric art thing so much.  Try hard to stick to this schedule.
  9. Eat well
  10. Try to get some exercise every day, even if it is just stretching or walking around in my house.
  11. Enjoy a relaxed evening during and after dinner (I might do some handwork here and watch a movie with my son).
  12. Get a good night’s sleep, but don’t set an alarm (that’s partly the fun of being home-based) unless I find I am way over sleeping more than one day a week

These may seem fundamental to many of you, and a lot of you would have a different list, but I know from watching myself and my youngest son, who is a writer and also a home-based self employed person) that it is easy to get sloppy about things and before I know it my production and self esteem suffer.  This helps me to stay away from that.

Sew happy everyone!  I hope I don’t sound preachy here, but I thought you may find thinking about this helpful in this stuck at home by yourself, especially if you are new to it.  Personally, I love working in my studio most all the time so that the only thing I miss is a few social activities, but I am somewhat making up for that with Facebook and YouTube videos.  There are lots of fun things out there for that…The Quilt Show, Pat Sloan videos…look around on the Internet.  I’m sure you’ll find some you really like.  And stay mostly away from the news so you don’t get all scared or depressed.  Just check briefly now and again or online.  That’s all from grandma BJ here.  LOL

Here We Are in 2020! Merry 12th Night of Christmas!

Sampler practice piece.

Hi everyone!  Merry 12th night of Christmas (today January 5th 2020)!

Sew I will be leaving for California two weeks from today to visit my brother and his family and go to Road to California show with my brother Pat and sister in law Carol.  I would appreciate your prayers for an easy, safe trip! They have gone to R2CA twice before when I had quilts in the show.  I have a quilt in this show too…The Wizards’ Duel.  It looks a little different from this picture (I must get a new photo made).  I took the judge’s comments from Mid Atlantic Quilt Festival 2018 to heart and fixed the lower left mountainous rocks and added additional quilting and painting to the entire rocky area.  Then I sent it to Pennsylvania National Quilt Festival in Oak, PA and won a blue ribbon for Best Interpretation of Theme.  So I am hopeful I get some kind of ribbon at R2CA this year.  We will be there Wednesday night the 22nd, all day that Thursday, and a little bit that Friday morning.  I hope to see some of you there!

Wizards’ Duel before I improved the rocky area.

If you saw my last blog post you know I have lots of plans for this year, so I won’t relist that.  I know I have listed more quilts than I can possibly make, but then I can choose the ones I feel like making and put the others on the shelf for later.

By the way, if you got a Bernina v8 software for Christmas or some such, remember I have a book with skill-building projects to help you learn to really enjoy that software, Twelve Skill-Building Projects for V8.

Carrying on the skill-building theme, I am writing a skill building book on fabric embellishment, and another skill-building projects on various quilting styles good for art quilts.  I hope to get these two books published this year!  They require samples when I don’t already have one.  I like “skill-building” because it is not trying to tell you every little thing, but provide projects that will enable new or improved skills for your own fabric art.  I also am planning on making lots of new videos for my YouTube channel, but not until I get back home.

Sew happy everyone!  I hope you manage to get to at least one quilt show this year.  If you can’t get to one you really want to there are usually a lot of interesting YouTube videos about some of the shows.  I will take my cameras with me, but not sure what I will get done with that since I will be there with family.

Problem Solving Tools in the Studio 1: Needles

The other day I was having trouble with a metallic thread I was using breaking periodically.  It sewed beautifully for a bit and then broke.  I rethreaded and it did it again.  I was using a Superior 90/14 titanium top stitch needle, which is the one I use the most and which handles 40 weight embroidery threads extreamly well.  The metallic thread was about a 40 weight.  I finally decided to change the needle for a Klasse needle that I happened to have on hand that is designed for metallic threads.  It sewed so well I managed to finish my project without another thread break.

I have had the same good results when sewing with monopoly threads when I use a 70 universal needle rather than a top stitch needle I was using.  I think the needles kind of “step on” these specialy threads and the slight rounded needle point just slides by the thread rather than break.

Sew as I am getting to know my new Bernina 880 plus, Odette, I have been planning new projects and testing various techniques for them.  This process has highlighted to me a happy thought that I have greatly enlarged my understanding of sewing, quilting, and problem solving in the studio since I retired from my government job to be a full-time fabric artist.

As well as using the right needle helps to solve thread problems, so does the little things like using a net when sewing from a cone of thread.  The net keeps the thread from “pooling” at the bottom of the cone which will cause uneven feeding through the thread track and produce some tension problems.

I know that many of my readers already have a full understanding of the use of various types of needles. In the past, even though I really kind of knew what should be used,  I did not take full advantage of the substantial differences using the proper needles can make.  I used to just put in a universal 80/12 and use it for almost everything, changing only for specialty sewing.  After I retired to my studio career, I decided to pay more attention to the needle I used.  I found to my delight that it solved some of the stitching struggles I used to just power through.

Today I keep on hand an array of needle types and use them appropriately, often changing the needle several times during one project.  For the most part, I use Superior titanium needles, which I believe to be the best on the market.  However, I do also think Organ, Schmetz, Bernina, and Klasse needles are excellent brands.

The needle companies are doing many new things with needles now, like special needles to reduce stickiness when you are sewing through layers of fusibles, for instance.

Several of the brands have guidelines on their websites for their different needles.  Here are some helpful links with a wealth of information on needles and their uses:

Side note: I get quality needles and don’t always use them up as I change them, so the first thing I had to do when deciding to change needle types for different threads, was to come up with a way to keep these needles for future use.  I have two things that I do this with.  One is a big red tomato pin cushion that I have marked around it which type of needle is in which section.  I keep this by my big Bernina Q20 sitdown longarm.  It uses domestic machine needles, which I like.  The other method for keeping track of these partially used machine needles  is my needle book I made several years ago that I have marked areas for different needles on the flannel pages in the book.  I keep this with me for use wherever I need them.  I even take it with me when I go to workshops, retreats, or downstairs when I need to do hand sewing.  Also, I try to keep a record of what needle is in the machine.  Odette has a useful built in program for doing this, but neither my little B 350 nor my Q20 have this.  So I keep a notebook close by  for that and other reminders along the way.

Sew if you are having problems with your thread breaking, splitting, or not stitching with an even tension, it might just be your needle.  If you think your machine “doesn’t like” a particular thread, it might really just need a different needle type or size.

 

 

 

 

 

Satin Sampler

OK.  I have been working out a satin sampler to test markers, techniques, threads, paints, and background designs for several projects, one being my Mom’s memory quilt.  The cool thing about this is that I am making it with polyester crepe back satin.  It has a lovely beefy hand and I wanted to test it for future projects.  Why?  Partly because I can get a 58 inch wide piece for about $5 per yard for a lighter hand up to $8 a yard for a heavy satin instead of the $17 to $40 a yard for 43″ wide fabric, and partly because there are some wonderful colors available in the polyester that don’t run when washed.  I am using the heavy polyester crepe back satin for this sampler.  I will be making it into a pillow top for my bedroom since I can tell I will like it when finished.

Sew I have layered it with a cotton backing, and a double bat of Quilter’s Dream 80/20 select loft on bottom and Quilter’s Dream wool on top.  I marked it with a heat-away gel pen (see my blog on marker testing for this satin) that I do not recommend unless you are prepared to go through a removal process that requires much effort and time.  This ink returns when frozen (such as in the airplane when you check your luggage or ship it someplace). Also, my marker testing is incomplete, because I want to finish the sampler, freeze it, and completely test the removal process again on this sandwiched piece. I am quilting it with 40 weight Superior Magnifico and, where needed, 100 weight microquilter.

I painted this sampler with a combination of Setacolor and Jacquard Lumier fabric paints in order to get the colors I wanted.  Their steadfastness will also be tested in the freezing/washing test.

Here is a little look at my work on this little sampler thus far.  I am really having fun with this.  While most of the stitch work has been on my Bernina Q20 sitdown longarm, some very small amount was done on my new B 880 Plus machine, just to see how it quilts.  LOL

 

 

So my conclusion about good quality polyester crepe back satin as a quilting fabric…it works, it’s beautiful, and it both paints and quilts well.  I do back it with a very light weight pellon fusible to make it behave well.

* * * * * * *

Something I didn’t tell you all earlier is that just after I got Odette all sorted out with a new machine from Bernina because the first one seemed to have a serious problem, I made a mistake in threading it and got a huge glob of thread nest in it that I could not remove myself.  So I had to take it in to the dealer to get it fixed.  It made me weep. I was really gloomy when I found that Lew, the magical tech guy, was out for two weeks and so I had to wait.  He fixed it almost imediately when he got back and I got it safely home on Tuesday and have done considerable sewing and embroidery on it since then.  It is clearly a wonderful machine.  It was my mistake, and I have since figured out what I did wrong (with Lew’s suggestions).  I didn’t want to whine again or have people tell me I was wrong to buy it in the first place because their prefered brand works so much better they think.

Anyway, that meant that I was without my main sewing machine for nearly three months with the exception of a day or two twice!!!  So I did a lot of sewing on my little Bernina 350 and a lot of free motion work on my Q20, and a lot of non-machine prep work for future projects, and stacked up quite a bit of work for the new machine.  I will, therefore, be missing a few deadlines I had tentatively planned on.

I have begun attacking the stack of work and have been having a huge amount of fun and the icy fear of further machine problems has begun to melt away over the past week.  In addition to some “regular” sewing, I did some in-the-hoop embroidery last week that came out so perfect and beautiful that I was nearly weeping again, this time in joy.  You should know that I seldom cry for anything much, and am known as a “tough old bird” as one of my former colleagues told me.  But this machine saga seems to have loosened a few tears from me.

Sew happy everyone!  May your stitches be beautiful and your machines play well with you for many years.  Hugs to you all!

 

Fall Is In the Air

Color Swirl by Kevin Tatum (my grandson) using Corel Painter.

Ever since I was in High School, which was a long long time ago, I have gotten excited when I started thinking about fall and winter sewing and quilting.  This year is no exception.  In fact, having just reorganized my fabric, thread, paint, and notions stashes, and purchased a new Bernina 880 Plus, I am more excited than usual about the projects I have before me this year.

One of the things I always like about going through my studio to sort things out is finding pieces of fabric I had forgotten about or had at least pushed to the back of my to do list.  This is for both clothes and quilts.

When I cleared up my studio this year, I also went through my clothing patterns, pruning out about 75 percent of my old patterns and keeping only those that seem right for me now.  The remaining patterns and fabrics for clothes on hand are inspiring me  to think about making some new clothes. My wardrobe really needs an update too.

When I bought my new machine, I got it at a time when they were providing a gift that includes new feet, some machine luggage, additional embroidery motifs for use in the hoop and a variety of other neat things.  I was able to exchange some of the feet that duplicated those I already had for some new ones.  So now I have a lot of feet that are inspiring ideas for using interesting techniques.

Remember when I talk about all  the things I have found in my studio, I have been sewing since I was five years old and I am 72. I retired in 2012 to be a full time fabric artist.  So some of the things have been hiding for a while from me in some of the closets, in boxes under my bed, and even in plain sight…LOL.  I feel very blessed.  Because of all the things I recently rediscovered stashed away I don’t have to buy anything new for most of the projects I want to make.  I did restock some threads and paints that I anticipate needing.  So I have resolved to myself that for the next year I will attempt to do m work without new stuff.  Now I want to make:

  • a new bag, in leather (I now have feet for use with leather and vinyl and some leather).
  • a new suit, in black denim (I have a stash that includes a fair amount of denim) with embroidery
  • a blue denim jacket
  • a new dress suit in wool with a silk top to go with it
  • a new jacket in raw silk, maybe 2 since I have 2 nice pieces
  • several new tops and use some heirloom techniques  (I have a nice collection of feet to use for this now) and embroider some of them.
  • I also want to make several new show and utility quilts.

It is fairly certain that  I won’t get all of this done this year, but it’s nice to have them on the list to pick from as I do have time.

Clearly I have an exciting and busy time ahead that will last well beyond fall and winter, and I have already started.  I will have to plan my days in order to fit other important things into my life.  I’m excited!  I’m sure the nicely rearrangement of my studio, and my wonderful fleet of machines will help me accomplish a great deal of these projects though.  So I won’t have to buy any new clothes for fall through spring either. I don’t have much in the way of summer fabrics, unless I use my quilting cottons.  LOL

Oh, and last year I made a new dressy overcoat with a “fur” collar using some of the fabrics on hand.  It’s warm and cosy.  So I really do complete a lot of these dream projects.

Messy work table with coat pieces


Progress Report on My Mom’s Memory Quilt

I have made a good start on my Mom’s memory quilt, which is going to also be a show quilt, but I have a long ways to go on it.  It has a large pentagon in the middle of it on which I am appliqueing her needle work.  The pentagon fabric is a lovely medium blue dupioni that sets off the beauty of her crocheted lace.  It’s a pentagon because I thought I only had five of the ten inch squares I found in her work basket, but during the reorganization I found a sixth square.  It’s a slightly different shade of crochet thread, though, so I will find something neat to do with that one.  The color difference is probably why it was in a separate  place.  There are  some more crocheted items, but they don’t work with this quilt.

I had no idea how difficult it would be to make a perfect pentagon that has 21 inch sides.  It was a challenge.  A good friend of mine sent me a Corel Draw pattern for one to print in tiled sheets and taped together.  I thought that it would then be easy to get it right, but putting the tiles together that way gave many opportunities for slight variations in the shape.  I had to try it several times until I got it right, but finally succeeded when I started using a lot of rulers to help.

So yesterday I cut out the freezer paper pentagon, cut out the fabric, and then glue basted the edges down.  I checked the edges for straightness and measurements.  It’s very good.  the sixteenth of an inch off I had on the paper pattern disappeared as I worked the fabric from it.  I love how it looks.  I placed the crocheted pieces around  it in a way that forms a star in the middle, just laying them down to see how it looked for now.  (No pictures until its debut show, whatever that will be).

It is in many ways a gift to my Mom. It would be so much fun if she were still here to show it to her, but I am having a lovely time making it while thinking about all the great things she taught me and the lovely things she made herself. She did not quilt, but she was a real expert seamstress.  She has been gone now  twenty years, but sometimes I think she is nearby.

Sew happy everyone!  What are your planned projects for this fall and winter?

 

 

 

Embellish This!

So yesterday I got the printed fabric I ordered from Fabric on Demand with my little 15″ x 15″ panels I designed for my fall class on embellishing techniques primarily by machine.  It came out wonderfully, and I have already washed and dried it so I know it won’t run or shrink.

Sew I can play with embellishing one or two of them to make the sampler and save the rest for the class.  I am thinking these would make perfect tops for decorative pillows.

This made me realize how much fun it is to use the different feet and techniques we now have for decorating our fabric art projects and I am really looking forward to decorating these.

Sew I had a crazy idea I would love your opinions on.  I am thinking I might design some more of these and publish a short book on how to accomplish the various techniques.  Then I could sell the “Embellish This” squares from my website so those who bought my book, which will be sold on Amazon, could buy them and embellish decorative pillow tops or sides of bags, or some such. I will aim to get these ready by October so people could have time to make pillows or tote bags or anything they could think of for using them to give as presents.  Oh it would be so much fun.  What do you think?

Sew happy everyone!  Remember to take out your machine feet, read your manual, look at YouTube and sling that bling around!