Exciting New Beginnings

So I’m excited.  Bernina came through and replaced the original Bernina 880 Plus with a new one.  I will get it either Tuesday or Saturday next, depending on several factors.  So I have been working on preparing to start a new show quilt, which is my Mom’s memory quilt incorporating her pieces of crocheted lace I found in her work basket and have held on to for the past 20 years.  It’s time.  I have completed the design, which really took me days and days and days, and have printed it out full size and taped it together (that’s a project, believe me).  It is one of my biggest…59″ x 59″ and will be satin and dupioni and include painting and beads, and ……well, we will see as I go along.

I will also finish my appliqued bed quilt I started a while back using a Sue Nickels pattern I bought from her at MAQF a couple  of years ago.  And clothes…I have tons of fabrics for fall, winter, and early spring clothing and the best patterns I kept from my pattern pruning when I reorganized my studio.

I also have to complete the sampler for my fall workshop on embellishment.

Sew let the sewing begin!   Did I say I am so excited?

Sew happy everyone.  It’s time to start sewing for fall, winter, Christmas, and next year’s shows.

Meet Odette, the New Machine

After what seemed like a very long wait, I finally got my new big machine to replace Gibbs (my old 830 LE that bit the dust about a month ago).  As you know I name my machines and that is for some silly reason very important to me.  I try to name them for some significantly important figure in the sewing, quilting, or fashion world.  My new machine, a Bernina 880 Plus is named “Odette” after Odette Ueltschi, the daughter of Fritz Gegauf, the founder of Bernina.  Odette took over lead of the Bernina company in 1959 and their were many advances in the machine under her leadership.  So it seems appropriate to name my new machine after her.

Odette the machine’s namesake, Odette Ueltschi.

I named my Bernina Q20 “Fritz” after her father (and coincidentally Nero Wolf’s chef, just for fun). I also have “E.Claire” my little Bernina 350 I use for travel and some specialty sewing named after Edith Claire Head..a fashion design great during the glory days of old Hollywood.  So that is my Bernina Fleet.   I sold “Betsy” (after Betsy Ross) my great old Bernina 1230, to my good friend and student Anita, whose name you have seen in my blog posts from time to time.  She also got a big bag of Bernina feet, because they don’t fit on the newer machines.  She loves the machine, and any of you that have a 1230 know it is a workhorse that will last her many more years.

I look back over my years of sewing and think about all the machines I have had.  I started learning at about 5 years old both on my mother’s great old Singer and she gave me a child’s machine, which was wonderful and I wish I still had it.  When I was in high school I bought an inexpensive machine from the hardware store.  I don’t even know its brand.  It did ok for a few years, but Mom gave me a Singer Golden Touch and Sew somewhere along the way, which I used for decades and even used as my primary machine when I had my fashion design and tailoring business in Ithaca, New York as a new bride to Marvin (my second husband).I added a great old black White antique which had a powerful moter and only a straight stitch.  I used it to do tailored suits and heavy coats on. It is a beautiful antique, but it needs rewiring.  I still have that one.  It’s name is “Eli” after Eli Whitney.  I traded the Singer in for my first Bernina, which was Betsy shortly after we moved to Washington, DC in the 1980s.  I bought a floor model Bernina 200E, and oddly can’t remember its name, which I later traded in on Gibbs (my 830 LE) when the LEs came out.

So you see I have worked my way up from a very basic machine to my wonderful fleet I have now across the years and to this latest new friend Odette.

I started sewing on the dining room table, and moved to a corner of my bedroom, and finally I had larger section of my large bedroom in my last home.  After Marvin died I moved to my current townhome and took the two smaller rooms and a small section of my bedroom for my studio, where I am now.  You can see the studio without my new machine in it in the video I shared in my last blog post if you haven’t looked at it yet.

Here is the unpacking of Odette:

The two big boxes:

The main box

The embroidery module box

Everything out of the boxes

And finally:

Meet Odette, all set up and ready to sew. It fits exactly as Gibbs did, and the embroidery module is in one of the drawers especially designed for such a module. I have this wonderful custom cabinet…very practical.

Sew if you are sewing or quilting using a simple machine on your dining room table, there is so much you can accomplish…and maybe, just maybe, you can move up the sewing machine/studio ladders a little at a time.  My advice for this is go for the practical, not necessarily the most beautiful, but functional is the key.

Sew happy everyone!  Make sure you take good care of your equipment…clean and oil on a regular basis, at least at the start of every project, and  change the needle when needed (I listen for the thump thump indicating it is dull).  Every few years go through your stash and supplies and reorganize, get rid of what you aren’t going to use, and clean everything.  I apparently do mine about every 6 or so years..LOL.

Now let’s go sew (or quilt, or embroider)!

 

 

An Organized Functional Studio…Waiting for Machine…Then What?

My computer work station in my studio with colorful bubbles. This is where I do my design work mostly.

This is an odd point in my fabric arts career.  I am between projects and without a main sewing machine as I await my new Bernina 880 Plus to arrive.  It will be another week or two at least.  I still have my little B 350 and my wonderful Bernina Q20 sitdown longarm available, but to add to that I do not have a UFO except for my bed quilt that requires the 880 to finish the top appliques.  I could do this on my B350 if I hadn’t already started some of the special touches on the 830, but it would look too different I think on the narrower width stitch area of 5mm vs 9 mm.  So there you are!  Between projects.

And wonder of wonders with the help of my friend Anita I finished organizing my enormous stash of fabrics, threads, and other stuff related to my fabric art work!  The last time I did this was over five years ago.   Here’s a link to a video walthrough of my studio, if you are interested:  Walkthrough

But I do have a lot of ideas and concepts and even a few designs nearly completed for upcoming projects.  And I am SOOOOOO looking forward to my new machine.  Maybe I should complete those nearly finished designs, cut them out in preparation, and also work on my books.  That’s a great idea, except I came down with a little cold yesterday (Sunday July 6) and am sneezing or nose blowing every few minutes.  Sigh.  I absolutely intend to get over it really soon and get back to work!!!  Meanwhile I will look at videos on YouTube and The Quilt Show.

Sew the second half of this year looks to be really fun and maybe a little sparkly.  You all KNOW how I love sparkly things.  Here’s a sparkly fashion show that makes me think a black and gold and sparkly quilt would be really fun to make!  Fashion Show

Sew happy everyone!  Get your studio sorted out and have some FUN!  You’ll be amazed what you find stashed away in the corner of that shelf.

 

Turning Pages in My Studio and Practice

Sew my second workshop on quilting with feed dogs up at G Street Fabrics in Rockville, MD went well on Friday and I am nearing completion of preparations for workshops three and four, which are both reportedly full and may even have a waiting list.

Ruler workshop sampler/design just completed the quilting. Ready to block and bind.

Yesterday I finally completed designing and quilting the sampler quiltlet for my fourth class, which is ruler work for sit down machines.  I had quite a challenge with that one, because G Street asked me to use the Bernina ruler set for sit down machines.  So it has taken me several designs and test samplers, but I wasn’t pleased with them until the one I finally finished yesterday (I still have to bind it).  I will now adjust the schematic for the handout to match the end results and that is all I have to do to complete the handout.  I was so happy to get this class designed.

Now I can turn the page to creating for the rest of the year and can think about my new show quilts I will make.

Speaking of pages, I created a new page with a link at the top of the blog on the right called Downloads and Links of Interest.  This page so far has schematics for markging guidelines for practice quiltlets.  In all my classes I am recommending that the quilters make themselves more quiltlets and practice, practice, practice. Actually, that sounds like work, but really it is more like play.

One of my students said she has been making a baby quilt to perfect her quilt making, though she has no baby in her family coming and was going to give it away.  I suggested she give it to Project Linus, so I added a link to that on the new page. This is a wonderful way to improve your quilting and do something wonderful at the same time.  Don’t send them real disaster quilts, but as you get some that are pretty and nice, though not necessarily perfect, wash them and go ahead and send them.

I also added links to rulers I like and videos of their creators using them.  I will be adding more links in time, and plan on making videos myself of work at my machines and more Bernina V8 embroideries, and I will provide links to those on this new page.

I was considering stopping making show quilting earlier this year, wondering if I was accomplishing anything with them.  So after some thought and prayer, I woke up one day really excited about work in my studio.  I decided I can use my show quilts for examples in new books and showing how tos for my classes.  Making a show quilt keeps me on my fabric art toes.  I don’t let things that should be unstitched and restitched go by.  I fix what is “wrong”, and I come out with a better quilt.  So for a few more years at least I will continue to compete.  I always get excited when I start working on a show quilt.  I get frustrated too, but will usually come up with a solution when I run into a problem.

So the future in my studio now seems bright and interesting with a concentration on show quilts and books, together with the occassional set of classes.  Join me in my journey…check out the new page.  I am also planning on providing more little tutorials here in my blog space and alerting you to my videos in the future.

Sew happy everyone!  Try something new in your sewing space and practice…consider it playing because it is fun!  Be sure to branch out and make a beautiful project.  Smaller quilts are great first items…table runners, lap quilts, baby quilts, dog quilts, vests, and quilted bags.

 

 

 

Happy Easter and Workshops

Our Savior’s Way Lutheran Church Easter Banner designed and made by Betty Jo and Anita Born, completed 4/15/19

Happy Easter everyone!  The Lord is Risen!  Above is the banner that my BFF Anita and myself made for Our Savior’s Way Lutheran Church in Ashburn, VA.  You can see this banner in person this coming Easter Sunday at the church.  We added ribbon streamers with brass bells on each side of the banner so it rings happily as it is moved down the aisle.  there are three dimensional embroidered butterflies and the lilies are in-the-hoop embroideries I did.  Anita painted the lamb and I added its curly fur when I did a light bit of quilting.  This banner is technically a quilt, although the batting is extremely light (Hobb’s Thermore Ultralight), and really is more like a soft interfacing.  But it really does not have the loft a quilt would normally have.  Still it needed a bit of very light quilting to keep the layers hanging nicely together over the years we anticipate it being used.  So I stitched around all the appliques, added some curly fur on the lamb, and did some glory rays coming from the cross.  We shared the making and stitching of appliques, and Anita made the background with the hills and beautiful fabric we found for the sky.  I did the final batting,  facing, edge stitching, and quilting.  We are hoping the church enjoys the banner for many years.

So now that I have my Fabric Arts Workshop 1 on applique techniques behind me, we have finished the banner, and I have now prepared the kits for Workshop 2 on quilting with feed dogs up and optionally a walking foot.  I am well along to getting the kits for Workshop 3 on organic free motion quilting done, and I still am a little bit behind on preparations for Workshop 4 on Ruler Work for a Sitdown Machine, but I have a month to get that done.

Once I complete all the Workshop preparations I will joyfully return to making show quilts, and taking pictures along the way for use in my books.  I’m really looking forward to getting to that point.  Several months back I felt nearly buried with things I had to do and was a bit overwhelmed, and I am now having much more fun in my studio.  I really appreciate the assistance my BFF (aka my “apprentice”) Anita has provided to help me get unburied.  Just picture a quilter buried under stacks of fabrics, threads, battings, deadlines, and paper and a friend comes along and rescues her.  That’s Anita.  In return, I continue to teach her what I know and help her with her own projects.  Plus we have a lot of fun gabbing.  She’s the same age I am and we have a lot in common.  Meanwhile Mei-Ling Huang, my other BFF who is also my Bernina dealer, has also been helping me get the pieces together for my kits, and David, my youngest has picked up much of the things around the house I had to do.

So God bless you all!  Sew happy! Take time to be creative and enjoy your work.

Adventures and Misadventures in My Studio

Wow, what a week in my studio. It was full of both frustrations and accomplishments.  So I thought the picture above, which is something resulting from one of my playful edits in one of my digital art software programs seems about right.  LOL

So anyway, this week I realized I am only a few weeks away from my first quilted art workshop at G Street Fabrics in Rockville Maryland.  April 12th!  Yikes!  It’s almost here and I’m not ready!  Well, I know what I’m going to teach, because I have given this class once before, and I have the kits figured out…but I frantically found the bag I had left over from the last class to see if I have enough pieces to make any kits at all for the class.  I put together five finished ones ready for use, three that are partially finished, and I need ten altogether.  Yes, it’s just a little class of not more than eight students and not less than three.  Sew I make ten kits..eight for the students, one for me to use in demonstration, and one for oopsies.

A frantic text to my friend Mei-Ling, who is the Bernina dealer there and with whom I am running the class, solved the problem of missing pieces.  She has the thread.  She has the needles.  I shopped my stash and found I have the fabric.  I can print off the handouts.  SO all I need now is time.  Well, in truth, I can do all the things I have left to do for workshop 1 in one day.  I’ll tackle that early next week.  And then I must put together kits for 2, 3, and 4, but they are less difficult and take less time.

There is also the Easter banner my friend Anita and I are making for the church.  It seemed to be progressing very slowly for a while, and I was feeling a little frustrated, but yesterday we got the main top or front together and it is looking fabulous.  We just need to stitch down the embroideries, which are large sets of lilies I edited from an old design and stitched out in the hoop.  There are two sets and each set took about five hours to stitch out, but they look really good.  There were some odd skips of stitching and missed outlines, probably resulting from the wrong setting on pull compensation and other editing errors on my part, but I took them to the machine and free motion stitched the repairs and corrections…so they look great.  We have them glue-basted on to the banner and all we have to do is zig zag them on with monopoly.  The cross, the lamb, and the little applqued banner at the top are all on.  And yes, I will be taking pictures and posting them here for you to see.

So I have been trying to solve the problems related to making instructional videos for posting on YouTube and to give a little taste of some of the things in my Bernina V8 book, Twelve Skill-Building Projects for Bernina V8.  I also want to develop a series of videos on quilting using both my Bernina Q20 sitdown longarm and my Bernina domestic machines.

So I had first to learn to use the software…that was and is a challenge.  But I have succeeded in making several test videos now.  Then I couldn’t get the software to connect to my microphone, but today, I finally figured out where to find the setting on my computer to allow this to happen.  Eureka!

The first voiced video showing how to take a simple design and turn it into a really pretty wreath design on Bernina V8 is really quite funny,  I am thinking I will leave in all my mistakes and backups and fixes along the way because it shows how to overcome things and is much more amusing too.  In the end I managed to crash my computer and will have to take it up again and edit the pieces together.  Gosh I wonder how hard it is to add additional RAM (random access memory), which is what I need to not crash the computer.  I thought I had plenty in my current machine, but when it gets into making videos coupled with advanced software like Bernina, it isn’t quite enough.  Oh sigh.

Anyway, when I finish this first demo I will put a link here so you can find it if you are interested.  Even if you don’t have Bernina software you may find it funny enough to watch it.

Sew now I’m going to work on the sample for my fourth workshop, which is on ruler work with a sitdown machine.

I am so looking forward to getting the workshops prepared, the Easter banner done, and getting back to making quilts.

Sew happy everyone!  Stay tuned for future videos.  Also, would you like a podcast about once every couple of weeks?  I think it would probably be just me talking to you, but once in a while might include a guest?  Let me know.

 

Project Management for Fabric Art

Since I retired in 2012 to become a full time studio fabric artist, I have found a need to develop a system to keep things organized for time and technique management. Initially, I felt that taking time to keep records cut into my creative time and resembled work too much.  After all, I was here to have fun and make fabric art, right? 😄

Lately, I have added teaching local workshops and for several years have been working on writing several books.

So I found it necessary to figure out a way to keep up with all of this.  In fact, the multi-faceted system I came up with saves time and reduces stress, and some of it is kind of fun. Without records I would spend a lot of time figuring out where I was within a project, what was next, and making mistakes I would not have made if I had notes I could refer to.  This is especially important if there is an interruption in a specific project and I have a gap of time, or if I am working on more than one project at a time, which I often do (a show quilt, an approaching teaching session, a bit of writing, and even something just for me like clothing or my current bed quilt project).

My daughter-in-law Beth, who is also a quilter and a computer professional, suggested I look into www.Trello.com, which is a free organizational program designed for businesses. I find this program very easy to use and set up.  It helps me keep up with project ideas and a general overview of where I am on each project, and you can put in a check list.  It’s especially nice when I am doing a project with another person. Beth and I set up a team “Board” of Tatum Quilters so we could share projects.  We haven’t done much in that direction, but we still talk about it from time to time…LOL  So you might want to check it out.

While Trello helps me keep up with my ideas and plans for quilts, I found I need more detailed information and some of that doesn’t fit into a computerized file.  So I also have my big black low tech notebook.  I use this from the very beginning of a project and also keep other information in it. I write up ideas, make a general overall plan, keep tiny samples of fabrics, lists of threads, and other supplies, and put records of everything I need in this book for keeping my project together. The following images may give you an idea for your own notebook.

Here I have the original design of the Renaissance banner my BFF Anita and I made for the church last year. This is her original design.  I added notes, and a list of the fabrics I ordered for the project.  I just stapled her original drawing in to the notebook since it fit.  If such a design doesn’t fit, I sometimes fold it one or two times and staple it in.

 

So here is the finished design after I put it into the computer and drew a pattern for us, making a few changes we discussed along the way. On the right side is a plan for making the quilt from start to finish, which we checked off as we completed it.  I just printed a page size of the pattern and stapled it in on one page.

 

Sometimes I just staple drawings into the book to keep them from getting lost. This is my train project I am about to start working on.  The one on the left is a copy of the drawing my BFF Anita did for me to use for this, and the one on the right has a few scribbly additions I did thinking about how I might make it.  I have pages after this with a brief list of steps to make this quilt and have space for notes on stitches, settings, etc. for my machine work.

 

Here I have the samples of the fabrics and a list of the threads for Pendragon. Ken (oldest son) and Beth (his wife) gave me this wonderful addition to my stash along with the design for Pendragon that Ken drew. Pendragon was such a major project requiring many advanced techniques I had to develop or had never used it has ten pages in my black book that includes all kinds of things related to it.

 

Here is my trial of the upper left corner of Pendragon. I digitized the outline of the ancient design for stitching just the outline in the hoop, which needed a lot of fixing.  So I had to do a stitchout before putting it on the quilt. I also wanted to try the painting to see how that would go. So I just stapled the sample into the book because I liked it and didn’t want to throw it away.  If you look hard, you can see on the right a very loose sketch of how the quilt pieces fit together.

If you’d like to learn more about Pendragon, I have several blogs in which I included the making of this extensive project.  The testing of borders and the making of Pendragon.  So as you see, I also keep what you might think of as progress reports in this blog.

You might think that would be enough record keeping, but when I started doing show quilts that went to several shows, and sometimes had multiple quilts out for shows or exhibits, I found I had to make sure I knew where they were or were going.  I needed to be careful that I didn’t enter the same quilt in a show that was being held at the same time another show that I had entered was held, or enter it into this year’s shows when they had already been shown or rejected from another year’s show (Just as a matter of principal, I never reenter a show that has rejected my quilt previously even if they accept this kind of entry).  And I found I can’t enter another Mancuso show if the quilt has received a ribbon in another Mancuso show.  So it became a kind of choreograph of the dance of the quilts.

I take care of this with a simple Microsoft Excel workbook with two spreadsheets.  One keeps up with what shows that I am interested in and the deadline dates.  The other spreadsheet keeps up with what has been where or entered where, with a simple asterisk if it placed in that show.  I include an example of my workbook here.  I don’t know if it will work on your computer or if it is anything you might want, but it was easy to include if it works for you and you are into show quilting.

Quilt Show List example

Sew there you are.  Yes, it is a complex four part system, but it also works well for me and so I wanted to share it.  Believe it or not, it saves more time than it spends to do this, especially after getting started with it all, and it really helps keep down the stress factors in my busy busy studio. One more thing, I put on my calendar when a quilt has to be shipped once they are accepted into a show.  I have occassionally waked up and wondered if I had missed a deadline, only to be happy to find I had not by looking on my calendar.

Sew happy everyone!  Try making a show quilt or a master quilt, even if you don’t want to show it.  You might want to keep your own records, with lots of pictures along the way (oh and yes, I have computer files with folders by the year for quilts made in that year.  Yes, I back up everything).  It will be fun to look back on it or if you want to remember how in the world you did that technique on that quilt some years ago.

 

 

 

 

 

 

 

 

 

 

Digital Fabric Arts Adventures

Background fabric design for use in upcoming quilt

This has been a busy and interesting month so far, and the end of the month promises to be just as unique.  First of all, I want to tell you about the background fabric piece pictured above.  I spent some time (more than a forty hour week) painting this design I wanted to use for a background, to which I will be adding a lot of objects, including trees, rocks, train trestle, train, steam clouds as appliques.  But I painted it digitally in Corel Painter and sent it off to be printed full size by Fabrics on Demand, which has a wide selection of fabrics and does a good job.  I’ve used them before.

So after about a week I got word that they had printed the fabric and shipped it.  I waited, waited, decided I would have to contact them because it had been weeks and no fabric.  In the meantime, we had a snow week, with an 11 inch snow followed by very cold weather.  Then we had a thaw.  Just as I was about to contact the company, my son brought in a wet package that he had found on the side of the front porch under a bush.  Yes it was my fabric.  It had apparently been blown off the porch under the bush and covered in snow and ice.  We might not have found it until even later if the cold weather had continued.

The fabric was in a plastic envelope and carefully packed, but it was totally soaked.  I washed it in the washing machine, thinking that I normally would have hand washed it with Synthrapol detergent, since it was a custom printed piece.  So I wasn’t sure how it would come out.  But it is totally beautiful.  The colors are strong and lovely and the piece is clearly not going to bleed or shrink now as I use it in my quilt.  My friend Anita was amazed at the piece.  She is an artist herself but is new to the fabric art world.  I could tell she is excited to consider that she might be able to turn her art into a piece of fabric. She would have to take a good picture or scan of her art since she doesn’t work digitally in order to get it into fabric in this way, but that works too.

Twelve Skill-Building Projects for Bernina v8

Okay readers, I have been working full-time for several weeks now just to update my Ten Skill-Building Projects for Bernina V7 to a new book for Bernina V8, and I have finished the basic manuscript, sent it to my Beta readers, and designed the cover.  I am looking to have this out by the end of February.  So if you have either V7 or V8, I think you will find working through the projects of these books will provide you with a solid understanding or improvement in your use the software to go forward and make some wonderful in-the-hoop embroidery designs.  You can make what you want for your projects.  These books are designed so if you work through the book the later projects build on what you learn in the earlier projects.  Additionally, you will end up with some fun small items…mug rugs, a color wheel, a needle book, and a bunch of nice designs to use in other ways.

I’m very happy to be more or less finished with this Bernina software books project.  I have more or less been working on this for several years now.  It’s not that the projects are that hard, it was the difficulty of figuring out what should be presented and in what order to help fabric artist that still has the program in the box or has only used it a little because it was a little confusing, or that may not know how much is really there.  It is an amazing software…almost magical.  It has tools to help you get where you need to be, but it does not do a good job of telling you what tools are there.  The reference manual is well presented, but you may not know what you don’t know and you don’t know where to look.  The books are not exhaustive in covering all the tools, but they are enough to give you a real feel for what you can do with the software.

Just as I neared the finish of the first book for V7, Bernina came out with the updated V8, so I put it aside.  But my dear friend Mei-Ling Huang, who is also my Bernina dealer, encouraged me to go ahead and put out the V7 book, because there are a lot of sewists out there still using that software.  And then she pushed me a little to also write the updated V8 version.  I truly don’t think these books would be finished without her encouragement.

Sew now that I have completed these two projects and have gotten my fabrics for the next several show quilts and workshop samplers and kits, I have to straighten up this studio!  It’s a mess!

I’m so excited about the work I have in store for the future.  I made a list of things and put a date I wanted to get them done by, just so I can figure what I need to work on next and next and next.  Let’s get to quilting and embroidering!

I also am thinking about what book I should write next.  I have found that self-publishing through Amazon KDP is not too difficult for me to manage.  I want to get what I know out for people to use. I have learned a great deal in the past sixty plus years of sewing and art work.  Maybe the next one will focus on surface design and embellishment.  I have won several prizes at major shows based on my work in this field.  But I have to get to quilting first.  Just need…to….quilt!

Sew happy everyone!  There’s a fabulous bunch of tools and supplies out there to make some wonderful fabric art.  Teach someone to sew or quilt or try something new yourself!

Happy Thanksgiving and Other Things

Hi everyone.  I wish you all a Happy Thanksgiving. I am very thankful for my wonderful family, friends, and my readers.  I was thinking about it the other day as I was pressing a section of the (seemingly never-ending project) overcoat.  I dug out my special pressing things I have had for years for use in making clothing…my ham, my sleeve pressing board, my shaped wood pressing piece.  I haven’t used them for a couple of years and I am grateful I did not get rid of them because of that.  I am grateful for my machines and my wonderful inspiring studio, no matter that it is a bit of a mess.

My thoughts today are also with those who have lost so much in recent disasters both hurricanes and fires.  I  just want to hug you all and wish you all a speedy  and full recovery.  I am trying to figure out the best approach for helping.  I don’t have a lot of cash to contribute and I know rushing to send stuff is sometimes more of a problem than a help in the end.  For now, I’m doing some praying and watching for what, if anything, I can do.

Sew how is my overcoat coming?  Well, I have completed the outer shell and am almost finished with the lining that includes the fur collar.  To me, the biggest challenge is getting that fur collar installed in the coat.  Sewing with this thick fur is not the easiest thing and requires some special techniques even it if is “faux” fur.  I think that will happen tomorrow afternoon or Monday.  Then I will be practically done except for hems and buttonholes, so it is looking like I will make my Thanksgiving deadline.  After that…back to quilt making and book writing, and I am looking forward to it.  The coat has been more of a project than I anticipated largely because of the challenging fabrics.  The fabulous wool is, nevertheless, loosely woven in a way that closely resembles hand woven fabric.  the fur collar is fabulous faux fur, but sewing with it is also challenging.  Nevertheless, I will be happy to have this beautiful coat.  It is going to be a little snug, but since I am in the process of losing weight I think that is the way it should be fitted at this time.  It will serve me well for several years even as I go down in size (I can move the buttons and I made the sleeve/side seems such I can take them up fairly easily).  My next fashion sewing project will be with well-behaving fabrics!!!

Sew happy everyone!  Have a wonderful time this week!

 

 

 

The Wizards’ Duel

The Wizard’s Duel

I promised you all that I would write about this quilt after Mid Atlantic Quilt Festival.  I had a wonderful time going to the show with one of my best friends Mei-Ling Huang.  Mei-Ling is a lot of fun and we share many interests.  She claims not to be a quilter, but I have seen her quilting on the Bernina Q24 longarm set up in her Bernina shop at G Street Fabrics where she is the Bernina dealer.  But she is a long-term sewist and she does make beautiful garments.  Currently, I happen to know that she is working on a t-shirt quilt for her daughter, who is in medical school.  She was clearly fascinated by the goings on at MAQF and we enjoyed very much the class we took together from Sue Nickels on Stitched Raw Edge Applique.  I found the class a perfect example of how to organize and run a class as well as really enjoying the applique instruction,

Sew the picture above is my completed quilt and I got the judges comments back yesterday.  They have marking grades on standard criteria.  It fared very well, getting all top marks (E for Excellent) except for degree of difficulty and that was S for Satisfactory.

Judge 1 commented:

  • Powerful color impression
  • Ambitious Subject Matter
  • Nice use of crystals

Judge 2 commented:

  • Batting a bit too puffy [Huh?!!!]
  • So much care in the figures.  Rocks would benefit from same attention

Judges:  Esterita Austin, Pepper Cory, Marjan Kluepfel

I don’t know which judge had which comments section, though I do know that they weren’t Pepper (a friend of mine), who just signed it.  After looking at it objectively, I happen to agree with the comment about the rocks and plan on adding some additional quilting and maybe a litle more highlighting before I send it out again.  Not sure I agree on degree of difficulty, but seeing some of the other quilts there I am pretty pleased with these marks overall, which is rare when I get my judges comments back.  I am a little puzzled about the batting a bit too puffy comment, but to each his own.  Maybe it had to do with the rocks.

When I am done with a quilt I like to look back at the original concept and see how far away I wandered in the making of the quilt.  Here is the finished concept art, though I did go through a number of other versions along the way.

concept art for Wizards’ Duel

And here are some detail photos of the quilt.  I hope you can see all of the quilting.  I had loads of fun with that turbulent sky full of characters,  I have a Pegasus in this shot.  Go up and look at the full quilt and see if you can find the Phoenix, the small flying bird, a starry kind of symbol like I used in the corners, and the little bit of free motion feather design at the corner near the raven.  I also free motioned and straight ruler stitched the explosion of light (is that a sun?  I think so) behind the wizards.

Detail shot one

And here is detail shot two…on this you may think you see a row of flying geese, but that’s not what they are.  In my mind’s eye these are a row of flying pterodactyls!  Hahaha.  I hopeyou can see these, I know it’s kind of hard to see.  Also pay attention to the border.  This quilt is the first one where I used ruler work extensively. I used a strip of paper that was the exact length of the border and folded it until I got the divisions perfect (no math method) and marked the grid on the border, then used my rulers to quilt the design without additional design marking.  Then I just bubble stitched where it needed filling.  I was pleased with the results.

I will tell you that the biggest challenge was coming up with the figures.  I started with prepared for dye cotton fabric and marked the figures on with a simple Fons and Porter dark marking pencil.  Then I colored them using Neocolor water soluble paint crayons and brushed them with water. After that I ironed them dry, thereby heat setting them, and then I placed a bit of wool batting behind the dragon and stitched the outline and the scales.  After that I used some oil paint sticks to burnish the scales of the dragon a little.  Then I thread painted their garments with Superior metallic threads using my BerninaQ20 longarm sitdown.  Finally, I appliqued them to the quilt top.  After sandwiching them, I quilted the figures sections with Superior Monopoly thread, but that was the only place I used monopoly.  I didn’t want to interfere with the thread painting I had done, but they needed quilting for depth of character.  I wonder if the judges realized the difficulty involved there.  Perhaps they did.

And finally, here is a very good picture of the quilt hanging in the show that my friend Cathy Wiggins took.  I think it shows the quilting clearly…in fact the show had it lit just perfectly so the quilting showed well.

Wizards’ Duel at MAQF courtesy of Cathy Wiggins

The quilts at the quilt show were unbelievably magnificent.  I do think Wizards’ Duel stands up well in such a show, even if it didn’t receive a ribbon.  As I said, I plan on adding some quilting and highlighting on the rocks section and entering it in other shows.  Maybe it will place after that.  It’s very hard to place in such a show.  The MAQF is becoming a very important and popular show and for good reason…it is fabulous.

Mei-Ling and I attended the fashion show too and spent some time viewing the wearable art competition section at the show.  We were so inspired by this that we decided to try to make a joint entry for the wearable art next year.  Mei-Ling is a small beautifully proportioned woman and we will make it to fit her.  More on that much later.

I came home to find a chipmunk had invaded our home…he came in about an hour after I got home.  That is another story that is still going on .  He’s still here and in one of my studio rooms.  My studio is on the upper level of my town home where my bedroom also is.  It consists of two small bedrooms…Studio Fritz (where my computer/office section is and where my Bernina Q20, named Fritz, sits), Studio Gibbs (where my main fabric, thread, and paint stash, my work tables, and my Bernina 830LE named Gibbs sits), and Studio Betsy (one small side of my bedroom where my Bernina 350 named E. Claire sits where my old Bernina 1230 named Betsy used to sit.  I sold Betsy recently to my student and friend Anita).  The chipmunk has taken up residence in Studio Gibbs (thank goodness not my bedroom!).  So far, the only damage he’s done is knock things over and deposit chipmunk poop in places.  The stash is safely in drawers and the closet where he can’t get to chew or soil and Gibbs is of no interest to him so far.  I am soooooo hopeful of getting him out of there today.  I have a live trap set for him and have tried multiple things, and am trying once more today with the trap and all.  I need my studio back.  I never had this happen before.  Please pray for a successful removal of the chipmunk.  Silly me, I name everything, even a chipmunk I may end up killing…this one is Chippy.  I am so hopeful of not having to kill it to get it out of there.

Sew happy everyone!  You know you can get a basket like device to attach over your dryer vent so chipmunks can’t get in and chew holes in your dryer vent hose.  My son just installed one on our house.  I wish we had done it earlier!!!!