We made it through 2021! Hooray! Happy New Year everyone! I am taking a positive approach for 2022…expecting it to be a good year full of light, love, peace, and productivity! So what’s first up for Betty Jo’s Fabric Arts?
I talked a little about this in my last blog post.
I will soon be presenting the first in a three-part series of videos coupled with the publishing of a workbook with pattern for the Two Birds Project. The first part is completely filmed and being edited, and the workbook is fully written and being edited. The two remaining videos are filmed all but the short openings and I need to record the voice-over scripts for them. It will be a fun set for my followers and I’m excited to get to this point.
I am working on putting together a wool applique by machine project. Wait until you see what can be done with these techniques and materials! It’s really going to be fun!
I have worked up a production plan for the first part of the year that includes show quilts (to fit within my architectural, ancient manuscript, and deep space genres), applique projects (both wool and other fabrics), and multiple shorter technique skill project videos that I think you will enjoy. There may be other things too along the way. Plus a little bit of clothes sewing.
I got a fun addition to my studio for Christmas, a Brother Scan and Cut DX. I have been spending the last several days learning all about it and how best to use it. It adds lots of new possibilities and a great help for the applique quilts for sure, but I can also make some quilting stencils and other things I am thinking about. I now have both the Applique Go! with a nice collection of dies to help me cut multiple layers of fabric for snuggle/quick-to-make quilts and the Scan and Cut for cutting digitally created shapes for more complex individual applique designs among other things…how wonderful. Truly, except for wishing I had more space and storage (doesn’t everyone?), I have a marvelous studio for designing, quilting, and stitching adventures complete with the video equipment well set up for filming them. And yes, I also have significant help from my delightful family. Oh, and don’t forget, I have newly improved eyesight to help with all of this! I am totally thankful both to my kids and my Lord for all of this.
Sew I am making a kind of fresh move in my YouTube channel, pattern making, and books now at the beginning of 2022. Last year seems like kind of a rehearsal and learning period for me. So I’m excited. I hope to get a lot of new subscribers/readers and provide significant content you all will enjoy. I love sharing my work with you.
Let me know if there is a particular subject you want me to cover either in comments here or on my videos on YouTube. I will see what can be done.
I digitized and embroidered this star as an applique. It is on one of my Christmas quilts now owned by my church.
Merry Christmas everyone! I hope you are already enjoying this wonderful season. It is one of my very most favorite times of the year. We are having a relatively simple celebration this year, but it is still joyous. Right now I have The Piano Guys YouTube videos of Christmas music playing while I write this. They are fun. Have you seen the one with the Christmas scene and all the cameras riding around in the little train, on the Christmas tree, and in the drone flying in the room? Here’s the link. It’s really fun. Or how about the one all done in legos. Here’s that link. So creative and beautifully performed.
Well, I finished the Two Birds quilt along with completing the filming of the videos. The whole stack of hours and hours of videos I made while I made the quilt, along with the voice over reading, and the intro and exits parts we filmed together last weekend are now being edited by my oldest son.
I have written the pattern and workbook that goes with it, and that too is being edited by the family team. I don’t know when we will get the first video of that project published but hopefully not long now. It’s a big job to edit such a tangle of videos, voice overs and corrections into three publishable videos that make sense and are also interesting. It has already taken much longer than any of us anticipated, but that was primarily due to my unrelated circumstances this year that delayed things, such as my cataract surgery among other things. But that is all behind me now and I greatly look forward to the coming new year.
I have every expectation that we will produce much more content for my YouTube channel at a bit faster pace and with ever increasingly interesting projects and building professionalism. I have gotten to where I don’t get bothered by the cameras, know how to set them up properly, and have lots of fun ideas for new stitching/quilting/videoing projects. I have learned that the videography is as important as the making of the fabric art piece to make it all work and find it also very interesting.
I still have only about a third of the subscribers and a fourth of the viewership needed to monetize the YouTube channel, but it is growing and I nevertheless enjoy being able to share my projects with my viewers. I hope you all enjoy the videos and will be happy to see them when a new one is published. We have several projects already planned for the new year.
First of all, I want to create some new wool applique by machine projects, because I think it is possible to make some stunningly beautiful pieces in this category that has hardly been touched in the quilting/fabric art world using the machine and my initial project was only a basic introductory layout of the techniques. It’s an adventure to see how far this can go.
Then I have three new show quilts in mind for 2o22 that I think you will all love or at least enjoy watching me make them. I hope I can succeed in getting all three made.
There will be a number of short and shorter videos showing techniques and use of tools.
And then I need to make some new clothes. I have everything I need for them and will try to spread them across the year so I have something new and fun to wear once in a while. I probably won’t buy any ready-made clothing this year just as a sort of challenge to myself for fun. I haven’t decided whether or not to video these projects. What do you think?
Sew happy everyone! Have a wonderful holiday season and I hope you also Have Fun in Your Studios!!!
Hi everyone. I can see so well out of my left eye now after the cataract surgery last Monday that it is amazing. I am probably going to go ahead and have the right eye done in a month or thereabout afterall. Working on my fabric art this coming season is really going to be fun. Unfortunately, I can also see that the house needs a real cleaning, which I really couldn’t see before.
Well, first things first…and that’s the preparation for the sewing, quilting, fabric painting, and both free motion and in-the-hoop embroidery. I’ll be using all kinds of threads, because I enjoy that part of my fabric art so much.
Sew I have made a check list and am going through it and straightening my studio at the same time. My studio is not in bad shape, because I have found the reorganization I did with my friend Anita’s help several years back has held up pretty well. Basically, I just need to put things back where they belong and do a quick check to see what I may need to replace or give away.
Here’s my check list, making sure I have:
— A sufficient supply of sewing machine needles in the following sizes and types:
— Yards of Pellon SF101 lightweight woven interfacing (I buy a bolt usually and back many of my quilting fabrics with this), and a generous supply of other weights and types of interfacing (especially since I use this for clothing too).
— Generous supply of the blackest quilting cotton, because I use a lot of black in my quilts. I love how colors play against the black.
— Look critically at the rulers and cutting mats for knicks and cracks and toss and replace if needed
— How are my pins? (everyone has their own preferences here, so I am not adding a link)
— Check all the bobbins to make sure they aren’t warped or some such. The B880 bobbins have a silver paint on them that can wear off and make the bobbin unreadable for the machine. So I need to toss them when they get bad, but I generally do that along the way, and the more recent bobbins seem to last longer than the earlier ones.
— Test the threader on my machines to make sure they don’t need a replacement head or something, I just replaced the one on my Q20, and because this is a weak point in my Q20 I keep a spare on hand.
— Carefully clean my machines, oil if needed (don’t oil if not, because too much oil is as bad as too little).
— battings. I like to have on hand: Thermore super thin polyester (good for quilted clothes). Hobbs 80/20 , Hobbs Tuscany wool, and Hobbs Poly down. Since I seldom make bed-sized quilts, I buy a crib or throw size of those if available. If I am going to make a larger quilt I will buy the batting then. This way I usually have available what I need.
I will shop my stash and buy the fabrics I need to make them work as needed, so all I do here is make sure they are in their right places and more or less folded somewhat neatly. I labeled all the drawers and shelves where I keep them. Occasionally they sneak into the wrong drawer somehow. I can’t figure out how. LOL
I will do the same thing with my threads, because I have a large thread stash to go with my large fabric stash. I love both Superior threads and Wonderfil specialty threads and I have a wide selection of colors, weights, and fiber content. So I make sure they aren’t tangled in a nest and are in the right drawers or on the right pegs behind the door (I don’t store them where they get sunlight).
And last of all I dust and wipe down the tables, cutting mats, and outer parts of the machines, and dust and vacuum the studio. I wipe down my Q20 Koala table with Sullivan’s silicone spray, being sure to cover the bobbin/bsr area with blue painters tape (which I also may need to replace) so it doesn’t get into the works. It is such a great thing to be able to have things all stocked and ready to go for future projects and this usually takes me only a few days.
Now! Let the fun begin! First up is my 2 birds project, and then a couple of Holiday quilts, one will be a wool applique and embellishment by machine for Christmas and then something else for the Holiday season.
Sew happy everyone! Get ready to have fun in your studio!
Sew I was realizing today as I worked in my studio that my fabric art and my video making are fairly well merged together finally and I have really begun to enjoy playing/working in my studio again. It has definitely been a huge challenge.
I started back about September of last year, thinking I would just take some of the classes I used to teach and add a few more and turn them into videos to share on YouTube and make downloads to accompany them. Simple, right? I had no idea what I was about, how to really accomplish it, and the journey I was undertaking. Using my single little GoPro camera I just made a video and edited it on my video editor that was designed for home videos. I had to learn to edit just for that.
After my family and I saw the video result I had loaded up on YouTube, we all realized it would not do. It had many problems from lighting to scripting to quality of the filming. Plus, the talent (me) needed to figure out a little better how to address the watcher. So I took it down and my family swung in there and helped me get set up, figure out how to do the videos, and are still helping me produce better videos. It was a period of frustration, especially when my computer failed just after we got started and it it took a couple of months before that was solved. Now I have a wonderful setup as well as a good computer that is designed for this work (thanks to my family set of professional techies). Grown kids are the greatest blessing!
It’s been a major change in my studio and the way I work and I’m still learning, but this past few weeks I had a lot of fun. I realized that fun has returned to my studio work, frustration has cooled down, and happiness is centered around fabric art again.
Sew new ideas are flooding in and I have quite a few directions I will be taking this newly merged activity based on what I have learned over the years. And yes, I do still plan to make show quality and experimental quilts, perhaps, though, with some videoing along beside them.
One thing I have been adding to help fund this rather expensive activity and keep the YouTube video teaching free for my followers and friends, is to add some affiliations with companies so I can recommend products I use myself with links for you to use both here on my Blog and on my YouTube in the information box below the videos. If people use them and purchase something at the time or shortly thereafter, I will get a small percentage from the purchase and it won’t cost them any more for the product and they won’t have to hunt for it.
I so far have only had people reference the links and not purchase enough for anyone to pay me anything (it has to add up to a bit before you get paid), but I hope this will improve as time goes on and my followers understand how it supports my little business to help keep things going.
So far I have an affiliation with Connecting Threads, Dick Blick art supplies, Accuquilt cutters, and yes, Amazon to cover the blank areas the others don’t.
Very recently I added Wonderfil Specialty Threads. Now you all who know me know I love Superior Threads too, but the thread types I use and like from Wonderfil are not made by Superior Threads, so between the two of them I’ve got the many types I like to use covered.
I am planning on a number of YouTube classes and Quick Tip Videos that will involve extensive thread work using these specialty threads along side of the Superior I like too (even though they don’t have an affiliate program). It will be fun…small wall art whole cloth quilts that feature things I love like trees, rocks, trains, birds, flowers, and architecture that are sized right for a small space on your home walls or even in an office or for use on pillows or tote bags, etc. They should be fun…fun to make, fun to watch being made, fun to think about.
Sew happy everyone! Have fun in your studio and treasure your family and friends. If you have something you want to have me present on my videos, please tell me in the comments.
Hooray! I have my new computer and it is all set up. It is lovely, fast, and has all it needs to serve me well for digital design, video editing, book writing, online demos and other computer draining activities. I am soooo grateful to my family members who gave this to me and helped me get it in place and so forth. Sew I’m off and running here in my wonderful studio.
In case you haven’t seen them I now have two videos of the three on Embellished Wool Applique by Machine, coupled with two blogs here that include free downloadables for accompanying handouts. I also have my first quick tips video. All of the videos can be found on the Betty Jo Tatum YouTube channel for free. Of course, I hope to make money from this endeavor eventually, but in a way that the videos remain free to you. Downloadable workbooks, patterns, and so forth will be available for a modest amount from the new little store I have on my main website. There’s nothing to buy there right now though but those will be published on the same subjects as new videos that are better with such downloadables. These all will be uploaded at the same time so you can follow along the easy way.
Other things are also in the plans for that little store. I will sell some of my quilts from there, and I am considering other things that can be downloaded. If you haven’t looked yet, I recently upgraded my main website. Go take a look at my gallery, if you’d like.
Now it takes some time to put together these things so I probably will need two or three weeks between each video, or even a month. They will cover a variety of sewing and art quilting techniques that I have learned over the years and really want to share because I think some of you will find them fun and you may even want to try them yourselves. So if you want to support this effort, I hope you subscribe to my YouTube channel and watch my videos. It doesn’t cost you anything, you don’t give them any information, and it helps me.
And now that I have my computer…all KINDS of things are running thro0ugh my head that might be accomplished. After I complete the next wool applique video, I am thinking of making a video or a set of videos on landscape quilting elements in both stylized types and more natural looking art quilts. There are lots of those to do, so I won’t bunch them all up together, but will spread them across the year with topics like trees, mountains and rocks, water, geologic strata, and so forth. It should be really fun for us. I have lots of other ideas and I think you will enjoy them as they come out. They will all be presented in small projects or technique demonstrations, but I will likely draw up some digital patterns for larger pieces and maybe even paint some digital fabrics for backgrounds that I might place for sale on a print on demand fabric company if I can work that out so you can buy them to use. What do you think?
If you have something in the way of art quilting techniques you wish you could find how tos for or would like to just see how I approach them, please let me know. I’ll see what I can do about it.
Sew happy everyone! Let’s have some fun in our studios.
First of all, I am celebrating today, because my youngest son David just released his latest novel (click on the book to find it)! Congratulations to him.
Setting up for free motion quilting or thread play
While my communiques (blogs, vlogs, and YouTube videos) are intended for everyone who wants to play, regardless of their machines, sometimes I also address some quick specifics for working on Berninas. Please don’t stop reading when you come across those if you are not a Bernina owner, because you might find some of what I say interesting anyway.
I have three Berninas: a Bernina Q20 sitdown longarm, a Bernina 880 Plus, and a Bernina 350. I also have a simple older BabyLock serger. I am truly grateful to have this collection of machines I obtained over the years through trade ups, gifts, and so forth. This is a wonderful set of machines for me to play with here in my studio. It’s like playing inside my own wonderland with favorite toys. But it does require practice, sometimes research, testing tools and techniques, and (gasp!) reading my manuals to get the most from this stable of machines. So I want to share what I have learned from this.
Setting Up For Free Motion
The setup for free motion on these machines is relatively simple.
If you don’t have a Bernina Stitch Regulator (BSR attachment) or want to work without it, simply put on a darning or quilting foot like foot #73, #24, #29 or #9. Drop your feed dogs.
If you have a Bernina stitch regulator attachment that works on your machine, attach it and set it for your chosen BSR mode. BSR1 runs smoothly and constantly, idling with a little stitching, which is great for smooth free motion quilting and free motion embroidery. The idling allows you to stitch several stitches at the corner of a sharp turn in addition, which makes a nice turn. BSR2 stops when you stop and starts when you start, so you may prefer this setting. I find with this attachment I have to use a slightly shorter stitch length and not sew too fast for best results.
One of the interesting things you can do with this BSR attachment, is free motion zig zag with stitch regulation, which can’t be done on a sitdown longarm with a stitch regulator. This can provide some unique thread play opportunities and looks.
For most domestic machines you probably won’t need to make any adjustment in tension from the default for normal threads. For specialty threads, however, you may need to lower or raise the top tension to accommodate specialty thread weights and types. It’s a good idea to do a test using similar fabrics and write down your changes before working on your project piece.
When doing free motion it helps a lot to have a slick supporting surface, so I use a silicone mat, such as a Supreme Slider. I tape mine down with that indispensable studio tool blue painters tape because I have ruined more than one mat by stitching it to the back of my project. I have repaired them a bit with clear packing tape if they aren’t too badly torn. Yes, I know the stickiness returns if you rinse the back, but you have to remember to do that periodically and also the heavier and larger your quilt the more likely it is to dis-attach from the table and get caught in the stitching.
A queen sized Supreme Slider taped down with blue painters tape at my old Bernina 830 LE (I traded it for my 880 Plus last year). This works well and is easy to remove when you need to.
Setting Up the Q20 and the Q16 sitdown longarms
These machines are built for free motion quilting and free motion thread work and truly you can dive right in just as they are. But there are a few things that are helpful to know to make your free motion stitching work better. Note that I have had my Q20 now for nearly five years and I love it.
Free motion is always better when the supporting base is slick and the fabric can slide easily. There are some very large silicone mats available for these machines, where you cut the square carefully around the BSR/Bobbin square area (whatever do you call that?!!!).
Some people like using these extra large silicone mats with their sitdowns, I don’t have one. I spray the table before each project with Sullivan’s silicone spray, and wipe it fully dry with a soft cloth or paper towel. But before I spray it, I cover the BSR/Bobbin area under the needle and the vent area at the back of the machine with blue painter’s tape to prevent the spray from going down into the machine works. Alternatively, you can spray into the cloth and wipe the table but I think you get a little less silicone on the table that way (not scientific, just an opinion). From personal experience I know the spray works very well.
These machines have two BSRs built in which provide excellent stitch regulation.
BSR1 constantly runs and has a speed setting to make it cruise along easily at the pace you like. I use it for most of my free motion quilting and all of my free motion embroidery. I like to start off with a relatively slow “idle” speed of 250 to 300 and will raise that if I need to. The machine will run very fast if you want it to.
BSR2 stops when you stop and starts when you start. I use this mostly for ruler work.
BSR3 is a basting stitch with multiple stitch lengths to choose from. I use it a lot for larger quilts. I will spray baste the sandwich and then do some large segments of thread basting. This is especially good for your masterpiece or show quilting that will take a long time just to keep everything in good placement.
Then there is manual setting that does not engage the BSR, of course, but it does have a speed control on it so you can set it at a comfortable pace for you. I like this for micro-quilting, but I don’t use it for much else. It is smooth running and quieter and makes it easy to do those tiny bubbles for instance, but I still prefer the BSRs for most of my quilting. It’s a personal preference. Some people prefer this mode for everything, but if you are new to the machine, I urge you to try the BSRs first. They are wonderful.
I often get the question about what thread will the Berninas use. All my Berninas will work well with almost any good quality thread. I just have to be sure I have the right needle, tensions, stitch length, and the speeds set up right for that.
Keeping notes on how you set things up is always helpful, but these machines have four savable programs for various thread settings, which is really nice. Once you set it all up like you like it, you can save it and even tell it what thread and needle it is for in the naming of the programs.
I like to use the kickstart feature, which allows me to free motion stitch/quilt with a very steady power feed. This helps me relax while stitching and eliminates most stitch skips and the like, without my foot on the pedal. This is because the pedal is basically on/off and if you don’t keep your foot fully down it might skip a stitch, though not usually.
For using the kickstart, get your BSR mode chosen and make sure you are all set up, then kick the pedal at the heel and the machine will sew until you press the pedal at the front to stop it. I love it. You don’t have to concentrate on anything other then where you place your stitching once you get used to it. Here’s a youtube with cute fluffy slippers on using it:
And last, but not least be sure to set your bobbin tension to match your thread in the bobbin. I use mostly Superior Bottom Line in my bobbin…even mostly their prewound M sized bobbins, which are Bottom Line…and set my tension to 180 using the Towa Guage that comes with the machine. The Bernina default setting is 220, but I find you really need to adjust per thread size. If you somehow didn’t get one, be sure your dealer gives you one. It’s not like a domestic…it’s a real longarm.
Sew happy everyone! Have fun in your studio. I hope you found this helpful. I will be posting my next video probably this weekend. Cheers.
I love quilted fabric art pieces, in case you haven’t figured that out yet, They can be as artistic as any great painting and can warm the home and office with their beauty. The texture can approach three dimensional with different finishes and dents and poufs, and they make you want to go and touch them. There are so many directions they can take.
I also love using the power of my great machines and my computer to work well beyond my own talents and abilities even as my hands age and can do less. There is much there to take advantage of for creating and enjoying and the additions continue. I even recently bought a new Bernina foot and my dealer kindly mailed it to me.
Learning the techniques, and taking advantage of the various attachments and feet is an important and interesting part of this.
Understanding how the machines respond to fabrics, threads, and quilt sandwiches is a key aspect to getting the maximum advantages out of the machines.
Trying not to get too frustrated when things don’t go well, but instead working through various steps to see what can be done to solve problems is equally important, and perhaps the hardest thing to do.
Learning how to better use various helpful software also adds to how far one can go.
These are the goals for me to continue to reach for this year even after all these years of sewing and quilting using these great tools. I have concluded there is always more to learn. And then I also want to get better adding surface design in the form of in-the-hoop embroidery, paints, beads, and crystals to move even further just adds to the enjoyment. I feel almost like I am just beyond a beginner in this aspect.
Sew even though it is unclear where we will land in our quilting/sewing world after The Great Upheaval, my own name for the pandemic and actions taken, there will always be much to do and learn. This makes me excited even as I still hang out safely in my studio. Truth be told, even after we all get through this thing and I can go out more, I will be spending the majority of my time in my studio because I love these activities. Yes, I will have my friends in finally and go see them, and I will go to brick and mortar fabric stores that may be left, and will delight as I see the rebirth of the industry across the nation. I hope to go back to shows eventually. I think we still have some months before this happens.
So I will be making some smaller projects in 2021 but still plan on doing them to quilt show quality even if they never go to a show. It is the standard that I don’t want to leave. I will, of course, also make some cuddle quilts and a few clothes this year.
This Week’s Featured Quilt
Kanazawa Memories, Completed August 2015 Sashiko designs stitched with 12 weight Sulky cotton on Peppered Cotton. I digitally painted the individual flower appliques and printed them on cotton, and then arranged them in a close approximation of arranging Ikebana with real flowers. The vase is made from some hand dyed silk I had on hand. I then appliqued them with Monopoly. This is the perfect example of what I was just talking about. I did take a hand Sashiko class from the great Pepper Cory and I loved it, but I have a very hard time hand stitching Sashiko now. But here I used digitized Sashiko, some of which I digitized myself, and picked threads and fabrics close to what I knew were very Japanese in nature. Decades ago, I lived in Kanazawa for three years and had some wonderful helpful friends. This quilt was created while thinking about this time in my life. You can see a better image of this on my website gallery. I am still waiting my coming new computer after the great computer crash a week ago, so I must use what is available here on my laptop. Here’s the link to the gallery page where you can find this.
Sew happy everyone! Join me in advancing our understanding of what we can do with the machines we have. Cheers everyone.
In addition to my coming YouTube class on Wool Applique and Embellishment by Machine, which I am hopeful will be out in early December, I have begun working on new project designs. Amazingly I don’t really have any UFOs floating around the studio, except my bed applique quilt using a Sue Nickel’s pattern that I have been working on periodically for more than a year. I would call that more of a work in progress than an unfinished object, though.
What I do have is a very long list of planned fabric art projects that I hope to also include in my youtube video channel. This has certainly given me a different viewpoint on my project plans when I am considering using the resulting fabric art piece or pieces in multiple ways including not only competition as in the past, but also sharing some parts of the projects on videos and in books. While I have the concept for a major work for competition underpinning my design thoughts, I also am thinking of pulling some samplers and small works from the same project to include in books and videos.
In the case of the great wool project, I have kind of been working in the other direction of building the samplers, videos, and book first and I am now coming up with a design for a major competitive work using these techniques. I already know what I am thinking of doing for that, but I haven’t got the design drawn up yet. I have pieces of it drawn, but not the overall design. So I am working on that. It’s exciting.
Considering that I want to rapidly launch a number of videos along the way, I am sorting through my long list to figure out the next video/competitive piece project. I am thinking it should center around free motion thread and decorative elements work and quilting. It may involve using a preprinted commercial panel, but I am not sure of that yet. So this is what I am playing around with in my design work right now. The overall design is always the thing that takes the most time for me. I know that a lot of fabric artists can just sit down and draw something, but for me it is a struggle. I have a concept in my mind, but getting it out of there into a form I can use to work on is always challenging. But it is still lots of fun.
Wool Project and Videos Update:
Sampler one part one. Here we have the simple shapes of the sampler in place, ready to begin the second part of embellishment/embroidery.
For contextt…here is my test and practice piece using the same dies. There will be a lot more special stitching though.
So my dear oldest son Ken saw how I was struggling to get setup to do videos in a massive tangle cords and equipment and he came to my rescue. He has installed some brackets around my studio so I can quickly attach a camera or a light where I need it. He has given me some instruction on the use of lights and a new light and diffuser. So with all of that, he has reduced my setup work and taken down the time from a full day of setup to a few minutes. The first video segments I am working with from this are also much better lit and easier to see overall. It’s amazng the difference careful planning and assistance can make!
Later he is coming over to help me with the audio so, unlike my original video that I removed from YouTube, you should be able to hear it well thorughout (and from his other work to see it as well)! What a great couple of sons I have!
All week I have been taping segments that will join together to show how its done and I will do a voice over script.
A box full of simple shapes ready to place on the sampler that I cut with my Accuquilt Go! cutter using five different dies I bought for other projects.
Here are the dies I am using for this overall project.
This has involved my sewing on my ssampler quilted wall hanging that is the subject of the first three videos. So I am taping a little while I sew, sewing a lot in between, and taping a little more. I do not think I could do this well in one continuous live presentation like I tried to do with the video I first made. If I were to go live, it would involve a little live and a little pretaped bits. (My current work jingle: sew a little, film a little, talk a little, sew sew sew) ???
Sew happy everyone! Shortly I will drop the discussion of making the videos and go back to mostly fabric art talk. I thought you might want to know why I wasn’t producing a lot of fabric art, but that has begun again! Finally! Cheers.
I don’t know about you, but I always feel when we cross into November that we have started a new sewing and quilting year. There is a kind of feeling that it’s time to buckle down and get to sewing and enjoy fall and winter celebrations. This year in particular I feel I need some cozy stitching projects.
I think it is my favorite part of the year from now through the new year. Then we get to the flowers of spring. All of this can be used in decisions for sewing and quilting project as a kind of badly needed peaceful comforting after such a difficult period. This cozy season can be celebrated even as we continue to deal with the pandemic because we have the distinct advantage as people who sew and quilt of the 21st century of online classes, YouTube videos, and virtual quilt shows. Luckily for this time many of us have a large stash of both fabric and thread (and fabric paints, markers, and crayons). Then I am blessed with a marvelous setup in my studio with my sewing machines, plus I am “retired” to add to the anticipated fun of this season so I can spend hours a week sewing, quilting, and videoing my progress. Thank the Lord!
Sew what are you doing or planning to do during this sewing and quilting time?
What are your favorite fabrics to work with. For me, it is difficult to say. Today’s good quality fabrics all have wonderful properties and if we are fabric artists we can use them all in interesting ways.
Right now I am in a kind of wool period, but make no mistake I am also thinking about and planning on projects that will use silk, cotton, faux leather, and yes, even polyester.
Wool has a depth of character, hides mistakes well, and shapes with steam. If it is felted wool or felted wool blends it does not even require edge finishing to prevent raveling. And all in all it provides comfort and warmth if we want to make it into jackets, coats, or other fun items.
Cotton is so versatile in so many ways. But mostly I think of two things when I think of cotton…quilts and shirts. Even if working a quilt top primarily with wool I often pair it with cotton on the back to provide stability and lower the cost of the project, although cotton is almost as high as wool these days. Cotton is my go to fabric for making shirts and blouses. I love cotton and always will.
And then there is the queen of fabrics that is silk. Anywhere from rustic raw weaves to magnificent silk dupionis, satins, and brocades. I have a fair bit in my stash and I think I must use it over the next year. I count silk/cotton blend Radiance as part of my silk stash. It’s so beautiful and I keep it carefully for mostly quilted wall art, but I will make a special blouse from it or line a wool jacket with light weight silk. Wonderful stuff (as in the proper use of the word “stuff”)
Rayon is something I like the qualities of for clothing, but don’t use it very much. It has a lot of drape and beauty. I have a piece or two in my stash and will likely use it for clothing. But be certain I will wash/shrink it first. It shrinks dramatically. I once made a beautiful blouse and skirt set and failed to prewash. I loved it and it shrunk several sizes when I washed it. That was early in my sewing life.
And gasp! I love polyesters, especially crepe back satins and polyester dupionis. The addition of a little polyester in blends can lower the price and add washability and other good qualities to fabrics making them great for nearly everything. I just made a quilt entirely from polyester, except I backed and bound it with cotton. Out of Mom’s Workbasket, my most recent quilt. Polyester is made from a natural product…oil…and though it is sometimes called “plastic”, which I suppose it technically is, that is normally intended as an insult and displays a bit of ignorance of the wonderful qualities of polyester fabrics and threads. They seldom bleed their colors, they come in fabulous rich colors, weaves, and colors, they don’t shrink (both a positive and a negative depending). To add to that they are easy on the budget. In short they deserve more respect in the sewing and quilting world.
Test sampler I made from polhyester before starting my Mom’s memory quilt.
Oh, don’t forget leathers, and faux leathers and suedes. I made my youngest son a beautiful faux leather waterproof coat last winter. He hasn’t worn it much because I didn’t finish it until kind of late in the season. I have seen leather quilts. I have not seen faux leather and faux suede used in quilts. I might change that one. I have a beautiful piece of faux suede to make myself a nice jacket. We’ll see if I can fit it in.
So I suggest and plan on myself hunkering down and getting cozy with the sewing machines to use up some of my big stash. It’s a good plan, don’t you think?
Sew happy everyone! Evaluate your stash and plan your sewing season if you haven’t started already.
Hi dear readers. I am pretty excited because I have finally gotten a good start on my wool applique project and have made a decision about what I will work on for my secondary project.
Test and practice piece I made to make some decisions before starting the actual project.
So today I pulled together all the pieces I have had around the studio for a while that are available for my wool project. I was pleased to find my packages of felt that I had bought some years ago are fine melton wool felt . These are mostly two unused packages of a variety of colors I bought them from Nancy’s Notions probably 7 or 8 years ago and they are in wonderful shape. They don’t have these now, so I recommend Sue Spargo sets such as the blue set or the red set I highlighted available on Amazon.
Here are the melton wool pieces I will be using for this project. The background reddish brown piece is richer in color than it appears in this picture. It is one of the new pieces I ordered from a tailoring supply place in California. The smaller precuts were purchased years ago in multicolored packs and are also melton wool felt.
I have several gorgeous melton wool pieces in one yard cuts that I ordered about a month ago. Since the wool applique projects I am making for my book and videos are small, these 60 inch wide one yard cuts will make two or even three of the projects background pieces, a test piece, and are likely to have small leftover bits that can be added to the smaller pieces for the appliques.
Detail showing some of the decorative stitching.
I have also been identifying where to find the supplies for people who want to make these projects themselves. I will share those with you at some later point once I figure it all out.
A detail from the test piece showing how well the applique is stitched on by machine with almost no visibility of the stitches.
I have some interesting hand woven placemats I bought somewhere sometime years ago and decided they were not going to work for placements for me, but they were really interesting handwoven look. I don’t know the fiber content though I think it is cotton and wool, and I can’t even remember when or where I bought them. I washed and dried them by machine and they came out in good shape. They will be an interesting addition for appliques I can use in the future or for the show quilt I am planning on making at the end of the great wool project. Before I cut them out, they will have to be backed with interfacing and/or Steam-a-Seam fusible, which kind of acts as a stabilizer and will keep them from fraying. I will show those to you when I figure where and how to use them.
Additional detail stitching. I am saving a library of these stitches as I have them set in the files on my Bernina 880 Plus. I have had this machine for about a year now and the more I use it the better I like it. It’s amazing.
Sew I have made a couple of decisions for studio activities for the future. I plan on making a new deep space quilt as my second project to work on for when I need a break from the wool project.
Spiral Galaxy No. 3 one of my deep space quilts.
I always want two projects going at once to give my mind and sewing muscles differing things to do from time to time. The neat thing is that deep space quilts are made almost entirely free motion with angelina fibers, a little bit of painting, and hot fix crystals. That means it will mostly be done in Studio Fritz the room where my Bernina Q20 longarm sitdown machine (Fritz) resides. While the wool project will mostly be done in Studio Gibbs where my Bernina 880 plus (Odette) lives and where my cutting/painting/whatever island is. I also plan a bit of needle punching with my little Bernina 350 for which I have the needle punch attachment. That, too, will be part of my book and video projects.
A Word About the Future of the Craft of Sewing
Okay. I know I said two decisions. The second one is to figure out the direction for my work for the future. I decided I don’t want to do online live classes like on Zoom, but I will do some hopefully enjoyable videos and put them on YouTube. I have been and still am a studio artist and this is my main focus. I did do some local classes at G Street Fabrics, and was kind of considering entering the larger teaching circuit, but that avenue is no longer available at the moment. I had found it so much work and it barely paid me back for the work and expenses I invested in the classes. I loved it and glad I had the experience, but I won’t be returning to in person teaching.
While I still very much wish to share what I have learned, I am going to do this by writing books and making videos and perhaps the occasional trunk show if invited. I will continue to work in my slow way toward these goals.
I don’t know if the quilt shows will fully come back for years. I am going to still make professional show-quality art quilts, and capture the making of them in videos and blogs and books. If the in-person shows come back, I will then have some to enter just for fun, but I’m not going to stop making them. I don’t know what I will do with them beyond that and giving them away here and there or selling one every so often and enjoying them myself.
Don’t worry when you hear of shows closing and people changing their current paths in the quilting or sewing world. The sky is not falling. There even appears to be some new interest in sewing and quilting brought on by people making masks and experimenting with sewing during the pandemic. Sew if you have the opportunity, teach someone to sew even if it is remotely. As Becky Thompson on her YouTube Vlog Power Tools with Thread likes to say “Go sew something!”