Designing New Projects

In addition to my coming YouTube class on Wool Applique and Embellishment by Machine, which I am hopeful will be out in early December, I have begun working on new project designs. Amazingly I don’t really have any UFOs floating around the studio, except my bed applique quilt using a Sue Nickel’s pattern that I have been working on periodically for more than a year.  I would call that more of a work in progress than an unfinished object, though.

What I do have is a very long list of planned fabric art projects that I hope to also include in my youtube video channel.  This has certainly given me a different viewpoint on my project plans when I am considering using the resulting fabric art piece or pieces in multiple ways including not only competition as in the past, but also sharing some parts of the projects on videos and in books.  While I have the concept for a major work for competition underpinning my design thoughts, I also am thinking of pulling some samplers and small works from the same project to include in books and videos.

In the case of the great wool project, I have kind of been working in the other direction of building the samplers, videos, and book first and I am now coming up with a design for a major competitive work using these techniques.  I already know what I am thinking of doing for that, but I haven’t got the design drawn up yet. I have pieces of it drawn, but not the overall design.  So I am working on that.  It’s exciting.

Considering that I want to rapidly launch a number of videos along the way, I am sorting through my long list to figure out the next video/competitive piece project.  I am thinking it should center around free motion thread and decorative elements work and quilting.  It may involve using a preprinted commercial panel, but I am not sure of that yet.  So this is what I am playing around with in my design work right now.  The overall design is always the thing that takes the most time for me.  I know that a lot of fabric artists can just sit down and draw something, but for me it is a struggle.  I have a concept in my mind, but getting it out of there into a form I can use to work on is always challenging.  But it is still lots of fun.

Wool Project and Videos Update:

 

Sampler one part one. Here we have the simple shapes of the sampler in place, ready to begin the second part of embellishment/embroidery.

For contextt…here is my test and practice piece using the same dies. There will be a lot more  special stitching though.

So my dear oldest son Ken saw how I was struggling to get setup to do videos in a massive tangle cords and equipment and he came to my rescue.  He has installed some brackets around my studio so I can quickly attach a camera or a light where I need it. He has given me some instruction on the use of lights and a new light and diffuser. So with all of that, he has reduced my setup work and taken down the time from a full day of setup to a few minutes.  The first video segments I am working with from this are also much better lit and easier to see overall.  It’s amazng the difference careful planning and assistance can make!

Later he is coming over to help me with the audio so, unlike my original video that I removed from YouTube, you should be able to hear it well thorughout (and from his other work to see it as well)!  What a great couple of sons I have!

All week I have been taping segments that will join together to show how its done and I  will do a voice over script.

A box full of simple shapes ready to place on the sampler that I cut with my Accuquilt Go! cutter using five different dies I bought for other projects.

Here are the dies I am using for this overall project.

This has involved my sewing on my ssampler quilted wall hanging that is the subject of the first three videos.  So I am taping a little while I sew, sewing a lot in between, and taping a little more.   I do not think I could do this well in one continuous live presentation like I tried to do with the video I first made.  If I were to go live, it would involve a little live and a little pretaped bits. (My current work jingle: sew a little, film a little, talk a little, sew sew sew) 😄😄😄

Sew happy everyone!  Shortly I will drop the discussion of making the videos and go back to mostly fabric art talk.  I thought you might want to know why I wasn’t producing a lot of fabric art, but that has begun again! Finally!  Cheers.

 

Cosy Sewing Season

I don’t know about you, but I always feel when we cross into November that we have started a new sewing and quilting year.  There is a kind of feeling that it’s time to buckle down and get to sewing and enjoy fall and winter celebrations. This year in particular I feel I need some cozy stitching projects.

I think it is my favorite part of the year from now through the new year.  Then we get to the flowers of spring.  All of this can be used in decisions for  sewing and quilting project as a kind of badly needed peaceful comforting after such a difficult period.   This cozy season can be celebrated even as we continue to deal with the pandemic because we have the distinct advantage as people who sew and quilt of the 21st century of online classes, YouTube videos, and virtual quilt shows. Luckily for this time many of us have a large stash of both fabric and thread (and fabric paints, markers, and crayons). Then I am blessed with a marvelous setup in my studio with my sewing machines, plus I am “retired”  to add to the anticipated fun of this season so I can spend hours a week sewing, quilting, and videoing my progress. Thank the Lord!

Sew what are you doing or planning to do during this sewing and quilting time?

What are your favorite fabrics to work with.  For me, it is difficult to say.  Today’s good quality fabrics all have wonderful properties and if we are fabric artists we can use them all in interesting ways.

Right now I am in a kind of wool period, but make no mistake I am also thinking about and planning on projects that will use silk, cotton, faux leather, and yes, even polyester.

Wool has a depth of character, hides mistakes well, and shapes with steam.  If it is felted wool or felted wool blends it does not even require edge finishing to prevent raveling.  And all in all it provides comfort and warmth if we want to make it into jackets, coats, or other fun items. 

Cotton is so versatile in so many ways.  But mostly I think of two things when I think of cotton…quilts and shirts.  Even if working a quilt top primarily with wool I often pair it with cotton on the back to provide stability and lower the cost of the project, although cotton is almost as high as wool these days.  Cotton is my go to fabric for making shirts and blouses.  I love cotton and always will.

Canterbury Silk.

And then there is the queen of fabrics that is silk.  Anywhere from rustic raw weaves to magnificent silk dupionis, satins, and brocades. I have a fair bit in my stash and I think I must use it over the next year.  I count silk/cotton blend Radiance as part of my silk stash. It’s so beautiful and I keep it carefully for mostly quilted wall art, but I will make a special blouse from it or line a wool jacket with light weight silk.  Wonderful stuff (as in the proper use of the word “stuff”)

Rayon is something I like the qualities of for clothing, but don’t use it very much.  It has a lot of drape and beauty.  I have a piece or two in my stash and will likely use it for clothing.  But be certain I will wash/shrink it first.  It shrinks dramatically. I once made a beautiful blouse and skirt set and failed to prewash.  I loved it and it shrunk several sizes when I washed it.  That was early in my sewing life.

And gasp!  I love polyesters, especially crepe back satins and polyester dupionis.  The addition of a little polyester in blends can lower the price and add washability and other good qualities to fabrics making them great for nearly everything.  I just made a quilt entirely from polyester, except I backed and bound it with cotton.  Out of Mom’s Workbasket, my most recent quilt. Polyester is made from a natural product…oil…and though it is sometimes called “plastic”, which I suppose it technically is, that is normally intended as an insult and displays a bit of ignorance of the wonderful qualities of polyester fabrics and threads. They seldom bleed their colors, they come in fabulous rich colors, weaves, and colors, they don’t shrink (both a positive and a negative depending).  To add to that they are easy on the budget.  In short they deserve more respect in the sewing and quilting world.

Test sampler I made from polhyester before starting my Mom’s memory quilt.

Oh, don’t forget leathers, and faux leathers and suedes.  I made my youngest son a beautiful faux leather waterproof coat last winter.  He hasn’t worn it much because I didn’t finish it until kind of late in the season. I have seen leather quilts.  I have not seen faux leather and faux suede used in quilts.  I might change that one. I have a beautiful piece of faux suede to make myself a nice jacket.  We’ll see if I can fit it in.

The coat.

So I suggest and plan on myself hunkering down and getting cozy with the sewing machines to use up some of my big stash. It’s a good plan, don’t you think?

Sew happy everyone! Evaluate your stash and plan your sewing season if you haven’t started already.

 

Wool Applique and Other Things

Hi dear readers.  I am pretty excited because I have finally gotten a good start on my wool applique project and have made a decision about what I will work on for my secondary project.

Test and practice piece I made to make some decisions before starting the actual project.

So today I pulled together all the pieces I have had around the studio for a while that are available for my wool project.  I was pleased to find my packages of felt that I had bought some years ago are fine melton wool felt .  These are mostly two unused packages of a variety of colors I bought them from Nancy’s Notions probably 7 or 8 years ago and they are in wonderful shape. They don’t have these now, so I recommend Sue Spargo sets such as the blue set or the red set I highlighted available on Amazon.

Here are the melton wool pieces I will be using for this project. The background reddish brown piece is richer in color than it appears in this picture. It is one of the new pieces I ordered from a tailoring supply place in California. The smaller precuts were purchased years ago in multicolored packs and are also melton wool felt.

I have several gorgeous melton wool pieces in one yard cuts that I ordered about a month ago.  Since the wool applique projects I am making for my book and videos are small, these 60 inch wide one yard cuts will make two or even three of the projects background pieces, a test piece, and are likely to have small leftover bits that can be added to the smaller pieces for the appliques.

Detail showing some of the decorative stitching.

I have also been identifying where to find the supplies for people who want to make these projects themselves.  I will share those with you at some later point once I figure it all out.

A detail from the test piece showing how well the applique is stitched on by machine with almost no visibility of the stitches.

I have some interesting hand woven placemats I bought somewhere sometime years ago and decided they were not going to work for placements for me, but they were really interesting handwoven look.  I don’t know the fiber content though I think it is cotton and wool, and I can’t even remember when or where I bought them. I washed and dried them by machine and they came out in good shape.  They will be an interesting addition for appliques I can use in the future or for the show quilt I am planning on making at the end of the great wool project.  Before I cut them out, they will have to be backed with interfacing and/or Steam-a-Seam fusible, which kind of acts as a stabilizer and will keep them from fraying.  I will show those to you when I figure where and how to use them.

Additional detail stitching. I am saving a library of these stitches as I have them set in the files on my Bernina 880 Plus. I have had this machine for about a year now and the more I use it the better I like it. It’s amazing.

Sew I have made a couple of decisions  for studio activities for the future.  I plan on making a new deep space quilt as my second project to work on for when I need a break from the wool project.

Spiral Galaxy No. 3 one of my deep space quilts.

I always want two projects going at once to give my mind and sewing muscles differing things to do from time to time.  The neat thing is that deep space quilts are made almost entirely free motion with angelina fibers, a little bit of painting, and hot fix crystals.  That means it will mostly be done in Studio Fritz the room where my Bernina Q20 longarm sitdown machine (Fritz) resides.   While the wool project will mostly be done in Studio Gibbs where my Bernina 880 plus  (Odette) lives and where my cutting/painting/whatever island is.  I also plan a bit of needle punching with my little Bernina 350 for which I have the needle punch attachment. That, too, will be part of my book and video projects.

A Word About the Future of the Craft of Sewing

Okay.  I know I said two decisions.  The second one is to figure out the direction for my work for the future. I decided I don’t want to do online live classes like on Zoom, but I will do some hopefully enjoyable videos and put them on YouTube.  I have been and still am a studio artist and this is my main focus.  I did do some local classes at G Street Fabrics, and was kind of considering entering the larger teaching circuit, but that avenue is no longer available at the moment. I had found it so much work and it barely paid me back for the work and expenses I invested in the classes.  I loved it and glad I had the experience, but I won’t be returning to in person teaching.

While I still very much wish to share what I have learned, I am going to do this by writing books and making videos and perhaps the occasional trunk show if invited.  I will continue to work in my slow way toward these goals.

I don’t know if the quilt shows will fully come back for years.  I am going to still make professional show-quality art quilts, and capture the making of them in videos and blogs and books.  If the in-person shows come back, I will then have some to enter just for fun, but I’m not going to stop making them.  I don’t know what I will do with them beyond that and giving them away here and there or selling one every so often and enjoying them myself.

Don’t worry when you hear of shows closing and people changing their current paths in the quilting or sewing world.  The sky is not falling. There even appears to be some new interest in sewing and quilting brought on by people making masks and experimenting with sewing during the pandemic. Sew if you have the opportunity, teach someone to sew even if it is remotely.  As Becky Thompson on her YouTube Vlog Power Tools with Thread likes to say “Go sew something!”

Looking Forward to Some Sewing and Quilting

Hi y’all.  I have pretty much figured out the video making puzzle and have all the things lined up for that, and now I need to do some additional work on the fabric art projects I am planning to use for my videos before I can start this up.

So, with a lot of happiness, I decided I will spend the whole next week at least just “working” on fabric art.  I will be taking progress photos and probably small snatches of videos as I do this, of course, but mostly I will be playing in my studio with fabrics and threads.  I’m so glad I don’t have a deadline!

The question is, what am I going to work on now?  Well, I have the wool applique by machine project and I also want to start up one of my many planned items I already designed in the free motion/quilting arena.  It should be fun and I hope very soon to share the fun with you in my planned videos on YouTube.

One of the things I have found really fun while I was working on the video equipment was to watch old Sewing with Nancy shows.  I think I have found nearly all of them now to watch on my tv or computer monitor.  Pfaff has put her original older ones on YouTube where she used Pfaff machines (search for Pfaff Talk and you will probably see it there).  They nicely bunched all the parts of a subject into one longer video, which is nice. In searching for “Sewing with Nancy” on my Roku, I also found I could place a PBS link on my Roku that has the Wisconsin PBS collection of her shows they have.  They are organized by season going back to about the time she switched away from Pfaff to the BabyLock that her company owned.  I believe that almost covers her entire production, though there may be more.  There is a huge wealth of great shows between these two sources and I have been having a lot of fun having that on while I worked.  She was an amazing woman who gave us sewists a lot.  I miss her though I only met her briefly once at a quilt show.

Sew I am taking a full break today.  I sold one of my two cars yesterday to one of those companies that buys cars, because we were having trouble keeping the battery charged and running since we used it so little.  They gave me a fairly good deal on it.  Both my son and I work from home and we simply don’t need more than one car between us.

That was an almost surreal adventure.  I found I had a flat tire when I got there. It drove fine all the way there except I had noticed a little bumpiness at one point that I chalked up to the road. David was driving the car I sold, and on the way the EZPass in that car decided it was time for the battery to quit working and he had to stop and pay the toll with a credit card, and then I got there and realized I had left my wallet behind!  I never do that.  But I had put it down to grab my mask and forgot to pick it back up.  So we got the AAA to come and fix the tire, which apparently is not damaged in any way, and we discovered the other car had a low tire too!  Odd, don’t you think?  Suspicious?  He pumped up that tire too, which also did not appear to be damaged and David drove me back to pick up my wallet and we went back and completed the sale.  It was trying and tiring, but we came home all safe and sound.

Sew after a tough week that also included having my dishwasher die and getting a new one installed on Wednesday, as well as the real work of figuring out all that video equipment, and then to be topped off with the difficult day yesterday, I decided to just goof off today and pick up again tomorrow after church (I watch our church service online, even singing the songs, giving the responses aloud, and so forth. That helps make it more real).

Despite it all, this difficult week ends up with a nice new dishwasher, a check for the car, and my video equipment and methods figured out and ready to use with charged batteries and downloaded manuals on how to use the equipment, and I even made progress on learning the editing software.  Thank the Lord!

Sew happy everyone!  I’m really ready for some time playing with fabric and threads.  How about you?

 

 

Preparing to Make Videos in a Tangle of Cables and Technology

Sew I have spent the whole last week working toward getting set up for VLOG’s that I plan to periodically publish on YouTube. I thought in the beginning I would be able to do the setup in a couple of days at most, but there were so many things my test videos revealed that needed attention…placement of the cameras, sound quality of the recordings, doing the demonstration of the sewing around the cameras, poor skill of the presenter (me).  I have finally managed to get a setup of two of my three cameras at my Bernina 880 plus and an additional setup at my Q20 so that you can see me fairly well, and it doesn’t emphasize my age too very much like my first try did.  I got the front camera placed so you can see the stitching going on relatively well and it doesn’t get so much in my way so I can’t really work.  For instance, it doesn’t get in the way of threading my machine like one of my tries did.  I think that front camera will also be a little adjustable so if you need to see the screen and buttons on the machine that will be possible. The third camera will be placed on an overhead gadget my son Ken put together for me.  That has to be installed first though.

Through a little YouTube research on the camera gear, I finally figured out I was missing a small piece of equipment that is designed to improve the sound quality between the camera and the microphone.  I ordered that from Amazon and it will presumably arrive early next week.

Besides getting the equipment set up, I realized I need to do considerable practice for my videos to flow nicely and be enjoyable.  I am not a natural presenter, so I have to work at that a bit. I am also working on getting my video editing with multiple cameras up to par. So I am guessing it will be another couple of weeks before I start publishing videos on YouTube, but I am thinking I have made a lot of progress so far.

In the meantime, I am working on my book and downloadable handouts to accompany some of these videos.  I kind of wish, in a way, that I could just drop all of this and go make a fun piece of fabric art.  But I think once I get it all set up I CAN go make a fun piece of fabric art and include my quilty friends that are interested in the process with my videos.

I am still very excited about my wool applique by machine overall project that inspired all of this in the first place.  I so far have five skill-building pieces outlined and some are completely written in my book manuscript.  I need to make the samples for that.   After that, I am planning on additional books encapslating some of my somewhat unique techniques that draw heavily on machine work.  So this is just the necessary not-so-fun part right now and I’ll get over that hump shortly.

I really admire those of my friends who so successfully create their teaching videos with seeming speed and grace.  My process is much more bumpy and slow.  LOL

Sew happy everyone! Have fun in your studios this week.  I love watching a lot of my quilty friends videos.  They help keep me cheerful.  Cheers.

Interfacings or Stabilizers?

So recently a friend of mine asked me about the use of interfacings and  stabilizers and what was the difference. I consider interfacings and stabilizers both indispensable in fabric art creating of various types.  They make the difference between a successful project and a lackluster or even failed piece. Understanding them is one of the basic skills for everything from fashion sewing to quilted art.  I can fully understand her need to know more about them.

The Byzantine world of stabilizers and interfacings can be very confusing,  because there are so many of them and they all have different uses.  Adding to the confusion is all the different brands that are out there and may call them something different and what do they mean by “lightweight” anyway?

The Back Wall of Home Dec Fabrics at G Street Fabrics

First of all, let’s discuss her question of what is the difference between interfacing and stabilizer.

  1. Well, for one thing, stabilizers do not always stay in the project, but sometimes they can.  They are largely designed to assist in making machine embroidery work both in the hoop and free motion thread painting.  They are also useful for decorative machine stitching.
  2. What makes this confusing is that interfacings can also serve as stabilizers but they are designed to remain in the project and interfacings often look like stabilizers.
  3. You may need both or even two or more for specific projects.
  4. You can even use spray starch or other spray products to work as stabilizers.
  5. And then there are those clear plastic looking stabilizers of varying weights made with corn starch or similar ingredient that washes away.  They have a variety of interesting and helpful uses in the fabric artist’s studio.
  6. Interfacings provide stability for fabrics that have a tendency to disintigrate, spread the stitching, or simply need a heavier hand for the project you are making.  They help to properly shape clothing, and is particularly required for any high-end sewing like fine couture sewing, tailored garments, wedding dresses, simple dressmaker jackets or vests, and shirts with buttons and collars.  I use interfacings extensively in both my clothes making and art quilting to make my wide selection of fabrics work together.

Sew I am focusing this discussion by using popular brand names  just because it is easy to identify and I know from using them they are a good product, but there are other brands that are also fine and some that are just terrible (shrinking, bubbling, wadding up with use). Buy a good grade of these products so your project will be successful.

Interfacings

I have a handful of stabilizers that I keep stocked in the studio so I have them when the need to sew or quilt hits me in the middle of the night and it also helps to save lots of time.  Also by stocking, I can save a lot of money by buying them when a good sale goes by. There are a large number of Pellon interfacings, but I try to keep at least three yards available of these four weights of interfacings. I buy the first two of these by the bolt when they are on sale because I use a lot of them.  They are usually much cheaper–three or four times cheaper–by the bolt, and even more if you hit a good sale.

  • For stabilizing (there’s that word that helps make this all so confusing when talking about interfacings) such fabrics as silks, very light weight cottons, dupioni  and satin polyesters, specialty fabrics, and to use for some wool or wool like tailoring fabrics, I stock a woven fusible lightweight interfacing like SF101 Shape Flex by Pellon  This nice woven interfacing does not have much affect on the hand of the fabric and, if quilted, it causes the fabric to drape better and to be smoother and more attractive. It can be used for shirt making also, but you may want to use a heavier weight for more tailored shirts.  I would not use this as a rule on good quality quilting cotton unless you are making a shirt or dress out of it.
  • For an even lighter hand (fabric drape and feel) backing up fabrics that need a little help, such as high quality silk dupioni or cotton lawn I like one of the nearly sheer nonwovens, such as Pellon 906F sheerweight. This particular interfacing is scarce right now because it is one of the choice interfacings for making masks more effective.  So I linked to a pretty good price for the bolt.
  • For a little heavier interfacing that you might want to use for crisper collars in tailored shirts, or costumes, for instance, I like Pellon 931td Some people are using this for mask making also, making it a little scarce, but I think it is just too heavy to comfortably breath through for me.
  • For bag making or some such with leather (artificial or otherwise) or heavy upholstery fabrics when you want to quilt it I use Pellon’s naked foam. I thank Nina McVeigh for alerting me to this product on her fascinating The Quilt Show show (if you aren’t a member, you are missing a lot).  I layer it with the leather or heavier upholstery fabrics and add a cotton backing fabric.  This is approaching a batting discussion that will be a future blog post, but I felt it also fits well in the interfacing discussion too.
  • For high-end tailoring, especially with wool projects like coats and jackets I usually, but not always, move away from Pellon and use mostly Hymo.  Note that I have already run a few blogs about tailoring coats, and plan on making a wool slacks suit and a raw silk tailored jacket for this fall and winter and will blog the making of those, since I have some beautiful fabrics on hand that I should use before they age out.  You can easily obtain high quality and varying weights of these from tailoring supply houses online.  I generally buy these by the project.  So you will want to first consult your pattern or a tailoring book to get the right thing.   Here is a link to A group of Hymo tailoring interfacings especially good for wools from B. Black and Sons a wonderfully supplied company where I buy my tailoring supplies:  Hymo
  • And B. Black also has these lovely canvas/cotton interfacings that I have used with success for non-wool or light summer tailoring:  Canvas/cotton.

Stabilizers

I use several different stabilizers for my fabric art projects and even for embellished clothes, but I only stock a few of them because they could take over my storage space otherwise.

  1. The primary stabilizer I use for my in-the-hoop embroidery and free motion thread painting for my quilted art pieces is either OESD’s Ultra Clean and Tear Fusible or Madeira Cotton Stable, which I have a slight preference for but it is increasingly hard to find and has gone up in price. Both of these stabilizers give the fabric enough stability to take a higher amount of stitches than most of the stabilizers will do and they both tear away easily after stitching while remaining in place when you are stitching.
  2. A heavier film wash away stabilizer, such as OESD’s Badgemaster,  and a slightly lighter film stabilizer Madeira Avalon is especially useful in the studio.  I use both Madeira and OESD film stabilizers.  Washing it away can be interesting.  It’s like a science fiction slime creature at first…hahaha.  I just soak it in clear cold water and then rinse it well in running water.

I really like OESD’s Aqua Mesh Washaway, that looks like an interfacing, works well for marking designs on,  and easy to use for stitching a free-standing thread motif, applique, or free standing lace.  In such cases I will almost always add a layer of black  or white nylon tulle on top and a double layer of Aqua Mesh Washaway.  Then when you rinse it away, your piece will hang together and you just cut closely around the veiling, which basically disappears to your eyes on the fabric you applique it on to. Black veiling or matched to the background veiling works well for this. It is especially useful when you are embroidering or even free motion couching cords and yarns to build a heavy design to make them free from the main project and applique them on.  It helps deal with the pull and keeps your main project nice and flat.

I embroidered this freestanding lace star on blue nylon veiling with a double layer of wash away stabilizers and then appliqued it on.

Fusibles can act as a stabilizer/interfacing

And don’r forget that when you are making a fused on applique for a wall project, for instance, you may wish to keep the fusible whole rather than windowpane it if you are going to do a lot of heavy stitching on it later.  Then it acts just like a combination interfacing and stabilizer that does not get removed from your project. So you have to give some thought to how you are going to complete the project and how it is going to be used to decide whether to windowpane (cutting out most of the middle of the fusible leaving just the edges) to maintain a soft drape or is it a good idea to use the fusible whole.

There are several high quality fusibles on the market and everyone seems to have their own preferences.  I personally prefer steam-a-seam 2 with the two sides of paper.  One side has one inch squares on it and that’s the side that you draw your design on, cut roughly around the design about 1/4 inch away, peal off the plain side, stick the side with the grid and the drawing onto the back of your fabric, and cut it out. After that you remove the paper and you have an applique with a lightly sticky side that you can move around until you have it just right before hitting it with a steam iron that glues it in place ready to stitch.

Sew happy everyone!  This blog took me too long to write because I was trying to identify what I felt were the best links to online resources.  If, however, you are fortunate enough to have an open fabric store that carries these good products near you, then bless them with your purchases there.  Blessings to everyone.  Have a wonderful time in your studios!  Feel free to ask questions. I might know the answer.

 

 

 

 

 

 

Sizzling Hot in the Studio

We certainly are having a heat wave! My studio Fritz is the warmest room in my home.  This is where my longarm sitdown Bernina Q20 and my computer setup lives. I also have Studio Gibbs, where I store my fabrics and where my Bernina 880 Plus lives, and there is little Studio Betsy, where my little Bernina 350 and my old Baby Lock Serger lives in one part of my bedroom.  These rooms are all on the top floor of my home. It’s over 100 outside, supposedly it feels like 117 here in Ashburn, Virginia, right now and is very humid. Our AC is good, but is struggling to keep up for the upper floor.

So I am working down in my main level on my laptop writing this blog and doing some planning for some videos for YouTube I hope to make. I finally have gathered all the cameras, software, and so forth I need for that and am currently getting it all setup and figuring out how to run it all.

  • I now have three cameras and several tripods and clamp-on holders.
  • My son Ken gave me two of the cameras and a gadget he made with a remote that attaches to the wall so I can focus one camera over my island where I cut, do some paint/dying, and can even set up some ironing.  That will allow me to show a lot of things flat from above.  I still have to install that on the wall, but that should be easy and I will probably get that done tomorrow.
  • I will be able to use two cameras surrounding wherever I am working, which is always a great help when you are trying to show techniques involving sewing.
  • I have a nice video editor from Corel that I have been studying how to use and trying to set up some templates for the videos. This allows me to use multiple cameras in a single video.
  • I also now have a webcam, a clip on microphone, and  even some stuff I haven’t yet figured out that Ken gave me. hahahaha  I think some of it assembles into a device that I can hang a background or a green screen on.

I guess when you ask a tech-oriented family to help you get setup for videos, they think well beyond your own simple thoughts into a reasonably professional production set for the self producer.  LOL.  I may need some help doing some of the videos, but I think I will be able to do most of them alone once all is set up.  I’m hoping to get this all done this week, but we’ll see.

It is a great blessing, and I am thrilled, but it is taking me some time to figure it all out.  I figure I need to do some plans…not really a script but maybe some talking point and gather the pieces for the projects and other videos I will be showing.  I’ve been planning this for several years and am finally getting it all put together.

So in the late afternoons when it is too hot upstairs I will work on scripts or guides or whatever they should be called.

That’s probably more than you ever wanted to know about my production setup, but at least I have it all recorded so I can possibly figure out what I’m doing…hahaha.

My plan is to produce videos, books, and downloadables for intermediate to somewhat advanced people interested in advancing their fabric art/quilted art.  After doing some research there appears to be a plethora of these informative things for beginners, but a bit of a gap for the intermediate and above people.

I will be presenting what I have learned over the past sixty years of sewing and sixteen years of quilting (overlapping), while acknowledging there are many ways of doing things but these are the techniques I like.  I feel compelled to share this before I age out to the point I can’t.  Some of it will be free, and some will be for sale at reasonable prices.  I hope to get this fully launched at least by September, and there will probably be a few videos within a few weeks.

These are the main categories I am planning on addressing:

  1. Working with a sitdown longarm…quilting, free motion thread work, couching, and a few specifics for the Bernina Q20.
  2. Using high end sewing machines with all those wonderful things they open up to the fabric artist, going beyond the obvious.
  3. What you can do in-the-hoop embroidery and more on the Bernina software V8 to go along with my book I already have published.
  4. Projects that use multi media techniques and/or take advantage of a studio that has both a high-end 9 mm sewing machine and a sit down longarm and even occassionally includes a little 5 mm sewing machine.
  5. I am hoping to develop workbooks, project books, and patterns for sale to go with some of this. I’ve been working on these this past year but I still have a ways to go,

So there you are.  I will not be teaching out of my home for some time, so I thought it was really time to push forward with this plan that has been in my thoughts for years.

Sew happy everyone! Let me know if you have a particular technique or some such you wish you could learn more about.  Maybe I can work it in.  Stay happy everyone…go do some sewing or drawing or reading or watching of videos or just chilling. Cheers.

 

Risk Taking in the Studio

Test sampler I made before starting my Mom’s memory quilt.

When I make a show quilt I have a variety of steps that can be a little bit scary, even if they are also fun. I have to take the risk or I would never accomplish the things I want to do. It doesn’t seem to matter how much I pretest, when I am actually working through the quilt project, things come up that are unexpected and must be either corrected or otherwise dealt with.  I am currently trying hard to finish my Mom’s memory quilt, which proves my point.  It has been a real challenge from the start and seems even more so the closer I get to the end.

Sew I finished the loooooooooong period of heavy quilting, unquilting, quilting, unquilting, quilting.  Each part of the quilt had a different sort of quilting that required much thought and practice, but even so, I have not been as happy with it as I had hoped.  I have been working on this quilt for mny hours over the course of a year.  The top looks really pretty good, but I am not as happy with the back.  Still, I love the quilt.

Today, I have been painting the flowers and birds on the white satin that I spent mnths quilting.  The painting is going fairly well on the top, but a few spots have soaked through to the white back.  I think I have control over that now and will not have any more soaking through, and if so, I can use the upper corner where that happened as the place to put the additional label I have planned for all along that will give a little bio and a picture of my mom.  I don’t think I can get away with more thanone of those, however…lol.  So if I do have more trouble with soaking through, I will have to color the back flowers and leaves using something that I know won’t soak through like fabric crayons, which would look nice, but I would rather not do that.  Hopefully I will be able to complete the painting without additional problems of the paint soaking through (I got my brush too wet).   Before I started this I made the sampler above and had no problems with the paints soaking through.  I have painted after quilting on many quilts, and I am pretty sure it was just that I got my brush too wet. Sigh!

Earlier this week we (or rather my son David, who is in control of  our washer that is on his level in our townhome..lol) washed the quilt to get the Crayola washable gel pen markings out of it and set it up for blocking.  I  had told him to wash it on the hand wash cycle with cold water and Wooolite.  It did not entirely come out.  I have to say I was stressed over that.  But anyway, he rewashed it another time using the same directions and more of it came out but not all.  So I suggested warm wash with Synthrapol, and then it all came out.  It also did not damage it in any way and looks fabulous overall.  The quilt has a double bat with an 80/20 bat on the back and a wool bat on the top.  I had done a bunch of testing of the Crayola washable gel pens before I marked the quilt top using the same fabric.  But when I did the test I washed it out with Synthrapol, not Woolite, and I only dried it a few hours and ironed it instead of having it sit in the fabric a year.  So I suspect that is what the difference is, but it might just have been the warm water or the third wash. The point is, it came out and it was a great help while it was in the quilt. I would most certainly use it again even if I have to wash my quilt several times.  But I kind of think just one wash in warm water with the Synthrapol would have done the job.

Oddly, the part that I was most worried about when washing/blocking…the appliqued on crocheted ten inch lace blocks my Mom made…came through the wash without a bit of trouble and they even look refreshed and truly beautiful.

I had originally thought this quilt would end up a little over 60 x 60 inches, but all the quilting drew it in to about 58 x 58 in the end.  I haven’t bound it yet, but that’s what I think it will end up.  It will, therefore, be a small wall quilt in whatever shows it is in, if they will even let it in, or if they even open.

Sew you see, when I make a show quilt, there are lots of things that can and often do go wrong.  What I have found is that I have had to develop a set of approaches to fix problems when they happen, or criteria to help decide when I can let it go and stay as it is.  Afterall, I am not a machine.  I do not make perfect quilts.  I think small flaws can actually add to the beauty and magic of a quilt. I’m not sure judges agree. But sometimes, I may even have to let it go and not enter them into shows.  I think this one will be ok for entry.  We’ll see when I’m done. I am sure those keen eyed judges will see every little flaw and tell me about them if they provide feedback.  They always do.  Hahahah.

In addition to binding, I still have the painting and to add lots of pearls to the quilt. Some of those pearls are possibly going to be Swarowski hot fix pearls, but I have to test that first, because my quilt top is made from polyester crepe back satin and polyester dupioni…it’s gorgeous.  It quilted beautifully, but I will have to test to see if the hot fix pearls go on ok without a hitch, and stay, and don’t melt or burn the fabric.  I once slightly burned a silk dupioni quilt in one spot with the hot fix crystals I started to add.  I ended up glueing the crystals all on, which I found I didn’t like doing at all.  Later on, I learned that I could use the transfer tape to help apply the crystals.  It holds them in place and provides a bit of heat protection of the fabric when I used the hot fix applicator.  So I am hopeful I can use the hot fix pearls for this quilt.  But it is another risk, and the last thing I do to complete the quilt I have spent so many hours on for a year now.

I am planning on making slightly smaller art quilts for a while.  They might actually sell better, since people may be able to find spaces on their walls for them.  But I will continue to do those risky techniques that make the end quilt look so fabulous.  I hope you will too.

I am hoping we are all able to begin to come out of our homes and are still stay well.  Just like a show quilt, risks are required if we are to accomplish anything good.  I personally don’t think we as a country can stay away from work for much longer without the entire world economy collapsing, which is also a massive threat to peoples’ lives, health, and overall well being…even more threatening than the Covid 19.  But we can take precautions as we go out, wearing our pretty face masks we probably all made or had made for us and washing our hands, using sanitization methods in our houses, cars, and places of business, and keeping our distance for a while.  There has been much progress in understanding this thing and how to treat it and they are still moving forward.

Sew happy everyone!  Make something fun.

 

 

A Sunny Mother’s Day and Considering Next Steps in My Studio

Happy Mother’s Day to everyone.  Yes, many of you are mothers and grandmothers, but I know a couple of you who have no children but provide much learning and support to us quilters and sewists in motherly fashion.  So Happy Mother’s Day to all of my readers (even the guys).   My oldest son Ken has already called to talk with me, and my youngest son David, who shares my home with me, is going to cook a steak dinner tonight.  Lovely!

My side yard

It’s gorgeous here in Ashburn, Virginia.  About 65 and totally sunny with not a cloud in the sky.  I just spend about an hour out back enjoying it all.  The back of my house looks out into a small woods, just thick enough so I can’t see over to the next part of the neighborhood and thin enough so developers won’t come and build back there.  The wildlife is delightful that live there…birds of several varieties, bunnies, turtles, squirrels, chipmunks, and even foxes.  I feed the birds so I can see them and they pay me back by keeping down the gnats and flies and singing to me.

My youngest son David on the upper deck.

Sew I had hoped to finish the quilt I am making in memory of my wonderful mom, but though I have made great progress, I still have a ways to go.  I have finished the quilting on the central part of the quilt and am working on the borders.  I put freeform feathers on the bottom border, and I plan on doing the same on the top border.  I got some new stencils and am have marked a beautiful vine with leaves coming down both sides.  Since I quilt everything to death, except my snuggle utility quilts, I have a lot of quilting to go yet.  And then I will have to wash it to remove the markings, and paint some of it.  So there is much to do still.  I had thought it would not be pretty enough on the back to be a good show quilt, but I just turned it completely over and was surprised to find it is beautiful.  Yes, there are flaws, but it is still beautiful.  The flaws don’t seem to show much on the front.  Some of them will be removed, others will maybe go under a label or two (I’m thinking of writing a little biography of my mom in a simple text label in addition to the who made it when and so forth label).

What’s Next?

Sew I am close enough to being done with Mom’s quilt to think about what my next major project will be.   I actually have three going now.  One is my own personal snuggle quilt for my bed using Sue Nickles applique blocks that I just use to work on when I want to do something that is just relaxing sewing, one is a fairly extensive project of wool applique by machine that I am simultaneously writing a book about.

I have found that there is a slight bit of room in the art quilting world for books that people with advanced machines may want to have.  There are a lot of how to quilting books for beginners, piecing books, and yes, even some advanced art quilting books, but I think while there are some books out there for people with all these wonderful stitches and feet and other attachments, that area might still have room for some skill building books for using these advanced machines many of us have.  Wool applique by machine is my first of these skill-building books I am working on (I just bought a second camcorder and will be making videos too).

Another book I am thinking of is multiple deep space quilts using a variety of methods in homage to the magnificent deep space scenes you can find many of on NASA’s website that are copyright free.  Here I have some credentials in the quilting world, because I have won several nice ribbons on my deep space quilts and I have many more to make.  So I thought this would be a good book and already have it underway using photos I took while creating some of these quilts.  I plan on making several more, some step outs and some small ones to sell for people who may want one of these for their wall, or to give as a gift.  Of course, I will be producing show quilts from this project also, giving my work double, or even triple use (I will be making some videos too).

Sttitching Spiral Quilt 3 with a reference picture.  I gave this quilt to Ken and Beth.

I guess maybe that is all I can do this year, but it doesn’t stop me from planning other quilts, and thinking about how I can incorporate them into books and videos.  I may speed up, and some of these books are nearly written and only need a few samplers. so it might not be as overwhelming as it sounds.

I would love for my readers to tell me what they want me to teach by book and video (I am not going to do much travel for a while), realizing that I have been sewing for more than sixty years, having even once owned my own fashion design business, and quilting since 2009, with ribbons and other awards to my name.

One of my most prized awards that may sound unrelated, but is not, is a simple honorable mention I won in Kanazawa Japan decades ago.  I studied Ikebana there, receiving my fourth year Sogetsu School Ikebana certificate, the next one, had I continued, would have been a master certificate.  While there, I entered a flower show and made an arrangement using great big sunflowers, chrysanthemums, and swooping curls of broomstick.  It won an honorable mention.  Theoretically, it was anonymous.  But there were some magnificent arrangements there.  It’s something I have never forgotten. Nor have I forgotten a single bit of my training.  I have sketch books with some of my arrangements too.  A flower arranging quilt would be fun.

Kanazawa Memories, with machine stitched sashiko and a fabric Ikebana arrangement I made by printing individual flowers on fabric and appliqueing them into an arrangement.  I lived in Kanazawa Japan for three years as a young woman.  I no longer own this quilt.

In the stitching/sewing world, I can probably teach almost anything except piecing and hand sewing.  I can do those things, but only at about an intermediate level, whereas clothes, tailoring, and now art quilting, I consider myself to be at an expert level in many of the techniques.  Please comment and send me your questions or suggestions either here, on Facebook or send me an email/message, realizing it will be a while before I get the answers to you, unless it is a simple answer I can put on my blog.  Also, what do you think of my planning to write books for people with higher tech machines?

Sew happy everyone!  I hope you get to go out and enjoy the great beauty of spring or fall wherever you are.

 

 

 

Planning the Day

I retired on January 1st of 2012 to become a full time fabric artist.  When I think about it, it is a surprise to me that is 8 years plus a few months! During this time I have developed a loosely professional approach to ordering my day and I have found it really makes me feel right about the day.  I guess it is because I spent decades working in sometimes pretty intense situations in my work life and got kind of use to having to put order in the day by necessity.

Now, even though I am home-based in my studio for work, I still like to take a professional approach to the day, and if you are sheltering in place at home you may find this really helpful.  So I start like I am planning to go to work at my former job, only I have a little more relaxing time about it, and my wardrobe is more casual (all happy things).   Here’s the list I give myself.

  1. Make my bed
  2. Get dressed
  3. Read my email and make a plan for the day…a to do list if you will…which I may or may not write down, but I thoughtfully think it through.
  4. Have breakfast
  5. Clean the kitchen
  6. Go to “work”.  I put it in quotes because it is so much fun for me to work in my studio working with with fabrics and threads, or designing my next project.  Remember that work can and should include some educational activities (like TQS offers and Bluprint or Iquilt) sometime during the week.
  7. Listen to podcasts, music, and audio books as I work.
  8. Keep to a (loose) schedule and actually have a “quitting time”, a day for chores (cleaning, bill paying, shopping), a day or a couple of half days I don’t “work” and just chill out.  Sometimes I chill out in my studio though because I love this fabric art thing so much.  Try hard to stick to this schedule.
  9. Eat well
  10. Try to get some exercise every day, even if it is just stretching or walking around in my house.
  11. Enjoy a relaxed evening during and after dinner (I might do some handwork here and watch a movie with my son).
  12. Get a good night’s sleep, but don’t set an alarm (that’s partly the fun of being home-based) unless I find I am way over sleeping more than one day a week

These may seem fundamental to many of you, and a lot of you would have a different list, but I know from watching myself and my youngest son, who is a writer and also a home-based self employed person) that it is easy to get sloppy about things and before I know it my production and self esteem suffer.  This helps me to stay away from that.

Sew happy everyone!  I hope I don’t sound preachy here, but I thought you may find thinking about this helpful in this stuck at home by yourself, especially if you are new to it.  Personally, I love working in my studio most all the time so that the only thing I miss is a few social activities, but I am somewhat making up for that with Facebook and YouTube videos.  There are lots of fun things out there for that…The Quilt Show, Pat Sloan videos…look around on the Internet.  I’m sure you’ll find some you really like.  And stay mostly away from the news so you don’t get all scared or depressed.  Just check briefly now and again or online.  That’s all from grandma BJ here.  LOL