Report on Quilts Back Home from PNQE

Last Tuesday my two quilts that were in Pennsylvania National Quilt Extravaganza came home.  As you probably know by now Wizards’ Duel got a blue ribbon as Best Interpretation of Theme and Night on the Bayou did not place.  PNQE is a Mancuso show and they usually provide comments that are often helpful and sometimes just a little depressing.  This time, I got wonderful comments on both quilts and I wanted to share with you, gentle readers.

Wizards’ Duel

For this quilt I placed it in the Innovative category.  They don’t have an all art-quilt or all pictorial quilt category.

(E=Excellent S=Satisfactory N=Needs Improvement NA=Not Applicable)

I got all Es for their set items:

DESIGN

  • Artistic Impression/Graphic Impact
  • Use of Design/Pattern in Quilt Top -balance, proportion, scale – balance, proportion, scale
  • Use of Color & Fabric – pleasing, value contrast, scale of fabric
  • Degree of Difficulty
  • Quilting Design – enhances top, is sufficient
  • Innovation/Creativity

WORKMANSHIP

  • Piecing/Applique – precision, stitches, shadow-through
  • Quilting Technique – even stitches, making stops and starts

Best Features of this Quilt (handwritten comments)

Visual impact of radiating center. Very innovative use of embellishments.  Good interpretation of theme

Areas that needs improvement (handwritten comment)

Nothing!

Ok, so I don’t think I have ever had a quilt where judges’ comments are provided that actually said “Nothing!” for areas that need improvement.  Here is where I have often managed to save a quilt to go on to other shows that made them place.  Indeed, this very quilt was shown at Mid Atlantic Quilt Festival and my quilting and treatment of the rocks was called down as needing improvement. So I improved them between shows, and it clearly paid off.  Sometimes I disagree with judges’ comments and in such cases dismiss the comment.  This would be when my artistic opinion conflicts with theirs, but I have also gotten really good and helpful advice from such suggestions.  Judges for this quilt were Augusta Cole and Marjan Kluepfel

Night on the Bayou

For this quilt I placed it in the Wall Quilt category and the grade sheet had the same categories and grading system, except the judges wrote in G=Very Good and gave me all Gs on all the categories!!!  Harrrumph!  Not only did they choose the nonexistent G for all the categories, their grades seemed to compete a bit with their comments. See what you think.

Best Features of this Quilt (handwritten comments)

  •  Absolutely LOVE the moss hanging from the trees!! Beautifully executed
  • Well chosen quilting designs enhance visual texture of tress vs water vs sky
  • Splotches of orange lights prevent monotony from happening

Areas that needs improvement (handwritten comments)

  • Some surface distortion noted [I can probably fix this with a new and better blocking and hopefully dryer and cooler weather for future shipping…I think it was caused by the hot very humid weather for shipment, coupled with the heavy yarn and thread treatments]
  • Perspective is good but not quite perfect [uhhh…artistic opinion and I submit that art quilting in particular is never “perfect” anywhere. She might have been more impressed if I had been able to get more moonlight filtering through the trees as my friend who attended the show suggested.  I’ll see if I can accomplish that before sending it out again. For the most part, the paint just sinks into the quilt on this fabric]

Sew what do you think about this?  I was really pleased, even with the comments on the Bayou quilt.  I was not pleased with having a whole scale special grade that was less than “excellent” on all the categories and that then conflicted with some of the comments. I can only think at least one of the judges is a person who has a really hard time rating anything as “perfect”.  I can guess which judge this came from, but will not say.  The judges for this quilt were Dierdra McElroy and Bobbie Bergquist

If you look up all four judges you will find that none of them are art or pictorial quilters.  They are all four traditional and a couple specialize in hand quilting, which should tell you something about how far they had to stretch their view of quilts to make a judgement call on the art and pictorial quilts and therefore, I think they did a fine job.  All four of them.  It’s a hard job when faced with such fabulous quilts throughout a national or international show.

Sew overall, I am happy, and now believe both quilts have the potential to bring in some nice ribbons from future shows.  I’m going to have to do some choreography in placing them.  Houston rejected Wizards’ Duel, but that was before I fixed the rocks.  I think perhaps I need a new set of pictures for both of them.  Pictures make a big difference in what a show will take.

Sew happy everyone! I wish you fun in your studio or office and that you be surrounded with love.

 

 

Bring on Fall!

I have some fun and interesting plans for the fall and winter quilting season and have been spending nearly all my working time preparing for them for the past couple of weeks.

First of all, I am preparing for my fall workshops at G Street Fabrics in Rockville, beginning with the first one on Saturday, September 22nd at 11 am!  See more about this on my blog from a few weeks ago here.

So I have all my handouts made and the kits for the first workshop. I almost have all the kits for the second workshop and have made progress on the third workshop.  So when you come, you will have a lot of fun and be able to dive right in to our projects.  You just need to call G Street sewing machine department and sign up!  You can sign up for one or all three.  So much fun to come starting in just a few weeks!  I should finish preparations for these this week and be able to get back to sewing and quilting.

Sew my plans for the fall and winter sewing and quilting season are exciting for me.  As you may know by now, I like to run two or three projects at once to keep me from getting frustrated…hopefully all at different stages along the way.

  • My current quilt project is for my bed, making an applique pattern by Sue Nickels that is really pretty and will add a lot of beauty to my bedroom.  I am about half way through that.  It is not for a show quilt and is just for fun and adding something to my home for me.
  • I am currently working out what my next show quilts will be.  My plans are exciting and two of them involve other people.
    1. My dear friend, student, and what we jokingly call my apprentice Anita has drawn a beautiful scene with a steam locomotive train and gifted it to me for use as a quilt design.  It is full of wonderful things and will be quite fantastic if I can pull it off…trees, rocks, trestles, the locomotive with steam, pulling cars…one with a load of wood. So cool!  Send good thoughts, because this one is a challenge but I plan on starting it soon.
    2. My oldest son, who designed Pendragon, is designing an accompanying piece Excalibur.   Oh I can hardly wait to see his design.  He started earlier but work got so busy for him that he had to lay it aside for awhile.  Things have gotten a little more sane for him now and he thinks he can finish it soon.
    3. Okay, so I am working on my own design(s) also.  I have an array of things I want to do, and am engaged in trying to draw up some of them to choose from for this season.  I am thinking of making one based on polyester satins that I embellish multiple ways to show what can be done with a limited quilt budget (under $100 is my goal).  That design work is not done yet, and I keep oming up with new ideas  with new subjects…I’m currently leaning toward a dark forest with spots of beauty and fun woodland characters, but it could end up entirely something else…spending a little time every day on this.  So it will be a little while before I just get the design sealed down and ready to make.
    4. And then I also want to do another line drawing quilt based on architecture.  I have a couple of possibilities, but I’m still looking.
  • I haven’t forgotten my book.  I have actually made considerable progress on it this summer, and hope to finish it sometime in October.
  • Plus I am wondering just how I can approach the passing on of my many surface design and embellishment techniques.  I have won several ribbons on this aspect of my quilts, and feel I have much to tell you about.  I already have a book outlined and started, but I am thinking of videos.  My son Ken has gotten me all set up to do videos, and I am thinking of making several…some on quilting and some on surface design and embellishment techniques.

I did mention clothes, didn’t I.  I am planning on making a new winter coat this fall.  I found a great pattern that I think I can make with fabrics (and faux fur) I already have..a free and hopefully gorgeous winter coat.  It’s free because I’ve had this fabric for years and properly stored, so it is in great shape.  If you haven’t made an overcoat, it is not really as difficult as making a shirt with a stand collar, really it isn’t.  And using thick winter fabrics is very forgiving, hiding most little mistakes.  I encourage you to try one.  There are some great patterns just out this year.  I also am planning on squeezing in a winter dress suit, yes a pants suit beause my legs just look best that way.  This will challenge me to resurrect my professional tailoring skills, but I have recently lost a couple of dress sizes (though I freely admit that I am still “fat”), and I will make it in a way I can take it up one more size.  I have fabric for that too.

As you see, this year is going to emphasize to myself trying to get all my sewing and quilting done by shopping my stash or keeping costs down while still producing some remarkable pieces.

Sew happy everyone!  I hope you are planning to do a lot of sewing and quilting this fall and winter or are encouraging your friends and family who do sew to let their lights shine (and help them make time to sew).  Happy September!

 

Building a Pictorial Quilt Part Two: Making a Tree

One of the most fun I have when making a pictorial quilt is making trees, mountains, rocks and water scenes.  Making these wonderful natural landscape items do not require perfect lines and matched points.  So each kind and size of trees I need to “grow” on a quilt may require a different technique and plan.  I have to consider the distance, the species, where the light is coming from, and then decide how to make them.  Here are a few examples:

Here the trees surround the house. For these trees, I digitized them on my Bernina Software (even the tiny trees have little leaf shaped leaves, though I think that is lost a bit to the viewer because of the size). I then stitched them out on black nylon veiling with wash-away stabilizer and free motion appliqued them onto the quilt top with matching thread.

 

This small tree is the stitch out from an olive tree I digitized in my Bernina software on wash-away stabilizer. I placed a tree photo in the art side and traced it by hand digitizing it in the embroidery side of the software. The same could be done by drawing it onto a piece of wash-away stabilizer with Crayola washable marker and free motion embroidering it. In this case I would advise using a layer of black nylon veiling to hold everything together.  The advantage of black nylon veiling is that it can be cut very close to the embroidery (without cutting through the stitching) and the little bits left tend to disappear when you applique it on…often covered with applique stitching. Note that when you soak away the stabilizer, the Crayola marker goes away also.  This happens to be laying on a paper towel, in case you are wondering.

 

Here you see the trunks of some big Cyprus trees in my current ongoing project. I cut the applique shape from different types of commercial woody type fabrics. So then I did highlighting and lowlighting with Shiva oil paint sticks and a stiff brush, then heat setting with my iron (covering it with a paper towel to absorb excess oil paint. I plan on adding a layer of wool batting behind the trees to give them a little more depth because the trees require considerable stitching to make the base look like the Cyprus, but this is how I started these trees.

So the Cyprus trees appear to have windy limbs that seem smaller than such a massive tree trunk would have.  I decided to couch the limbs on with wool yarns and then free motion embroider the Spanish moss.  Here are two pictures of the progress so far:

Here you see some of the limbs on the different trees with some Spanish moss.  I did a lot of looking at Spanish moss photos before I did these so I could figure how they should look. These seem to me to be coming out ok.

 

I learned early on that I needed to draw some guide lines for the direction of the stitching or I’d get them to be blowing around in different directions. Since the water in this quilt is going to look calm and reflective, it didn’t make since to have the Spanish moss blowing around much, though they don’t have to be exactly the same, but close. Here you see some of my marks for future stitching. Also note that I had to break the stitching on several clumps so it looked like the limb is further toward the back from the viewer.  I need to keep it pretty close to the same proportions as the top part, so drawing lines is helpful.

Sew I’ll show you the whole trees when they are done.  That will be a while now because they need to be quilted, and maybe a little more highlighting, to get the full impression.

Sew happy everyone.  I hope you decide to put some trees on your quilts and relax…they are fun to make.

Building a Pictorial Quilt Part One

I don’t know why, but recently I realized my design and making of a pictorial quilt has fallen into a multi-step method that can be shared with my readers. I suspect that most pictorial quilters work much the same, but each of us develops our own methodology and here is mine.  It might work for you if you are interested in making such quilts.

Work from the background forward. Here I am appliqueing on the pieces.

Sew what do you do when you have a picture you want to make into a quilt…either you drew it yourself, you took a photo, you bought or were gifted the rights from another artist, or you bought a royalty free design from somewhere like Dover that grants permission to use it for artistic purposes (be careful to read the permision statement)?

Plan by taking apart the project in your mind and writing down notes about how you plan to approach it.  If you have worked in digital drawing programs like Corel Draw, Corel Painter, or Adobe Photoshop, for instance, you know you can divide a project into layers and work on each layer one at a time.  You may also know that you need to think from background to foreground in how you approach a design.  It’s the same here.

  1. Print or draw a full-sized quilt plan.  I say “plan” rather than “pattern” because sometimes that’s all it is…just a full sized picture of what you want to make.  But it functions kind of like a pattern. My current project is a Bayou quilt using another artist’s (Joel Christopher Payne, a Disney artist among other things he does) picture for inspiration (though I am using it for inspiration and a guide rather than trying to copy his work).
  2. Study your picture and analyze it for challenges, needed fabrics, techniques you might use.  This quilt has many challenges.
    • It’s dark and details are hard to see
    • It has lots of old wood and cyprus trees and water at night, making texture really important and values more difficult.
    • I am planning on adding more Spanish moss and creating a slightly lighter pictorial quilt than his wonderful picture
    • It has a lot of plays of light shining through the trees, playing out on the water, and fireflies.
    • There are lots of water plants around the Bayou scene.
    • Almost half of the work on this quilt is to be free motion yarn couching, free motion embroidery, and other embellishment work.
    • This quilt background will start with extensive applique work.
    • After the applique there will be a small amount of highlighting and lowlighting with various fabric paints.
    • After the appliques are in place and some of the paint work then I will start with the couching and free motion embroidery work.
    • I have figured out how to deal with the light playing on the water, but I am still not sure about the light coming through the trees…maybe veiling, which is on order.
  3. Along the way you may decide to use some trapunto to give some additional depth to your work.  In this case, I will be adding a layer of wool batting behind the tree trunks, the cabin, and the old house boat.
  4. Building such a challenging pictorial quilt for me sometimes involves testing a technique on a scrap first and then working that part on the quilt, but sometimes I have to change my mind on how I will approach a particular part of the quilt.
  5. Then I have to do the sandwiching, squaring, and quilting that every quilter has to do.

So I now have all the appliques on and have done some of the highlight/lowlight work.  It’s ready to start the couching and free motion embroidery.  This picture is taken from standing over a table, so it isn’t front on like I’d like.  This is like layer two through ten of a 32 layer digital drawing…lots of work left to do…it’s kind of a background at this stage.  LOL  And besides, this is just a small part of it…it’s 60 by 30 inches overall…at least that’s what I’m hoping for in the end.

Sew happy everyone!  Take a plunge and try your own pictorial wall quilt.  Be patient with yourself and realize almost every problem can be overcome in achieving your vision.  Sometimes the problems are really a blessing…they give you new ideas.

The Wizards’ Duel

The Wizard’s Duel

I promised you all that I would write about this quilt after Mid Atlantic Quilt Festival.  I had a wonderful time going to the show with one of my best friends Mei-Ling Huang.  Mei-Ling is a lot of fun and we share many interests.  She claims not to be a quilter, but I have seen her quilting on the Bernina Q24 longarm set up in her Bernina shop at G Street Fabrics where she is the Bernina dealer.  But she is a long-term sewist and she does make beautiful garments.  Currently, I happen to know that she is working on a t-shirt quilt for her daughter, who is in medical school.  She was clearly fascinated by the goings on at MAQF and we enjoyed very much the class we took together from Sue Nickels on Stitched Raw Edge Applique.  I found the class a perfect example of how to organize and run a class as well as really enjoying the applique instruction,

Sew the picture above is my completed quilt and I got the judges comments back yesterday.  They have marking grades on standard criteria.  It fared very well, getting all top marks (E for Excellent) except for degree of difficulty and that was S for Satisfactory.

Judge 1 commented:

  • Powerful color impression
  • Ambitious Subject Matter
  • Nice use of crystals

Judge 2 commented:

  • Batting a bit too puffy [Huh?!!!]
  • So much care in the figures.  Rocks would benefit from same attention

Judges:  Esterita Austin, Pepper Cory, Marjan Kluepfel

I don’t know which judge had which comments section, though I do know that they weren’t Pepper (a friend of mine), who just signed it.  After looking at it objectively, I happen to agree with the comment about the rocks and plan on adding some additional quilting and maybe a litle more highlighting before I send it out again.  Not sure I agree on degree of difficulty, but seeing some of the other quilts there I am pretty pleased with these marks overall, which is rare when I get my judges comments back.  I am a little puzzled about the batting a bit too puffy comment, but to each his own.  Maybe it had to do with the rocks.

When I am done with a quilt I like to look back at the original concept and see how far away I wandered in the making of the quilt.  Here is the finished concept art, though I did go through a number of other versions along the way.

concept art for Wizards’ Duel

And here are some detail photos of the quilt.  I hope you can see all of the quilting.  I had loads of fun with that turbulent sky full of characters,  I have a Pegasus in this shot.  Go up and look at the full quilt and see if you can find the Phoenix, the small flying bird, a starry kind of symbol like I used in the corners, and the little bit of free motion feather design at the corner near the raven.  I also free motioned and straight ruler stitched the explosion of light (is that a sun?  I think so) behind the wizards.

Detail shot one

And here is detail shot two…on this you may think you see a row of flying geese, but that’s not what they are.  In my mind’s eye these are a row of flying pterodactyls!  Hahaha.  I hopeyou can see these, I know it’s kind of hard to see.  Also pay attention to the border.  This quilt is the first one where I used ruler work extensively. I used a strip of paper that was the exact length of the border and folded it until I got the divisions perfect (no math method) and marked the grid on the border, then used my rulers to quilt the design without additional design marking.  Then I just bubble stitched where it needed filling.  I was pleased with the results.

I will tell you that the biggest challenge was coming up with the figures.  I started with prepared for dye cotton fabric and marked the figures on with a simple Fons and Porter dark marking pencil.  Then I colored them using Neocolor water soluble paint crayons and brushed them with water. After that I ironed them dry, thereby heat setting them, and then I placed a bit of wool batting behind the dragon and stitched the outline and the scales.  After that I used some oil paint sticks to burnish the scales of the dragon a little.  Then I thread painted their garments with Superior metallic threads using my BerninaQ20 longarm sitdown.  Finally, I appliqued them to the quilt top.  After sandwiching them, I quilted the figures sections with Superior Monopoly thread, but that was the only place I used monopoly.  I didn’t want to interfere with the thread painting I had done, but they needed quilting for depth of character.  I wonder if the judges realized the difficulty involved there.  Perhaps they did.

And finally, here is a very good picture of the quilt hanging in the show that my friend Cathy Wiggins took.  I think it shows the quilting clearly…in fact the show had it lit just perfectly so the quilting showed well.

Wizards’ Duel at MAQF courtesy of Cathy Wiggins

The quilts at the quilt show were unbelievably magnificent.  I do think Wizards’ Duel stands up well in such a show, even if it didn’t receive a ribbon.  As I said, I plan on adding some quilting and highlighting on the rocks section and entering it in other shows.  Maybe it will place after that.  It’s very hard to place in such a show.  The MAQF is becoming a very important and popular show and for good reason…it is fabulous.

Mei-Ling and I attended the fashion show too and spent some time viewing the wearable art competition section at the show.  We were so inspired by this that we decided to try to make a joint entry for the wearable art next year.  Mei-Ling is a small beautifully proportioned woman and we will make it to fit her.  More on that much later.

I came home to find a chipmunk had invaded our home…he came in about an hour after I got home.  That is another story that is still going on .  He’s still here and in one of my studio rooms.  My studio is on the upper level of my town home where my bedroom also is.  It consists of two small bedrooms…Studio Fritz (where my computer/office section is and where my Bernina Q20, named Fritz, sits), Studio Gibbs (where my main fabric, thread, and paint stash, my work tables, and my Bernina 830LE named Gibbs sits), and Studio Betsy (one small side of my bedroom where my Bernina 350 named E. Claire sits where my old Bernina 1230 named Betsy used to sit.  I sold Betsy recently to my student and friend Anita).  The chipmunk has taken up residence in Studio Gibbs (thank goodness not my bedroom!).  So far, the only damage he’s done is knock things over and deposit chipmunk poop in places.  The stash is safely in drawers and the closet where he can’t get to chew or soil and Gibbs is of no interest to him so far.  I am soooooo hopeful of getting him out of there today.  I have a live trap set for him and have tried multiple things, and am trying once more today with the trap and all.  I need my studio back.  I never had this happen before.  Please pray for a successful removal of the chipmunk.  Silly me, I name everything, even a chipmunk I may end up killing…this one is Chippy.  I am so hopeful of not having to kill it to get it out of there.

Sew happy everyone!  You know you can get a basket like device to attach over your dryer vent so chipmunks can’t get in and chew holes in your dryer vent hose.  My son just installed one on our house.  I wish we had done it earlier!!!!

 

On Creativity and Competition

Last night I watched the truly magical performance of the short program in men’s figure skating by Japan’s Yuzuru Hanyu. He’s simply magnificent.  Indeed, I find it difficult to find the words to describe his sparkling performance that comes after a career threatening injury just months ago.  Such performances by leading artists are gifts to those who have a chance to see them.  I remember one magical violin concert by Joshua Bell that Marvin and I attended in Istanbul in the ancient and fabulous Hagia Sophia years ago.  It remains a particularly special memory as I look back over my life with Marvin…a wonderful gift to us.

There is a certain similarity between performance art,  tangible art and its subcategory of fabric art.  It’s the ability to stir the mind and touch the heart.  It’s the pulling of the resulting piece out of the mind, heart, hard work, and training that goes into the making of a quilt no matter the category.  This can be seen at major quilt shows or quilt museums when you walk by the exquisite jewels of quilts…every competitive year tougher and more accomplished than the year before as quilters grow in the techniques and understanding of design.

I retired early in 2012 from an interesting, but fairly intense job, to work full time in fabric arts–fabric, thread, surface design, and embellishment–to create beautiful, interesting, fun, or impactful fabric art that touches the heart and mind of the viewer or even makes them laugh.  I was pretty arrogant in the early years, thinking I could make anything and was just as good as those who won big time ribbons.  I was sure it was only a matter of time before I reached that level.  I’m more hopeful than arrogant these days.

It has been just over five years now since retirement and ten since I seriously turned to fabric art, and more or less 65 years since I started sewing.  Looking back I find that I am even more interested in this fascinating activity than I was when I first began years ago.  I love it and I have developed as a studio artist in recent years,   I realize only a very few manage to get to the top and it may not be me, but I still keep on making art.  I belong in my studio studying new ways to do things, designing new pieces, and making them.  I occasionally venture out to teach locally and I even have a student, or maybe she is really an apprentice, who is also one of my best friends.  It is exciting and sometimes I get to meet or virtually befriend other fabric artists/quilters whose work, or teaching, or writing is very inspiring and who have encouraged me along the way.

Next week I am going down to Hampton, Virginia, to the Mid Atlantic Quilt Festival, which in my humble opinion is becoming one of the important shows in the country.  I have a fun quilt in the show.  I had not originally planned to make this quilt, but decided to make one at nearly the last minute starting in November.   That is about as late as I could have expected to complete it by the deadline, but I decided anyway to add this quilt into my 2018 quilting plans.  I have already worked out my plans for 2018, but I realized I didn’t have any quilt to enter into MAQF, and that I was going to go.

I had some special encouragement from my friends, particularly Lisa Calle, who was also struggling to finish a quilt she had been working on for four years in time to get it in the show.  So we helped each other not give up and keep on despite the various bumps in the road.  Both of us got our quilts in the show.  I’m so looking forward to seeing hers.

I would be surprised if my quilt makes a ribbon, mostly because I’m a little unsure of the both the overall design and the quilting design, but it was a delight to make.  I honestly cannot tell whether it is really good or I just like it.  At some points in the process I didn’t even like it myself.  I like it now, and I can hardly wait to show you photographs and tell you more about the making of it after the judging takes place.

I have been competing since 2004, when I entered my first Hoffman Challenge quilt.

It is a sweet little quilt with a Japanese fan theme and I learned much making it, and it got in and toured.  Today, I try to get my quilts into various shows primarily to share my work with people.  I make them because they are there in my mind and heart and for people to see and I make them to have fun. I have sold a few, and I’d like to sell more of them, but they don’t sell well.  I would like to sell enough to pay for my quilting habit and to go to a big show like Houston or Paducah every now and again.

But it is also true that I am a true competitor.  I want my work to be historically artistic and breathtaking and to be a gift to those who see it even if they don’t end up possessing it, I look back over my older quilts and can see true progression in my work, but there are parts in some of them that are surprisingly really good.

After all my years of sewing and all the recent years of working really hard to improve my techniques and, more recently, to improve my design and my quitling, I now fully believe my work is deserving of getting into the shows and even placing beside the winners, but I am realistic in realizing that my work does not always touch the hearts of the judges even if it touches those of some of the viewers.  It is different.  It is possibly not even what some would call “a quilt” because it is not a warm snuggly thing to warm a person on a cold night or wrap oneself in to gain comfort.  It is to hang on a wall and to look at.  The subject and the design may be pleasing to me, but it may not be understood or at least understood to be the best in a given category by a judge.  Maybe they can’t see what depths of technique and new ideas were placed in the piece or how much I had to pull out of myself to make a quilt. Here is Pendragon which was in MAQF last year.  It did not place there, but it did make a 3rd place ribbon at Paducah fall show.

Pendragon
34 x 45

Maybe some pictorial element I did in a quilt free motion is well done enough they think it is done by computerized machine work, or maybe they see flaws in colors and values and design elements that I would not consider as a flaw because it’s what I like, or I really didn’t see it or even saw it and ignored it.  But there is always that chance, however slight, that the judges will decide it is really really good…maybe even the top of its category.  And maybe there will be no ribbon, but I will be honored to have the quilt in the show and my friends see it who have encouraged me along the way.

Just last Sunday I took a class from Bethanne Nemish at Birds of a Feather, who made the point that the competition is getting tougher all the time, and she’s right.  What would have won ten years ago would not win today, and may not even get in, because the quilting art continues to get better all the time.  Is there a peak?  I don’t think so…not exactly anyway, because quilting will continue to evolve and new techniques, new designs, and even new styles will continue to emerge as long as there is a competitive field on which to show it.  But it is still worth competing.  As Bethanne pointed out in her class, you will be better, you will stretch yourself and you will learn.  It is well worth competing even if you really, in truth, haven’t got a chance at getting a big ribbon.  You need not feel depressed if you don’t win anything.  Besides, you may give someone who really needs it a gift, by lifting their hearts and inspiring their minds.

Besides, it’s amazing that a seventy year old person can compete in a major show alongside the young quilters already at the top.   I expect to continue for a while…don’t know how long…maybe a couple of years, maybe a couple of decades.  (Chuckle)

Sew happy everyone.  See you at MAQF or elsewhere.

 

Working with My Bernina Q20 and New Attachments

MERRY CHRISTMAS EVERYONE

As many of you know, I am racing to meet a deadline for a show quilt for the Mid Atlantic Quilt Festival, a quilt I had not included in my business plan for 2018.  In spite of a major mistake I made that required that I basically start over with the quilt, I have met my goal of getting the top complete and the quilt sandwiched and ready to quilt by Christmas.  In fact, I started the quilting yesterday, but not before I installed a new interesting attachment on Fritz, my Bernina Q20 sit down longarm.  It is a laser light pointer that puts a red laser light point exactly where the needle will come down.

I gave this new attachment to myself for Christmas in celebration of my dear late husband Marvin.  He always gave me the most wonderful presents.  One of the ways I have learned to deal with Christmas since his passing fifteen years ago is to give myself a nice present as if it came from him.  I miss him as much all these years later as I did the first Christmas after he passed.  Strong, solid, reliable, loving, brilliant, and fun to be with was my Marvin.

Sew I got my new show quilt all sandwiched with one layer of thin polyester batting and one of wool batting.  Using the newly-installed laser pointer, I spent most of yesterday afternoon and about five hours today quilting.  I have a fair amount of appliques on this quilt and some challenging designs planned for the quilting.  So far, I love the pin-pointer in mode 1 (on all the time I stitch), and Fritz is working like clockwork despite all the challenging threads I am throwing at it.

I started by stitching in the ditch and around the appliques (and no the star pictured at the top is not in the quilt) with Superior’s superb monopoly…so thin…so strong…nearly totally invisible and not very shiny like other monopolies.  Truly, handling this thread is like I imagine sewing with spider webs or something equally hard would be, except it doesn’t break once you get all the tensions and needles correct (I used top tension 1.75, bobbin is Superior Bottom Line 60 wt polyester set at 180 tension, and an Organ 75/11 titanium embroidery needle).

The laser light pointed the way.  I was able to stitch amazingly accurately and extremely close around those appliques.  I used the Q20’s BSR1 (stitch regulator mode 1) and the kickstarter that allows me to stitch without pressing the pedal.  I love the kickstart.  I didn’t at first, but now that I am really use to it, I use it nearly all the time for all the work I do at Fritz.

I then did some detail work within one of the appliques that truly brought it to life, with the laser pointer aimed at the chalk marks I had marked on the applique.  The monopoly was perfect for this, because I had painted the applique and free motion embroidered it.   I did not want to impact the free motion embroidery but I did want to quilt in the trapunto.  I had added an extra layer of wool batting behind the applique to give it that trapunto fill. I am very happy with it.  I haven’t yet done the detail for any of the other appliques.

So I then switched to metallic thread.  Metallics are known to be troublesome, but today Fritz was happy to play.  The metallic stitching I have done so far was just plain wonderful.  It is ruler work, stitching along several long marked lines.  The laser pointer works great with ruler work, pointing exactly where the stitch will go, so lining up that quarter inch, which is sometimes a little elusive, is no problem at all.  However I did find that the #72 ruler foot works better with the laser pointer than the #96.  The 96 has a diagonal fill in the center to help you place the needle that makes the laser point difficult to see if you are not leaning over it more than I do.  The 72 has an empty center, and that works just great.  For ruler work I use the BSR2 (stitch regulator designed for ruler work that moves when you move and stops when you stop, but sometimes it will take a stitch if it detects even a small amount of movement).  For metallic thread I set a top tension of 2.5, and use Bottom Line with the same 180 tension.  I also thread it so it runs across that little silicone liquid pad thingy.  In fact, I did that for both threads.

I have, in the past, had metallic thread stitch through a tiny tiny bit regardless of how hard I tried to get that perfect, causing judges to fuss about my tension.  For this quilt so far, this is not happening.  The tension appears perfect to me on both sides of the quilt. I’m really happy because I didn’t want to put metallic in the bobbin.  If the judges say I have tension issues on this quilt, I will just have to think they have some kind of special vision.  LOL

Sew my next challenge for the laser pointer light and Fritz are the complex pictographs I have to quilt on the quilt.  At least one of them will be stitched in metallics.  Then I still have to decide how I am going to stitch the background…I have an idea developing, but it will be a big challenge for me.  Still, if I can carry it off, I think it will be a wonderful quilt.  It’s so very much fun though.  I really recommend the laser light pointer and the use of the kickstarter if you have a Q20.  I also bought the echo circle attachments for the #72 foot that I am planning on using on this quilt.  I’ll give a review of their use when I get to that.

Sew happy everyone!  Try something new and don’t be discouraged if you have to spend some time learning it.  Merry Christmas to all and to all a good night.

Sunday Musings on Quilts

I don’t have a large number of ribbons from the big shows like some of my quilty friends do, but I do have a few.  Several of them center around surface design, color choice, and embellishment.  I got to thinking about that recently and  I decided that I am really more of a fiber artist than I am a quilter and wondering if that impactsthe ribbon worthiness of my quilts.  True, I have struggled to learn the things one must pay attention to as a competition quilter, such as nice square corners and even quilting, but I am far more interested in the overall look of the art of my show work than I am the overall quilting techniques.  When i am doing the actual quilting, I might take a more organic freestyle pattern over a more formal design pattern simply because I think it corresponds best to my quilts.  One of my quilts recently received “quilting needs to improve” from a judge, when I was thinking it was one of my best results because it looked like the wind to me.  Maybe that’s not what they meant.  I don’t know.  I wish they had said what they meant.

Drawing Nigh, completed 4/17/2016, 39.5 x 44.5 “Quilting needs to be improved.” Original design by BJ

Sky quilting

I regard “making a quilt” as an entirely different activity than “making an art quilt” or to the extreme of “making a competition art quilt”.  I love warm cuddly love-filled quilts that one can curl up in, drape over a lap, eat a picnic on, give to your pet, or cover your bed with.  I enjoy making them.  I just would never make one for a competition quilt.  Why, you ask?  Well, because I am not that good at it.  I have been to enough quilt shows to see those fabulous traditional or even contemporary perfections.  But I am really good at making a piece of fabric art in the form of a wall quilt. Still, I do make snuggle quilts, but I usually use only piecing and applique and perhaps a little bit of embroidery.  My points aren’t always good, and things just never quite look right, but they are fun and pretty.

I love joining my computer art, hand painted art, thread painted art, composition fun, color play, and even my love of history or space together in a piece of quilted art for the wall.  In my enthusiasm to get the look I want, I draw from whatever technique I think will work, sometimes resulting in a project with piecing, applique, hand painting, digital art on fabric, thread painting, machine embroidery, quilting, beading, hot fix crystals, and some additional elements on one single piece.  Does it work?  Well, it works for me, not always for judges, apparently.  LOL

detail from one of my deep space quilts with Angelina Fibers and hot fix crystals quilted over a lightly painted background.

Sew what do you think?  Is a piece of quilted wall art actually a quilt?

Sew happy everyone!  Make that quilted piece you love.  Merry Christmas and Happy Hanukkuh!

 

 

 

 

Decided to Make an Additional Show Quilt

I’m working on a new show quilt with a January 23rd deadline.  I started it too late, so it will be a bit of a race to finish on time.  But the thing is, I am really having fun making it.  I am making it mainly so I have something to enter into Mid-Atlantic Quilt Festival because I suddenly realized I had nothing for that show and I have already made arrangements to go to it.  I won’t be sharing pictures or descriptions about it until after its debut.  I put aside the Bayou quilt I am making for a while, because the deadline for it is months later next summer.  This new quilt is going together mostly just from my idea and directly on the quilt, because I wanted to keep the design time very short.  I just made a concept sketch and plunged in, using fabrics I already had on hand and, surprisingly, I have already made a fair amount of progress.  I had an interesting idea for it that required one piece of fabric I didn’t have, so I ordered that.  Everything else is on hand.  So there you go, I have already greatly shortened my usual design time and eliminated the shopping time for this quilt.  This probably means I will finish it, although it is touch and go.  I’m keeping anything about what it is like quiet because I want to give it the best chance possible.  Now that I have been playing around in the quilting community for a while I find I know a lot of the judges, as is the case for MAQF.  They also frequently know my quilts.  I’m sure this is true with other show quilters out there.  Maybe I can make one that they won’t recognize as mine. 

A quilt project like this makes it hard to write blog posts on a regular basis.  Additionally, the Bayou quilt also has some restrictions on sharing pictures of it for the most part until completion, at least.  Nevertheless, trust me when I say it is all fun right now. I’ve gotten both quilts fairly well started and over some of the beginning problems I had for both of them. 

A Question for my readers:

Over the decades I have accumulated a lot of sewing and quilting knowledge.  I’ve sometimes thought I am a techniques collector just for the heck of it.  LOL.  Sew my question to my readers, assuming there are any, is what would you like me to blog about? I can provide some short tutorials, answer how to questions, and talk about quilty things.  I will use your responses to write my blogs while I’m working on these two quilts.  Please respond.

Sew happy everyone! 

 

 

 

 

 

 

My Son David’s New Book, Art, and New Projects

David’s New Book

We had a lot of excitement in my family this week.  My youngest son David A. Tatum published his fourth novel.  it’s always a wonderful thing when a new book gets published around here.  He has his own small publishing company Fennec Fox Press, and he has assured me that he will publish my quilting books through Fennec Fox also.  His other three books are Fantasy and are wonderful.  This book is his first space opera book and is also a wonderful fun book to read.  He hired a wonderful cover artist Joel Christopher Payne, that I talked about in my last blog. He’s the same artist I bought the rights on one of his paintings to use as inspiration for a new show quilt, and no, it isn’t the same picture.  Here’s the new book cover.  You can click on it and it will take you to the Kindle version in Amazon.  The print version is not yet out, but it will be in a few weeks from now.  That takes more time.

The Merrimack Event

If you want to help a wonderful man, my son David, I would love to have you buy a copy and once you have enjoyed reading it, for I am sure you will, I ask wholeheartedly for you to go to the Amazon site and write a small review, giving it the highest number of stars you feel you can.  It doesn’t have to be long…even a single sentence is enough, but the better review you can truthfully provide, the better off he will be.  He has put a lot of himself in his writing and it is good and getting better all the time.  His writing is his career…he is a novelist.  Reviews are so important, especially in the early days after publishing.  The only money he makes is from the sales of his books, and getting people to discover his work (even know they are there) is the singly hardest thing to do in the publishing world.  His work is really wonderful, and I say that from a reader’s perspective, not a mom’s.  If you don’t believe me, buy a book and read it and see what you think.  LOL  You can see his earlier books all have 4 plus star ratings, and Amazon won’t let me write one–I’m too close to the author.  This one is so new it has no ratings at this time.  Or wait until the print copy comes out and buy it just because you love the cover art…isn’t it fabulous?  It calls out “buy me”, “buy me”….LOL

If you’d rather buy, read, and review a fantasy novel, that helps too. He has written In Treachery Forged, In Forgery Divided, and The Kitsune Stratagem, all available in both ebook format or print copy.

My New Projects

My last blog was about Joel Payne’s art that I purchased and I have already made considerable progress getting this project up and running.  I usually spend three to six months designing my own quilt.  This year I am making three quilts that the art work is already done for me—Joel’s painting, my oldest son Ken is drawing a followup to Pendragon, and then a deep space quilt based on some NASA photos.  This means I can jump right in and start making the patterns, putting me months ahead for the 2018 show season.

Yesterday I took a little time out and cut out a reversible vest and a matching quilted tote bag.  The vest will have embroidery on it that I am using from the collection that came with Gibbs, my Bernina 830 LE, that I have never used.  It’s flower designs for the front and the back. I am using different designs for each front and back, but they are all from the same collection.  I always need a project that isn’t very stressful to work on when I am making a show quilt so I can go work on that when I get stressed out over my show quilt.  It’s a nice system and it works.  Plus, I get some clothes or bags or presents for friends and family out of it. Sometimes it’s another quilt.

OK, next week I will write up my instructions for making a pattern from a painting or photograph.  So look around and find what you would like to use and I’ll tell you how I do this.  If you have either Adobe photoshop, Corel Draw, Bernina design software, or some other drawing or photo editing software, that’s what I use.

Sew happy everyone!  Let’s each make something for those in Houston or Louisiana impacted by the hurricane…cuddle quilts, pillow cases, tote bags…or make a contribution of funds, or even both.  Look around for a good organization to send them through.  I’m going to use Jenny Byer’s studio which is not too far from here. She is collecting quilts.