Working on a Book, A Couple of Ideas

I haven’t got any real news for you this week, but I thought you might like to hear my musings about my books and a couple of ideas.  I have had a bad cold all week and am beginning to feel better, but it took a lot of energy out of me, so I made almost no progress on anything recently.

Nevertheless, I have not been without some interesting ideas.  About the only thing I did all last week was to reorganize my disorganized transcripts for art quilting into more directed and solid projects.

The first book (or is it books?) will be “Art Quilt Basics”, which will focus largely on design, applique, and quilting techniques to help the artist take the ideas floating around their heads and move them into finished wall art quilts.  It will be short on design and long on construction techniques and quilting. The quilting section is nearly complete, and the applique section is well along the way.  I need to make more samples.  Once I get those completed, then I am hoping my son Ken, who does all my quilt photos, can help me get the photos well done, and my son David, who has his own independent publishing company, will help me get it published.  Sew I am hopeful this will be complete by late fall just in time for Christmas.

The second book “Surface Design and Embellishment for Art Quilts: Sling That Bling” is basically an outline at this point with loads of concepts in small notes here and there, but I am going to use some of my already completed quilts for most of the pictures, necessitating only a few additional sample items.

Now I know there are lots of books out there about quilt making techniques and surface design and embellishment, but only a few of them seem to focus on realizing a piece of wall art in quilt form. I hope I can provide some original concepts and a place to look when you have an idea but don’t know how to get it from a great idea, or even a good design, to the finished project or need a reference for a technique you may have seen before but need instructions or refreshing.

Anyway, in addition to doing a lot of thinking and some limited work on my books, I have also been doing a lot of thinking about a couple of quilts I am going to make.  One of them is to turn into a quilt this piece of fabric I painted digitally and had printed by FabricOnDemand

I painted this one digitally in Corel Painter 17 and had it printed 28″ x 38″.

I bought some darker blue for the border, which I want to use as a base for an Art Nouveau style border.  I have a concept now but I haven’t yet drawn it up.  I hope I can get it drawn before the concept poufs away like a soap bubble popping…LOL.  I think I can.  I’m working on that today.

On Thursday a friend of mine and I are planning on attending Sacred Threads Quilt show, which is only about fifteen minutes from my home.  I am excited about that. 

Sew happy everyone! 

 

 

 

Two New Digital Quilt Projects

Believe it or not, I have completed all my projects I had going.  Now that the workshop at G Street Fabrics is over (I will be repeating it in the fall), I am going to make two quilts centered around two digital printouts.  I’m hoping to get one of them done by mid July for part two of my Exhibit at G Street Fabrics.

The field of flowers is a photograph by Beth Tatum, my daughter-in-law:

Photo by Beth Tatum, printed on fabric 36″ x 26″

 

The pink flowers I painted in Corel Painter 17 and had it printed.

I painted this one digitally in Corel Painter 17 and had it printed 28″ x 38″.

They came out really wonderful, and I washed them in Synthrapol, rinsing until they ran clear.  There wasn’t much color in the first batch of water and I can’t see any color loss.  So now I can use them in a quilt I will soak when the quilting is complete, which makes marking things  and blocking a lot easier.  I’ll have some embellishments I will add after blocking.

I plan on just sandwiching and quilting the field of flowers photo with  a variety of threads for depth and interest and adding beadwork and some 3D embroidered butterflies.  I might face it instead of binding it.

I plan on adding a double border on the pink flowers.  The inner border will maybe be shaped and appliqued on.  I plan on shortening the flower panel at the top to bring the border down to the vine, and cutting out the top half of the leaves that would be hidden by the border to have them break into the border.  Then I will quilt it with some pictographic flowers, vines, and creatures, also quilting in the flower and leaf textures.  I also am working on designing two or three 3d stumpwork with wire of small birds in
Bernina V7 software to applique on. This is my bigger project, as you might imagine. If this turns out well, this might be a show quilt, but we’ll see.

In the meantime, I have broken down my housecleaning project into small manageable sections and am spreading them out across a couple of weeks.  I did pretty well with this so far.  My upper level is mostly clean, though I have a plan to go through my stash at some point, eliminating some things and slightly reorganizing the fabrics so they all fit back into my storage units.  I’ll do this later, after the mid-July deadline for the second part of my G Street Fabrics exhibit.  I’ll do the main level next week, and David will do his level too (he has a nice “flat” on the walkout lower level that includes his bedroom/office and a nice big living area with his own back deck.  There is a bathroom area that has the rough in plumbing, but I haven’t gotten it finished yet.  Maybe if he has a big hit book, he will do that himself.).

A word about digital fabric art:   It is NOT “cheating” as some quilters seem to think.  For example, it took me s lot of time to paint the pink flowers, and they are fully my own artwork.  Why would that be any less of a “legitimate” quilt than a whole cloth, for instance?  Neither would a photograph that is printed, sandwiched, and quilted as a whole cloth.  I do think there is slightly greater acceptance of the value of digitally printed fabrics than there used to be.  And that is good.  Indeed, am hopeful some of the heated rhetoric about just about everything these days will cool off.  Let’s appreciate one another and their work…traditional, contemporary, modern, and art quilters, white collar and blue collar workers, sharing their Mom’s house while writing wonderful stories for the world to enjoy, making art quilts, plumbing the kitchen, powerwashing your home, managing a business, Democrat, Republican, Independent…cool it everyone.  Life can be wonderful and full of peace and love if we stop the arrogance and heated rhetoric and take a step back to love and appreciation that we are not all-knowing.

Sew happy everyone!  Try your hand at making some digital fabric art if you haven’t tried it yet.  I’ll post more on these projects along the way. Also, I have decided to put the landscape project I tried to start as a kind of block of the month on the backburner.  It needs more definition, and everyone that responded said they were too busy.  I think I am too busy too…LOL.

 

Practicing Free Motion Backtracking

I think my backtracking…you know when you go back over a stitching line…needs a lot of practice.  So I had the brilliant idea of using a design from a coloring book page to practice.  I definitely need to practice on almost a daily basis to get (and stay) really good at quilting.  I got a new coloring book from Dover Publications in their “Keep Calm & Color” series of adult coloring books.  I got in touch with them and found that I can use up to four pages in a single project without further permission even though it is copyrighted.

So I scanned one of the pages into my computer and enlarged it.  Then I printed it out in Corel Draw, which tiles my pages for me.  Several drawing programs or even printer software will do that.  Before I got Corel Draw I used Excel spreadsheet, which also tiles your images for printing.   Anyway, I taped it together and traced it onto my fabric using a light box and Crayola washable markers (trust me, they come out of cotton when washed)., and sandwiched the fabric with batting and a backing.  I machine basted it using my Bernina Q 20’s basting mode BSR3.

 

Sew now I’m having fun stitching the design with repeated lines of stitching along the design, which gives me plenty of practice backtracking.  After I finish the initial design stitching, I will background quilt the rest of the little quilt and I think it will look great if I add lots of beads and other assorted embellishments after it is quilted, washed, and bound.  This might just come out being a nice enough small wall art quilt to add to display in the second part of my exhibit at G Street Fabrics, and I am getting in lots of practice.  We’ll see what I think when it is finished.  So far, I’ve only had to take out a few stitches where somehow it went awry.  I’ll show you a picture when it’s finished.

I think this is a very fun way to get in some quilting practice and encourage you to grab one of those Dover coloring books and give one a try.  They would make a nice present for someone or wall art in that small spot in your home.

By the way, how is your stylized landscape project coming from this blog post?  Have you finished your sun yet and gotten your background constructed or found a nice piece of fabric for the background?  I am planning on publishing part 2 the first week in May.  If you aren’t making one you can just bookmark the blog posts and make one later, or just watch the rest of us have fun with this.

Sew happy everyone!  Try using coloring book drawings for your quilting practice.

 

 

 

An Exhibit of My Quilts at G Street Fabrics

I am enjoying a new fabric adventure into the world of exhibiting of the body of my art quilting work at G Street Fabrics in Rockville, Maryland, which is a two-part exhibit.  The first part is in the Bernina section of the store.  The second part will start in mid-July and my quilts will be displayed throughout the store.  I believe this part will run for an additional two months and I am hoping to complete several new quilts for this part.  So in effect, my quilts will be on display from now through August.

Yesterday I took eight of my quilts over to the store for part one. This part includes all three of my Ancient Manuscript quilts, four of my Hoffman Challenge quilts that demonstrate my growth as a quilter from 2008 to 2013, and Dad’s House Plan from 2013.  I had such a good time while I was there and am very excited about this two-part exhibit.  I am honored that G Street Fabrics wants to do this exhibit for me.

In June, I will be teaching a three hour workshop on quilting there at G Street…primarily free motion quilting but I am also going to briefly talk about quilting with a walking foot. Sometime while my quilts are there I will be providing a walking lecture around the store to talk about my quilts and related things in the store.

G Street is a wonderful store.  It is getting better all the time after it clearly moved to save itself from failing.  It closed two stores in Virginia to my chagrin and moved from it’s old Rockville location to its new one.  The new store is less showy and slightly smaller than the old Rockville one, but I looked over it yesterday and found it has a fine selection of fabrics and notions and seemed busy again.  It also has a kind of interesting atmosphere similar to some fabric stores I encountered in New York years ago…not flashy, but full of wonderful things for the sewist, quilter, and fabric artists of all kinds.  The Bernina section is in a setting like its own store, and it has a wonderful set of classrooms for teaching.  They have a Bernina Q24 longarm set up in the store that is available for in-store rental of time on the longarm.  And Lew is the best Bernina tech I have ever encountered over my many years of sewing on Berninas.  I encourage you to go pay it a visit if you are ever in the area, or even make a trip there if you are close enough.  You can even order from them online.

Sew happy everyone!  I hope you can make it to G Street and see my exhibits.   I better get to work…I have several new quilts in the works for the second part of the exhibit!

A Word About My Art Quilting and Some Early Quilts

                  Fandance by Moonlight. Hoffman Challenge

2008This is my very first show quilt and you can see the scotch tape on my photograph…LOL.  So you can see my professional side of show quilting has grown as well as my quilt making abilities.

As I prepare for my upcoming exhibit of my work at G Street Fabrics in Rockville, Maryland, one of the things they wanted was for me to provide my Hoffman Challenge quilts, which, if you look at them carefully, you can see my progress as both an artist and a quilter from year to year.  Unlike some of my quilty friends who make a quilt, enter it, and win big, I have struggled, indeed still struggle, to move my art quilting to a truly professional level, but it has been fun along the way. I love making art in fabrics, threads, and paints.  I think my artist side has been a little slower in developing than my quilting techniques, but I’m working on it.

“Equipped to Stand” 2012
Even though I can now see many flaws in both the design and the quilting making techniques on this quilt, I still love it. I would never send this quilt out for show today, but we all learn. They let it into several shows and the judges were sweet about it and their remarks didn’t bash me down to the point I quit quilting.  Unlike this photo, it is square and relatively flat, though I had to undo a lot of it to get a wave out of it.  You can see it was not all that long ago.  I have come a looong ways from here.  If they had torn it apart, I might have quit.

To me, an art quilt needs to have a lot of elements come together to make it good and this is what I am always striving for. Starting with the basic design concept  I draw the concept while considering balance, value, color, placement, perspective, and simply artistic appeal.  I am constantly attempting to learn more about all this through practice, books (some left from art classes in college and some collected over the years), and, more recently, online training.  I’m still trying.

So here is my process for a complex show quilt (not for all of my quilts).

I try to capture the concept that is in my head or the inspirational photo by drawing the picture of the planned quilt on my computer, thereby providing me with a “pattern” .  Here is how I work through this.

  • I use Corel Draw to draw out some elements, like buildings or space ships, and saving them with a transparent background as a .png file, which will import into other packages without a background.
  • I use Corel Painter, a truly powerful digital painting software, to draw the main picture, importing the items from Corel Draw and placing them where they belong.  I size it here and save with iterative painter files and finally as a .jpg.
  • I may go back and forth between Corel Draw and Corel Painter several times because one program is better than another for various things.
  • If I am putting borders on the quilt I will then move to Electric Quilt and set it up with a single block sized properly for my .jpg.  Then I play with the borders until I like them.  This gives me the pattern for the borders.  I save this as a .jpg.
  • I move back to Corel Draw and start a new file (you can’t just open a .jpg in Corel Draw, but you can import one).  I import the design I saved in Electric Quilt into Corel Draw and size  the image to the size I want the quilt to finish.  Corel Draw has a wonderful way of tiling the picture into sizes that match the printer paper with symbols to mark where they join.  I usually print the pattern on a 11″x 17″ paper.  I print one pattern in color and one in gray scale.  I also print the border pattern from EQ7.
  • I tape the pattern together carefully.
  • Then I pin the colored print on my design wall, or tape it somewhere if that is occupied, and sit there looking at it every now and then, wondering how on Earth I am going to accomplish this quilt.  At this point, I take time off from this particular project if I have time.  This is why I usually have some ongoing simple quilt or clothing projects so I can go work on something else while the concept “marinates” in my mind and I talk to myself…sometimes exclaiming “Oh THAT’s what I can try!”  I’m glad my son’s flat is on the lower level, and is not in my studio to hear me, he might be looking for “a place for Mom”, although, he’s a sci-fi/fantasy writer so probably not.
  • I keep a notebook nearby to write down my ideas.

Once I’ve figured out more or less how I’m going to make the quilt, I just jump in.  I first shop my stash to see if I have what I need for this quilt and buy the rest, including fabrics, threads, paints, and other embellishments.  After all my years of sewing and quilting my stash is now such that often I am able to complete a quilt without buying anything, or buying only one item.  It generally takes me nearly half the time of total time making a quilt to get to this point.

  • I have to take one or two elements of the quilt at a time.
  • I make samples and try things until I find what works.
  • I have to figure what must come first…usually working from background forward.
  • I take photos along the way because for some reason I can see mistakes better in a photograph than directly looking at the project.  I think I get too close to it, as they say.
  • I unsew and go backwards when I need to, but try to limit this as much as possible.  Sometimes “mistakes” are actually result in a good new direction.

As I construct the quilt, I pay close attention to how flat and square the project is becoming along the way. It’s ok not to have a square quilt, but it has to be deliberately not square and obviously not intended to be square.  Construction techniques really still need to be right. This often involves my ripping things out for correction, and sometimes even just starting over. I have obtained a laser square and a laser cross-hair lamp to help me with this

I’m not a piecer, but sometimes I have to piece.  “Pendragon” had the main center block, and ten border and text block pieces that all HAD to be square and straight and the border had to be lined up so the designs were straight and in the right place.  This is one of the more challenging things for me, because, did I say it?  I’m not a piecer.  Piecing is much more challenging to me than it must be to traditional quilters, who seem to love it.  I piece when I have to in order to realize my design.  I sometimes use foundation paper piecing when I need a real quilt block, like I did for “Waiting…” and “Drawing Nigh”.  So I’m very happy to have these tools and techniques to help me piece.

Sew once I have completed the top, including any highlighting or lowlighting I do with fabric paints and inks, I sandwich my quilt mostly using basting adhesive and rulers to get the lines that need to be straight and square right and adding some quilting pins because I use a very light amount of adhesive spray on the batting only.  This is my least favorite thing of making a quilt and I find it physically taxing, especially if it has to be on the floor because of size, and I wear a mask and often have to do it over and over again until it is right.

Then I quilt it, bind it, add a pocket, a label, and block it.  My oldest son Ken photographs it at his home in my daughter-in-law’s wonderfully big studio where her longarm and her Bernina 880 resides.  Beth was, afterall, the one who pulled me into quilting after Marvin died because she was sure I would love it.  I’m not sure she expected me to love it as much as I do, and I know she didn’t expect me to move into the art quilt world.  Before this happened, I had made several pieces of fabric art, had sewn for most of my life, used to have my own fashion design and tailoring business, and made my own clothes and some of Marvin’s.  I found art quilting simply unleashed and pulled together all the sewing and art skills I had learned in my life, but I did need to learn a lot before it was any good.

And I’m still learning, experimenting, and moving through art quilting.  Maybe someday I’ll start winning the big ribbons (I have won a few ribbons, but no BOS).

Sew are any of you making our free design art quilt with me introduced in my last blog post?  How’s it coming?  I’m not rushing you.  It will probably be another couple of weeks or month before I get to the next step.  I’m preparing for my exhibit and I figure the first step is a big one.

Sew happy everyone!

 

 

On MAQF, Antiques, and Tutorials

MAQF

I just came home all inspired by a delightful few days at Mid Atlantic Quilt Festival where I had “Pendragon”.  I put together some of my pictures from the show.  Here is a link to the picture file:  Smugmug/MAQF 17

I stayed a day longer than I usually do for this show and it gave me lots of time to see every quilt, take all four lectures I was interested in and see the Show and Tell that I usually miss.  I also did a lot of shopping.  Well, afterall, my 70th birthday will be this coming Friday on March 3rd, so I gave myself some presents…threads, new rulers (a set of circles and a set of ovals), and one of those spinning cutting mats among a few additional small items.

The loot from the show

Pendragon did not place, but I believe it to be mostly because the theme of the show was modern quilting and that quilt has nothing to say that is even remotely modern quiltish.  I still believe it is a ribbon worthy quilt, so we will see what it does in the future. I decided to see if they would include it anyway because I sort of consider MAQF my main show.  It is within driving distance and I have relatives in the area, so going there is always a treat for me.  I did get some nice comments from the judges:

Your original design effective in telling your story; Embroidery well executed; Piecing well done; Quilting motifs compliments the design; Quilt hangs flat and square; Back of quilt should be free of loose threads and lint” (note:  I sticky rolled it and examined it with my big magnifying lamp when I packed it…lint may have happened on their end.  That backing fabric I used was a little lint grabbing…not using that again).

Pendragon
34 x 45

A New Page Is Turned

Now, however, I am turning a page on my work.  From here I am focusing on the quilt work itself, and on figuring out how to pass on what I have learned even as I maintain my studio artist status (not a lot of travel, a little teaching within driving distance, writing books and creating tutorials), rather than so much focus on the competition work. I will still enter shows, and still plan on making show quilts (they teach me a lot and give me a chance to stretch my work), but it’s an attitude and work flow adjustment in my studio that is on this nice new page in my life.   You can see more about this in one of my past blogposts here.

On Antiques

There are lots of definitions of “antique”.  The one I like the best for this discussion is “an object such as … a work of art that has a high value because of its considerable age.”    Tomorrow (Friday, March 3rd), I will be 70 years old.  I am a work (in progress) maybe even a “work of art” and have considerable age. I think every human being has high value…so there you are.  I could probably be called “an antique” fabric artist.  I feel physically great (have also lost some weight recently and hope to lose more) and I believe I am as mentally alert as ever (always a little daphy).  Many of my ancestors lived well into their hundreds.  I have a wonderful plan for my future and my kids are nearby.  My studio is well stocked, and my fleet of machines is wonderful and in good working order.  I’m excited about the future.  Thank the good Lord and I hope you will continue to join me on my quilting journey.

On Tutorials

One of the things I am going to begin on this blog post is a regular short tutorial (every week or month?).  This week’s tutorial is answering a question I got a lot at the show…how I made the chain mail on my characters in Pendragon using Bernina v7.  I haven’t yet gotten v8, but I suspect this would work there also.

Digitizing Chain Mail for Small Applique (Or using special fills to create what you want)

I wanted to make the characters’ chain mail shirts look right, and decided the best approach was to digitize the chain mail in my Bernina v7 software and embroider it in the hoop.  This took me a while to discover how to do it.  I think I spent two or three days on figuring this out, but I just did a chain mail heart shape and took snap pictures for this tutorial all in about three minutes.  So I thought I’d share this with you in case you wanted to create something special with interesting fills and shapes.  Using Bernina v7 software:

  • Draw a closed shape…you can put the picture in the art canvas side and trace it on the embroidery side
  • Right click on the object and bring up the Object Properties dialogue box.

    Draw shape and in object properties box make these selections (sorry the text box got cut off, but that’s what is said more or less).

 

    These are the selections I made..sizes will depend on your own project size and requires a little experimentation to get it right.

 

  • I had to turn my shirts upside down and move them around to get the wave fill to match where the parts of the wave needed to be to show the expansion and contraction of the chain…like a shirt on a beautifully muscled knight. 😀  I also gave each shirt their own color to help me figure out which belonged where when complete.  I embroidered them all in Superior Fantastico 5169..a silvery variegated gray on black fabric.  I cut them out close to the embroidery and glued them on with Roxanne basting glue and blanket stitched the edges in the same thread to give them a finish.

So there you are.  I can see this method working for a wide variety of appliques and purposes.  The software is so flexible, but finding out how to do something you want to do that is a little different can take time.

Finished chain mail in place

On Upcoming Events:

  • For the month of May and a couple of weeks into June, G Street Fabrics in Rockville, Maryland, is hosting an exhibit of my quilts.  I will have one day where I will provide a walking lecture tour of my approximately 15 quilts that will be placed around the store.  I’ll let you know when that is.
  • In June, I will be providing a workshop on machine quilting at G Street.
  • My quilt “Drawing Nigh” will be at AQS in Lancaster, PA, March 20-April 1.  If you attend and see my quilt, let me know.

Sew happy everyone.  Focus on your creative projects to have the most fun, put in your best effort, learn a little bit, and share, and don’t let it stress you out.  I would really appreciate comments.

The Making of Pendragon

I promised you I would write some posts about the making of Pendragon after it was accepted into its debut quilt show.  Pendragon will be shown in the Mid Atlantic Quilt Festival on Feb 23-26.  I am so excited because I am planning on attending this show.  When you read this post, I will probably be there, since I am setting this up for posting on the day I leave for the show.  Because of this, I can finally reveal the finished quilt picture.

Pendragon
34 x 45 Text from “The Legend of King Arthur” by Thomas Percy (1729-1811)

I actually made a few small changes since this picture was taken.  There was some stitching that went on a downhill decline under the lower left of the pictorial center on the top of the black text box.  I spent a whole day frogging (ripping out the stitching) of about five inches of decorative stitching and restitching it. It was worth it.  I think it was the only thing that would stand in the way of a judge who likes the design deciding it is a good quilt.  I’m not sure you can see it here on this web-sized picture, but I also added some interesting quilting below the text in the block.  I had to enlarge the text box just a bit to make the borders I made fit just right.

So here is a web-sized picture of the design that Ken gave me for my birthday last year, along with the threads and fabrics.  I blogged about this gift here.  He gave me the throne room background in a separate full-sized file without banners or people or the table, which I had printed on cotton by Spoonflower.

You can see there are some differences.  The banners are all a little different, the text box is longer than the one shown here to make everything fit together, and the border designs, which were a huge challenge, all have slight differences.  Also, there were three more swords pointing on the table from off-picture knights that I eliminated.

So first of all, I sent out the thrown room to be printed, as I said, and then I tried to dye the prepared for dye cotton/silk radiance he gave me to get that nice rich dark green for the Celtic borders. It came out a very pretty color, but not dark enough.  Here’s a picture of the fabric.  It will make a wonderful green for another quilt, so it isn’t a lost effort (I’m thinking a whole cloth pictograph).

My green dyed Radiance

So I talked to some of my quilting friends, particularly Jerry Granata, who has one specialty of working in unusual fabrics, and bought some (much less expensive) poly satin of exactly the right color of dark emerald green and did some testing.  That is what I ended up using.  I also had some green cotton of the right color that I used to work out the design and way to achieve the Celtic border designs on.  Quilters, I will tell you that getting these borders worked out was one of the biggest challenges of my entire fabric arts career.  I wrote a little about it in previous blogs: One and two and three.

After that, I decided it would be best for me to withhold additional photos and construction information until it actually debuts at its first show, which will be the Mid Atlantic Quilt Festival in just a week.  I’m so excited.  I decided to go to the show, not only because Pendragon got in, but so many of my quilting friends and mentors will be there.  I’m not taking any classes, but I am going to attend several lectures, try to spend some time with my friends, do some quilt gazing and shopping, and stand by my quilt a bit even if it doesn’t place.  And it may not place.  I love it, but it does incorporate digitally printed fabrics, which is not an altogether accepted method yet, and I am all too aware that my quilting is not traditional in any way and needs to grow.  I plan on showing it as much as I can over the next couple of years regardless of the reception by the judges just because it is a meaningful quilt that I want people to see.  When it finally comes home for its retirement, I plan on giving it to Ken if he wants it.  I am thinking it will also be at my exhibit of my quilts at G Street Fabrics in April or May (I’ll give you the dates when I get them).

Anyway, back to the making of the quilt.  I loved the way the people came out mostly.  I particularly like the queen.  Her dress is a small print with gold that I outlined all the little flowers with gold thread quilting.  I used a matching sheer for the sleeves and actually made tiny sleeves for her arms.  All their hair is free motion thread work.  The guys’ tabards and the little banners all have machine embroidered designs.  The little banners are independent banners that I made, then hand stitched on top of the quilt.

I digitized the mens’ chain mail shirts using some of the powerful software in Bernina V7.  It was a fun challenge and took me several days to make it come out with the appropriate differences that fit their bodies.  Then it was embroidered on black and after applique I added some free motion chain work around them to make them look more real and smooth some of the joinings.  The swords were so challenging to figure out that (after much consideration and discussion with Ken and Beth) I ended up printing the digital design of the swords from Ken’s design and appliqueing them on with monopoly.  Getting the hands properly tucked around the handles was a bit of a challenge, but in the end, I was happy with the swords.  I added black crystals on King Arthur’s sword.   The crowns are free motion stitching using metallic threads with the addition of hot fix crystals.

All the quilting of the throne room was done with the idea of bringing out a 3D concept.  I am generally happy with that result.

Then I faced the challenge of piecing it together.  The border was in pieces and had to match up square and with the pictorial center.  I should have had the throne room printed slightly larger, because by the time it was quilted and squared up, it was a bit smaller than the intended design.  I dealt with this by adding a bit of black below the text box (to make up for the lengthwise shrinking), where I placed some quilting designs, and slightly narrowing the top and bottom small Celtic border pieces (to make up for the crosswise shrinking).  But in the end, after a few bits of frogging and restitching, it actually came out very square and flat.  I was  ecstatic.  Getting quilts square and flat, especially my art quilts that have so many different types of techniques, stitching, painting, etc, is a huge challenge every time.  This one worked.  I used my laser devices (a laser square and a laser cross hair lamp) to help get it square.  If the judges measure it, and it doesn’t get shifted in any way in the transport and hanging, they will find it a square quilt.

I used Quilters Dream thin poly batting and Hobbs wool batting.  I ended up using 6 titanium top stitch needles on this quilt…I think the gold paint dulled the points quicker.  Constructed on my Bernina 830LE and quilted on my Bernina Q20.  All Superior threads (variety of weights and colors).

Sew happy everyone!  Will I see you at MAQF?  Do you have any questions?

 

Making Panel Quilts: The Designs

Design for my second Alfred Shaheen panel quilt (image using EQ7).  There will also be painted designs of flowers and possibly birds around the border.  I am currently working on those designs.

I am making as many quilts as I can to add to my upcoming exhibit of my quilts at G Street Fabrics in Rockville, Maryland, to take place sometime in the  April/May period. I figure keeping busy is a great way to ignore the news as much as possible, and quilting is such a delightful way to do that.

I had such a lot of fun making my Hawaiian Garden quilt that was focused around the Alfred Shaheen panel that I made for the MQX Exhibit in 2016 and later gifted to my brother and his wife for their special 50th wedding anniversary that I decided to make another one (see design above).  Here in this picture of Hawaiian Garden and you can see I will be using a similar border plan for the second AF panel quilt:

Hawaiian Garden…central panel is a vintage Alfred Shaheen panel.

I received permission to make the second quilt from Alfred Shaheen‘s daughter, since the first quilt had been made under MQX’s permission they got for the exhibit.  His daughter asked that I let my quilt friends know that the panels are very rare and are obviously precious to her.  I know that all of us who have made these for MQX are honoring his wonderful art work with our quilts.

I have also been working on the design for a panel quilt where I will be using a printout of the design I painted myself for the central panel.  I worked out this plan below in EQ7 using the design I painted in the center.  I still have to get the central panel printed.  I may add some additional real painting in the border…I have an idea for that, but can’t get it drawn like I “see” it in my head yet.  I might just leave it as is.

Design for my digital flower panel quilt (using EQ7 to design placement and border)

Both of these quilts will probably not take very long to make, now that I have worked out the designs and have the borders worked out in EQ7 which is very helpful in getting them cut properly.  I already have the quilt top cut out and ready to piece together for the Alfred Shaheen panel quilt design shown at the top of this post.  I plan on offering both of these new quilts for sale if they come out like I hope.

Sew happy everyone!  Make a panel quilt…there are some wonderful panels out there now and they are really fun to make.  You sometimes have to block them square first and steam helps too.

 

 

Marathon of Quilting

Whew!  You haven’t heard from me here for a while because I was finishing making the quilt my son Ken designed for me to add to my Ancient Manuscript series in a marathon of quilt making and got my entry into the Mid Atlantic Quilt Festival (MAQF) just under the wire of the deadline.  This quilt is a tribute to King Arthur and the knights of the round table and is now named “Pendragon“.  I have been working nearly full time on this quilt since last March, with just a few breaks here and there. Without question it was the most difficult quilt I’ve ever made, but I was so happy to make it and am quite happy with its outcome.  I made this quilt for the love of my son, but I am going to enter it as extensively as possible in quilt shows so my friends and other quilt lovers can see it.  I will be posting photos of this quilt sometime in February along with a short series of blog posts on making the quilt.

I had planned on entering Drawing Nigh into MAQF, but it unexpectedly got into AQS Lancaster, and so will not be available for MAQF.

Today, I’m sewing the rod pocket and label onto Pendragon, and trying to rest my creaking quilting muscles.  No one will ever convince me that intense quilting like this is not something of a sport…it requires practice, muscles, sweat, blood, tears, and determination, and a marathon of such quilting leaves me tired and a bit achy…but I’ll recover.

Sew next I will be working on several less taxing quilts to go into my exhibit at G Street Fabrics in Rockville in the spring.  It should be really fun and I can provide photos of those along the way.

Sew happy everyone!  Will I see you at the Mid Atlantic Quilt Festival?

 

 

 

 

Happy 2017: A New Year Full of Promise and Opportunities!!!!

Happy New Year everyone!

I don’t know about you, but I’m very excited about the promise and opportunities this new year brings.  Right away in 2017 I have a batch of really exciting new projects all ready to start and several very interesting projects close to the finish.   My sons, daughter in law, and grandson all have made me proud and their future for this year looks really promising.  I even have begun to make some progress already on my plan to lose a lot of weight, which always seems harder for me than most.  I am grateful and thankful to my dear Lord for all He has done for me.

I am first of all finishing Ken’s quilt, and then making several fun quilts that will be simply for my spring exhibit at G Street Fabrics in Rockville, Maryland and then for sale…not necessarily for shows. One book is well along the way and two are outlined and started.  The next thing is to make a bunch of samples for these books.  And I will have to make some new clothes if I actually succeed in my weight loss program, but that will probably be in the second half of the year.

This is a preliminary design of one of my quilts for the exhibit based on the digital flowers in the middle that I have spent several weeks painting in my spare time and finished today.  I plan to have the central section printed on fabric. The borders will have a little more to them.

Sew happy everyone.  May you have a wonderfully blessed and productive 2017.  Celebrate!