Embellishing Your Projects, Part One

Sky Horse from 2014. This quilt won several ribbons and was shown at Houston IQF in 2014. It is inspired by NASA photos of the Horsehead Nebula.

Hi everyone,

I was just listening to Dee’s Saturday Sampler (TQS) talking about adding hot fix crystals to quilts.  Now she did a nice presentation.  But there were a few points that I would like to add.  I have lots of experience doing this across the years, especially for my deep space quilt series and Christmas quilts.  Also, I add a few crystals for many other types of quilts. Even though I wrote about this in a blog back in 2018, I thought it was time to revisit this technique and update what I said back then.

Stellar Nursery, my first deep space quilt using NASA’s “Mountains of Creation” pictures.

 

My love for embellishments started decades ago when I had my own fashion design and tailoring business when I designed and my shop made formals, wedding dresses, and costumes for operas, dancers, and skaters.  Back at the beginning of that business, I hand sewed or glued most of my embellishments on.  Now I mostly use hot fix embellishments, including Swarowski crystals, hot fix pearls, and different shapes.

Out of Mom’s Workbasket. This quilt won Third Place in the Traditional category in Pennsylvania National Quilt Festival 2021. I did not show it elsewhere because it is white and precious to me. I used hot fix pearls across the quilt.

I recently replaced my hot fix crystal wand.  It works very well for me especially when I use hot fix transfer tape! What a great invention and what a wonderful improvement to my crystal placements!!! It works also with digital cutters that make hot fix crystal designs, such as the Brother Scan and Cut, but you need the Rhinestone Starter Kit to go with it for that. I do not have this kit, so I have not tried making them.

Sew here are my steps for adding hot fix crystals to a quilt.

  1. Put on your music or audiobook.
  2. With your craft or old scissors, cut a piece of the transfer tape (I use both a smaller cut of around a six inch square and a larger cut of about a 10 inch square. It’s reusable about four or more times.
  3. Place the item you are embellishing  flat on the table or ironing board.
  4. Remove the backing from the transfer tape.
  5. Working in sections, place your hot fix crystals (or other hot fix embellishments) on a section of the quilt in the pattern you want them .
  6. Lower your transfer tape piece carefully down over the section of crystals trying not to disturb the pattern and press it down around the crystals and more or less attaching to your project.
  7. Grab a large ceramic cup  or dish to put your hot wand into.  I think the cup works a little better than the dish shown here, but either one works better than those little stands that comes with some of them.
  8. With the wand iron, heat each crystal with the tape still in place for as long as it needs.  You can move the whole tape with the crystals on them a little bit as you need them.  Hold it firmly in place and tap your toe, or count slowly.
    • tiny ones require about 12 toe taps or slow counts.
    • medium ones require about 20 counts
    • the larger ones require more…30 to 40 counts to be really secure.
    • the shaped ones do best with a small iron flat on the tape.  I did have one iron get too hot on the tape once and it melted a piece of the tape!  I only had it happen once and that iron died shortly thereafter, so it may have been operating badly on the way out.

The transfer tape does not melt and acts as a pressing cloth, protecting the fabric to which you are attaching the crystal from burns by the wand. It also holds the crystals in place so they don’t go flipping off into never never land. If it gets just a little out of alignment, you just move the tape…the crystal stays on the tape until it is fully glued down and then releases with no problem. This means you can pick up your tape slowly to check if you’ve missed one or if it needs more time and replace the tape if so.

Another way to approach it is to place multiple crystals on the tape upside down with the crystals to the sticky side and just move the tape around and place the crystals on one by one. This is a particularly good method for clothing and other shaped pieces when you are having a hard time getting them flat for crystal placement.

I like to shake the quilt when all the crystals are cool to see if anything falls off.  Sometimes it does, but now is the time to find out.  So just put the crystal back down and cover it with the tape and re-iron.  Occasionally, a crystal does not seem to have adequate glue, so you can throw that one away and use another one, or use glue to affix it.

These crystals and pearls really add some loveliness to your projects.  They are washable and durable, especially if you shake the item to make sure they are fully attached.  Some say it is possible to get carried away with such crystals and pearls.  Some quilt police types feel they should never be on  your quilt.  I say, it’s your quilt.  Add the sparkle you want and ignore them and enjoy your blinged out piece.

Sew happy everyone!  Have fun in your studio!!!

 

 

 

Capturing An Explosion of New Ideas for Future Projects

Hi everybody!  I think we all need a diversion and some quilting to help deal with the roiling of events in the news lately.  As for me, I have been starting two new projects after my last one that was going to be entirely on painting quilts took a nose dive.  By the way, if you want to know about painting quilted fabrics stay tuned. I will still present these techniques scattered throughout my other projects as needed, but not a whole video series for those techniques after all.  Mostly I have to work on camera placement and filming techniques for painting quilted fabrics. The problem was entirely related to painting while filming.

Sew what are these new projects?  Well, one of them, and the next video project, is a second dive into wool applique by machine in which I will be making a pretty scene with a Kingfisher bird on black wool that will be sized for use as a decorative pillow top.  I am nearly finished making the pattern and I will be using my Scan and Cut digital cutter to cut the pieces.  The downloadable pattern will be available on my shop for a small amount and will include both a pdf file for those who do not have a digital cutter and the svg files divided by color for those who do.  I will be providing videos showing how I do them for this project, including the use of my new Scan and Cut.

The second project is a new “show quilt”! Sew there will be a video exhibiting only some of the making of this quilt and there will be no pattern.  I am  making my fourth deep space quilt and as soon as my fabric arrives this week I’m ready to start construction.  I will be using Deep Space II #98 Peppered Cotton designed by Pepper Cory to build the scene, inspired by NASA photos of M51 Galaxy (there are many), which is a spiral galaxy that has a second spiral galaxy farther away and kind of behind it on the edge, making it look like a small spiral is attached to the larger M51’s tail.  Unlike most of the other peppered cottons, this one is not a shot cotton but is yarn dyed intensely black. It makes me happy that the name of the fabric is “Deep Space II”. Thank you Pepper for bringing it to my attention.  I love making deep space quilts.  They are a whole cloth quilt, built entirely with free motion stitching and almost no marking.  It includes a  little paint, a large Angelina Fibers applique, and covered with black veiling, then quilted together in ways that make sense, and adding some free motion embroidery to represent the space dust. After that, I add a lot of hot fix crystals, kind of using the NASA photo as a guide for placement to represent stars. Some of the larger stars or star clusters are sometimes backed with an embroidered representation of the light that shoots out around it from the lens flair often in a cross shape that is highlighted on the NASA photos. This adds to the interest and beauty of the quilt in my humble opinion.

Practicing for making a deep space quilt.

 

I like having two very different style projects going at once because it allows me to move from one to the other when I need a break from some aspect of a project.

Sew this past week I spent a fair amount of time thinking about and updating my Quilt Project Plans spreadsheet for the remainder of this year and into next year.  It is way more than I can possibly do in that space of time perhaps, but it is wonderful to look forward to the near future projects and be able to pick from some of those I have already thought through a lot.  I also keep a handwritten notebook where I describe most of the projects more fully and sometimes keep outlines and notes to help me make them.  I have been doing this for many years.  Way back to when I only did clothing designs and sewing.  It’s sometimes fun to take one of the old notebooks and look through them to see just what I actually made of the many plans that have floated by.  I sometimes pull a long-forgotten project out and make it.

Here are some pages from my Pendragon quilt project that I did complete and that was shown in several prestigious quilt shows, including Houston.  The sample shown here is a test for the upper left corner of the border.

Sew happy everyone!  And remember, sometimes you need to abandon a project and not feel like it is a fail. Doing so can often open up an explosion of new ideas when you realize you no longer have to struggle to complete something that just isn’t working, and sometimes persistence through the challenges helps you to finish works and you come out with a real winner.  Give yourself permission to take the path that works best and be sure to have fun in your studios!

 

Adding Surface Design to Quilted Art

Making Spiral Gallaxy 3 (see below)

You may not know, but I have happily received several delightful and prestigious awards in Surface Design or similar awards over the years. I still find surface design and embellishment to be the most interesting part of making quilted wall art pieces.

The border swirls and leaves were all painted after quilting using Setacolor and Jacquard paints.

Some of my quilts are entirely surface design and quilting, such as my deep space quilts.  These encompass several techniques that often include multiple media pulled together, and are oh so fun to do.

Spiral Gallaxy 3…a wholecloth quilt with large Angelina Fibers applique, black veilling, a little background paint, lots of threadwork and quilting, and tons of hot fix crystals.

So what do I mean when I say Surface Design and Embellishment?  There may be a more formal definition among professional artists, but I personally mean anything outside the norm that is added to the fabric during construction of the piece or even a mostly finished piece to enhance the look or complete the design.  This might include paint, decorative thread-work, lace, Angelina Fibers, beads, buttons, crystals or found objects, and even dimensional applique.

Hawaiian Garden. The central panel is a vintage piece by Albert Shaheen. I made this as a challenge piece for MQX show in 2016. I pulled the border design from the panel and quilted, then painted the borders. I gave this to my brother and sister-in-law for their fiftieth wedding anniversary.

To me, surface design is like play.  Over the next several months, I am planning on providing some demonstrations on my YouTube channel presenting some of my techniques and products I use.  The first of these will be painting on a previously quilted piece.  The various fibers and fabric weaves respond differently to the selection of the painting product. Over the years I have accumulated a nice variety of these products and kept them replaced when used up or dried out, although recently it did hurt my feelings to find I had a large percentage of my Setacolor fabric paints that had dried out.  I don’t know why they did (I’m kidding), since they were only 8 or so years old and mostly less than a quarter of the jar left…LOL. So I threw a bunch out and rearranged what I have left to use for this project.  I think I have not been making enough wall art over the past couple of years, probably because life got in the way for a while, but I am back now to full time work and feeling pretty good for an ancient fabric artist.

For the most part, the products I use are basically machine washable in cold water once heat set with an iron.  Some do require a medium, such as GAC Fabric Medium or drug store pure Aloe gel, to make them permanent or even to make them behave right on fabric.  I plan on doing a test or two for you to show the results on this blog.  My goal has always been to use the product that helps me create the look I want without changing the hand of the fabric and that can be washed when needed.  I want to be able to wash a quilt even if it is going to be a piece of wall art only.  You’d be surprised how dirty a show quilt can get when it has been shown in multiple shows or hung for years. But they don’t need to be washable frequently in hot water, like you would if you are making a snuggle quilt for a child, for instance. I would not recommend painting such a snuggle quilt.

Anyway, I have been making a set of small quiltlets with spaces in them to paint and I am just about ready to start filming this work.  It will be fun for me, I’m sure.

Sew happy everyone!  Have fun in your studio!

 

 

 

 

Wool Applique and Other Things

Hi dear readers.  I am pretty excited because I have finally gotten a good start on my wool applique project and have made a decision about what I will work on for my secondary project.

Test and practice piece I made to make some decisions before starting the actual project.

So today I pulled together all the pieces I have had around the studio for a while that are available for my wool project.  I was pleased to find my packages of felt that I had bought some years ago are fine melton wool felt .  These are mostly two unused packages of a variety of colors I bought them from Nancy’s Notions probably 7 or 8 years ago and they are in wonderful shape. They don’t have these now, so I recommend Sue Spargo sets such as the blue set or the red set I highlighted available on Amazon.

Here are the melton wool pieces I will be using for this project. The background reddish brown piece is richer in color than it appears in this picture. It is one of the new pieces I ordered from a tailoring supply place in California. The smaller precuts were purchased years ago in multicolored packs and are also melton wool felt.

I have several gorgeous melton wool pieces in one yard cuts that I ordered about a month ago.  Since the wool applique projects I am making for my book and videos are small, these 60 inch wide one yard cuts will make two or even three of the projects background pieces, a test piece, and are likely to have small leftover bits that can be added to the smaller pieces for the appliques.

Detail showing some of the decorative stitching.

I have also been identifying where to find the supplies for people who want to make these projects themselves.  I will share those with you at some later point once I figure it all out.

A detail from the test piece showing how well the applique is stitched on by machine with almost no visibility of the stitches.

I have some interesting hand woven placemats I bought somewhere sometime years ago and decided they were not going to work for placements for me, but they were really interesting handwoven look.  I don’t know the fiber content though I think it is cotton and wool, and I can’t even remember when or where I bought them. I washed and dried them by machine and they came out in good shape.  They will be an interesting addition for appliques I can use in the future or for the show quilt I am planning on making at the end of the great wool project.  Before I cut them out, they will have to be backed with interfacing and/or Steam-a-Seam fusible, which kind of acts as a stabilizer and will keep them from fraying.  I will show those to you when I figure where and how to use them.

Additional detail stitching. I am saving a library of these stitches as I have them set in the files on my Bernina 880 Plus. I have had this machine for about a year now and the more I use it the better I like it. It’s amazing.

Sew I have made a couple of decisions  for studio activities for the future.  I plan on making a new deep space quilt as my second project to work on for when I need a break from the wool project.

Spiral Galaxy No. 3 one of my deep space quilts.

I always want two projects going at once to give my mind and sewing muscles differing things to do from time to time.  The neat thing is that deep space quilts are made almost entirely free motion with angelina fibers, a little bit of painting, and hot fix crystals.  That means it will mostly be done in Studio Fritz the room where my Bernina Q20 longarm sitdown machine (Fritz) resides.   While the wool project will mostly be done in Studio Gibbs where my Bernina 880 plus  (Odette) lives and where my cutting/painting/whatever island is.  I also plan a bit of needle punching with my little Bernina 350 for which I have the needle punch attachment. That, too, will be part of my book and video projects.

A Word About the Future of the Craft of Sewing

Okay.  I know I said two decisions.  The second one is to figure out the direction for my work for the future. I decided I don’t want to do online live classes like on Zoom, but I will do some hopefully enjoyable videos and put them on YouTube.  I have been and still am a studio artist and this is my main focus.  I did do some local classes at G Street Fabrics, and was kind of considering entering the larger teaching circuit, but that avenue is no longer available at the moment. I had found it so much work and it barely paid me back for the work and expenses I invested in the classes.  I loved it and glad I had the experience, but I won’t be returning to in person teaching.

While I still very much wish to share what I have learned, I am going to do this by writing books and making videos and perhaps the occasional trunk show if invited.  I will continue to work in my slow way toward these goals.

I don’t know if the quilt shows will fully come back for years.  I am going to still make professional show-quality art quilts, and capture the making of them in videos and blogs and books.  If the in-person shows come back, I will then have some to enter just for fun, but I’m not going to stop making them.  I don’t know what I will do with them beyond that and giving them away here and there or selling one every so often and enjoying them myself.

Don’t worry when you hear of shows closing and people changing their current paths in the quilting or sewing world.  The sky is not falling. There even appears to be some new interest in sewing and quilting brought on by people making masks and experimenting with sewing during the pandemic. Sew if you have the opportunity, teach someone to sew even if it is remotely.  As Becky Thompson on her YouTube Vlog Power Tools with Thread likes to say “Go sew something!”

Fine Tuning Quilted Art Projects: Achieving a Straight Unwavy Quilt

When I started making quilts to hang on the wall, I was working with smaller quilts that didn’t seem to present problems of waves and unevenness.  I had a quilt in the 2013 Quilt Odyssey show and I attended the show.  When I saw the quilt hanging there, I was a little horrified at the wave I saw and how it looked a little crooked. It also seemed a little wiggly at the top.  There it was, hanging in a prestigious show (it has since decided to close the Quilt Odyssey shows) with all those amazing quilts.

Perspective in Threads completed in 2012  before I fixed the binding and after I fixed the rod pocket.

I wanted to grab it and run!  LOL  I couldn’t understand it.  When it was home and on the table it was flat and I guess maybe not as square as I originally thought, but certainly not so wiggly/wavy.  When I got it home I took a hard look at it, did some measuring, square measuring, etc.  I realized a couple of things attributed to the wiggles and waves and most of them had to do with the rod pocket! Here is my analysis of that little quilt.

  • The rod pocket was slightly too narrow and so it had been scrunched a little on their rod. It was sewn so there was no extra space on the back to prevent the rod from poking the top out.
  • The rod pocket was not level in relation to the quilt itself.
  • The binding wasn’t done very well.
  • It measured correctly with even sides and top and bottom though there was a very slight difference between the top and the bottom length.  It was relatively square and there really wasn’t much I could do about any minor unsquareness because of the way I had used the printed border.  I don’t think that is a problem.
  • It is basically a whole cloth quilt with a border and quilted well and evenly, so it didn’t pull it out of whack even though I “quilted it to death”.

So there you go.  The primary problems were the binding that could have been better and the poorly done rod pocket.  I have since replaced both on that quilt, but it has not shown since.

After that, I started carefully measuring the rod pocket when I cut it out and when I applied it so it is even from the top. Instead of 4 inches I make a 5 inch or even more pocket, making sure that it is put on in such a way that there is more fabric on the back in order to make the quilt hang straighter on the top and the rod to be at the back, and although I still struggle with getting a really good binding on a quilt, I am enormously better than I was in 2012 with that. I ewill take the binding off and redo it now if need be.

I bought a laser square and am really particular about the squareness of a quilt now from start to finish. My quilts that go to shows now are seldom, if at all, out of square.

Sew happy everyone!  Stay calm and carry on…carry on with quilting, sewing, family, friends, home, and pray a lot.  Make something for yourself or your favorite person. This plan will likely give you a lot of peace.

 

 

Risk Taking in the Studio

Test sampler I made before starting my Mom’s memory quilt.

When I make a show quilt I have a variety of steps that can be a little bit scary, even if they are also fun. I have to take the risk or I would never accomplish the things I want to do. It doesn’t seem to matter how much I pretest, when I am actually working through the quilt project, things come up that are unexpected and must be either corrected or otherwise dealt with.  I am currently trying hard to finish my Mom’s memory quilt, which proves my point.  It has been a real challenge from the start and seems even more so the closer I get to the end.

Sew I finished the loooooooooong period of heavy quilting, unquilting, quilting, unquilting, quilting.  Each part of the quilt had a different sort of quilting that required much thought and practice, but even so, I have not been as happy with it as I had hoped.  I have been working on this quilt for mny hours over the course of a year.  The top looks really pretty good, but I am not as happy with the back.  Still, I love the quilt.

Today, I have been painting the flowers and birds on the white satin that I spent mnths quilting.  The painting is going fairly well on the top, but a few spots have soaked through to the white back.  I think I have control over that now and will not have any more soaking through, and if so, I can use the upper corner where that happened as the place to put the additional label I have planned for all along that will give a little bio and a picture of my mom.  I don’t think I can get away with more thanone of those, however…lol.  So if I do have more trouble with soaking through, I will have to color the back flowers and leaves using something that I know won’t soak through like fabric crayons, which would look nice, but I would rather not do that.  Hopefully I will be able to complete the painting without additional problems of the paint soaking through (I got my brush too wet).   Before I started this I made the sampler above and had no problems with the paints soaking through.  I have painted after quilting on many quilts, and I am pretty sure it was just that I got my brush too wet. Sigh!

Earlier this week we (or rather my son David, who is in control of  our washer that is on his level in our townhome..lol) washed the quilt to get the Crayola washable gel pen markings out of it and set it up for blocking.  I  had told him to wash it on the hand wash cycle with cold water and Wooolite.  It did not entirely come out.  I have to say I was stressed over that.  But anyway, he rewashed it another time using the same directions and more of it came out but not all.  So I suggested warm wash with Synthrapol, and then it all came out.  It also did not damage it in any way and looks fabulous overall.  The quilt has a double bat with an 80/20 bat on the back and a wool bat on the top.  I had done a bunch of testing of the Crayola washable gel pens before I marked the quilt top using the same fabric.  But when I did the test I washed it out with Synthrapol, not Woolite, and I only dried it a few hours and ironed it instead of having it sit in the fabric a year.  So I suspect that is what the difference is, but it might just have been the warm water or the third wash. The point is, it came out and it was a great help while it was in the quilt. I would most certainly use it again even if I have to wash my quilt several times.  But I kind of think just one wash in warm water with the Synthrapol would have done the job.

Oddly, the part that I was most worried about when washing/blocking…the appliqued on crocheted ten inch lace blocks my Mom made…came through the wash without a bit of trouble and they even look refreshed and truly beautiful.

I had originally thought this quilt would end up a little over 60 x 60 inches, but all the quilting drew it in to about 58 x 58 in the end.  I haven’t bound it yet, but that’s what I think it will end up.  It will, therefore, be a small wall quilt in whatever shows it is in, if they will even let it in, or if they even open.

Sew you see, when I make a show quilt, there are lots of things that can and often do go wrong.  What I have found is that I have had to develop a set of approaches to fix problems when they happen, or criteria to help decide when I can let it go and stay as it is.  Afterall, I am not a machine.  I do not make perfect quilts.  I think small flaws can actually add to the beauty and magic of a quilt. I’m not sure judges agree. But sometimes, I may even have to let it go and not enter them into shows.  I think this one will be ok for entry.  We’ll see when I’m done. I am sure those keen eyed judges will see every little flaw and tell me about them if they provide feedback.  They always do.  Hahahah.

In addition to binding, I still have the painting and to add lots of pearls to the quilt. Some of those pearls are possibly going to be Swarowski hot fix pearls, but I have to test that first, because my quilt top is made from polyester crepe back satin and polyester dupioni…it’s gorgeous.  It quilted beautifully, but I will have to test to see if the hot fix pearls go on ok without a hitch, and stay, and don’t melt or burn the fabric.  I once slightly burned a silk dupioni quilt in one spot with the hot fix crystals I started to add.  I ended up glueing the crystals all on, which I found I didn’t like doing at all.  Later on, I learned that I could use the transfer tape to help apply the crystals.  It holds them in place and provides a bit of heat protection of the fabric when I used the hot fix applicator.  So I am hopeful I can use the hot fix pearls for this quilt.  But it is another risk, and the last thing I do to complete the quilt I have spent so many hours on for a year now.

I am planning on making slightly smaller art quilts for a while.  They might actually sell better, since people may be able to find spaces on their walls for them.  But I will continue to do those risky techniques that make the end quilt look so fabulous.  I hope you will too.

I am hoping we are all able to begin to come out of our homes and are still stay well.  Just like a show quilt, risks are required if we are to accomplish anything good.  I personally don’t think we as a country can stay away from work for much longer without the entire world economy collapsing, which is also a massive threat to peoples’ lives, health, and overall well being…even more threatening than the Covid 19.  But we can take precautions as we go out, wearing our pretty face masks we probably all made or had made for us and washing our hands, using sanitization methods in our houses, cars, and places of business, and keeping our distance for a while.  There has been much progress in understanding this thing and how to treat it and they are still moving forward.

Sew happy everyone!  Make something fun.

 

 

A Sunny Mother’s Day and Considering Next Steps in My Studio

Happy Mother’s Day to everyone.  Yes, many of you are mothers and grandmothers, but I know a couple of you who have no children but provide much learning and support to us quilters and sewists in motherly fashion.  So Happy Mother’s Day to all of my readers (even the guys).   My oldest son Ken has already called to talk with me, and my youngest son David, who shares my home with me, is going to cook a steak dinner tonight.  Lovely!

My side yard

It’s gorgeous here in Ashburn, Virginia.  About 65 and totally sunny with not a cloud in the sky.  I just spend about an hour out back enjoying it all.  The back of my house looks out into a small woods, just thick enough so I can’t see over to the next part of the neighborhood and thin enough so developers won’t come and build back there.  The wildlife is delightful that live there…birds of several varieties, bunnies, turtles, squirrels, chipmunks, and even foxes.  I feed the birds so I can see them and they pay me back by keeping down the gnats and flies and singing to me.

My youngest son David on the upper deck.

Sew I had hoped to finish the quilt I am making in memory of my wonderful mom, but though I have made great progress, I still have a ways to go.  I have finished the quilting on the central part of the quilt and am working on the borders.  I put freeform feathers on the bottom border, and I plan on doing the same on the top border.  I got some new stencils and am have marked a beautiful vine with leaves coming down both sides.  Since I quilt everything to death, except my snuggle utility quilts, I have a lot of quilting to go yet.  And then I will have to wash it to remove the markings, and paint some of it.  So there is much to do still.  I had thought it would not be pretty enough on the back to be a good show quilt, but I just turned it completely over and was surprised to find it is beautiful.  Yes, there are flaws, but it is still beautiful.  The flaws don’t seem to show much on the front.  Some of them will be removed, others will maybe go under a label or two (I’m thinking of writing a little biography of my mom in a simple text label in addition to the who made it when and so forth label).

What’s Next?

Sew I am close enough to being done with Mom’s quilt to think about what my next major project will be.   I actually have three going now.  One is my own personal snuggle quilt for my bed using Sue Nickles applique blocks that I just use to work on when I want to do something that is just relaxing sewing, one is a fairly extensive project of wool applique by machine that I am simultaneously writing a book about.

I have found that there is a slight bit of room in the art quilting world for books that people with advanced machines may want to have.  There are a lot of how to quilting books for beginners, piecing books, and yes, even some advanced art quilting books, but I think while there are some books out there for people with all these wonderful stitches and feet and other attachments, that area might still have room for some skill building books for using these advanced machines many of us have.  Wool applique by machine is my first of these skill-building books I am working on (I just bought a second camcorder and will be making videos too).

Another book I am thinking of is multiple deep space quilts using a variety of methods in homage to the magnificent deep space scenes you can find many of on NASA’s website that are copyright free.  Here I have some credentials in the quilting world, because I have won several nice ribbons on my deep space quilts and I have many more to make.  So I thought this would be a good book and already have it underway using photos I took while creating some of these quilts.  I plan on making several more, some step outs and some small ones to sell for people who may want one of these for their wall, or to give as a gift.  Of course, I will be producing show quilts from this project also, giving my work double, or even triple use (I will be making some videos too).

Sttitching Spiral Quilt 3 with a reference picture.  I gave this quilt to Ken and Beth.

I guess maybe that is all I can do this year, but it doesn’t stop me from planning other quilts, and thinking about how I can incorporate them into books and videos.  I may speed up, and some of these books are nearly written and only need a few samplers. so it might not be as overwhelming as it sounds.

I would love for my readers to tell me what they want me to teach by book and video (I am not going to do much travel for a while), realizing that I have been sewing for more than sixty years, having even once owned my own fashion design business, and quilting since 2009, with ribbons and other awards to my name.

One of my most prized awards that may sound unrelated, but is not, is a simple honorable mention I won in Kanazawa Japan decades ago.  I studied Ikebana there, receiving my fourth year Sogetsu School Ikebana certificate, the next one, had I continued, would have been a master certificate.  While there, I entered a flower show and made an arrangement using great big sunflowers, chrysanthemums, and swooping curls of broomstick.  It won an honorable mention.  Theoretically, it was anonymous.  But there were some magnificent arrangements there.  It’s something I have never forgotten. Nor have I forgotten a single bit of my training.  I have sketch books with some of my arrangements too.  A flower arranging quilt would be fun.

Kanazawa Memories, with machine stitched sashiko and a fabric Ikebana arrangement I made by printing individual flowers on fabric and appliqueing them into an arrangement.  I lived in Kanazawa Japan for three years as a young woman.  I no longer own this quilt.

In the stitching/sewing world, I can probably teach almost anything except piecing and hand sewing.  I can do those things, but only at about an intermediate level, whereas clothes, tailoring, and now art quilting, I consider myself to be at an expert level in many of the techniques.  Please comment and send me your questions or suggestions either here, on Facebook or send me an email/message, realizing it will be a while before I get the answers to you, unless it is a simple answer I can put on my blog.  Also, what do you think of my planning to write books for people with higher tech machines?

Sew happy everyone!  I hope you get to go out and enjoy the great beauty of spring or fall wherever you are.

 

 

 

Fine Tuning Quilted Art Projects: Fixing Things

I know that sometimes things go awry with my quilted art projects no matter how hard I try to keep things on track.  Usually, though not always, it is entirely my fault.  But sometimes, it is a machine or tool misbehaving.  This week it was my bobbin case, or rather the little spring in my bobbin case.  Fortunately, I had a spare, but I was not good about trying that until I had exhausted all the other reasons I was getting nasty big nested wads on the back of my quilt.

It started with just an occassional nest, and got progressively worse.  In the end, before I was about to decide there was something seriously wrong with my Bernina Q20 (Fritz) sitdown longarm, it looked like this:

back when bobbin spring broke down.

Sew I made every step and tried many things.  I cleaned, oiled, flossed out the thread path, and blew out the bobbin area.  I took the bobbin out and put in a fresh bobbin.  I took out the magic bobbin washer I usually use and tried that.  I put it back in and tried that.  I reset the bobbin tension, and yes, it was way off for some reason, and tried that.  I changed the needle, I changed the top thread.  It got better periodically, and I thought we were ok, so I went back to quilting. Unfortunately, it started misbehaving badly again (it looked great on the top but I could feel and hear it everytime it made a nest).  So I stopped.  I prayed about it.  It was especially important that I could fix it myself since my Bernina shop is closed right now.

And then I remembered that I had bought a spare bobbin case spring because I had read on one of my facebook groups that is something people should have on hand for the Bernina Q20/Q24 longarms.  I replaced the spring on the bobbin, rethreaded everything, and reset to default settings, just in case. I still got thread nests…and was about to give up, but I decided to doublecheck the tension on the bobbin again.  When I took the bobbin case out, I found the bobbin was in upside down!  Hahahaha.  I must have done that the last time I took it out and put it back.  So I put it in right, rechecked the bobbin tension and tried again.  What do you know!  It worked.  It sewed cleanly and beautifully without any problems.  So I readjusted the tension and stitch length to my preferred settings and sewed for a full half day with no problems.  It is still sewing well.  The spring didn’t seem to be that far flattened, but it was flatter and less bouncy than the new one. I know the bobbin was in right for most of my attempts to fix the nests.  I had to laugh at myself.

Sew now I am left with the ten or so inches of the quilting on my border of the quilt that I have to unstitch, or unstitch at least a good part of it and restitch.  I hate unstitching and it’s hard to do!  So I have to make some decisions here on what I have to actually do.  The location of this batch of bad quilting is in the lower right corner, right where a label should go.  So I can hide at least some of the bad back stitches under a label, cutting off a good portion of the nests.  In the process of all of this, I used a different thread for the actual large feather on that section of the border than I did for the second one on the other side of the lower border.  The first thread is lighter and needs to be removed, because the darker new thread looks much better.  So I will have to remove the whole feather.  Sigh.  I am not having much success at this.  This portion stitched well and I find the stitches hard to pick out. It is slow.  Sigh! But I will persist.

This all brings up the topic of fixing things on your quilted art pieces.  There are things to consider when deciding to unstitch and other things that can be done some of the time.

  1. Is the project a show quilt or show garment or for other professional use? If so, it must be fixed.
  2. Does the problem really make the item less desireable for personal use or a gift?
  3. Can you somehow cover up the problem with appliques, false back sections (shows do not accept false backs on show quilts), back appliques that add fun or beauty, or hide with paint?
  4. Is it even possible to fix the problem? If not, can you use the item in some alternative way?

Sew happy everyone!  Hang in there.  We really are going to come to the end of this trying time and things will get better again.  We may have even learned a lot of interesting life lessons from all of this.  I am, in fact, really pretty excited about the fall and winter quilting and quilt show season that is before us.  I am already working on it.  How about you?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Keeping On Keeping On With Some Fun Too

I know some of my gentle readers are about to pull their hair out by about now being confined to their homes.  Sew let us all get up and do some stretching and bending.  Ten reaches to the sky, ten toe touches, ten swings from right to left with arms out, and 100 in place marches.  Ten deep breaths and giggle like a kid for ten seconds.  Now!  Grammy BJ (that’s me) suggests doing this several times a day and then get to work or play.  Here’s what I have been working on this past week.

Yes I finally made a bunch of facemasks, primarily for my family and friends.  A lot of my friends have devoted their entire work time to making these masks.  There is a need, and now that the study came out showing the properly made cotton masks using high end “quilter’s cotton” in at least two layers is, indeed, fairly effective (79 percent for the best, but poorly made with poor fabric choice can be virtually no use at all.  A surgical mask is 65 percent effective, and the N95 is 95 percent, jusf for comparison), we no longer have to contend with people saying it isn’t of any use.  Sew if you want to make some for you and your family or more I highly recommend Bethanne Nemesh’s mask method shown here in her video.  I made mine this way.  Here are a few of them (100 percent cotton…cotton fabric, cotton t-shirt ties, and cotton thread are easy to launder and sterilize.  I may be wrong, but I don’t like the idea of a non-woven interfacing.  A third layer of cotton something like flannel might add some additional safety, but the study was looking at a two-layer tight woven quilting cotton):

Sew after I made a bunch of these, I am probably done with mask making, at least for a while.  Now I am very excited about my current projects.  I have four I am currently working on or planning.  Yes, I know that’s a lot for all at once, but I can’t help it that all the ideas came at once.  Hahaha.

My primary project is my Mom’s memory quilt I am centering around five beautiful ten inch crocheted lace squares I found in her workbasket after she passed.  I have made substantial quilting progress recently, and am working on quilting the borders now.

Mom’s lace squares…10 inches of beauty.

  1. Here’s a peak…more quilting is in order here.  I really really love that blue polyester dupioni and off white polyester satin.  They quilt very well and did not break the bank like silk would have.  I think the dupioni is clearly different from silk dupioni, but it does have a rich beautiful texture.
  2. A wool machine appliqued quilting project that includes both samplers for my book I am writing and a larger show quilt using what I am learning as I build this part of the book and its samplers.  My goal is to take true advantage of the magnificent threads and machines we have today to produce wool applique quilts that are at once suggestive of hand applique and shows and teaches the use of advanced stitching by machine.  I will also add considerable amount of beads and possibly other forms of embellishment.  Here’s a little test I have done to determine what may be possible and think about the pattern.

    Just a test

    I have determined to use my accuquilt go! cutter to cut out a bunch of shapes and in real time place them in a good design and add stitching, then make a pattern for the book.  I have this nice tool, as many of you do or many have cutters of some sort, and I think it would be a fun approach, but I also plan on providing enough of a pattern for those who do not have one to make the resulting project.  And yes, it will all be done on black boiled wool because that is what I have on hand.  I am on a tight budget right now.  LOL

  3. My appliqued bed quilt I started some time ago using a beautiful pattern by Sue Nickels.   It’s sort of Baltimore Album like, but all done by machine applique.  I don’t have a picture yet.   This is my relax and stitch project where I don’t have to please a judge and I didn’t have to think of the design.  I am, of course, making my own changes and it will be just for me.
  4. And the fourth project for the near term is a new deep space quilt.  I love doing these.  I have worked out the technique, have all the supplies I need for one, and I take the design straight from one of the NASA photographs they so generously share copyright free, so I only need to put some size and spacing marks on a wholecloth black top and away I go.  I plan on putting how to do this either in my current book on embellishment or in its own book.  So I will be taking a lot of pictures as I go.  In case you are unfamiliar with such quilts, I have two below for you to see.  Both have won ribbons, and the Sky Horse was in the juried Houston show in 2014.

    Sky Horse photographed by Ken Tatum

    Spiral Galaxy No. 3

    These are so much fun to make.  I make them at my sitdown longarm because they are all free motion stitching.

    Sttitching with a reference picture

    And finally, my oldest son Ken who designed Pendragon for me is working on Excalabar design for the next in my ancient manuscript series.  If I manage to get all of these quilts done this year I will be doing very well.  I don’t work as fast as some of my competors in the show quilt world…hahaha.

    Pendragon
    34 x 45

    Sew happy everyone!  I love you all.  I hope you are keeping busy and making all kinds of fun things in your studio, or cooking, or gardening, or doing all of these things.  God bless you!

Here We Are in 2020! Merry 12th Night of Christmas!

Sampler practice piece.

Hi everyone!  Merry 12th night of Christmas (today January 5th 2020)!

Sew I will be leaving for California two weeks from today to visit my brother and his family and go to Road to California show with my brother Pat and sister in law Carol.  I would appreciate your prayers for an easy, safe trip! They have gone to R2CA twice before when I had quilts in the show.  I have a quilt in this show too…The Wizards’ Duel.  It looks a little different from this picture (I must get a new photo made).  I took the judge’s comments from Mid Atlantic Quilt Festival 2018 to heart and fixed the lower left mountainous rocks and added additional quilting and painting to the entire rocky area.  Then I sent it to Pennsylvania National Quilt Festival in Oak, PA and won a blue ribbon for Best Interpretation of Theme.  So I am hopeful I get some kind of ribbon at R2CA this year.  We will be there Wednesday night the 22nd, all day that Thursday, and a little bit that Friday morning.  I hope to see some of you there!

Wizards’ Duel before I improved the rocky area.

If you saw my last blog post you know I have lots of plans for this year, so I won’t relist that.  I know I have listed more quilts than I can possibly make, but then I can choose the ones I feel like making and put the others on the shelf for later.

By the way, if you got a Bernina v8 software for Christmas or some such, remember I have a book with skill-building projects to help you learn to really enjoy that software, Twelve Skill-Building Projects for V8.

Carrying on the skill-building theme, I am writing a skill building book on fabric embellishment, and another skill-building projects on various quilting styles good for art quilts.  I hope to get these two books published this year!  They require samples when I don’t already have one.  I like “skill-building” because it is not trying to tell you every little thing, but provide projects that will enable new or improved skills for your own fabric art.  I also am planning on making lots of new videos for my YouTube channel, but not until I get back home.

Sew happy everyone!  I hope you manage to get to at least one quilt show this year.  If you can’t get to one you really want to there are usually a lot of interesting YouTube videos about some of the shows.  I will take my cameras with me, but not sure what I will get done with that since I will be there with family.