Problem Solving in the Studio 4: Beyond Sewing Supplies

Home office tools, computers, and supplies, as well as building or painting supplies are often problem solvers in my studio.  I figure they are for you too, dear readers, but it seems a good idea to review them in case some of you haven’t tried them yet.

My printer/scanner is a major problem solver for me in my studio.  This was just highlighted to me this week as I was trying to come up with the right quilting plan for the border on my mom’s memory quilt.  I figured out how I want to quilt the rest of the quilt and am excited that I am nearly finished with the top so I can sandwich and get to quilting.  I had a concept in my head of how I wanted to make the border quilting pattern.  I have taken Lisa Calle’s online classes on iquilt, and classes from Bethanne Nemesh, Gina Perkes, and Jamie Wallen at shows.  So I can come up with designs, but getting them drawn like I want and in the right size is always a challenge for me.

Yesterday, though, I drew several designs I wanted to  consider in a small size on letter sized paper with my pencil, scanned them into my computer, took them into Corel Draw (but you could do this with any drawing package or photo editing software you may have).  Then I resized them into the exact size I needed and printed the one I chose and traced the designs on my border.  I think it looks promising. Sometimes I draw these digitally and size them correctly, fixing any problems resizing causes.  It’s such a help.

Of course, I also occasionally print fabric pieces for some of my wall art quilts, even if I have a background piece printed by Fabric on Demand or Spoonflower.  For instance, for PendragonI painted and printed the heads (all bald heads…loL…I added the hair with stitching later), as well as the swords.

Pendragon
34 x 45

I used Scotch Magic tape yesterday to hold some free standing lace motifs in place while I stitched them onto the quilt top with monopoly thread.  This tape is a wonderful help in in-the-hoop embroidery work because it will hold things in place while being stitched through and then easily tear off leaving nothing behind.  I learned about this from a Sewing with Nancy show and thought I would try it, and found it works very well.

I have reported in my previous blogs about using various pens and pencils, such as Crayola washable markers and gel pens or colored pencils for marking fabrics.

I know all of you by now must have a roll of blue painter’s tape in your studio.  It makes a great marker for straight stitching, holds designs in place at the light table for marking with no sticky left behind, holds a super slider mat for that little additional security to keep it in place, and so forth.

For me, one of the hardest things to do is square up my quilts.  Last year I bought a laser square, used for tiling in the building industry.  It helps a lot getting a square corner.  I did find I need to place it on something to match the height of the quilt top to make it work right (magazines or rulers seem to work for me).

I’m sure there are a lot more such items from outside the traditional sewing items to help us problem solve in our studio.  I invite you all to add a comment with your favorite item you found to work with in your studio that came from outside the sewing/quilting world.

Sew happy everyone!  Have fun in your studio this fall!

 

 

 

 

 

 

 

 

 

 

 

Problem Solving in the Studio 3: Free Motion Couching

One of the things I have really been enjoying experimenting with lately is couching by machine.  Couching, or laid work in which cords or yarns are laid onto a fabric and attached using small stitches, reaches back into history at least as far as the llth century, usually gold cording.  Of course, that was by hand and gloriously beautiful.

I have been working on a book on embellishment and one of the techniques I will be covering in the book is couching.  Or rather, several of the techniques I am discussing are several different types of couching by machine.  Our machine companies have developed or are developing couching feet designed to help us apply interesting cords and yarns to the surface of our projects by machine.  Like many things, though, success in this endeavor requires a bit of practice.

 

This is the start of a small sampler of winter trees that I am making. The largest tree is couched on sports weightyarn, using foot number 43 on my Bernina Q20 sitdown longarm. The next largest tree on the right uses a thinner baby fingering yarn and so I used the ruler foot 72 with the largest of the three couching inserts. The silver tree in the center back is couched on Ricky Tim’s Razzle Dazzle decorative heavy thread, the thinest of the bunch, that I couched on using the smallest insert in the ruler foot 72. This was pure fun to do.

I also used free motion couching using Bernina 43 foot for my quilt Night on the Bayou, which will be in this year’s Houston IQF show.  Isn’t that terrific?  No, it will not be winning a ribbon, but I’m very happy to have it in the show nevertheless.

A close up of the Night on the Bayou showing the tree limbs I couched on with yarn using foot 43. I also couched on the bushes and grasses growing in the water (not shown here).

Sew there are some problems I have had sometimes especially in free motion couching.

Normally, I use either Superior Thread’s wonderful Monopoly thread or a 100 weight matching (to the yarn or cord) silk or poly thread to couch the thread on.  I use a small 70/10 needle.

When I first started trying this, I had trouble with the thread breaking periodically, especially the monopoly.  Then I saw someone, and I cannot remember who or where, say that using a universal needle helps prevent thread breakage for monopoly threads.  Sew I tried it and found a 70/10 or even a 60/8 universal needle actually does make a big difference. Lowering the top tension also makes a difference.  My biggest problem is getting these small needle eyes threaded with thread I can barely see. It just takes magnification and time. for me to do that.

The other problem I have sometimes is stitching off the thread when doing a curve or circle, leaving the stitches in the right shape and the yarn hanging there.  To make this better, I have found from experimentation that it is a matter of making sure to provide sufficient looseness of the yarn or cord feeding into the foot and stitching slowly enough.  I pile on a bit of loose cord/yarn onto the fabric and watch to make sure it doesn’t feed a loop into the foot, stopping and adding more cord/yarn as it uses up.  If the yarn/cord feeds in with even a small amount of too much tension, it will pull it out of the stitch path.

For the most part, this is fixable if you take your time by going back and stitching over it, using a stiletto or bent tweezers pulling the cord/yarn into place while you slowly restitch over the yarn, following the stitching now on the fabric.  Alternatively, you can remove the yarn beyond the skipped area by pulling gently on the stitched down part and clipping the thread.  But if there is enough looseness of yarn, and you sew slowly enough in the first place, you probably won’t miss the yarn/cord in the first place for the most part.

Of course, like every really good technique, you need to practice.

A word about practice and testing:  I know it takes time to test and practice techniques and products, but it can save you a great deal of time later and even the ruination of your project.  Keep a notebook and staple samples into it and write up what you did.  That way, next time you use the same kinds of items to do the same thing, even if it is months down the road, you just have to look up what you already did and proceed straight to your project.

Do I sound like an annoying nagging teacher now?  LOL…well, maybe I am.

Sew happy everyone! I hope you try couching and have a lot of fun with it.  I have lots of plans for using this technique in future quilts.

 

Making Samplers

I am writing a book on embellishment techniques and have a plethora of samplers to make for this book.  I will also be using examples from some of my show quilts.  One of the projects in my book includes  several samplers teaching how to make trees using couching and a variety of interesting decorative threadwork.The starry night in the winter forest scene above is almost complete.  I still have to bind it and add hot fix crystals in the sky.  But I thought I would show you what I have on this little sampler, which I stitched on with no premarking.  This is such a fun activity to just sit down with a small quilt sandwich and play.  Initially I had planned just to practice and test some tree making in preparation for this sampler, but I liked it and decided to just trim it down and make it one of the samplers.

  • The two front larger trees are couched on sport weight yarns using a couching foot #43 on my Bernina Q20 and white 100 weight Microquilter by Superior Threads with Bottom Line in the bobbin. (Q20 settings: net on the cone, bobbin tension 180 with a magic silicone bobbin washerover the spring, top tension 1.50, threaded across the silicone gadget with the pink liquid, 80/12 universal needle (note…for small thin 100 weight and monopoly threads the universal needles work best, because the top stitching needles I normally use tend to “step on” the thread and break it instantly.  This is true whatever machine you us).
  • The middle tree, though you can’t tell in this picture, is sparkly silver Ricky Tims Razzle Dazzle by Superior that I couched on also with the couching foot #43 using a silver Superior metallic thread in the top (same settings except top tension is 3.0 and needle is 90/14 titanium top stitch Superior).
  • Then I free motion stitched the two smaller back trees using Aurifil 12 weight wool/acrylic blend thread and a 100/18 top stitch needle (Bottom line bobbin set as above, top tension 3.0, spi 9, bsr1,  100/18 top stitch titanium Superior neeedle, threaded as normal, stitched slowly, use a tooth cleaning threader to thread the aurifil thread through the take up bar hole and the needle).  Clean and oil your machine after using wool blend thread.
  • After that, I free motion stitched with Superior metallic thread the lines showing the hilly shapes, ruler stitched the moon shape, and painted the moon with Setacolor paints.
  • Then I used 100 weight black Microquilter (set as in the first dot section) and did a simple stipple all over the quilt and outlined the trees.

I encourage you to try such a sampler.  It can make either a neat Christmas decoration once all the crystals are placed on it, or you could add a halloween pumpkin or owl applique for Halloween.



Progress on Mom’s memory quilt:

Now that I have it all designed, I decided I had to make a sampler to practice everything especially on the satin part of the quilt where I will have pictographs of flowers, birds, and embroidered items that are related to Mom’s interests.

So I managed to get all the marks out of the test piece when I used the heat away pen after a four hour soak and a cold water wash in Synthrapol and finally a reironing to take away the last of the marks, which were very light at this point.  I then refroze it thinking they would come back but they did not.  I will retest this on the sampler when I am finished with it.  This is the kind of treatments you have to do when your fabrics or thread colors bleed onto your quilt, so I do not recommend the use of these pens except in very rare circumstances and after much testing.  I plan on making a decorative pillow for my bed with this sampler.

Sew I thought the hardest part would be to quilt the pictographs, but I found that to be really fun and, while time consuming, they were fairly easy to do at a slow stitch with my Q20 using BSR1, spi 12, and Magnifico 40 wt thread by Superior, and a 90/14 top stitch titanium needle with top tension 3.5 and bottom line in the bobbin at 180 tension.  Now I am working on figuring out the background, but first I will be doing really really tiny scribble stitching for about a quarter inch out from the edges of all the pictographs with 100 wt thread to set them apart and make them look like trapunto.

I am using a double bat on this quilt (80/20 thin bottom and wool on top), a cotton backing, a beefy polyester crepe backed satin and two colors of polyester dupioni.  But the only pictograph quilting is only on the ivory satin.  Here are the sampler pictographs.  I think it is coming along really well, but I am puzzled about what kind of background I am going to put on the white.  I am thinking of using walking foot stitching with some simple decorative stitches on my 880 plus in some kind of grid work, but I am not sure yet.  One thing at a time on this project. LOL  It’s hard to see in this picture, and it looks like there is more problem with fabric management than there is, but here is the sampler so far.

Sew happy everyone!  Take some time to play on some samplers that you might want to use or just throw out later.  It gives you the freedom to try things you might be hesitant to do on a full quilt project.  Cheers.

 

Marking Satin Fabric

Sew today I decided to begin working on the satin pillow top that I am making to test some methods I plan to use for my Mom’s memory quilt.  I am using polyester crepe back satin, a beefy satin that I have tested previously for quilting with great results and I am trying to figure out the marking method for my Mom’s quilt, because it has a LOT of detailed stitching/painting lines to produce the designs.

I used it as the border on one of my favorite quilts Pendragon because I could not find the right color in a natural fiber under twenty dollars a yard. I only used it on the border though.

Pendragon
34 x 45

But for this quilt, I prestitched, painted, then constructed, sandwiched and quilted. I over-quilted the border with monopoly, which gave me the opportunity to bring out the over and under characteristics of the Celtic border designs.  I used quilting paper with temporary adhesive dots for the marking.  This works fairly well, but when you use really small details, it may break away at an awkward place or may be really hard to remove after stitching.

This may end up being the method I use for Mom’s quilt, but I really wanted to use the border method I did for Canterbury Silk and Canterbury Knight, where I appliqued on a few things, quilted it, then painted the quilting designs. For both of these quilts I used Radiance Cotton/Silk blend, not polyester.

practice pieces for Canterbury Silk

I marked those (and remarked them, and remarked them before all the original marks quite disappeared along the way) with Fons and Porter’s mechanical white pencil.  It doesn’t stay on the satin very well, but was the best I could find at the time.

Mom’s quilt will be made with off white polyester satin and two blues of beautiful polyester dupioni (I LOVE these fabrics), and of course, the pieces of crocheted lace squares I found in her workbasket after she died.

I want to mark it in a way it will stay, I can actually see it, and then I can get rid of the marks completely when I block it.  Is this a dream?

So today I tested multiple markers.  The blue marker many of us use immediately bleeds all around the mark, as does the crayola washable marker I frequently use.  This blurs the lines so they are not usable for this quilt.

I tried marking pencils, which I know go away as you work through it on satins, in particular, though I can kind of see it.  The pencil pulls the fabric as I mark it, and I have to hold it really carefully.  It sort of put slight pulls in it in places, and the detail is kind of hard to see under the light of my machine.  In other words, it’s not really what I need.  Colored chalk comes right off after just a tiny bit of stitching.  Clearly not the winner.

Out of frustration, I am trying  pen similar to Frixion, which works so well for seeing it, doesn’t go away as you work through the construction, and disappears when ironed.  But it comes back when frozen (i.e. when shipped to the quilt show in an airplane or transported in the winter).  I am testing to see if there is a way to get rid of this marker without destroying the work I do on the quilt.

I am still testing that one, however.  If I can figure out a way to use it and then remove it completely this would be almost ideal.  So I have ironed off the test piece and have it in the freezer to have a sample to try really removing it.

I say almost ideal because I would probably have to remove the marks after I have all the stitching done and then do the painting.  But I am going to test that too.  IF I can remove it, and NOT remove the painting, then I would say it is ideal.

Anyway, I completely marked the pillow sample top with the gel pen so I can practice the quilting/painting method I plan to use, and then try to remove the marks so they won’t come back.

Let me say that I would strongly not recommend this marker for most quilts.  It does come back when frozen, while all the other markers…Crayola washables (my favorites), blue markers, chalk, and marking pencils come nicely off either by washing or erasing.

But this is a special case, and something I would use a lot if I can come up with a good marking method for light colored satins.

Next I will have to test the paints.  I’ll let you know how all this goes in my next blog post.

Sew happy everyone!  Test your techniques, fabrics, markers, threads, tensions, needles, paints, markers BEFORE you invest all those hours (and money) in your projects to prevent frustration.  Also, I highly recommend you prewash your fabrics.  Except for machine problems, there are few things in your studio more frustrating beyond completing a beautiful piece and have it get ruined (or nearly ruined) in the end when blocked.  Have a great week everyone!

 

 

Embellishment…a workshop

I know I said I wasn’t going to do another workshop this year, but I felt there is part of basic fabric arts techniques that I left uncovered.  I decided to add this in the fall since I am trying to provide an overview of the main basic techniques I use to create my own fabric art.  That is surface design and embellishment.  My reason for not originally including it in the set is that I not only think the supplies required are a little larger investment than I think students might want to spend, but it also requires covering a number of techniques.  So after some thought I have figured out a way to cut some of the costs and I think it is acceptable.

So I am creating a small 15 inch by 15 inch square project.  Today I finished a background design for a little fabric panel that takes the place of painting or digitized painting of a design to embellish.  I sent it to be printed by Fabrics on Demand.  I figured that with their 56″ wide fabric I can get six panels on one yard of fabric that ends up costing about five dollars per panel.  I will give a little lecture about how digital art fabrics accomplished, and provide links to several good places to use.

I am working out what I need to assemble a variety of decorative cords, threads, and yarns to use with different feet, which a lot of people already have or would find good use for if they need to buy them.  So the students will bring along their feet with their machines.  When the first batch of panels comes I will use them to work into a sample or two and figure out the handouts.  This will be really fun, I think, and the end project will make a very nice pillow top or tote bag side.  Additionally, I will demo both needle punching of roving with the bernina machine and how I place hot fix crystals using transfer tape.

This sounds like a lot, and I have to fit it into a four hour class, so I will see how much of this I find I can actually fit into the class and then make adjustments, but I have to have the panels to work with before I can do that.

Sew I am working on this while my Bernina 830 LE is at the spa getting all fixed. He had a temper tantrum last week and I took him to Lew to fix.  He’s a good machine…having served me now for a number of years, and it’s been several years since he had his regular service.  I think there is some thread caught way down in the bobbin assembly that Lew will find.  I am very hopeful it will be fixed without a huge bill.

Anyway, once he is back I can finish my Bob Ross quilt for the Cherrywood Fabrics challenge.  It is well along the way, but I need a couple of in-the-hoop embroidery pieces to applique on before I can quilt it.  I was thinking today that maybe I could go ahead and quilt it and add the applique later.  The deadline is July 1st and it’s already June 6th.  Yikes!

Sew happy everyone!

 

 

Bunches to Do

This nice drawing is from Dover’s Chinese Designs. Whatever would I do without Dover!

 

Oh, dear readers, you knew it was coming didn’t you?  I have gotten to the place where I am feeling a bit swamped with things to do.  That’s why I have been lagging in my blog writing. It would be ok except I seem not to have time to do my favorite thing right now…work on show quilts.  And I have show quilts that need to be made!!!

Sew I am preparing for a book signing party on April 20th and four classes I will be running at G Street Fabrics in Rockville MD this spring.  Each has handouts that need to be updated or created and kits that need to be assembled.

  1. Fabric Arts 1:  Machine Applique Techniques
  2. Fabric Arts 2:  Feed Dogs Up Quilting (on a Domestic Machine)
  3. Fabric Arts 3: Free Motion Organic Quilting (on a Sitdown Machine)
  4. Fabric Arts 4:  Ruler Work Quilting for Sitdown Machines

The real project right now is for my church, that asked myself and my bff Anita to make a new Easter banner for the church.  I was already swamped, and the addition of this project is a bit of a time draw.  Fortunately, Anita has been working with me for over a year now to learn to use fabric and thread as a medium for her own art.  So she is doing most of the work, though not all, but coming here to do it where I have the machines and tables and paints and bunches of fabric and thread.  LOL.  I am doing a lot of the specialty items, like machine embroidering the words and guiding the methods.

Easter banner concept drawing

In case you didn’t know, I now have published both Ten Skill-Building Projects for Bernina V7 and Twelve Skill-Building Projects for Bernina V8.  So if you have one of these programs for digitizing your in-the-hoop embroidery, you might find this of interest.  I beg you, please, if you buy the book and like it, please please write a review on Amazon.  It does not have to be very long…just a single sentence or a couple of sentences.  Reviews really help the authors.  So far I have a single review on both books.  Much appreciated, but I need more.

                                New book!!!

Sew I am preparing to do a book signing at G Street on April 20th, and plan to show some demo videos of the software.  This has taken me a considerable bit to learn how to do these videos…live screen capture, editing the resulting videos, trying to get them right.  I will post these on my new YouTube channel (Betty Jo’s Fabric Arts), when I get them complete.

And the fourth workshop listed above for G Street..the ruler work..is not fully designed yet.  I have been working on making a sampler and made much progress on what I want to show and teach, but it isn’t done yet!!! Yikes!!! It also will provide a kit with a little quilt sandwich, premarked with some guidelines.

Show Quilts…what am I doing, or trying to get time to do? 

  • The Bob Ross challenge by Cherrywood Fabrics.. Due July 1st.  I have the fabric, I have a design concept…will I get the time?  It’s small, so that helps, only 20 inches by 20 inches, but it will need a bit of time.
  • A train quilt with a steam locomotive to showcase a number of interesting applique and embellishment techniques. No real deadline, but I would love to finish it in time for the fall Mancuso show in Oak Pennsylvania.  Deadline is sometime in August.
  • A stack of other interesting, fun, hopefully beautiful, other ideas I won’t discuss right now.

So to top it all off, I am working on another book..the first in a series of Quilted Art Techniques books.  My concept right now…subject to change, of course…is for three books talking about techniques…one on building the top, one on quilting the quilt, and one on surface design and embellishment.  The challenge for these is to provide a way forward for quilted art without just being the same-old same-old that is already out there.  That’s a big challenge, but I also still think there is room for me to present my techniques in a way that will help artists and/or quilters to accomplish a vision they have in their heads but haven’t been able to do until now, or were had not yet figured out the steps to take.

Sew happy everyone!  I have not abandoned my hope to do a weekly or more blog post talking about adventures in fabric art.  Have fun in your studio, even if it is just a small space! 

 

Digital Fabric Arts Adventures

Background fabric design for use in upcoming quilt

This has been a busy and interesting month so far, and the end of the month promises to be just as unique.  First of all, I want to tell you about the background fabric piece pictured above.  I spent some time (more than a forty hour week) painting this design I wanted to use for a background, to which I will be adding a lot of objects, including trees, rocks, train trestle, train, steam clouds as appliques.  But I painted it digitally in Corel Painter and sent it off to be printed full size by Fabrics on Demand, which has a wide selection of fabrics and does a good job.  I’ve used them before.

So after about a week I got word that they had printed the fabric and shipped it.  I waited, waited, decided I would have to contact them because it had been weeks and no fabric.  In the meantime, we had a snow week, with an 11 inch snow followed by very cold weather.  Then we had a thaw.  Just as I was about to contact the company, my son brought in a wet package that he had found on the side of the front porch under a bush.  Yes it was my fabric.  It had apparently been blown off the porch under the bush and covered in snow and ice.  We might not have found it until even later if the cold weather had continued.

The fabric was in a plastic envelope and carefully packed, but it was totally soaked.  I washed it in the washing machine, thinking that I normally would have hand washed it with Synthrapol detergent, since it was a custom printed piece.  So I wasn’t sure how it would come out.  But it is totally beautiful.  The colors are strong and lovely and the piece is clearly not going to bleed or shrink now as I use it in my quilt.  My friend Anita was amazed at the piece.  She is an artist herself but is new to the fabric art world.  I could tell she is excited to consider that she might be able to turn her art into a piece of fabric. She would have to take a good picture or scan of her art since she doesn’t work digitally in order to get it into fabric in this way, but that works too.

Twelve Skill-Building Projects for Bernina v8

Okay readers, I have been working full-time for several weeks now just to update my Ten Skill-Building Projects for Bernina V7 to a new book for Bernina V8, and I have finished the basic manuscript, sent it to my Beta readers, and designed the cover.  I am looking to have this out by the end of February.  So if you have either V7 or V8, I think you will find working through the projects of these books will provide you with a solid understanding or improvement in your use the software to go forward and make some wonderful in-the-hoop embroidery designs.  You can make what you want for your projects.  These books are designed so if you work through the book the later projects build on what you learn in the earlier projects.  Additionally, you will end up with some fun small items…mug rugs, a color wheel, a needle book, and a bunch of nice designs to use in other ways.

I’m very happy to be more or less finished with this Bernina software books project.  I have more or less been working on this for several years now.  It’s not that the projects are that hard, it was the difficulty of figuring out what should be presented and in what order to help fabric artist that still has the program in the box or has only used it a little because it was a little confusing, or that may not know how much is really there.  It is an amazing software…almost magical.  It has tools to help you get where you need to be, but it does not do a good job of telling you what tools are there.  The reference manual is well presented, but you may not know what you don’t know and you don’t know where to look.  The books are not exhaustive in covering all the tools, but they are enough to give you a real feel for what you can do with the software.

Just as I neared the finish of the first book for V7, Bernina came out with the updated V8, so I put it aside.  But my dear friend Mei-Ling Huang, who is also my Bernina dealer, encouraged me to go ahead and put out the V7 book, because there are a lot of sewists out there still using that software.  And then she pushed me a little to also write the updated V8 version.  I truly don’t think these books would be finished without her encouragement.

Sew now that I have completed these two projects and have gotten my fabrics for the next several show quilts and workshop samplers and kits, I have to straighten up this studio!  It’s a mess!

I’m so excited about the work I have in store for the future.  I made a list of things and put a date I wanted to get them done by, just so I can figure what I need to work on next and next and next.  Let’s get to quilting and embroidering!

I also am thinking about what book I should write next.  I have found that self-publishing through Amazon KDP is not too difficult for me to manage.  I want to get what I know out for people to use. I have learned a great deal in the past sixty plus years of sewing and art work.  Maybe the next one will focus on surface design and embellishment.  I have won several prizes at major shows based on my work in this field.  But I have to get to quilting first.  Just need…to….quilt!

Sew happy everyone!  There’s a fabulous bunch of tools and supplies out there to make some wonderful fabric art.  Teach someone to sew or quilt or try something new yourself!

Happy 2019! Let’s Make this a Wonderful Year!

I always love the beginning of a new year.  It is like turning a page on a well-worn journal that may not have worked out like we wanted and finding a crisp new space to fill with fabulous adventures. As some of my long-term readers probably realize, I like to publish my creative goals in my blogs and then see how much of them I can accomplish.  It’s a challenge!

For 2019 I have four avenues for fabric and thread play planned and the timing has worked out so I am at the beginning of them all, which makes it all the more exciting.

  1. Landscape quilts, using a variety of applique techniques, threads, couched yarns and roving I hope to develop  pictorial quilts with a lot of dimension. I don’t know how many of these I will make, but I have two already planned–think “train” and the little Bob Ross challenge by Cherrywood Fabrics…and I hope to make more.  I am thinking of developing a book on these techniques along the way, now that I know I can publish my own highly-illustrated books with some degree of professionalism.
  2. Experimental quilt(s), developing a couple of wild ideas I have had floating around for a while.  These include first of all polyester crepe-back satin which will also include some in-the-hoop embroidery that I digitize myself on Bernina design software V8 and develop a Ten Skill-Building Projects for Bernina v8, as an update to my new book on v7, that will be coming early in January. And secondly, seeing what I can do with some of the really beautiful commercial panels available and/or develop some background panels of my own for sale.  Both of these things offer real possibilities for quilters with limited budgets, time, or confidence. Blogs will be coming.
  3. Workshops, that I will be teaching a repeat to the ones on developing fabric art that I taught at G Street Fabrics this past fall and will be adding a basic ruler work workshop…all scheduled for April and May already.  I am all ready for the first three except for making a few additional kits, and I still have to make the sample and kits for the ruler workshop…one week of preparation should do the trick.
  4. Videos showing especially working with my Bernina Q20 sitdown longarm and possibly more.  I have all the equipment, and this week I successfully went through the whole process to come out with one really terrible video, but I now know the process and will be practicing until I get it all just right.  I hope to share these as inspiration for people here on my blog.

I am very excited about all this. It may seem too much, but I don’t think it is given how I hope to build quilt projects together with books, blogs, and videos, getting multiple uses out of the same work with only a small addition of work. We’ll see…(oh! and I also will be continuing the work on my appliqued quilt using a Sue Nickel‘s pattern I am making for my bed, but that’s just for relaxation and fun).

I was inspired to tackle improvements in my landscape quilts first by Bethanne Nemesh’s videos on yarn couching on her own quilts, then by the success I had in using yarn couching for tree limbs and 12 weight wool threads on my Night on the Bayou quilt for producing Spanish Moss, and finally by my purchase of the Bernina attachment for my little Bernina 350 that does needle punch.  So I am going to put all this together with the applique quilting and embellishment techniques I already do and see what comes out.

I was also interested in how well a little testing of the leftovers of the crepe-back heavy satin I used for my coat did in quilting that I feel I need to make at least one and possibly more quilts using this product.  I think it offers some great possibilities and it’s a lot cheaper than the now-discontinued silk/cotton Radiance.  The every day quilter with a limited budget may find this a wonderful way to go. We’ll see, and I will write about it, at least in my blog if not a whole book.

Sew happy everyone.  Peace and love be yours as we begin 2019. Encourage those around you. Let’s make this a wonderful year full of peace, love, and yes, fun! May God bless you and yours.  Let the celebrations begin!

Workshops, Books, and Near Magic

On Workshops

I have one more workshop to teach of my three-part series on basic fabric art techniques.  The last one will be held at G Street Fabrics in Rockville, Maryland on 27 October and is on Organic Free Motion Quilting.  The class will quilt a prepared quilt sampler sandwich, and hopefully they will all leave with the same sense that one of my students said about the last class that “this has been a really good class and I feel so much more comfortable with my machine.”

Sew I have all the kits almost prepared, though I still have to put together six more sandwiches that are already cut, marked, and prepared, which should take me only about another hour.

So I have been asked by G Street to return for another round of these same classes next spring, and to add at least one more on ruler work.  I agreed to do that.

Drawing used to digitize the applique project.

On Books

While I was there, my friend and dealer talked me into finishing my 10 Skill-Building Projects for Bernina design V7 software book.  I had nearly finished it when Bernina came out with v8 and put it aside at that time, but I had shown it to her recently.  She said there are lots of people out there who are still using v7.  I decided she is right and maybe I won’t make much money with it, but someone may find it useful.  It does seem too bad to not publish it after all that work. She said then maybe I could maybe buy v8 at a sale price  and do another one for that software.  I’m considering that and think I probably will do that.

But I did open the file for the v7 book to see how much I have to do, and I think I can finish the manuscript in a matter of a few weeks. I only have one more chapter and I have to make one more stitch-out for photographs in addition to whatever I do for the last project.

Sew that made me look at the other book that covers the same fabric arts techniques presented in my three workshops only much more extensively, and that is not too far away from completion either.  And in fact, I even think I have nearly all the samples made that only needs photographing for the book.

I have a third book in the works also on surface design and embellishment…but it’s a ways away from completion.

I’ve been working on these three books off and on for years and it’s high time I get them finished and published.

On Near Magic

I know how frustrating computer software and computerized machines can be sometimes.  I also know that if they work, or if I actually figure out how they work, they can enormously enhane my ability to accomplish things, or accomplish them faster or better.  The more I learn the more I realize it’s nearly magical.  I also know that most of the problems I have with them is because I don’t really know how to use them right or don’t know all the cool things they will do that I can use.

I have been taking a class in Corel Painter this past couple of months and I have learned an enormous amount.  This will be a major help in my design work and it’s lots and lots of fun too.

For some unknown reason I am sometimes compelled to share what I have learned, which is why I am developing workshops, writing books, and sharing this blog.  I am going to add to those the making of videos.  My oldest son has outfitted me with all the equipment I need to do some simple videos and podcasts.  I have been practicing video making so those will happen sometime soon.

It may seem that I am getting in over my head, and am going to be overwhelmed, but while that may be, a lot of the work for quilts, books, workshops, and videos has multiple uses.  If I make samples and develop methods for a book, I can use the same thing in a workshop and video.  I can use my quilts or parts of them as some of the illustrations.  So it’s kind of like working on everything at once.  Magic, see?  Hahahaha

And I haven’t forgotten my show quilts.  Just today I worked on a pattern for one of my planned show quilts.  I won’t share this one until it is mostly done, but just think “trains”.

Sew happy everyone.  Share what you have learned with someone.  Happy new quilting season!

 

Fall Fabric Art Workshops

I am excited about my upcoming workshops I will be teaching at G Street Fabrics in Rockville this fall.  If you are in the area, please sign up and come.  I understand there are still a few spaces.  These three six hour workshops provide the basic techniques I use in building and quilting most of my wall art quilts.  There will only be eight students with each workshop, to give me time to be available for each student and answer questions.

September 22, 11am to 5pm.  Fabric Art Workshop 1: Applique Techniques to make a top ready for quilting.

Kits for the workshops are available for purchase that includes everything the students need for the projects that will enable everyone to complete or nearly complete each project.  For the applique workshop, the leaves, birds, and dog or cat are all precut with fusible on the back. The student gets to put it all together like he or she wants and different edge finishes are taught as well as how one might choose which finish is discussed.  Threads, needles, and other supplies are included as well as the handouts.

The two quilting classes also have kits of premarked sandwiches with everything one needs to plunge right in and start quilting.

October 6, 11 am to 5 pm:  This is the project for Fabric Arts Workshop II: Quilting with feed dogs up.  Kit has premarked sandwich, thread, a needle, and handouts.

The students will learn there are many interesting results that can be obtained with their feed dogs up.  Of course, a walking foot would always be helpful, but will not be required for this class.  It’s a small 20 x 20 sandwich.

 

October 20, 11am to 5pm, Fabric Arts Workshop III:  Free motion organic quilting.  The Kit for the free motion quilting project is a lightly marked sandwich, with a leaf applique ready to start the class.,  It also includes thread, a needle, and handouts.

Sew I don’t address how to square up and bind a quilt, but I do provide references as to where you can get that information.  There is another part of my work that is also not included and that is surface design and embellishment.  However, I started my art quilt career just using the techniques covered here, and learned how to bind off the internet.  I am considering how I might do a workshop in surface design and embellishment, but not sure I’ll do it yet.  I do provide a bit of information on how you can pull together a design for such projects in the course of the workshops.

Come join me.  There are 8 slots per class and some have already been filled, but if you hurry you might get in.  Contact G Street Fabrics  and ask for the Sewing machine department.

Meanwhile, I’ll go back to making kits…LOL