Spiral Galaxy Quilt: Finished the quilting and adding the stars

I am totally amazed that I was able to finish all the quilting for the spiral galaxy so quickly.  Now I loved quilting on Gibbs, my Bernina 830 LE, and it made it possible for me to make quilts I would have otherwise struggled with a great deal.  But I am awestruck by the ease of free motion stitching/quilting on my new friend Fritz, my Bernina Q20 set up as a sit down longarm.  It is fast, its stitches are very even when I am using the BSRs, it has no problems that I have encountered so far with tension, it sews smoothly, and I can see everything.  I even found that using rulers (with foot #96) is just plain easy.  I see a very happy future with Fritz.

My new Bernina Q20 named Fritz.

My new Bernina Q20 named Fritz.

Gibbs will still, of course, be a big player in my quilting life as will E.Claire, my little Bernina 350 I named after Edith Clair Head.  I also have Betsy, my sweet old Bernina 1230, and she is a wonderful machine that I use occasionally for some special stitching, since I have a lot of unusual accessories for her, and when I have other stitchers here in my small studio.

I am feeling exceptionally blessed with my studio lately and have some fun things planned for the future. Next on the docket is my oldest son Ken’s quilt design he gave me for my birthday (see my blog An Extraordinary Present).

Sew now I am putting the many hot fix crystals of different sizes and colors that represent the stars on my spiral galaxy quilt.  I am using a new notion to help me with this project.  In the past, I have occasionally burned around a crystal when I was placing it on a deep space quilt.  The veiling is nylon and the Angelina Fibers darken with too much heat.

I have been looking for something to help me get the crystals heat set without that and, thanks to a Facebook friend, I “discovered” rhinestone transfer tape.  There are several brands that were originally created for placing hot fix rhinestone designs worked out in cutting machines and others.  I am using it slightly unconventionally. I place a bunch of crystals on my quilt about where I want them, making sure they are right side up and then carefully lower down the tape and stick them all down.

Tape holds down the crystals in place and acts as a pressing cloth.

Tape holds down the crystals in place and acts as a pressing cloth.

The crystals stick to the tape and it holds them in place while I iron them on.  I then use my little individual crystal placement wand and hot fix them in place (the tape is still there between the crystal and the wand), and count (tapping my foot…one, two, three…twelve (for little crystals)…15 (for medium crystals)…32 (for big crystals).

Heat setting individual crystals with the wand with the tape still in place.

Heat setting individual crystals with the wand with the tape still in place.

Once all the crystals on the film are heat set, the tape peals off, leaving them behind.  You can tell from this if you have them all set, because if you missed one, it stays with the film, so you can set it back down and set that one.  No burns, no color changes for my Angelina Fibers, no movement of the crystals, no flipping them off the quilt and having them fly through the air to the other side of the room (yes, I did that!).  I caution not to keep the wand down too long, and to use the smallest wand end that works for the crystal size, though, because it is probably still possible to burn the quilt if you aren’t careful.

Sew happy everyone!  I hope you have some time to create something wonderful.  In these dark times it is particularly important that we make our homes and office spaces beautiful and warm and surround our families and friends with love and beauty.

Spiral Galaxy Quilt: Using Reference Aids

Since my last blog I have made much greater progress than I anticipated by this time.  I have completed the basic quilting, and I am currently adding the rust colored star  dust streaks that swirl through spiral galaxies.  I was a little worried about this part of the quilt, because the dust swirls in complex ways throughout the overall spiral and there is no way to mark this quilt.

I am happy to say that my method seems to be working, so I thought I would share.  I started the quilt by placing a NASA photo of the galaxy I am using as my model (see my last blog post) in Corel Painter and “tracing” a simple outline of the placement of the spiral arms and then moving it to Corel Draw and printing it full size.  Corel Draw will tile a picture into whatever size paper your printer handles, so you can tape it together and have a full sized pattern to work with.  If you have Bernina V7 design software, and don’t have Corel Draw, you can use the art canvas, which is a version of Corel Draw.  I also have found that Excel spreadsheet will also tile a picture, which is what I used before I had Corel Draw.

spiral galaxy print tiles pic

This shows how Corel Draw has divided the full sized picture into tiles for printing.

Then I traced the pattern onto the black fabric, but that is the sum total of any kind of pattern I could use on this quilt because after the Angelina Fibers and the veiling are placed down, you can’t trace anything, and there really isn’t much more you could make a pattern for anyway.

Sew I have gotten all the fiber applique and nylon veiling completely quilted, using 40 weight black thread and rulers for the basic swirl, monopoly over the fiber applique part and black 100 weight silk over the purely black part. I also embroidered spire star backgrounds for ten stars, using in-the-hoop and gray variagated 40 wt thread.

In order to free motion stitch (is it embroidery or is it quilting?) I have printed several pictures of spiral galaxies that show the rust colored dust swirls fairly clearly.  It actually looks very much like a woody vine.  Anyway, I place the pictures close by or even on the quilt so I can see them frequently and out of my peripheral vision and have begun the stitching that way

Sttitching with a reference picture

Sttitching with a reference picture

This quilt is a homage to the fabulous spiral galaxies sometimes photographed or even envisioned by painters in NASA’s website.  It is not supposed to be any particular spiral galaxy.  I am intrigued by the realization that our own galaxy, the Milky Way, is a spiral galaxy.  Here is a link that talks about that and gives us some idea of where we are in the Orion spur part of the galaxy.  Milky Way link

This is the third of my deep space quilts.  Now that I have developed the techniques for making pictorial deep space quilts I am planning on making more.  I’m not sure how many more or which wonderful space entities I will use for the models.  I hope to develop at least enough to put together an exhibit in some gallery somewhere some year. I have discovered that some space entities work better than others for my quilts.  I have found that those that have more distinct characteristics, those that have more color, and those that stand a better chance of the viewers recognizing what they are looking at seem to be the best models.  Maybe some of the quilts will actually earn some ribbons for me.  That would be wonderful.

Sew happy everyone! I hope you can have some time to create in your studio this week.

My Own Quilting Retreat

On Monday my new Q20 Fritz was setup in the part of my studio that also houses my office with my computer, and recently iquilt has been having sales on their video classes and I purchased several.  Starting on Tuesday I have been having my own private quilting retreat (and I’m not finished). Actually, I kind of fell into this little quilting retreat by coincidence of the two things happening in close proximity to each other.

Here is Fritz:

My new Bernina Q20 named Fritz.

My new Bernina Q20 named Fritz.

 

The days have flown by as I watched the classes, put together practice quilt sandwiches, and practiced on my new machine.  I have spent four or five hours a day practicing quilting on Fritz, and sometimes, I just put the class videos on and let them play through, and sometimes I stopped and went carefully through the classes.  I have really enjoyed myself.

The classes are all great, by the way, and I am learning a lot.  Sew what classes am I taking?

I also have run thr0ugh a couple of The Quilt Show shows while I was practicing quilting and testing various threads and settings on Fritz.   It’s kind of been like I was taking a summer school in quilting.  I am planning a similar week next week.

I need much more practice on Fritz to produce show quality quilting, but I feel encouraged to see some progress.  I think I can, I think I can, I think I can….  I do need to get to quality quilting fairly soon because I have a lot of ongoing quilting plans and book samples to do, and the quilting on these needs to be beautiful and well done. Here are a couple of photos from my first practice:

 

Day 1...it's a beginning. The black thread is the very first, the blue varigated is next, and the stitching in the lower right includes both metallic and 12 wt thread.

Day 1…it’s a beginning

 

Day 1 specialty threads. I had to do some adjustments to the tensions to make these work. The metallic in the upper left worked well with just a little loosening of the upper tension. The 12 wt thread required loosening the bobbin and tightening the upper thread just slightly for both.

Day 1 specialty threads. I had to do some adjustments to the tensions to make these work. The metallic in the upper left worked well with just a little loosening of the upper tension. The 12 wt thread required loosening the bobbin and tightening the upper thread just slightly for both.

 

Day 2...some improvement in this pattern

Day 2…some improvement in this pattern.  See the first try in the upper left of Day 1 first picture.

 

Practice 2 a

Day 2, practicing ruler work with Lisa Calle’s pro pebble rulers

 

Practice 2 b

Day 2…very fast free form spiral…clearly needs a lot of work!!!

Sew happy everyone!  I know not many of you can take a lot of time for your own retreat, but I highly recommend it if you can manage it.  Nevertheless, I hope you can take some time to learn and practice, whichever machines, needles, and techniques you use.  This brings many rewards. I’m off to do some more practice!

 

On Organic Quilting for Landscapes

I always need to work at coming up with how to quilt my landscape and pictorial wall art quilts, as I suspect most quilters do for their quilts.  I went through the recent past couple of years thinking I needed to learn a  more formal quilting style and to avoid the natural flow of organic quilting patterns that came to my mind when looking at a landscape or pictorial quilt.  This probably stemmed from my observations of the details of winning quilts at major quilt shows where the quilter had often used a very formal style of quilting even for pictorial or landscape quilts.  This is a fine way to approach it and probably entered in to the judges’ decisions to award the quilt a ribbon.  But for my quilts, I truly prefer a more organic approach, though I do admit there are places where formal quilt patterns would be in order.

As of this writing, I am currently in the process of quilting my Hoffman Challenge quilt for 2016.  This quilt is heavily appliqued to form a whimsical pictorial quilt of a fantasy forest path with trees, birds, animals, and butterflies.  Since it is so heavily appliqued, it has only small spaces in which to develop any formal types of quilting patterns.  I struggled for some time trying to come up with a good sky pattern for a quilt where the sky is supposed to be sunny and calm…not a lot of wind and no approaching storms.  Believe it or not I found this harder to decide on than I did the “sculptured stormy sky” quilting  that I came up with for Drawing Nigh.

"sculpted sky" quilting pattern for Drawing Nigh

“sculpted sky” quilting sample for Drawing Nigh

In the end, I decided on a simple meander using a 100 weight silk.  It makes the sky recede into the background without implying wind or clouds, and brings the appliques to the foreground, exactly like I wanted.  It’s not perfect (my quilting almost never is), but it seems reasonably good also.

quilting-1-web

This quilt is still in process…for instance, the butterflies don’t have their antenna and beadwork yet. The leaves on the big tree aren’t quilted yet. But this pic shows how the simple meander pushes the sky back where it belongs and brings forth the appliques. I quilted the big tree in a simple bark-like line.

For past quilts, like Noel, I have also struggled to find just the right pattern, or in truth, fill, that maintains the organic feel of the area and still provides enough added interest.  (This quilt won a Honorable Mention in HMQS 2013).

Noel quilting

Mossy side of the cave where the Nativity Scene is pictured within.

For me, it helps my end results to keep it simple, and for these types of quilts the shapes need to be organic and easy to use around complex shapes.  I think every quilter needs to develop their own style that suits them.  I am pretty sure it does not mean that you have less skill if you use organic shapes, although I think some judges think that, but it is an artistic design choice. Some of these organic styles actually require considerably more skill than you may think…for instance large areas of simple meander should be as evenly and appropriately sized for the project as possible, which is not always easy to do.  You also need to figure out if the areas are so large they need breaking up with something for interest sake (wind creatures or clouds, for instance).  I hope that judging is moving toward an understanding of this.  Nevertheless, I think that I will continue along this path, though I do think I should do a formal quilt at some point.  I have something in mind.

Note:  My Bernina sitdown longarm is arriving next week, perhaps Monday, followed by a day of set up and training by my dear Bernina dealer and friend Mei Ling and my magician tech Lew.  I hope very much that this addition to my machine family will not only help my other machines last longer, but provide me with a higher level of quilting.  It seems possible it might also speed up my quilting, since the stitching speed is twice that of my Bernina 830, but that is not a given.  After an enormous reorganization effort of the whole upper flour of my home, I have a wonderful space for the new machine, a nice space for my smaller Koala cabinet where i use my purely domestic machines, and maintained my big cabinet space for my 830 that I also use for cutting clothes and other projects.  This reorg has already brought many positive changes to my studio that I probably should have done earlier.  I’ll post pictures when everything is in place.

Sew happy everyone!  Try some organic free motion quilting for your next landscape scene.

 

When Projects Go Awry

One of my wonderful mom’s favorite jingles was a song taken from an old movie that was as old as I am.  It was You gotta stick to it tivity:  You’re gonna do all right, you’re gonna do all right.  She sang that to me when things I was trying to accomplish needed more work or went really awry. I can still hear her from time to time singing to me from heaven.  😀  I did see that movie, So Dear to My Heart sometime in my childhood and remember it a bit.

5" x 5" fabric greeting card or mug rug

A little heart mug rug…just showing it because this story touches my heart strings.

It didn’t seem like it at the time, but over the years I realized her singing that little jingle to me repeatedly was a gift that has served me well across the years, and most recently in my quilting.  While working on the past several quilts I have had things go awry rather badly and I thought it may be the end for both of those quilt projects.

Just this week, I started embroidering an element on my Hoffman Challenge 16 quilt and took extra care to place it perfectly along the cross hairs with my brand new laser cross hair light.  It was stitching wonderfully, until I looked at it and….

Gasp!  I had put the hoop on sideways!  Oh no.  The element was turned a perfect 90 degrees wrong.  I stopped the embroidery machine immediately, but it had already stitched quite a lot.  I don’t know why I didn’t see it before I did.

Well, I honestly wasn’t sure I would be able to fix it.  Machine embroidery is very much harder to remove than ordinary machine stitching.

073

So I started the process with my stitch remover and tweezers and realized I was simply not making any significant progress and I had put a small hole in the fabric. So I thought I would not be able to repair this quilt.  But I was wrong.

I decided the next morning to research what other people do when this happens and found a couple of videos on you tube of people using a hand held shaver and and another with an electric shaver-like device to remove such embroidery from the bobbin side.  Someone noted in the comments that it was a regular small razor, which is what it appeared to me to be also.  I bought a “Peanut” razor by Wahl, which is a very small palm sized razor and significantly less expensive than the embroidery specific razor.

peanut razor

It came and I successfully removed the embroidery with no further damage to the fabric.  Woohoo! I turned it to the back, braced it on my sewing ham to give it a solid rounded basis and shaved the bobbin side holding the razor kind of upside down as shown in the videos.  I didn’t think it did anything until I turned it over and scratched at the embroidery with my tweezers, and it started coming up!  It took me a couple of hours, but it all came and left no further damage than the small hole I made earlier.

So yesterday I starched and ironed the area and restitched the embroidery off quilt on nylon veiling, which I will applique on.  It will cover the small damage to the fabric with no problem and it looks wonderful.

This event follows on the heels of my completing Drawing Nigh which I just finished after having multiple problems and nearly giving up on it more than once.

Sew this is what I think.  It is all right to abandon a project, but if you have spent hours and money on it, it can pay you to try to fix it.  You may want to step back from it for a while and give it some thought. Do some research on what you can do to fix a problem you may not know how to fix, and keep on trying through one problem after another.  If, in the end, you just can’t fix it to look like you want, you may be able to cut part of it into another project,  or simply throw it away.  But i suggest you don’t do that until you really try to fix it. You may end up with a wonderful end result.

Sew happy everyone and “stick to it tivity: you’re gonna be all right!”

031

Thread Colors Make Magic

Sky colors.

Some of the sky colors after quilting.

I finally finished quilting “Waiting…2”, and I blocked it, though I still need to do a little thread clipping and binding.

During the quilting of the sky, which has been the most difficult part of this whole quilt, the thread colors became very important. The overall magic of the sky grew substantially different in coloring before and after the quilting, but to my chagrin I did not take a before picture.  I did not understand how much difference it would make other than just a good quilting.  I fell into a pattern of sculpting clouds and using thread colors to bring the sky to life.  I already had added some painted colors to the sky, which I used for my guide to thread colors as I worked.  The different thread colors really helped me realize the vision I had in my head for this sky, almost a thread painting.  In the end, I surprised myself when I realized I had used over 30 thread colors of thread, including metallic silver and monopoly, for this quilt!!!  I was as surprised that I had this many good threads in all these colors as that I had used that many on the quilting.  What a happy thing that I have collected these over the past four or five years and kept them carefully, replacing colors as I used them up and adding a color set here and there.

Most of the threads I used on the quilt are Superior Threads…Rainbow, King Tut,  and Magnifico solids, with Bottom Line for the bobbin.  I also have a couple of Isacord solids in there somewhere.  I used gray bobbin thread (except for the monopoly) which goes well with the back, and I made sure the tension was as right as I could get it and I can’t see any gray on the top or any colors on the back where they should not be.  This enabled me to easily change the color frequently.  I did have a couple of incidents where I needed to take out some stitching because I forgot to change settings for the different types of threads.  This is where a little notebook really comes in handy.  I make notes about each type of thread (not each color).

I took almost all day yesterday to get the quilt blocked and marked square (I haven’t yet cut it square, because I put the binding on using the marking before I do that).  I got it all squared up according to my laser square and various other square ruler aids.  Then I measured all the sides and it was 5/8″ longer on one side than the other and equally wide across top to bottom.  Arghh!!!  I ended up erasing all the marks and starting over (twice) until I got it right. It’s a mystery…LOL.  Judges really don’t like it if it isn’t square and neither do I.  I can only think that the considerable bit of trapunto I placed under the cliffs had an effect on the square “measurers”.  It seems the original marks were a little bit off on both the top line and the bottom line.  Anyway, it’s marked square now, lined up to the water horizon line, and I even took out a different color marker to make the final marks clear.  Hooray!  ready to bind.

Sew Happy Everyone!  Have a wonderful weekend and rest of the week. Try a little quilting with color varieties and see what you think.

“Waiting…” 2: Finally Moving Along

Have you ever had a quilt that struggled with you to the point you nearly abandoned it?  Well, that was the second in my “Waiting…” series, but I picked it up and did some substantial fixing, and now I am at the point of coming close to finishing the top and I love it at this point.

First of all, I pieced a storm at sea section to become part of the ocean.  The piecing was challenging, but enjoyable and I liked the way it came out. Here are the first two blocks of that section.first two blocks

When I put it together with the fabric piece had for the rest of the ocean, and added the sky, the whole background piece seemed disjointed and the colors simply didn’t play well. So I took the ocean off the sky and overdyed the ocean (both pieces joined together) with a more sea-like color and they blended beautifully together.  The only negative result is that, even though I hand dyed it, the pieced storm-at-sea blocks’ seams tended to fray together, so I no longer had the nice flat open pressed seams I started with.  But really, by the time I spent several hours re-flattening and spray starching the sea, it looks wonderful.

But the sky…oh the sky.  It was just too dull and gray and lifeless.  I wanted a sky with an obviously approaching storm at sunset, just as the clipper ship can be seen on the horizon.  This is to add the drama to the story…can the ship make it into port safely, and will the family be reunited and get into shelter before the storm hits?

I had tried painting that sky three times already, and I didn’t like any of them.  So I took the one I liked the best and added clouds, lightening, sunset colors, and yes, I think it now has the drama (and color) I was hoping to add.  So I put the sky and the ocean back together.

Here is a quick pic of the ocean after I dyed it and got it back together with the sky.

Here is a quick pic of the ocean after I dyed it and got it back together with the sky.

Then I added the cliffs to the left of the picture and it began to look right.  I just put in a lighthouse on the top of the farthest away visible cliff, added the rocky steps and the stone platform in the nearest  stony area for the woman and her daughter to stand on and surrounded it with stones as it would be.  It has made all the difference.  I now finally like the quilt top.

But I was not happy with the original clipper ship I had chosen to use.  I am using a Dover high-definition painted ship and I have the collection.  They are much more beautiful than I could have made from scratch, and I don’t mind using commercially printed fabrics, so why should I mind using a fabric I print myself from a collection of great nautical paintings.  Using this still requires considerable advanced techniques in applique, thread work, and quilting.

tall ship

The ship I decided not to use.

The ship I'm using.

The ship I’m using.

So I hunted through the collection and found another one, which I printed out about five different sizes, and finally got it about right.  I like this one. It has life, the sails are billowing and are a better color.  I’m slightly leaning it on the quilt to add to the look of speed.  I printed it out both on the EQ regular cotton fabric and the EQ lawn.  I am appliqueing the whole ship down from the cotton fabric, and have added wool batting to the back of the front sails and will applique those in place to give it a bit of 3D billowing sales.  I am also adding a layer of wool batting behind the ship and trapuntoing it all in place.  Then I will stitch the rigging.   That will probably take me a couple of days to applique and another stretch of time to do the quilting and stitch the rigging.  Here is my machine stitching around the stones and stone steps up to the platform where the woman and her daughter will stand.

top under construction

Then there will be the stirring up of the sea with some Angelina fibers and some thread work.  That will be fun.

Sew happy everyone!  Wishing you all a wonderful National Quilting weekend, and a happy Palm Sunday on the morrow.

Progress on Several Projects

I have three projects currently underway and I’m having fun trying to clear my work flow of these three projects in order to attack two intense show quilt projects I’m also really looking forward to making.  My current projects include:

  • Hoffman Challenge 2016…I’m currently constructing the top.  It’s a happy little quilt, just a little bit fantasy-like and I’m currently placing and stitching down all the appliques.  I am planning on adding lots of bead work to this quilt, so a good part of the work will be after the sandwich is quilted and done by hand in the evenings.
The background was constructed using applipiece/piecelique technique.

The background was constructed using applipiece/piecelique technique.

Stitching the appliques down

Stitching the appliques down.  I will also add some machine embroidered animals to this fanciful forest.

  • The second quilt in my “Waiting…” series (name to be determined) is finally moving along.  I had a very hard time with the sky and the sea.  The woman and her daughter appliques were really hard to get right.  They still require a lot of details that will be added with stitching.  I also have to make the clipper ship applique, which will probably take me a lot of time.  But it’s finally looking like it is going to become a quilt.  I had my doubts when I didn’t like the sky (I repainted it), didn’t like the sea (I over-dyed both the pieced section and the non-pieced section together to bring them together), and I didn’t like the planned clipper ship design (I found a new one in Dover that has lots of motion).  I still have many rocks to add, and the more I look at it the more I think it needs a border…not very wide.  Long ways to go on this one.
It's a start...long ways to go, but it seems to finally be cooperating.

It’s a start…long ways to go, but it seems to finally be cooperating.  This pic is not square on to the quilt, I see…a little at an angle.  😀

  • And I’m working on my applique book, trying to draw up all the patterns.  This is a book showing several techniques of machine applique and the project related to it is a soft fabric book with applique samplers in it…ending with both an art project and a reference aid to the sewist for the future.  I got a package of 10 inch precuts to see if I can make the whole book using one layer cake and some white fabric for the pages.

Sew I have been having lots of fun in my studio, but it is getting a bit messy.  I am trying to clean it using a little bit of work at that every day, but I seem to be taking one step forward and two backwards…LOL.

Sew happy everyone!  Go have some fun in your studio and don’t worry about the mess.  Oh, and I haven’t forgotten the step of the month project…I am afraid though that it will have to wait a few more months before I can get to that one.

 

 

From Design Concept to Completion

quilt designing002

The other day I was cleaning!  Yes, I do that occasionally, but not often enough.  Anyway, I found this…my original design for Canterbury Knight.  This quilt will be on display at Mid-Atlantic Quilt Festival from 25-28 February and I’ll be down there hanging around it from time to time on the 26th and 27th.  Oh my golly!  That’s just a week and a half away! 

Sew this is how I usually design a quilt.  I start with a concept that drops into my head.  in order not to lose the idea, I often make this kind of silly quick sketch with just a few notes.  Then I go to my computer where I have several pieces of design software and work the concept into a full design.  I used to do this on paper with pencil, so if you don’t have design software, you can still do this yourself.  Here are a few of the many many files I have in my steps toward the full design.

One of the original 12th century drawings of Chaucer's knight.

One of the original 12th century drawings of Chaucer’s knight.  I only kept the concept for the horse’s armor.

My horse drawing all painted and ready to print onto the silk fabric.

My horse drawing all painted and ready to print onto the silk fabric.  This horse took me days to draw and paint using my design software.  I need to get faster.

I draw the pattern for the appliques and place them so I can see they work right.

I draw the pattern for the appliques and place them so I can see they work right.  I hand painted the knight’s head and hand, the rest is applique made from metallic-like fabrics.

I do a lot of research for some of my quilts, such as these ancient manuscript quilts.  Sometimes I’m lucky enough to find what I want in Dover publications.  Sometimes, I have them hanging around my house (my late husband was a magnificent librarian and book collector and I have a lot of his collection).  Sometimes I have to go elsewhere (always being conscious of copyright issues).  In this case, I found the border in two different sources–Dover Illuminated Manuscripts and a book my husband had of ancient illuminated manuscripts. it’s quite similar, but I made a lot of changes too.  Afterall, I am not trying to reproduce the ancient manuscript, but am making an ancient manuscript “inspired” 21st century piece of art.  This gives me the option to change things I don’t like or want to make.  In this case, I kept fairly close to the original.

4.2.7

The original border jpg.

I changed the announcer boy a lot, removed some of the busy-ness, adjusted for size, and changed the background to black. Then I took the designer boy, the “angry bird” on the left and the two big flowers and turned them into appliques that I hand inked onto silk. The rest I traced onto my black border, quilted, and then painted it.  I digitized the verse in Bernina V7 software, and found birds to add around the text box.  I also added the little upper right box to balance the letter “A”.  Eventually, one piece at a time, I arrive at the full design so I can begin making the appliques and quilt top.  I use Corel Draw to turn this into a full sized print out.  Corel Draw easily tiles the print into whatever sized paper that will fit through my printer.  In this case I used tabloid sized paper (11 x 17) to minimize the number of tiles.  I then tape them together.  Getting to this point is about one-third of the time it takes me to make a quilt.

This is the design file I worked with and enlarged to full size.

This is the design file I worked with and enlarged to full size.

And after a lot of fun and interesting work, I ended up with this quilt:Canterbury-Knight---F---2015-web

I started this quilt in December 2014 and “completed” it in March 2015 in full-time work.  After it went to The HMQS and I got back some helpful criticism from the excellent 2 judges, I did a fair amount of revamping and correcting.  In fact, this quilt has had something “fixed” on it after every show.  I even darkened and re-inked some of the colors that you see in this photo before sending it to the Mid-Atlantic to help overcome the judges viewpoints that the border overwhelmed the central theme.  I do note though, that ancient manuscript borders often “overwhelm” the central theme, if you look at it that way.  Anyway, a quilt is never done until it’s done.  And I learn something with every quilt and every show.

So if you are going to MAQF this year, drop by and see this quilt.  I also have “Kanazawa Memories” in the show that I’d like you to see, but that’s another design story altogether.  I may be there by one or the other on Friday or Saturday and I’d love to see you.  Make sure to tell me who you are.

Sew happy everyone!  Design your own piece of art…start simple and go forward from there.  Make changes as desired.

Note:  I have added a “Donate” button that goes safely through Pay Pal.  I do not want anyone to feel they must donate, nor guilt trip anyone.  I note I am a struggling artist, and I thought you may want to drop an artistic donation in for fun and to help keep the blog running.  PLEASE, continue to read and comment if you don’t wish to donate and DO NOT feel guilty if you don’t. I really struggled with myself trying to decide to add the donate button.  But in the end, decided to try it.  Cheers.

Planning for the New Year in My Studio

031As I look at my fabric art plans for the coming year, and take a hard analytical look at where I stand in my fabric art today, I am really excited about 2016 in my studio.

Here are my plans for the coming year.  I hope you find them fun and potentially interesting, and invite your comments.

Books: During the past couple of years I have been fiddling around with writing several books for sharing what I have learned over the past sixty years of sewing, art, and past ten years of art quilting.  I looked first at one and then another subject, trying to get a focus.  Very recently, after much thought, my direction has solidified in such a way that I can use what I have already done and direct my writing in a more focused way.  While I am using “techniques for fabric art” as the focus, I believe these books can apply to traditional work also.  These will be short books, complete with practice projects.   I may get all four done, but I only really expect to complete two this year and two next.

  1. Techniques for Fabric Art:  Applique Methods
  2. Techniques for Fabric Art:  Surface Design
  3. Techniques for Fabric Art:  Threads and Threadwork
  4. Techniques for Fabric Art:  From Digital to Fabric Art

Lectures/Workshops/Videos:  Develop these along the same subjects as the books listed above, using the same samples.

2016 Show Quilts:

  1. Quick quilt 1: Hawaiian Garden…a vintage panel central theme (for MQX special exhibit, not a long project).
  2. Major quilt 1:  Waiting 2…a storm at sea…second in the series of women (wives, mothers, sisters, friends) and children through history waiting for their men to return from difficult missions while keeping the home front.  (note:  while I realize that women have also fought in wars and carried out difficult missions throughout history, that is another subject that I may address at some point in another series).  Underway
  3. Quick Quilt 2: Hoffman Challenge 2016.  A two week project, more or less…just a small quilt.
  4. Major Quilt 2: Deep Space 3:  Spiral Galaxy M51
  5. Major Quilt 3:  Ancient Manuscript Series 3…TBD

I know this seems a lot, but realize that I work on this full time, have already been working on much of this for the past year, and some of this is bringing that work to completion.  I’ve already written much of book 1 and some of the other three books, I’ve already designed and begun construction of Quilts 1, 2, and 3, so I think it is a viable plan.

In the process of planning this work, I have decided to abandon the Bernina v7 workbook I was working on.  I got it about 80 percent complete and couldn’t seem to get it any further.  So instead, I will use it here in my blog and share it in sections  across the year.

I am considering developing a project for my readers to work along with me..kind of like a block of the month…but focused on making a small wall quilt.  Would you be interested in this?

Merry Christmas and Happy New Year.  Let me know what you are working on, and if you have any suggestions for me.

Sew Happy everyone!