Once in a while I see a conversation on one of my groups focused around sitdown longarms or high-end sewing machines where there are advanced or sitdown longarm machine owners saying they have not really used them much since they bought them because they don’t really know how to use them confidently or are afraid they will break them. Knowing as I do that these machines can add so much fun and ability to accomplish really fine products, these conversations make me a little sad and frustrated.
True, they do require learning, practice, and a determination to move forward and learn to use them. But they can help accomplish amazing sewing and quilting projects.
It’s important to use them correctly though. That is not as difficult as it may seem. Even if there is not a dealer nearby or one who offers good classes, there are some very helpful books, youtube videos, zoom classes and blogs to help.
One thing I have found that makes things work more easily is to get the feet that do those special things, add the attachments that enlarge the use of the machines, buy a handful of rulers.templates, get a nice selection of needles and pay attention to what you are using, and then play and practice! Test, test, test. Practice. Practice. Practice. Play, play, play. And then step forward and do a sewing or quilting project you really want to do. If the results aren’t terrific, do another project and don’t be too self critical. Give your machine a name and pet it. The last thing to do is sell your machine or leave it sitting there getting all lonesome.
My Q20 sitdown longarm with some rulers…and a practice piece.
I love my Bernina Q20 sitdown longarm. It is great not only for quilting, but also for free motion embroidery. I have had it for five years now and have had almost no problems. I do keep a notebook nearby to keep notes.
My Bernina 880 plus all ready to play
I also keep a notebook near my other sewing machines so I can write down things I learn along the way. I always learn something in the process of making a new item.
Sew what can you make that won’t be distressing if it doesn’t come out quite right, but might be really fun if it does? I have some suggestions:
Dog quilts, baby quilts for charity, wheelchair size quilts for charity, table toppers for your home, lap quilts for you and yours to cuddle under on tv night, simple tote bags with embroidery or applique, or just well made, zipped project bags, panel quilts with borders.
Aprons, simple skirts, easy tops not particularly fitted in style, some of those fun small projects you can find on sewing machine blogs, small zipped pouches for kids and travel, pajamas or nighties, robes for yourself and family
Decorative pillows using pre-made pillow forms, table cloths and napkins, kitted projects with instructions and all the pieces like from Kimberbell
THEN, you can move up to some more advanced decorative wall quilts, or a foot warmer quilt for your bed, make yourself a lovely outfit using a good pattern, put together your own kits and follow my patterns and video classes.
After that, you will be able to make anything! Just take your time and assemble the parts, test all the parts, and fly with me.
I am almost ready to start making and filming a fun new wall quilt that focuses on stitching…both free motion and some with feed dogs up. It also has a small amount of appliques behind some of the stitching and 9 pieces of fabrics to make a simple style quilt background to put all this stitching with some appliques and some paint onto. The picture above is a single tile from a multi-tile downloadable pattern with instructions and supply list. This project was inspired by a page from a Dover Publications coloring book.
I got the missing fabrics this week and they are all washed and ready to go. I am still working on the pattern, but the hard part is done so I will be publishing that for sale at a moderate price on my website store to go along with an undetermined number of free YouTube videos to take people through the project…fun to simply watch, and fun to make with me if you want.
I will be adding a page to this blog site with links to my recommended supplies that apply to ongoing projects. Once it’s there you can just click on “Supply links” above and you can go shopping!
Sew I am excited about making this piece. I will be testing some products I have not used before I make it and will tell you about them as I go. This includes some new specialty threads from Wonderfil Threads I have only briefly used and Sulky’s Sticky-Fabri-Solvy printable self adhesive water soluble stabilizer. I think it could be a real blessing for limiting the amount of marking I have to do for this project and stabilizing the stitching. I might do a 60 second shorts video on my test of all of this just so you can see it even if I decide not to use it for this particular project. Would you like that?
I should be publishing the first parts of this project in a few weeks. We’ll see though. It takes a while to film the making of a complex project like this and get it edited. In any event, I will let you know how it stands with my next blog post. Let me know what you are working on. Do you have any special requests for techniques to discuss? (Please comment here. I love comments because it helps me know if people really view and like my blog efforts here and the comments stay with my blog if I look back on them a few months later for reference).
First of all, I am celebrating today, because my youngest son David just released his latest novel (click on the book to find it)! Congratulations to him.
Setting up for free motion quilting or thread play
While my communiques (blogs, vlogs, and YouTube videos) are intended for everyone who wants to play, regardless of their machines, sometimes I also address some quick specifics for working on Berninas. Please don’t stop reading when you come across those if you are not a Bernina owner, because you might find some of what I say interesting anyway.
I have three Berninas: a Bernina Q20 sitdown longarm, a Bernina 880 Plus, and a Bernina 350. I also have a simple older BabyLock serger. I am truly grateful to have this collection of machines I obtained over the years through trade ups, gifts, and so forth. This is a wonderful set of machines for me to play with here in my studio. It’s like playing inside my own wonderland with favorite toys. But it does require practice, sometimes research, testing tools and techniques, and (gasp!) reading my manuals to get the most from this stable of machines. So I want to share what I have learned from this.
Setting Up For Free Motion
The setup for free motion on these machines is relatively simple.
If you don’t have a Bernina Stitch Regulator (BSR attachment) or want to work without it, simply put on a darning or quilting foot like foot #73, #24, #29 or #9. Drop your feed dogs.
If you have a Bernina stitch regulator attachment that works on your machine, attach it and set it for your chosen BSR mode. BSR1 runs smoothly and constantly, idling with a little stitching, which is great for smooth free motion quilting and free motion embroidery. The idling allows you to stitch several stitches at the corner of a sharp turn in addition, which makes a nice turn. BSR2 stops when you stop and starts when you start, so you may prefer this setting. I find with this attachment I have to use a slightly shorter stitch length and not sew too fast for best results.
One of the interesting things you can do with this BSR attachment, is free motion zig zag with stitch regulation, which can’t be done on a sitdown longarm with a stitch regulator. This can provide some unique thread play opportunities and looks.
For most domestic machines you probably won’t need to make any adjustment in tension from the default for normal threads. For specialty threads, however, you may need to lower or raise the top tension to accommodate specialty thread weights and types. It’s a good idea to do a test using similar fabrics and write down your changes before working on your project piece.
When doing free motion it helps a lot to have a slick supporting surface, so I use a silicone mat, such as a Supreme Slider. I tape mine down with that indispensable studio tool blue painters tape because I have ruined more than one mat by stitching it to the back of my project. I have repaired them a bit with clear packing tape if they aren’t too badly torn. Yes, I know the stickiness returns if you rinse the back, but you have to remember to do that periodically and also the heavier and larger your quilt the more likely it is to dis-attach from the table and get caught in the stitching.
A queen sized Supreme Slider taped down with blue painters tape at my old Bernina 830 LE (I traded it for my 880 Plus last year). This works well and is easy to remove when you need to.
Setting Up the Q20 and the Q16 sitdown longarms
These machines are built for free motion quilting and free motion thread work and truly you can dive right in just as they are. But there are a few things that are helpful to know to make your free motion stitching work better. Note that I have had my Q20 now for nearly five years and I love it.
Free motion is always better when the supporting base is slick and the fabric can slide easily. There are some very large silicone mats available for these machines, where you cut the square carefully around the BSR/Bobbin square area (whatever do you call that?!!!).
Some people like using these extra large silicone mats with their sitdowns, I don’t have one. I spray the table before each project with Sullivan’s silicone spray, and wipe it fully dry with a soft cloth or paper towel. But before I spray it, I cover the BSR/Bobbin area under the needle and the vent area at the back of the machine with blue painter’s tape to prevent the spray from going down into the machine works. Alternatively, you can spray into the cloth and wipe the table but I think you get a little less silicone on the table that way (not scientific, just an opinion). From personal experience I know the spray works very well.
These machines have two BSRs built in which provide excellent stitch regulation.
BSR1 constantly runs and has a speed setting to make it cruise along easily at the pace you like. I use it for most of my free motion quilting and all of my free motion embroidery. I like to start off with a relatively slow “idle” speed of 250 to 300 and will raise that if I need to. The machine will run very fast if you want it to.
BSR2 stops when you stop and starts when you start. I use this mostly for ruler work.
BSR3 is a basting stitch with multiple stitch lengths to choose from. I use it a lot for larger quilts. I will spray baste the sandwich and then do some large segments of thread basting. This is especially good for your masterpiece or show quilting that will take a long time just to keep everything in good placement.
Then there is manual setting that does not engage the BSR, of course, but it does have a speed control on it so you can set it at a comfortable pace for you. I like this for micro-quilting, but I don’t use it for much else. It is smooth running and quieter and makes it easy to do those tiny bubbles for instance, but I still prefer the BSRs for most of my quilting. It’s a personal preference. Some people prefer this mode for everything, but if you are new to the machine, I urge you to try the BSRs first. They are wonderful.
I often get the question about what thread will the Berninas use. All my Berninas will work well with almost any good quality thread. I just have to be sure I have the right needle, tensions, stitch length, and the speeds set up right for that.
Keeping notes on how you set things up is always helpful, but these machines have four savable programs for various thread settings, which is really nice. Once you set it all up like you like it, you can save it and even tell it what thread and needle it is for in the naming of the programs.
I like to use the kickstart feature, which allows me to free motion stitch/quilt with a very steady power feed. This helps me relax while stitching and eliminates most stitch skips and the like, without my foot on the pedal. This is because the pedal is basically on/off and if you don’t keep your foot fully down it might skip a stitch, though not usually.
For using the kickstart, get your BSR mode chosen and make sure you are all set up, then kick the pedal at the heel and the machine will sew until you press the pedal at the front to stop it. I love it. You don’t have to concentrate on anything other then where you place your stitching once you get used to it. Here’s a youtube with cute fluffy slippers on using it:
And last, but not least be sure to set your bobbin tension to match your thread in the bobbin. I use mostly Superior Bottom Line in my bobbin…even mostly their prewound M sized bobbins, which are Bottom Line…and set my tension to 180 using the Towa Guage that comes with the machine. The Bernina default setting is 220, but I find you really need to adjust per thread size. If you somehow didn’t get one, be sure your dealer gives you one. It’s not like a domestic…it’s a real longarm.
Sew happy everyone! Have fun in your studio. I hope you found this helpful. I will be posting my next video probably this weekend. Cheers.
Wool sampler prototype piece part one. Embellishment will be presented in part two and quilting and finishing in part three.
Wool applique and embellishment is a great tool in a fabric artist’s quiver. There’s nothing else that provides the rich, warm, depth that real wool fiber does. It can make all the difference in achieving the artistic look you want. In my artist’s eye it compares to working with thick oil paints while cotton or silk is like watercolors. Both are beautiful but achieve totally different looks. Both require different techniques to get the best results.
So using a small project in wool applique I am finally launching my first video set in my YouTube channel. Here is the link to the new video. I have plans for multiple videos on my channel this year, and have just revamped my studio to include the things I need for producing them. So I would love you to subscribe to my channel and enjoy my videos just as a matter of interest or especially to join me in working through the projects you like. See the handout and pattern pdfs on my Aids and Links page here on this site for you to download and print out. Then go to my YouTube video here.
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Here is a list of the supplies with links that I will be using in this first project to which I have added links to help you in your shopping for the supplies:
1 yard of background fabric. I am using all wool Melton, which I had in my stash. Since the price of wool has skyrocketed since I filled my stash with it, I suggest using a melton wool blend for this, which is less expensive and still has a lot of the same characteristics and depth of beauty. Here’s another link at B. Black tailoring supplies, which is a fabulous store that has things that are difficult to find elsewhere. A solid color quilting fabric would also work but will not provide the same deep sense of richness.
There is another option. Use wool clothing that is no longer worn, or that you find in a thrift store, or use pure wool fabrics you have stashed under your bed in those storage boxes you put your clothing fabrics in. You may have had it for a decade and still haven’t made that garment you bought it for, like me. Cut the clothing so you get the largest pieces from them and wash your wool in hot water with some detergent in your washing machine and dry it in your dryer. This provides some amount of felting and cleans the fabric. It is also possible to dye this. It requires all three elements…hot water, agitation, and detergent, to make it do a bit of felting the fibers together. It does need to be pure wool for this to work well. The resulting fabric is also easy to dye in your washer.
One package of lightweight woven fusible interfacing sufficient to cover the yard of background fabric, such as Pellon SF101 Shapeflex
One pack of precut melton wool felt pieces in a variety of colors for flower heads and a pack of a variety of green pieces for stems and leaves. You will probably have enough felt pieces for a couple of small wall hangings or other wool applique projects. Be sure to save all the leftovers for small applique uses elsewhere. Please don’t use craft felt not made with any wool. The comparison is like using paper to fabric. You can use wool blend felt, but pure wool really makes a big difference in how this looks.
Aurifil 12 weight wool blend thread (small spool collection) or (large spool collection..the best value by the yard) or three or four colors of the large spools. If you prefer to use a 12 weight cotton as a slightly cheaper alternative I recommend Sulky 12 weight cotton, for this project, it will still look beautiful, just different and not quite as close to hand done that the wool thread will provide. I have even successfully used 40 weight all poly embroidery threads, and I sometimes have mixed them across a project in order to get particular looks or colors. The wool adds a depth of beauty and is probably what most hand stitchers would use. You should do some testing to see how they look.
universal 80/12 needles if you choose to use monopoly thread for your appliques. I found the Schmetz super non stick needles really helps with dealing with the fluff from wool combined with the fusible web.
1 piece of backing fabric about 25 x 25 inches (for the back of this small quilt) This is a good thing to pull from your existing stash.
Small piece of lower loft batting about 25 x 25 inches. I am using 80/20. This is a good place to use leftover batting from a larger quilt project.
And whenever I use fusibles, I like to have on hand this effective iron cleaning kit good for multiple cleanings that I have successfully used for years: Rowenta Iron cleaning kit
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While you can print the pattern out and use it to cut out your appliques, I did cut all my appliques using my Accuquilt Go! machine, which I really like for such projects. I have had mine for some years, collecting dies a bit at a time, and use it a lot for circles, rectangles, strips, bindings and borders and projects such as this. In my opinion, it is well worth the investment required. I can cut out a simple snuggle lap or crib quilt of squares and a border (prestarched) with a few fun appliques to snazz it up (backed with steam-a-seam 2) in ten minutes (after the fabric is pressed with starch) and make the quilt top all in the same day. Everything is nice and accurate too, very unlike it looks if I do my own cutting. Hahaha.
I used the following three dies for this project and it only took a few minutes for all the shapes I needed with some leftovers:
Go Circle (1 1/2″ to 2 1/2″) it’s so hard to hand cut good circles. These are beautiful. If you can only get one dye set for this project, this might be it.
I love quilted fabric art pieces, in case you haven’t figured that out yet, They can be as artistic as any great painting and can warm the home and office with their beauty. The texture can approach three dimensional with different finishes and dents and poufs, and they make you want to go and touch them. There are so many directions they can take.
I also love using the power of my great machines and my computer to work well beyond my own talents and abilities even as my hands age and can do less. There is much there to take advantage of for creating and enjoying and the additions continue. I even recently bought a new Bernina foot and my dealer kindly mailed it to me.
Learning the techniques, and taking advantage of the various attachments and feet is an important and interesting part of this.
Understanding how the machines respond to fabrics, threads, and quilt sandwiches is a key aspect to getting the maximum advantages out of the machines.
Trying not to get too frustrated when things don’t go well, but instead working through various steps to see what can be done to solve problems is equally important, and perhaps the hardest thing to do.
Learning how to better use various helpful software also adds to how far one can go.
These are the goals for me to continue to reach for this year even after all these years of sewing and quilting using these great tools. I have concluded there is always more to learn. And then I also want to get better adding surface design in the form of in-the-hoop embroidery, paints, beads, and crystals to move even further just adds to the enjoyment. I feel almost like I am just beyond a beginner in this aspect.
Sew even though it is unclear where we will land in our quilting/sewing world after The Great Upheaval, my own name for the pandemic and actions taken, there will always be much to do and learn. This makes me excited even as I still hang out safely in my studio. Truth be told, even after we all get through this thing and I can go out more, I will be spending the majority of my time in my studio because I love these activities. Yes, I will have my friends in finally and go see them, and I will go to brick and mortar fabric stores that may be left, and will delight as I see the rebirth of the industry across the nation. I hope to go back to shows eventually. I think we still have some months before this happens.
So I will be making some smaller projects in 2021 but still plan on doing them to quilt show quality even if they never go to a show. It is the standard that I don’t want to leave. I will, of course, also make some cuddle quilts and a few clothes this year.
This Week’s Featured Quilt
Kanazawa Memories, Completed August 2015 Sashiko designs stitched with 12 weight Sulky cotton on Peppered Cotton. I digitally painted the individual flower appliques and printed them on cotton, and then arranged them in a close approximation of arranging Ikebana with real flowers. The vase is made from some hand dyed silk I had on hand. I then appliqued them with Monopoly. This is the perfect example of what I was just talking about. I did take a hand Sashiko class from the great Pepper Cory and I loved it, but I have a very hard time hand stitching Sashiko now. But here I used digitized Sashiko, some of which I digitized myself, and picked threads and fabrics close to what I knew were very Japanese in nature. Decades ago, I lived in Kanazawa for three years and had some wonderful helpful friends. This quilt was created while thinking about this time in my life. You can see a better image of this on my website gallery. I am still waiting my coming new computer after the great computer crash a week ago, so I must use what is available here on my laptop. Here’s the link to the gallery page where you can find this.
Sew happy everyone! Join me in advancing our understanding of what we can do with the machines we have. Cheers everyone.
I digitized this olive tree from a non copyrighted photograph and stitched it out on black nylon tulle with wash away stabilizers. I then removed the stabilizers and tore away the visible tulle. What you see here is the tree ready to applique to my quilt Noel. It would have produced a great deal of thread pull had I stitched it directly to the quilt top.
Heavy machine stitching always pulls the fabric and if done directly on a project can leave the surrounding fabric unacceptably ruffled. Some of this can be dealt with on shrinkable natural fabrics, such as cotton or wool but not so much silk, by steaming the area upside down on a wool ironing mat or a thick pad of towels. Polyester fabrics will not respond to steam shrinking attempts and is possible to damaged it with the amount of steam one might try to use. Really heavily stitched motifs are almost impossible to steam out regardless of fabrics except wool, but it may be possible to “quilt that out” in some cases though it is not easily accomplished and doing this is very stressful in any case.
Such headaches and fails can be avoided by stitching off-project and appliqueing the finished motif on to the project background. If you do it right, it is most often very difficult to tell that it is an applique and not directly stitched, but even if you can tell, it is preferable to the pull.
So there are several ways to approach this that usually involve machine work inside a hoop and wash away stabilizer. I have a relatively large collection of embroidery hoops I collected over the years. I found most of them can work for machine work, but some are just too wide to easily get under the presser foot. There are hoops that are designed for working with a machine, and can be used for hand embroidery. I find a 7 or 8 inch hoop works well. Here are a couple of models I like:
three plastic spring hoop set I have had a set similar to this for years, and this may be the same set. I don’t know for sure, but it works well for free motion embroidery and is thin enough to slide under the foot. It is also easy to adjust the area in the hoop when you need to without taking it out from under the foot of the machine.
three wood traditional style set. This is .6 inches high, I think this will happily slide under the foot if you angle it a bit. I do not have this set myself although I do use a couple of very old wood hoops that I have had around for a while and they are .5 inches wide and work ok with the machine.
Here is the setup for free motion embroidery. I do also add the Super Slider on the machine to make it work really smoothly when I am using my domestic machine. I find I really don’t need the slider when I do the embroidery on my Bernina Q20 sitdown longarm, which I find I prefer now that I have that option.
Here I am stitching a horse’s tail for my quilt Canterbury Knight using the method described herein.
Here is the tail on the horse on the quilt. There is not enough contrast to see it well, but after it was quilted it showed up fairly well.
Horse with newly groomed tail
And the final finished quilt that has won several nice ribbons.
Surprisingly, I found when working with my Bernina Q20 sitdown longarm that the heavily weighted gripper rings designed for quilting work wonderfully as hoops for free motion embroidery when using that wonderful machine. I don’t have a link for that, but they are available probably for order at a Bernina dealership. I balked at the price, but waited for a really good sale and I really really like them. I know you can get a cheaper black set without the open space on the rings for sliding on, but I love the lovely red of the rings as well as the little open spaces. For these, you just put the layers together and the first thing you do is stitch around the layers well away from your design to hold them together much as you would do for a quilt sandwich. These would probably not work well on a domestic machine, even the machines with larger harps, but they are divine on my sitdown longarm for both quilting and embroidery.
So I set up my motif build with a layer of heavy clear washaway stabilizer, such as OESD badge master, or Sulky Super Solvy on the bottom, on which I have lightly marked the design guidelines with a Crayola Fine Line Washable Marker. On top is a layer of nylon tulle to hold everything together even if it isn’t a stand-alone design. I find when it is finished and I soak away the stabilizer, the tulle can be gently torn along the edge of the stitched motif and not seen at all once appliqued.
If the motif also includes a fill of applique fabrics, I cut the shape and glue them to the tulle with washable glue stick and that is the first thing I stitch around to hold them in place before beginning. Then I hoop the whole thing together with the inside hoop on top so the fabric/stabilizer bundle is flat on the bottom.
Now I use the same kind of sandwich if I am doing digitized in-the-hoop machine embroidery motifs. Here’s one I made that way that also went on Noel.
I digitized this star and then embroidered it off the quilt using the method described herein.
After I soak off the washaways and let it almost dry but is still a little damp, I will press it upside down on my wool ironing pad with a light weight cotton ironing cloth over it. It then can be basted down in place on your project and attached with a narrow zig-zag or free motion off and on the motif using the same thread you used at the edge of the motif. I usually also stitch inside the motif just a little where appropriate to give it some concept of having been stitched directly in place and highlight some of the shaping. It doesn’t take much stithing to make it wonderful.
You would be amazed what you can do with this method by just adding that little bit of tulle and over=stitching a tiny bit after placement on the main background. Then you won’t have the ruffles. You can also use this method to make some interesting trapunto designs.
Video Update: My oldest son decided he needed to provide some significant help for my video making and asked me to pull the original video on Wool Applique by Machine. Don’t worry folks, if you were interested in my videos, they will happen and will be far better than they would have without his assistance. I will certainly announce the videos when they are available. This should not be very long from now…maybe a week or two for the first one, but I will let you know. I have a long list of vlogs and video classes I am planning.
Sew earlier this week I got everything ready to make my first video and then discovered I was missing a cord to connect the little monitor I need to my Sony Handicam camera. Now I don’t know about you, but I don’t think identifying cords needed in the computer world is the easiest thing to do, Thank GOODNESS I have my own family geek squad. Hahaha. My son David helped me to identify what I needed and looked through our huge collection of cords, but we didn’t have the right one. So I ordered it and it is supposed to come today. If it comes, I hope then to get my first video on YouTube sometime next week. I don’t know how long this whole video making and editing will take me, but my tentative plan is to put one up a week at first.
Sew I got all ready to make the first item for my book/video wool project. It is called “Simple Shapes” and it is a small wall hanging, and I really invite you to join me in making one yourself. I will be providing all kinds of help here and even videos demonstrating it.
For several years now I have had an Accuquilt Go! cutter, and have, over the years, collected a fair number of their dies. I find the dies are wonderful for this particular kind of project, and also I cut all my bindings and borders on it. It’s much more accurate than I am…LOL.
I also use it to cut my 8 inch blocks I use for cuddle quilts. I used it when I work with my grandson, who made a couple of simple quilts with my help several years ago, and he was able to cut his own quilt pieces safely. It’s just a very helpful tool in my studio. Yesterday it took me only about half an hour to cut out all the pieces I need for this, and most of that time was because I am backing them with Steam-a-Seam fusible before I cut them, and I had to get that ironed on. This makes the wool feed through the cutter so nicely and hold the pieces nicely in place. I have other methods to do this too, but this one is my favorite.
However, if you don’t have a cutting machine and don’t want to buy one right now but want to follow along with me and try your own hand at wool applique by machine, I have made a pdf pattern with simple shapes that you can download and use. You can find the pdf file on my Aids and Links page on this blog (see the links at the top of this blog). I know you could draw your own, but why bother, since I have them all put together in the free pattern. They are not necessarily the same as those on my dies, but close enough.
Sew I cut out a bunch of shapes from fun several colors of the wool felt I talked about in my last blog. As I promised, I also looked around and found you can get satisfactory quality sets from Amazon if you want to make one of these wall hangings yourself. I would love to see you join me in this fun project. I recommend you get four sets and you will have enough for several projects. Just click on the links below.
I also found a melton wool blend in black that would make a nice background, or you can use a nice solid color quilting cotton for the background. If you get a single yard the wool, it is large enough to make two or even three small wool projects, because these are small little jewels of projects and the yard is 58 inches wide. These would make nice Christmas or other celebration presents.
Sew now that I have all these simple shapes cut out I will arrange them in a flower arrangement of some sort. Follow this blog in the future to see what to do. Note that I also cut some stems and vines about 1/4 inches wide and some leasves shaped from the felt that are not on my pdf but I did use the stems and leaves die on the Accuquilt site also.
I will talk more about what to do with all these shapes in future blogs, but you might guess if you look again at my last blog where I show a lot of the test piece I did. I will be demonstrating this on my video, assuming I am successful in getting that done. LOL I will be linking to my video in my next blog probably.
Test and practice piece
Sew happy everyone! Teach someone to sew or quilt or at least encourage sewists and other fabric wizards you know. Even the most advanced folks need encouragement. Sending you all hugs!
Hi y’all. I have pretty much figured out the video making puzzle and have all the things lined up for that, and now I need to do some additional work on the fabric art projects I am planning to use for my videos before I can start this up.
So, with a lot of happiness, I decided I will spend the whole next week at least just “working” on fabric art. I will be taking progress photos and probably small snatches of videos as I do this, of course, but mostly I will be playing in my studio with fabrics and threads. I’m so glad I don’t have a deadline!
The question is, what am I going to work on now? Well, I have the wool applique by machine project and I also want to start up one of my many planned items I already designed in the free motion/quilting arena. It should be fun and I hope very soon to share the fun with you in my planned videos on YouTube.
One of the things I have found really fun while I was working on the video equipment was to watch old Sewing with Nancy shows. I think I have found nearly all of them now to watch on my tv or computer monitor. Pfaff has put her original older ones on YouTube where she used Pfaff machines (search for Pfaff Talk and you will probably see it there). They nicely bunched all the parts of a subject into one longer video, which is nice. In searching for “Sewing with Nancy” on my Roku, I also found I could place a PBS link on my Roku that has the Wisconsin PBS collection of her shows they have. They are organized by season going back to about the time she switched away from Pfaff to the BabyLock that her company owned. I believe that almost covers her entire production, though there may be more. There is a huge wealth of great shows between these two sources and I have been having a lot of fun having that on while I worked. She was an amazing woman who gave us sewists a lot. I miss her though I only met her briefly once at a quilt show.
Sew I am taking a full break today. I sold one of my two cars yesterday to one of those companies that buys cars, because we were having trouble keeping the battery charged and running since we used it so little. They gave me a fairly good deal on it. Both my son and I work from home and we simply don’t need more than one car between us.
That was an almost surreal adventure. I found I had a flat tire when I got there. It drove fine all the way there except I had noticed a little bumpiness at one point that I chalked up to the road. David was driving the car I sold, and on the way the EZPass in that car decided it was time for the battery to quit working and he had to stop and pay the toll with a credit card, and then I got there and realized I had left my wallet behind! I never do that. But I had put it down to grab my mask and forgot to pick it back up. So we got the AAA to come and fix the tire, which apparently is not damaged in any way, and we discovered the other car had a low tire too! Odd, don’t you think? Suspicious? He pumped up that tire too, which also did not appear to be damaged and David drove me back to pick up my wallet and we went back and completed the sale. It was trying and tiring, but we came home all safe and sound.
Sew after a tough week that also included having my dishwasher die and getting a new one installed on Wednesday, as well as the real work of figuring out all that video equipment, and then to be topped off with the difficult day yesterday, I decided to just goof off today and pick up again tomorrow after church (I watch our church service online, even singing the songs, giving the responses aloud, and so forth. That helps make it more real).
Despite it all, this difficult week ends up with a nice new dishwasher, a check for the car, and my video equipment and methods figured out and ready to use with charged batteries and downloaded manuals on how to use the equipment, and I even made progress on learning the editing software. Thank the Lord!
Sew happy everyone! I’m really ready for some time playing with fabric and threads. How about you?
Sew I have spent the whole last week working toward getting set up for VLOG’s that I plan to periodically publish on YouTube. I thought in the beginning I would be able to do the setup in a couple of days at most, but there were so many things my test videos revealed that needed attention…placement of the cameras, sound quality of the recordings, doing the demonstration of the sewing around the cameras, poor skill of the presenter (me). I have finally managed to get a setup of two of my three cameras at my Bernina 880 plus and an additional setup at my Q20 so that you can see me fairly well, and it doesn’t emphasize my age too very much like my first try did. I got the front camera placed so you can see the stitching going on relatively well and it doesn’t get so much in my way so I can’t really work. For instance, it doesn’t get in the way of threading my machine like one of my tries did. I think that front camera will also be a little adjustable so if you need to see the screen and buttons on the machine that will be possible. The third camera will be placed on an overhead gadget my son Ken put together for me. That has to be installed first though.
Through a little YouTube research on the camera gear, I finally figured out I was missing a small piece of equipment that is designed to improve the sound quality between the camera and the microphone. I ordered that from Amazon and it will presumably arrive early next week.
Besides getting the equipment set up, I realized I need to do considerable practice for my videos to flow nicely and be enjoyable. I am not a natural presenter, so I have to work at that a bit. I am also working on getting my video editing with multiple cameras up to par. So I am guessing it will be another couple of weeks before I start publishing videos on YouTube, but I am thinking I have made a lot of progress so far.
In the meantime, I am working on my book and downloadable handouts to accompany some of these videos. I kind of wish, in a way, that I could just drop all of this and go make a fun piece of fabric art. But I think once I get it all set up I CAN go make a fun piece of fabric art and include my quilty friends that are interested in the process with my videos.
I am still very excited about my wool applique by machine overall project that inspired all of this in the first place. I so far have five skill-building pieces outlined and some are completely written in my book manuscript. I need to make the samples for that. After that, I am planning on additional books encapslating some of my somewhat unique techniques that draw heavily on machine work. So this is just the necessary not-so-fun part right now and I’ll get over that hump shortly.
I really admire those of my friends who so successfully create their teaching videos with seeming speed and grace. My process is much more bumpy and slow. LOL
Sew happy everyone! Have fun in your studios this week. I love watching a lot of my quilty friends videos. They help keep me cheerful. Cheers.
Happy Mother’s Day to everyone. Yes, many of you are mothers and grandmothers, but I know a couple of you who have no children but provide much learning and support to us quilters and sewists in motherly fashion. So Happy Mother’s Day to all of my readers (even the guys). My oldest son Ken has already called to talk with me, and my youngest son David, who shares my home with me, is going to cook a steak dinner tonight. Lovely!
My side yard
It’s gorgeous here in Ashburn, Virginia. About 65 and totally sunny with not a cloud in the sky. I just spend about an hour out back enjoying it all. The back of my house looks out into a small woods, just thick enough so I can’t see over to the next part of the neighborhood and thin enough so developers won’t come and build back there. The wildlife is delightful that live there…birds of several varieties, bunnies, turtles, squirrels, chipmunks, and even foxes. I feed the birds so I can see them and they pay me back by keeping down the gnats and flies and singing to me.
My youngest son David on the upper deck.
Sew I had hoped to finish the quilt I am making in memory of my wonderful mom, but though I have made great progress, I still have a ways to go. I have finished the quilting on the central part of the quilt and am working on the borders. I put freeform feathers on the bottom border, and I plan on doing the same on the top border. I got some new stencils and am have marked a beautiful vine with leaves coming down both sides. Since I quilt everything to death, except my snuggle utility quilts, I have a lot of quilting to go yet. And then I will have to wash it to remove the markings, and paint some of it. So there is much to do still. I had thought it would not be pretty enough on the back to be a good show quilt, but I just turned it completely over and was surprised to find it is beautiful. Yes, there are flaws, but it is still beautiful. The flaws don’t seem to show much on the front. Some of them will be removed, others will maybe go under a label or two (I’m thinking of writing a little biography of my mom in a simple text label in addition to the who made it when and so forth label).
Sew I am close enough to being done with Mom’s quilt to think about what my next major project will be. I actually have three going now. One is my own personal snuggle quilt for my bed using Sue Nickles applique blocks that I just use to work on when I want to do something that is just relaxing sewing, one is a fairly extensive project of wool applique by machine that I am simultaneously writing a book about.
I have found that there is a slight bit of room in the art quilting world for books that people with advanced machines may want to have. There are a lot of how to quilting books for beginners, piecing books, and yes, even some advanced art quilting books, but I think while there are some books out there for people with all these wonderful stitches and feet and other attachments, that area might still have room for some skill building books for using these advanced machines many of us have. Wool applique by machine is my first of these skill-building books I am working on (I just bought a second camcorder and will be making videos too).
Another book I am thinking of is multiple deep space quilts using a variety of methods in homage to the magnificent deep space scenes you can find many of on NASA’s website that are copyright free. Here I have some credentials in the quilting world, because I have won several nice ribbons on my deep space quilts and I have many more to make. So I thought this would be a good book and already have it underway using photos I took while creating some of these quilts. I plan on making several more, some step outs and some small ones to sell for people who may want one of these for their wall, or to give as a gift. Of course, I will be producing show quilts from this project also, giving my work double, or even triple use (I will be making some videos too).
Sttitching Spiral Quilt 3 with a reference picture. I gave this quilt to Ken and Beth.
I guess maybe that is all I can do this year, but it doesn’t stop me from planning other quilts, and thinking about how I can incorporate them into books and videos. I may speed up, and some of these books are nearly written and only need a few samplers. so it might not be as overwhelming as it sounds.
I would love for my readers to tell me what they want me to teach by book and video (I am not going to do much travel for a while), realizing that I have been sewing for more than sixty years, having even once owned my own fashion design business, and quilting since 2009, with ribbons and other awards to my name.
One of my most prized awards that may sound unrelated, but is not, is a simple honorable mention I won in Kanazawa Japan decades ago. I studied Ikebana there, receiving my fourth year Sogetsu School Ikebana certificate, the next one, had I continued, would have been a master certificate. While there, I entered a flower show and made an arrangement using great big sunflowers, chrysanthemums, and swooping curls of broomstick. It won an honorable mention. Theoretically, it was anonymous. But there were some magnificent arrangements there. It’s something I have never forgotten. Nor have I forgotten a single bit of my training. I have sketch books with some of my arrangements too. A flower arranging quilt would be fun.
Kanazawa Memories, with machine stitched sashiko and a fabric Ikebana arrangement I made by printing individual flowers on fabric and appliqueing them into an arrangement. I lived in Kanazawa Japan for three years as a young woman. I no longer own this quilt.
In the stitching/sewing world, I can probably teach almost anything except piecing and hand sewing. I can do those things, but only at about an intermediate level, whereas clothes, tailoring, and now art quilting, I consider myself to be at an expert level in many of the techniques. Please comment and send me your questions or suggestions either here, on Facebook or send me an email/message, realizing it will be a while before I get the answers to you, unless it is a simple answer I can put on my blog. Also, what do you think of my planning to write books for people with higher tech machines?
Sew happy everyone! I hope you get to go out and enjoy the great beauty of spring or fall wherever you are.