Sew today I decided to begin working on the satin pillow top that I am making to test some methods I plan to use for my Mom’s memory quilt. I am using polyester crepe back satin, a beefy satin that I have tested previously for quilting with great results and I am trying to figure out the marking method for my Mom’s quilt, because it has a LOT of detailed stitching/painting lines to produce the designs.
I used it as the border on one of my favorite quilts Pendragon because I could not find the right color in a natural fiber under twenty dollars a yard. I only used it on the border though.
34 x 45
But for this quilt, I prestitched, painted, then constructed, sandwiched and quilted. I over-quilted the border with monopoly, which gave me the opportunity to bring out the over and under characteristics of the Celtic border designs. I used quilting paper with temporary adhesive dots for the marking. This works fairly well, but when you use really small details, it may break away at an awkward place or may be really hard to remove after stitching.
This may end up being the method I use for Mom’s quilt, but I really wanted to use the border method I did for Canterbury Silk and Canterbury Knight, where I appliqued on a few things, quilted it, then painted the quilting designs. For both of these quilts I used Radiance Cotton/Silk blend, not polyester.
practice pieces for Canterbury Silk
I marked those (and remarked them, and remarked them before all the original marks quite disappeared along the way) with Fons and Porter’s mechanical white pencil. It doesn’t stay on the satin very well, but was the best I could find at the time.
Mom’s quilt will be made with off white polyester satin and two blues of beautiful polyester dupioni (I LOVE these fabrics), and of course, the pieces of crocheted lace squares I found in her workbasket after she died.
I want to mark it in a way it will stay, I can actually see it, and then I can get rid of the marks completely when I block it. Is this a dream?
So today I tested multiple markers. The blue marker many of us use immediately bleeds all around the mark, as does the crayola washable marker I frequently use. This blurs the lines so they are not usable for this quilt.
I tried marking pencils, which I know go away as you work through it on satins, in particular, though I can kind of see it. The pencil pulls the fabric as I mark it, and I have to hold it really carefully. It sort of put slight pulls in it in places, and the detail is kind of hard to see under the light of my machine. In other words, it’s not really what I need. Colored chalk comes right off after just a tiny bit of stitching. Clearly not the winner.
Out of frustration, I am trying pen similar to Frixion, which works so well for seeing it, doesn’t go away as you work through the construction, and disappears when ironed. But it comes back when frozen (i.e. when shipped to the quilt show in an airplane or transported in the winter). I am testing to see if there is a way to get rid of this marker without destroying the work I do on the quilt.
I am still testing that one, however. If I can figure out a way to use it and then remove it completely this would be almost ideal. So I have ironed off the test piece and have it in the freezer to have a sample to try really removing it.
I say almost ideal because I would probably have to remove the marks after I have all the stitching done and then do the painting. But I am going to test that too. IF I can remove it, and NOT remove the painting, then I would say it is ideal.
Anyway, I completely marked the pillow sample top with the gel pen so I can practice the quilting/painting method I plan to use, and then try to remove the marks so they won’t come back.
Let me say that I would strongly not recommend this marker for most quilts. It does come back when frozen, while all the other markers…Crayola washables (my favorites), blue markers, chalk, and marking pencils come nicely off either by washing or erasing.
But this is a special case, and something I would use a lot if I can come up with a good marking method for light colored satins.
Next I will have to test the paints. I’ll let you know how all this goes in my next blog post.
Sew happy everyone! Test your techniques, fabrics, markers, threads, tensions, needles, paints, markers BEFORE you invest all those hours (and money) in your projects to prevent frustration. Also, I highly recommend you prewash your fabrics. Except for machine problems, there are few things in your studio more frustrating beyond completing a beautiful piece and have it get ruined (or nearly ruined) in the end when blocked. Have a great week everyone!