Sew Happy with My New Machine

I have been blessed with a really fine new Bernina 880 Plus, aka Odette.  I have been doing a lot of work with the machine since I got it all settled down and I learned its little ins and outs.

I have been working on a quilt in  memory of my Mom.  Mom was a great beauty, a fabulous sewist. a woodworker, had been a nurse, and a home decorator.  She was a wonderful mother and wife during her life.  She taught me to sew and knit. This quilt is a hug and a bow to her sparkling memory.  I’m really enjoying working on it as I remember all the wonderful things she taught me and shared with me.

Mom (Zephana Bivens) in her woodshop at 78.

So my design for Mom’s memory quilt has a considerable amount of in-the-hoop embroidery in it.  Some of the embroidery designs came with my new machine, were some I had purchased or collected  in the past, and two of them I purchased just for this quilt.  In spite of when I got them, all the designs are from OESD and are amazingly well digitized and have stitched out wonderfully on my new machine.  I am so impressed with how beautiful the stitches are, how they don’t overly pull, and how wonderful they look when done.  I have three more to go, each requiring about two hours to complete.  Then I will sandwich, quilt, paint, wash and block, bind, and add crystals and pearls.

Mom, Dad, and my brother Pat before I was even on the way.

I also have done some additional sewing just to see how the machine works, testing all the attachments.  I got some special feet designed to work with leather and vinyl.  Just this week I bought enough beautiful faux leather to make my youngest son, the writer who shares this house with me, a coat and myself a jacket.  I’m excited about this project.

One of the things that came with my new machine is Bernina’s Big Book of Feet. I have been reading through it while babysitting the embroidery module doing its work.  I find I have most of the feet, since I had a Bernina 830 prior to this one and had collected them across the eight years and I got some new ones that came with the deal.  It’s so exciting when I can do and I will be sewing a lot of clothes and home decorating items over the next year as well as the planned show quilts on my list to explore some of these interesting techniques.  I’m thinking I might make some of the clothes as wearable art and enter them into shows also.  Maybe I will make a few bags and hats too.

Mom and me in May 1967. I am showing off the dress I made.

How exciting!  Will I get it all done?  Probably not, but it will be fun trying.  After nearly three months of working to get a good new machine following the breakdown of my 830, and another couple of weeks learning Odette’s ins and outs, I have concluded I have the best machine I have ever had.  It sews evenly, beautifully, and smoothly.  I foresee many years of exciting new projects ahead. Knock on wood!  LOL

I’m currently writing a book about embellishment that will include several sampler projects, just to fill in my spare time…hahahaha.  (Also, I am going to teach a class at G Street sometime in November on embellishment).

Embellish This! workshop sampler for November 2019 class.

Sew happy everyone!  Take time to learn what your machine can do.  Even some of the more basic machines will help you do some remarkable work if you take the time to explore it, but especially if you have a more advanced machine….take that time to read the manual, and try some new techniques to enhance your sewing.  It will give you lots of happiness in the process and with the items you make.

Fall Is In the Air

Color Swirl by Kevin Tatum (my grandson) using Corel Painter.

Ever since I was in High School, which was a long long time ago, I have gotten excited when I started thinking about fall and winter sewing and quilting.  This year is no exception.  In fact, having just reorganized my fabric, thread, paint, and notions stashes, and purchased a new Bernina 880 Plus, I am more excited than usual about the projects I have before me this year.

One of the things I always like about going through my studio to sort things out is finding pieces of fabric I had forgotten about or had at least pushed to the back of my to do list.  This is for both clothes and quilts.

When I cleared up my studio this year, I also went through my clothing patterns, pruning out about 75 percent of my old patterns and keeping only those that seem right for me now.  The remaining patterns and fabrics for clothes on hand are inspiring me  to think about making some new clothes. My wardrobe really needs an update too.

When I bought my new machine, I got it at a time when they were providing a gift that includes new feet, some machine luggage, additional embroidery motifs for use in the hoop and a variety of other neat things.  I was able to exchange some of the feet that duplicated those I already had for some new ones.  So now I have a lot of feet that are inspiring ideas for using interesting techniques.

Remember when I talk about all  the things I have found in my studio, I have been sewing since I was five years old and I am 72. I retired in 2012 to be a full time fabric artist.  So some of the things have been hiding for a while from me in some of the closets, in boxes under my bed, and even in plain sight…LOL.  I feel very blessed.  Because of all the things I recently rediscovered stashed away I don’t have to buy anything new for most of the projects I want to make.  I did restock some threads and paints that I anticipate needing.  So I have resolved to myself that for the next year I will attempt to do m work without new stuff.  Now I want to make:

  • a new bag, in leather (I now have feet for use with leather and vinyl and some leather).
  • a new suit, in black denim (I have a stash that includes a fair amount of denim) with embroidery
  • a blue denim jacket
  • a new dress suit in wool with a silk top to go with it
  • a new jacket in raw silk, maybe 2 since I have 2 nice pieces
  • several new tops and use some heirloom techniques  (I have a nice collection of feet to use for this now) and embroider some of them.
  • I also want to make several new show and utility quilts.

It is fairly certain that  I won’t get all of this done this year, but it’s nice to have them on the list to pick from as I do have time.

Clearly I have an exciting and busy time ahead that will last well beyond fall and winter, and I have already started.  I will have to plan my days in order to fit other important things into my life.  I’m excited!  I’m sure the nicely rearrangement of my studio, and my wonderful fleet of machines will help me accomplish a great deal of these projects though.  So I won’t have to buy any new clothes for fall through spring either. I don’t have much in the way of summer fabrics, unless I use my quilting cottons.  LOL

Oh, and last year I made a new dressy overcoat with a “fur” collar using some of the fabrics on hand.  It’s warm and cosy.  So I really do complete a lot of these dream projects.

Messy work table with coat pieces


Progress Report on My Mom’s Memory Quilt

I have made a good start on my Mom’s memory quilt, which is going to also be a show quilt, but I have a long ways to go on it.  It has a large pentagon in the middle of it on which I am appliqueing her needle work.  The pentagon fabric is a lovely medium blue dupioni that sets off the beauty of her crocheted lace.  It’s a pentagon because I thought I only had five of the ten inch squares I found in her work basket, but during the reorganization I found a sixth square.  It’s a slightly different shade of crochet thread, though, so I will find something neat to do with that one.  The color difference is probably why it was in a separate  place.  There are  some more crocheted items, but they don’t work with this quilt.

I had no idea how difficult it would be to make a perfect pentagon that has 21 inch sides.  It was a challenge.  A good friend of mine sent me a Corel Draw pattern for one to print in tiled sheets and taped together.  I thought that it would then be easy to get it right, but putting the tiles together that way gave many opportunities for slight variations in the shape.  I had to try it several times until I got it right, but finally succeeded when I started using a lot of rulers to help.

So yesterday I cut out the freezer paper pentagon, cut out the fabric, and then glue basted the edges down.  I checked the edges for straightness and measurements.  It’s very good.  the sixteenth of an inch off I had on the paper pattern disappeared as I worked the fabric from it.  I love how it looks.  I placed the crocheted pieces around  it in a way that forms a star in the middle, just laying them down to see how it looked for now.  (No pictures until its debut show, whatever that will be).

It is in many ways a gift to my Mom. It would be so much fun if she were still here to show it to her, but I am having a lovely time making it while thinking about all the great things she taught me and the lovely things she made herself. She did not quilt, but she was a real expert seamstress.  She has been gone now  twenty years, but sometimes I think she is nearby.

Sew happy everyone!  What are your planned projects for this fall and winter?

 

 

 

Making Samplers

I am writing a book on embellishment techniques and have a plethora of samplers to make for this book.  I will also be using examples from some of my show quilts.  One of the projects in my book includes  several samplers teaching how to make trees using couching and a variety of interesting decorative threadwork.The starry night in the winter forest scene above is almost complete.  I still have to bind it and add hot fix crystals in the sky.  But I thought I would show you what I have on this little sampler, which I stitched on with no premarking.  This is such a fun activity to just sit down with a small quilt sandwich and play.  Initially I had planned just to practice and test some tree making in preparation for this sampler, but I liked it and decided to just trim it down and make it one of the samplers.

  • The two front larger trees are couched on sport weight yarns using a couching foot #43 on my Bernina Q20 and white 100 weight Microquilter by Superior Threads with Bottom Line in the bobbin. (Q20 settings: net on the cone, bobbin tension 180 with a magic silicone bobbin washerover the spring, top tension 1.50, threaded across the silicone gadget with the pink liquid, 80/12 universal needle (note…for small thin 100 weight and monopoly threads the universal needles work best, because the top stitching needles I normally use tend to “step on” the thread and break it instantly.  This is true whatever machine you us).
  • The middle tree, though you can’t tell in this picture, is sparkly silver Ricky Tims Razzle Dazzle by Superior that I couched on also with the couching foot #43 using a silver Superior metallic thread in the top (same settings except top tension is 3.0 and needle is 90/14 titanium top stitch Superior).
  • Then I free motion stitched the two smaller back trees using Aurifil 12 weight wool/acrylic blend thread and a 100/18 top stitch needle (Bottom line bobbin set as above, top tension 3.0, spi 9, bsr1,  100/18 top stitch titanium Superior neeedle, threaded as normal, stitched slowly, use a tooth cleaning threader to thread the aurifil thread through the take up bar hole and the needle).  Clean and oil your machine after using wool blend thread.
  • After that, I free motion stitched with Superior metallic thread the lines showing the hilly shapes, ruler stitched the moon shape, and painted the moon with Setacolor paints.
  • Then I used 100 weight black Microquilter (set as in the first dot section) and did a simple stipple all over the quilt and outlined the trees.

I encourage you to try such a sampler.  It can make either a neat Christmas decoration once all the crystals are placed on it, or you could add a halloween pumpkin or owl applique for Halloween.



Progress on Mom’s memory quilt:

Now that I have it all designed, I decided I had to make a sampler to practice everything especially on the satin part of the quilt where I will have pictographs of flowers, birds, and embroidered items that are related to Mom’s interests.

So I managed to get all the marks out of the test piece when I used the heat away pen after a four hour soak and a cold water wash in Synthrapol and finally a reironing to take away the last of the marks, which were very light at this point.  I then refroze it thinking they would come back but they did not.  I will retest this on the sampler when I am finished with it.  This is the kind of treatments you have to do when your fabrics or thread colors bleed onto your quilt, so I do not recommend the use of these pens except in very rare circumstances and after much testing.  I plan on making a decorative pillow for my bed with this sampler.

Sew I thought the hardest part would be to quilt the pictographs, but I found that to be really fun and, while time consuming, they were fairly easy to do at a slow stitch with my Q20 using BSR1, spi 12, and Magnifico 40 wt thread by Superior, and a 90/14 top stitch titanium needle with top tension 3.5 and bottom line in the bobbin at 180 tension.  Now I am working on figuring out the background, but first I will be doing really really tiny scribble stitching for about a quarter inch out from the edges of all the pictographs with 100 wt thread to set them apart and make them look like trapunto.

I am using a double bat on this quilt (80/20 thin bottom and wool on top), a cotton backing, a beefy polyester crepe backed satin and two colors of polyester dupioni.  But the only pictograph quilting is only on the ivory satin.  Here are the sampler pictographs.  I think it is coming along really well, but I am puzzled about what kind of background I am going to put on the white.  I am thinking of using walking foot stitching with some simple decorative stitches on my 880 plus in some kind of grid work, but I am not sure yet.  One thing at a time on this project. LOL  It’s hard to see in this picture, and it looks like there is more problem with fabric management than there is, but here is the sampler so far.

Sew happy everyone!  Take some time to play on some samplers that you might want to use or just throw out later.  It gives you the freedom to try things you might be hesitant to do on a full quilt project.  Cheers.

 

Embellish This!

So yesterday I got the printed fabric I ordered from Fabric on Demand with my little 15″ x 15″ panels I designed for my fall class on embellishing techniques primarily by machine.  It came out wonderfully, and I have already washed and dried it so I know it won’t run or shrink.

Sew I can play with embellishing one or two of them to make the sampler and save the rest for the class.  I am thinking these would make perfect tops for decorative pillows.

This made me realize how much fun it is to use the different feet and techniques we now have for decorating our fabric art projects and I am really looking forward to decorating these.

Sew I had a crazy idea I would love your opinions on.  I am thinking I might design some more of these and publish a short book on how to accomplish the various techniques.  Then I could sell the “Embellish This” squares from my website so those who bought my book, which will be sold on Amazon, could buy them and embellish decorative pillow tops or sides of bags, or some such. I will aim to get these ready by October so people could have time to make pillows or tote bags or anything they could think of for using them to give as presents.  Oh it would be so much fun.  What do you think?

Sew happy everyone!  Remember to take out your machine feet, read your manual, look at YouTube and sling that bling around!

Workshops, Quilt Plans and Start!

   Blessed Memorial Day everyone!  I like this eagle on this old     label.

Yesterday I completed my four part quilted fabric art workshop at G Street Fabrics for 2019.  I am planning on doing the same set next April/May session there, but nothing in between.  I have other plans for the rest of this year.

We finished up with ruler work for sit-down machines.  Everybody seemed to enjoy it, though I think they all (but maybe one) felt a little like they needed to go away and practice a lot before they really feel comfortable with it.  For those people, do that practice and to help ou out please go to my downloadables and links page and find the info there for making more marked practice sandwiches.  I will also add links to some products we talked about in the classes.

* * * * * * *

Coming up with a plan

I think of things in steps.  I don’t know why, possibly it came from my long years of sewing clothes before I did any quilting and progressed through solving problems at work and back to sewing again. So I have come up with steps for making a major quilt, masterpiece quilt, or show quilt that you probably already do in your everyday quilt making but I have defined them below just because.

  1.  Come up with a plan.  I don’t necessarily mean a pattern, but it could be. This can be as simple as drawing a basic project design in your sketchbook or on your digital drawing package on your computer and enlarging it to full size.  Or you can find a pattern you simply love that another quilter has designed and purchase it.  Some notes about this:
    • I will tell you that for most of my quilts, this part of making the quilt is about one-third to a half of the work.   Sometimes, however, I only need basic placement guidelines for something so clear to me where I’m going, and kind of organic or freeform in nature that I don’t really need a pattern.  I do however always need help in keeping parts properly sized and placed.
    • If you are using someone else’s photograph or drawing for this, make sure you have permission from that person to use it for your quilt.  This may involve purchasing the rights (something I have done on occassion) or writing a letter and requesting the use of the inspirational piece.  Get that answer in writing to protect yourself.
    • Frequently you can find an inspirational design in royalty free designs, such as that available on Dover Publications books, or even online at museum sites for ancient documents that are so old they are free to use.
    • Don’t assume that the inspirational resource is free to use just because the creator has passed on.  The families or organizations behind these people may still hold the rights.  They must be in open domain.
    • Or you can draw it yourself.  Even just a simple placement drawing will help you keep things right.
    • Enlarging to full size for printing is not difficult.   You can use your printer’s tiling (if it has one), Microsoft Excel where you tell it the size of your picture you import and it divides it into page-sized tiles for printing to tape together, or a drawing package such as Corel Draw that does the same thing (remember, if you have Bernina Design software you have a limited version of Corel Draw that includes tiling).
  2. Now build your background.  Once you have your plan in hand, you need to have a quilt top background.
    • Even if you are making a whole cloth quilt, you need to get your fabric sized, cut, and marked, allowing additional space around the edge to make up for the drawing in that occurs in a lot of stitching.  You square it to size when ready to bind.
    • If you are making a landscape, you need to start from the farthest thing away in the background and move forward piecing or applipiecing (piecliqueing) the parts together forward.  Darkest to lightest maybe.  You might find that working through this on freezer paper or tracing paper will help you, which is how I started, but now I find I don’t need it at all.
    • Or if you are making a pieced quilt, you need to do the piecing and build your quilt top.  I’m not a piecer, so I have no real advice for this step.
  3. Assemble any applique parts.  One thing that might help you, is to make free motion or in-the-hoop embroidery parts of your design independent from the top and then applique them on.  I mostly use black or appropriately colored nylon bridal veilling for this with washaway stabilizers.  It can save a lot of tears.  LOL

Remember to do the best job you possibly can.  Take the time to draw it right, print it right, tape the pattern together right, wash your fabrics, if washable, and starch and iron the fabrics, and piece the background right. Also if you are using a very light drapey fabric, such as silk or polyester dupioni or satin, backing it with a very light weight fusible interfacing will help it behave.  Redo if it is wrong.

Turning Pages in My Studio and Practice

Sew my second workshop on quilting with feed dogs up at G Street Fabrics in Rockville, MD went well on Friday and I am nearing completion of preparations for workshops three and four, which are both reportedly full and may even have a waiting list.

Ruler workshop sampler/design just completed the quilting. Ready to block and bind.

Yesterday I finally completed designing and quilting the sampler quiltlet for my fourth class, which is ruler work for sit down machines.  I had quite a challenge with that one, because G Street asked me to use the Bernina ruler set for sit down machines.  So it has taken me several designs and test samplers, but I wasn’t pleased with them until the one I finally finished yesterday (I still have to bind it).  I will now adjust the schematic for the handout to match the end results and that is all I have to do to complete the handout.  I was so happy to get this class designed.

Now I can turn the page to creating for the rest of the year and can think about my new show quilts I will make.

Speaking of pages, I created a new page with a link at the top of the blog on the right called Downloads and Links of Interest.  This page so far has schematics for markging guidelines for practice quiltlets.  In all my classes I am recommending that the quilters make themselves more quiltlets and practice, practice, practice. Actually, that sounds like work, but really it is more like play.

One of my students said she has been making a baby quilt to perfect her quilt making, though she has no baby in her family coming and was going to give it away.  I suggested she give it to Project Linus, so I added a link to that on the new page. This is a wonderful way to improve your quilting and do something wonderful at the same time.  Don’t send them real disaster quilts, but as you get some that are pretty and nice, though not necessarily perfect, wash them and go ahead and send them.

I also added links to rulers I like and videos of their creators using them.  I will be adding more links in time, and plan on making videos myself of work at my machines and more Bernina V8 embroideries, and I will provide links to those on this new page.

I was considering stopping making show quilting earlier this year, wondering if I was accomplishing anything with them.  So after some thought and prayer, I woke up one day really excited about work in my studio.  I decided I can use my show quilts for examples in new books and showing how tos for my classes.  Making a show quilt keeps me on my fabric art toes.  I don’t let things that should be unstitched and restitched go by.  I fix what is “wrong”, and I come out with a better quilt.  So for a few more years at least I will continue to compete.  I always get excited when I start working on a show quilt.  I get frustrated too, but will usually come up with a solution when I run into a problem.

So the future in my studio now seems bright and interesting with a concentration on show quilts and books, together with the occassional set of classes.  Join me in my journey…check out the new page.  I am also planning on providing more little tutorials here in my blog space and alerting you to my videos in the future.

Sew happy everyone!  Try something new in your sewing space and practice…consider it playing because it is fun!  Be sure to branch out and make a beautiful project.  Smaller quilts are great first items…table runners, lap quilts, baby quilts, dog quilts, vests, and quilted bags.

 

 

 

Adventures and Misadventures in My Studio

Wow, what a week in my studio. It was full of both frustrations and accomplishments.  So I thought the picture above, which is something resulting from one of my playful edits in one of my digital art software programs seems about right.  LOL

So anyway, this week I realized I am only a few weeks away from my first quilted art workshop at G Street Fabrics in Rockville Maryland.  April 12th!  Yikes!  It’s almost here and I’m not ready!  Well, I know what I’m going to teach, because I have given this class once before, and I have the kits figured out…but I frantically found the bag I had left over from the last class to see if I have enough pieces to make any kits at all for the class.  I put together five finished ones ready for use, three that are partially finished, and I need ten altogether.  Yes, it’s just a little class of not more than eight students and not less than three.  Sew I make ten kits..eight for the students, one for me to use in demonstration, and one for oopsies.

A frantic text to my friend Mei-Ling, who is the Bernina dealer there and with whom I am running the class, solved the problem of missing pieces.  She has the thread.  She has the needles.  I shopped my stash and found I have the fabric.  I can print off the handouts.  SO all I need now is time.  Well, in truth, I can do all the things I have left to do for workshop 1 in one day.  I’ll tackle that early next week.  And then I must put together kits for 2, 3, and 4, but they are less difficult and take less time.

There is also the Easter banner my friend Anita and I are making for the church.  It seemed to be progressing very slowly for a while, and I was feeling a little frustrated, but yesterday we got the main top or front together and it is looking fabulous.  We just need to stitch down the embroideries, which are large sets of lilies I edited from an old design and stitched out in the hoop.  There are two sets and each set took about five hours to stitch out, but they look really good.  There were some odd skips of stitching and missed outlines, probably resulting from the wrong setting on pull compensation and other editing errors on my part, but I took them to the machine and free motion stitched the repairs and corrections…so they look great.  We have them glue-basted on to the banner and all we have to do is zig zag them on with monopoly.  The cross, the lamb, and the little applqued banner at the top are all on.  And yes, I will be taking pictures and posting them here for you to see.

So I have been trying to solve the problems related to making instructional videos for posting on YouTube and to give a little taste of some of the things in my Bernina V8 book, Twelve Skill-Building Projects for Bernina V8.  I also want to develop a series of videos on quilting using both my Bernina Q20 sitdown longarm and my Bernina domestic machines.

So I had first to learn to use the software…that was and is a challenge.  But I have succeeded in making several test videos now.  Then I couldn’t get the software to connect to my microphone, but today, I finally figured out where to find the setting on my computer to allow this to happen.  Eureka!

The first voiced video showing how to take a simple design and turn it into a really pretty wreath design on Bernina V8 is really quite funny,  I am thinking I will leave in all my mistakes and backups and fixes along the way because it shows how to overcome things and is much more amusing too.  In the end I managed to crash my computer and will have to take it up again and edit the pieces together.  Gosh I wonder how hard it is to add additional RAM (random access memory), which is what I need to not crash the computer.  I thought I had plenty in my current machine, but when it gets into making videos coupled with advanced software like Bernina, it isn’t quite enough.  Oh sigh.

Anyway, when I finish this first demo I will put a link here so you can find it if you are interested.  Even if you don’t have Bernina software you may find it funny enough to watch it.

Sew now I’m going to work on the sample for my fourth workshop, which is on ruler work with a sitdown machine.

I am so looking forward to getting the workshops prepared, the Easter banner done, and getting back to making quilts.

Sew happy everyone!  Stay tuned for future videos.  Also, would you like a podcast about once every couple of weeks?  I think it would probably be just me talking to you, but once in a while might include a guest?  Let me know.

 

Bunches to Do

This nice drawing is from Dover’s Chinese Designs. Whatever would I do without Dover!

 

Oh, dear readers, you knew it was coming didn’t you?  I have gotten to the place where I am feeling a bit swamped with things to do.  That’s why I have been lagging in my blog writing. It would be ok except I seem not to have time to do my favorite thing right now…work on show quilts.  And I have show quilts that need to be made!!!

Sew I am preparing for a book signing party on April 20th and four classes I will be running at G Street Fabrics in Rockville MD this spring.  Each has handouts that need to be updated or created and kits that need to be assembled.

  1. Fabric Arts 1:  Machine Applique Techniques
  2. Fabric Arts 2:  Feed Dogs Up Quilting (on a Domestic Machine)
  3. Fabric Arts 3: Free Motion Organic Quilting (on a Sitdown Machine)
  4. Fabric Arts 4:  Ruler Work Quilting for Sitdown Machines

The real project right now is for my church, that asked myself and my bff Anita to make a new Easter banner for the church.  I was already swamped, and the addition of this project is a bit of a time draw.  Fortunately, Anita has been working with me for over a year now to learn to use fabric and thread as a medium for her own art.  So she is doing most of the work, though not all, but coming here to do it where I have the machines and tables and paints and bunches of fabric and thread.  LOL.  I am doing a lot of the specialty items, like machine embroidering the words and guiding the methods.

Easter banner concept drawing

In case you didn’t know, I now have published both Ten Skill-Building Projects for Bernina V7 and Twelve Skill-Building Projects for Bernina V8.  So if you have one of these programs for digitizing your in-the-hoop embroidery, you might find this of interest.  I beg you, please, if you buy the book and like it, please please write a review on Amazon.  It does not have to be very long…just a single sentence or a couple of sentences.  Reviews really help the authors.  So far I have a single review on both books.  Much appreciated, but I need more.

                                New book!!!

Sew I am preparing to do a book signing at G Street on April 20th, and plan to show some demo videos of the software.  This has taken me a considerable bit to learn how to do these videos…live screen capture, editing the resulting videos, trying to get them right.  I will post these on my new YouTube channel (Betty Jo’s Fabric Arts), when I get them complete.

And the fourth workshop listed above for G Street..the ruler work..is not fully designed yet.  I have been working on making a sampler and made much progress on what I want to show and teach, but it isn’t done yet!!! Yikes!!! It also will provide a kit with a little quilt sandwich, premarked with some guidelines.

Show Quilts…what am I doing, or trying to get time to do? 

  • The Bob Ross challenge by Cherrywood Fabrics.. Due July 1st.  I have the fabric, I have a design concept…will I get the time?  It’s small, so that helps, only 20 inches by 20 inches, but it will need a bit of time.
  • A train quilt with a steam locomotive to showcase a number of interesting applique and embellishment techniques. No real deadline, but I would love to finish it in time for the fall Mancuso show in Oak Pennsylvania.  Deadline is sometime in August.
  • A stack of other interesting, fun, hopefully beautiful, other ideas I won’t discuss right now.

So to top it all off, I am working on another book..the first in a series of Quilted Art Techniques books.  My concept right now…subject to change, of course…is for three books talking about techniques…one on building the top, one on quilting the quilt, and one on surface design and embellishment.  The challenge for these is to provide a way forward for quilted art without just being the same-old same-old that is already out there.  That’s a big challenge, but I also still think there is room for me to present my techniques in a way that will help artists and/or quilters to accomplish a vision they have in their heads but haven’t been able to do until now, or were had not yet figured out the steps to take.

Sew happy everyone!  I have not abandoned my hope to do a weekly or more blog post talking about adventures in fabric art.  Have fun in your studio, even if it is just a small space! 

 

Digital Fabric Arts Adventures

Background fabric design for use in upcoming quilt

This has been a busy and interesting month so far, and the end of the month promises to be just as unique.  First of all, I want to tell you about the background fabric piece pictured above.  I spent some time (more than a forty hour week) painting this design I wanted to use for a background, to which I will be adding a lot of objects, including trees, rocks, train trestle, train, steam clouds as appliques.  But I painted it digitally in Corel Painter and sent it off to be printed full size by Fabrics on Demand, which has a wide selection of fabrics and does a good job.  I’ve used them before.

So after about a week I got word that they had printed the fabric and shipped it.  I waited, waited, decided I would have to contact them because it had been weeks and no fabric.  In the meantime, we had a snow week, with an 11 inch snow followed by very cold weather.  Then we had a thaw.  Just as I was about to contact the company, my son brought in a wet package that he had found on the side of the front porch under a bush.  Yes it was my fabric.  It had apparently been blown off the porch under the bush and covered in snow and ice.  We might not have found it until even later if the cold weather had continued.

The fabric was in a plastic envelope and carefully packed, but it was totally soaked.  I washed it in the washing machine, thinking that I normally would have hand washed it with Synthrapol detergent, since it was a custom printed piece.  So I wasn’t sure how it would come out.  But it is totally beautiful.  The colors are strong and lovely and the piece is clearly not going to bleed or shrink now as I use it in my quilt.  My friend Anita was amazed at the piece.  She is an artist herself but is new to the fabric art world.  I could tell she is excited to consider that she might be able to turn her art into a piece of fabric. She would have to take a good picture or scan of her art since she doesn’t work digitally in order to get it into fabric in this way, but that works too.

Twelve Skill-Building Projects for Bernina v8

Okay readers, I have been working full-time for several weeks now just to update my Ten Skill-Building Projects for Bernina V7 to a new book for Bernina V8, and I have finished the basic manuscript, sent it to my Beta readers, and designed the cover.  I am looking to have this out by the end of February.  So if you have either V7 or V8, I think you will find working through the projects of these books will provide you with a solid understanding or improvement in your use the software to go forward and make some wonderful in-the-hoop embroidery designs.  You can make what you want for your projects.  These books are designed so if you work through the book the later projects build on what you learn in the earlier projects.  Additionally, you will end up with some fun small items…mug rugs, a color wheel, a needle book, and a bunch of nice designs to use in other ways.

I’m very happy to be more or less finished with this Bernina software books project.  I have more or less been working on this for several years now.  It’s not that the projects are that hard, it was the difficulty of figuring out what should be presented and in what order to help fabric artist that still has the program in the box or has only used it a little because it was a little confusing, or that may not know how much is really there.  It is an amazing software…almost magical.  It has tools to help you get where you need to be, but it does not do a good job of telling you what tools are there.  The reference manual is well presented, but you may not know what you don’t know and you don’t know where to look.  The books are not exhaustive in covering all the tools, but they are enough to give you a real feel for what you can do with the software.

Just as I neared the finish of the first book for V7, Bernina came out with the updated V8, so I put it aside.  But my dear friend Mei-Ling Huang, who is also my Bernina dealer, encouraged me to go ahead and put out the V7 book, because there are a lot of sewists out there still using that software.  And then she pushed me a little to also write the updated V8 version.  I truly don’t think these books would be finished without her encouragement.

Sew now that I have completed these two projects and have gotten my fabrics for the next several show quilts and workshop samplers and kits, I have to straighten up this studio!  It’s a mess!

I’m so excited about the work I have in store for the future.  I made a list of things and put a date I wanted to get them done by, just so I can figure what I need to work on next and next and next.  Let’s get to quilting and embroidering!

I also am thinking about what book I should write next.  I have found that self-publishing through Amazon KDP is not too difficult for me to manage.  I want to get what I know out for people to use. I have learned a great deal in the past sixty plus years of sewing and art work.  Maybe the next one will focus on surface design and embellishment.  I have won several prizes at major shows based on my work in this field.  But I have to get to quilting first.  Just need…to….quilt!

Sew happy everyone!  There’s a fabulous bunch of tools and supplies out there to make some wonderful fabric art.  Teach someone to sew or quilt or try something new yourself!

Happy 2019! Let’s Make this a Wonderful Year!

I always love the beginning of a new year.  It is like turning a page on a well-worn journal that may not have worked out like we wanted and finding a crisp new space to fill with fabulous adventures. As some of my long-term readers probably realize, I like to publish my creative goals in my blogs and then see how much of them I can accomplish.  It’s a challenge!

For 2019 I have four avenues for fabric and thread play planned and the timing has worked out so I am at the beginning of them all, which makes it all the more exciting.

  1. Landscape quilts, using a variety of applique techniques, threads, couched yarns and roving I hope to develop  pictorial quilts with a lot of dimension. I don’t know how many of these I will make, but I have two already planned–think “train” and the little Bob Ross challenge by Cherrywood Fabrics…and I hope to make more.  I am thinking of developing a book on these techniques along the way, now that I know I can publish my own highly-illustrated books with some degree of professionalism.
  2. Experimental quilt(s), developing a couple of wild ideas I have had floating around for a while.  These include first of all polyester crepe-back satin which will also include some in-the-hoop embroidery that I digitize myself on Bernina design software V8 and develop a Ten Skill-Building Projects for Bernina v8, as an update to my new book on v7, that will be coming early in January. And secondly, seeing what I can do with some of the really beautiful commercial panels available and/or develop some background panels of my own for sale.  Both of these things offer real possibilities for quilters with limited budgets, time, or confidence. Blogs will be coming.
  3. Workshops, that I will be teaching a repeat to the ones on developing fabric art that I taught at G Street Fabrics this past fall and will be adding a basic ruler work workshop…all scheduled for April and May already.  I am all ready for the first three except for making a few additional kits, and I still have to make the sample and kits for the ruler workshop…one week of preparation should do the trick.
  4. Videos showing especially working with my Bernina Q20 sitdown longarm and possibly more.  I have all the equipment, and this week I successfully went through the whole process to come out with one really terrible video, but I now know the process and will be practicing until I get it all just right.  I hope to share these as inspiration for people here on my blog.

I am very excited about all this. It may seem too much, but I don’t think it is given how I hope to build quilt projects together with books, blogs, and videos, getting multiple uses out of the same work with only a small addition of work. We’ll see…(oh! and I also will be continuing the work on my appliqued quilt using a Sue Nickel‘s pattern I am making for my bed, but that’s just for relaxation and fun).

I was inspired to tackle improvements in my landscape quilts first by Bethanne Nemesh’s videos on yarn couching on her own quilts, then by the success I had in using yarn couching for tree limbs and 12 weight wool threads on my Night on the Bayou quilt for producing Spanish Moss, and finally by my purchase of the Bernina attachment for my little Bernina 350 that does needle punch.  So I am going to put all this together with the applique quilting and embellishment techniques I already do and see what comes out.

I was also interested in how well a little testing of the leftovers of the crepe-back heavy satin I used for my coat did in quilting that I feel I need to make at least one and possibly more quilts using this product.  I think it offers some great possibilities and it’s a lot cheaper than the now-discontinued silk/cotton Radiance.  The every day quilter with a limited budget may find this a wonderful way to go. We’ll see, and I will write about it, at least in my blog if not a whole book.

Sew happy everyone.  Peace and love be yours as we begin 2019. Encourage those around you. Let’s make this a wonderful year full of peace, love, and yes, fun! May God bless you and yours.  Let the celebrations begin!